[{"data":1,"prerenderedAt":455},["ShallowReactive",2],{"subject-sheng-huo-chang-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1270,"sheng-huo-chang-jing","生活场景","生活场景画高清赏析","精选中国历代生活场景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fbf925060bf8061a4d97eec95e6f145.jpg",0,32,[14,44,65,84,99,119,130,148,164,178,189,205,219,237,263,272,283,291,301,309,322,332,340,365,380,397,405,414,422,430,438,447],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":37,"collection":38,"collections":39,"showCount":41,"zanCount":42,"manualWeight":11,"mainColor":43},219699,"nian-cha-tu-liu-song-nian-219699","撵茶图","宋","刘松年","台北故宫博物院","《撵茶图》为工笔白描，描绘了宋代从磨茶到烹点的具体过程、用具和点茶场面。画中左前方一仆设坐在矮几上，正在转动碾磨磨茶，桌上有筛茶的茶罗、贮茶的茶盒等。另一人伫立桌边，提着汤瓶点茶(泡茶)，他左手边是煮水的炉、壶和茶巾，右手边是贮水瓮，桌上是茶筅、茶盏和盏托。一切显得十分安静整洁，专注有序。画面右侧有三人，一僧伏案执笔作书，传说此高僧就是中国历史上的“书圣”怀素。一人相对而坐，似在观赏，另一人坐其旁，正展卷欣赏。\n刘松年传世作品很多，仅涉及到茶事内容的就有《斗茶图》、《卢仝烹茶图卷》、《茗园赌市图》、《博古图》、《撵茶图》等多幅，对了解宋代茶事有很高的学术参考价值。《撵茶图》从一个侧面充分展示了贵族官宦之家讲究品茶的生动场面，是宋代茶叶品饮的真实写照。",[23,24,25,26,27,28,29,30,31,32,33,7,34],"国画","名画","书画","工笔","设色","白描","人物","茶具","桌案","棕榈","文人","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F60e804e0a8eabdd2d17d440cc528efba.jpg","绢本,设色","纵44.2厘米，横66.9厘米","宋画精选",[38,40],"人物画精选",574,6,"795548",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":58,"material":36,"size":59,"collection":40,"collections":60,"showCount":62,"zanCount":63,"manualWeight":11,"mainColor":64},219480,"mai-jiang-tu-yao-wen-han-219480","卖浆图","清","姚文瀚","这幅画是市场上卖纸浆的场景。 十个人，男女老少，聚在一起，或搅炉熬浆； 或者提着锅卖掉； 对纸浆和器物的描述细致入微。 整幅作品色彩鲜艳、干净、美观，笔触细腻牢固，人物稍有浓淡，给人立体感。",[52,23,25,27,26,29,53,54,55,56,7,57],"高清","器","市井","民俗","服饰","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a90c6c57541d710ff9ec582ae42b876.jpg","59.3x108cm",[40,61],"设色画精选",463,10,"BDBDBD",{"id":66,"slug":67,"title":68,"dynasty":69,"author":70,"museum":71,"description":72,"tags":73,"thumbUrl":79,"material":36,"size":80,"collection":40,"collections":81,"showCount":82,"zanCount":83,"manualWeight":11,"mainColor":43},218378,"shi-nv-tu-zhou-wen-ju-218378","仕女图","五代十国","周文矩","大英博物馆","画面铺展一段古雅日常，仕女们衣袂轻扬，线条似行云流水，勾勒出温婉曼妙的身姿。或执物凝思，或俯身逗弄孩童，眉眼间藏着细碎的温柔，神态生动如在眼前。孩童们嬉戏打闹，天真烂漫的模样，为静谧场景添了几分活泼意趣。设色淡雅却见匠心，衣纹的褶皱细腻流畅，器物的轮廓精致入微，尽显五代绘画的雅致韵致。整幅画仿佛凝住了时光，让观者得以窥见古时闺阁的闲逸片段，静静品味那份穿越千年的温婉与温情。",[52,26,27,74,29,75,76,7,77,56,78],"长卷","仕女","孩童","盆器","庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb97551a5b969421596ee30b80331890.jpg","",[40],300,5,{"id":85,"slug":86,"title":87,"dynasty":88,"author":89,"museum":20,"description":90,"tags":91,"thumbUrl":94,"material":36,"size":95,"collection":40,"collections":96,"showCount":97,"zanCount":98,"manualWeight":11,"mainColor":43},219410,"huo-lang-tu-zhou-yi-ming-219410","货郎图轴","不详","佚名","货郎挑担来到牡丹花下敲锣叫卖，孩童们争相前来，有拿铜钱的、拖玩具小车、打陀螺，还有手上把玩风车，脸上洋溢着欢喜与兴奋。货郎扁担为高肩形式，装饰着一对华丽的蟠龙，这是明代流行的样式。伞盖下悬挂灯笼、葫芦。置物架上内嵌木格，装满了瓶罐、玩具，及福禄寿样貌的泥塑偶人。背景牡丹盛开，桃实累累，充满吉祥意味。",[23,25,92,26,27,29,76,93,34,7],"立轴","货郎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff5c2e1b92d7b7e924913d4aafee674fb.jpg","183.5x116.3",[40],76,1,{"id":100,"slug":101,"title":102,"dynasty":103,"author":104,"museum":105,"description":106,"tags":107,"thumbUrl":115,"material":36,"size":116,"collection":80,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":43},219776,"lin-song-ren-hua-ce-4-chou-ying-219776","临宋人画册-4","明","仇英","上海博物馆","《临宋人画册》凡十五开，题材涉及了山水画、花鸟画、仕女图、文人画、界画、鞍马等，乃为仇英临摹宋人的集成之作，画风皆为典型的南宋院体风格，而其中数开现在尚可找到宋画原作，两相对照，确实可见仇英落笔乱真的妙技；又如其中《滕王阁》之类的扎实界画工夫，在文人画逸笔草草的时代，早已难得一见。",[23,25,108,109,26,27,29,110,111,78,112,76,113,114,7],"册","临摹","牛","树","建筑","廊下","古木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febd8183940ebe2dfca2cacdae3b16abf.jpg","27.2x25.5厘米",[],13,{"id":120,"slug":121,"title":122,"dynasty":103,"author":123,"museum":20,"description":124,"tags":125,"thumbUrl":126,"material":127,"size":128,"collection":80,"collections":129,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":64},216090,"tai-ping-le-shi-tu-ce-6-dai-jin-216090","太平乐事图册-6","戴进","此册共十开，分别绘「婴戏」、「骑牛」、「娱乐」、「戏耍」、「捕鱼」、「试射」、「耕罢」、「观戏」、「木马」、「牧归」等题材。其中数开以宋元名画为本：如第二开妇人哺乳之形象，可见于南宋李嵩〈市担婴戏〉（国立故宫博物院）；第九开「木马」则取自元任仁发〈果老见明皇〉（北京故宫博物院）；第十开则摹自宋人〈春社醉归〉。其余几开，皆透过人物之「观看」，将观者目光聚焦于画中场景，而营造某种叙事情节。绘人物之线条采「钉头鼠尾」（起笔钝重、收笔细）之笔法，与画史对戴进人物风格之描述吻合。然整体笔墨略显软弱、平直，或为晚期浙派画家根据戴进真迹加以临仿之作。",[24,23,27,108,26,29,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26c3412c8b3f0f3fffc87e8eb5afa9c9.jpg","纸本,设色","22.8x22cm",[],{"id":131,"slug":132,"title":133,"dynasty":103,"author":104,"museum":134,"description":135,"tags":136,"thumbUrl":143,"material":144,"size":145,"collection":80,"collections":146,"showCount":147,"zanCount":11,"manualWeight":11,"mainColor":64},233759,"ren-wu-gu-shi-ce-6-chou-ying-233759","人物故事册6","北京故宫博物院","全册共十开，内容取材于历史故事、寓言传说、文人轶事和诗文寓意，具体为子路问津、明妃出塞、贵妃晓妆、南华秋水、吹箫引凤、高山流水、竹院品古、松林六逸、浔阳琵琶、捉柳花图等。这些题材历史上常被画家描绘，但仇英在作品立意、形象塑造和笔墨表现等方面，都注入了自己的才思和技巧，显示出鲜明的个性风格。\n作品主题明确，构思巧妙，不仅人物活动的细节刻画具体明晓，而且注意环境气氛的烘托，使每幅画页都有很强的观赏性。如“贵妃晓妆”页，以杨贵妃清晨在华清宫端正楼对镜理髻为中心，将宫女奏乐、采花和携琵琶等情节同现于一个画面，集中表现了贵妃爱牡丹、喜簪花、善声乐、好打扮的习性，也概括反映了贵妃奢华纵乐的生活内容。又如“高山流水”页，取材于伯牙鼓琴的故事，在描绘俞伯牙草亭弹琴，钟子期拾阶而上，知音相遇的具体情节同时，布置了高山飞瀑、松林流水的静谧清幽环境，形象地表达了高山流水的音乐内容，也衬托出人物的高雅情操，以象征性手法营造出了一个情景交融的臻境。\n此图册运用工笔重彩法。人物情态描绘得细腻精微，文人举止高雅潇洒，仕女容貌端庄娟美。建筑器皿工整精细，山石树木形态各具。笔致工细而不板滞，流畅自然，刚柔相济。敷色艳丽，又多和色，整体色调和谐、清雅。作品具有雅俗共赏的艺术效果，是仇英对唐宋工笔重彩法的创新和发展。",[24,23,26,27,137,29,75,33,76,138,78,34,7,139,140,141,142],"细描","竹子","聚会","桌椅","笔墨纸砚","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8d3c7587792f36078e504187ea5124e.jpg","绢本，设色","纵41.4厘米，横33.8厘米",[],12,{"id":149,"slug":150,"title":151,"dynasty":88,"author":89,"museum":152,"description":153,"tags":154,"thumbUrl":161,"material":80,"size":80,"collection":80,"collections":162,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":64},231770,"wang-gu-feng-su-hua-hui-juan-yi-yi-ming-231770","往古风俗画绘卷一","藏地不详","以淡彩平涂兼白描勾勒，铺展古时闾里全景。黛瓦白墙的院落层叠排布，庭间花木点缀，晕染出雅致生机。巷陌庭院间人物错落，或闲坐晤谈，或操持杂务，将日常烟火一一铺陈。画作线条清隽柔和，无繁复晕染，却把民居形制与鲜活世情相融，如一卷凝固的旧时生活切片，将平淡鲜活的市井日常定格绢素，尽显古雅世俗意趣，让观者得以窥见往昔巷弄里的安稳烟火与脉脉温情。",[52,155,74,26,27,156,29,157,78,158,159,160,7],"风俗画","界画","楼阁","树木","花鸟","房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffac420d80bd8013ec8e31c27bcee4a3d.jpg",[],7,{"id":165,"slug":166,"title":167,"dynasty":48,"author":168,"museum":134,"description":169,"tags":170,"thumbUrl":174,"material":80,"size":175,"collection":80,"collections":176,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":64},223196,"geng-zhi-tu-ce-jiao-bing-zhen-223196","耕织图册","焦秉贞","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[23,24,26,27,29,75,78,112,158,171,172,173,7],"围栏","山石","小径","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F523f86336723184b4479d2e271f18ad5.jpg","34.7cm×27.7cm",[],4,{"id":179,"slug":180,"title":181,"dynasty":48,"author":89,"museum":152,"description":182,"tags":183,"thumbUrl":186,"material":127,"size":187,"collection":80,"collections":188,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":64},215845,"miao-zu-yao-zu-sheng-huo-tu-ce-2-yi-ming-215845","苗族瑶族生活图册-2","画面色彩古朴温润，线条灵动传神，定格了一段鲜活的民俗场景。中间表演者脸谱浓艳夸张，身着彩绣戏服，手持长兵，身姿挺拔如劲松，似在演绎驱邪纳吉的传统傩戏；左侧数人或执弦乐或击皮鼓，神情专注，鼓乐声仿佛穿透纸面；右侧两位女子侧身伫立，衣袂轻垂如流云，眸光凝注前方，温婉神态与表演的热烈形成巧妙动静对比。人物间互动自然，神情各异——表演者的激昂、伴奏者的投入、观者的专注，皆被细腻捕捉。画作以写实笔触还原少数民族生活的生动切片，让古朴民俗的温度与意趣，在岁月沉淀中依旧鲜活可感。",[52,23,27,26,108,184,29,56,185,7],"清代","乐器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee7dd1c747004815703a6d8f93c3e952.jpg","36.5x29.5",[],{"id":190,"slug":191,"title":167,"dynasty":48,"author":168,"museum":134,"description":169,"tags":192,"thumbUrl":202,"material":80,"size":175,"collection":80,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":64},223219,"geng-zhi-tu-ce-jiao-bing-zhen-223219",[24,23,25,108,26,27,29,193,194,195,196,197,198,199,78,200,160,201,7],"农具","织机","田园","桑麻","作物","农事","纺织","草木","写实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F621157e3c8c47823c84252dafac863e5.jpg",[],3,{"id":206,"slug":207,"title":208,"dynasty":48,"author":89,"museum":152,"description":209,"tags":210,"thumbUrl":216,"material":127,"size":187,"collection":80,"collections":217,"showCount":218,"zanCount":11,"manualWeight":11,"mainColor":64},215836,"miao-zu-yao-zu-sheng-huo-tu-ce-7-yi-ming-215836","苗族瑶族生活图册-7","素纸晕染出烟火气，画面里三位衣饰缀彩的女子围坐木桌，指尖捻线穿针，旁侧纺车静立，竹篮盛着彩线织物，盆水映出微光。右侧男子赤足持矛，衣袂束红带，神情警觉却不违和，似守护又融入日常。线条细腻勾摹衣褶纹理，设色淡雅却显民族风情，每处细节藏着族群生活的温度——劳作的专注、守护的默契，在清寂画页里鲜活起来，如时光定格的民族生活切片，静述遥远岁月里的烟火与坚韧。",[52,23,27,26,108,29,7,211,212,213,34,214,215],"织布工具","兵器","民族服饰","篮子","盆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd3723d67c8ca57f977289cd4ff3f4de0.jpg",[],2,{"id":220,"slug":221,"title":222,"dynasty":88,"author":89,"museum":152,"description":223,"tags":224,"thumbUrl":233,"material":234,"size":235,"collection":80,"collections":236,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},288606,"jonas-umbach-december-one-of-a-series-representing-the-labors-yi-ming-288606","Jonas Umbach--December (one of a series representing the labors","这帧红粉笔素描以粗粝随性的笔触，定格乡野宰牲的日常图景。前景男女跪身合力制住生猪，紧绷的肩背肌肉线条，将蛮力拉扯的张力尽显。背景农舍下众人围忙，窗沿有人探首旁观，远处田舍错落、云绕疏林，乡野烟火气四下漫开。\n\n作者以利落排线铺陈体积光影，没有精雕细琢，却将村人协作的热络、劳作的憨直藏在笔痕中，把腊月农闲宰牲的鲜活瞬间凝在纸上，让乡土冬日的粗朴暖意顺着纸笔缓缓漫溢。",[225,226,155,227,228,229,230,231,232,7],"素描","人物画","乡村","农舍","猪","劳作","户外","冬季","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53d94d609ae4ec1f5320d53e322b0b86.jpg","未知","Xcm*Xcm",[],{"id":238,"slug":239,"title":240,"dynasty":88,"author":241,"museum":152,"description":242,"tags":243,"thumbUrl":261,"material":234,"size":235,"collection":80,"collections":262,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},232140,"in-a-laundry-circa-glasgow-art-gallery-and-museum-scotland-de-jia-232140","In a Laundry - circa - Glasgow Art Gallery and Museum (Scotland)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[244,245,246,247,29,248,249,250,251,252,253,254,255,256,257,7,258,259,260],"印象派","色粉画","松散笔触","光影表现","晾晒衣物","室内场景","工作台","布料","书籍","女性形象","日常劳作","色彩明快","室内光影","动态人物","织物纹理","日常物品","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc83f3e07ec2391cbb5d346747c92e397.jpg",[],{"id":264,"slug":265,"title":266,"dynasty":48,"author":89,"museum":152,"description":267,"tags":268,"thumbUrl":270,"material":127,"size":187,"collection":80,"collections":271,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215842,"miao-zu-yao-zu-sheng-huo-tu-ce-6-yi-ming-215842","苗族瑶族生活图册-6","古朴纸面上，生活的暖意漫溢开来。左侧男子负篮携幼，粗布短褐裹着劳作的印记，稚童拽衣踮脚，憨态惹眼；右侧女子发髻玲珑，裙裾缀着彩绣纹样，手挽竹篮似低语相谈，眉眼间藏着细碎的温柔。衣褶线条轻缓，篮中物什隐约可见，每一处细节都描摹着日常的鲜活。没有刻意雕琢，却将族群服饰特色与生活本真温情凝于笔端，仿佛能听见山间软语，触到风里草木香，让久远的生活场景在眼前生动浮现。",[52,25,23,27,26,108,29,7,213,214,76,269],"女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18e0dd8febc9f5364c689d3a1ae6e1ea.jpg",[],{"id":273,"slug":274,"title":275,"dynasty":48,"author":89,"museum":152,"description":276,"tags":277,"thumbUrl":281,"material":127,"size":187,"collection":80,"collections":282,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215835,"miao-zu-yao-zu-sheng-huo-tu-ce-9-yi-ming-215835","苗族瑶族生活图册-9","笔墨晕染间铺展鲜活边地日常。挑担者步履扎实，竹筐器物隐约藏着生计；持长杆者侧身随行，衣袂轻扬带起烟火余温。稚童嬉闹扑向黄犬，小狗摇尾躲闪，灵动瞬间跃然纸上。老者拄杖而立，眉眼间凝着岁月安然，似在打量前路风色。\n\n线条简练却精准勾出衣纹褶皱与神态，设色淡雅却衬出古纸温润质感。无刻意雕琢，却将民族社群的日常情态定格——劳作的坚韧、孩童的天真、老者的从容，都融在这方寸画面里。观者仿佛能听见林间脚步声、稚子笑语，触碰到那份质朴鲜活的人间真味，岁月沉淀的温暖直抵心底。",[52,184,23,25,108,27,26,29,278,279,280,34,7,56],"儿童","动物","狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F360e4116c6fb945b807ced8d001ee041.jpg",[],{"id":284,"slug":285,"title":286,"dynasty":48,"author":89,"museum":152,"description":287,"tags":288,"thumbUrl":289,"material":127,"size":187,"collection":80,"collections":290,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215834,"miao-zu-yao-zu-sheng-huo-tu-ce-15-yi-ming-215834","苗族瑶族生活图册-15","暖棕底色晕染出时光的温润，人物动态鲜活如跃纸上。深褐布衣裹着劳作的坚实肌理，青绿蓝衫点缀出民族风情的明艳亮色。几人围簇间，或持长杆作嬉戏之态，或俯身扶篮似接应之举，竹编器具的纹理隐约可见，似是日常劳作里的片刻欢愉场景。眉眼间的生动神态，衣袂飘动的自然姿态，将苗瑶族群生活的质朴鲜活凝于尺幅。烟火气漫过画面缝隙，族群温情藏在每处细节，让观者仿佛踏入那个生机盎然的午后，听见笑语与风穿过竹林的轻响。",[52,23,25,108,27,26,29,7,56],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01a2e1ccce047253c5df0cb82db8313e.jpg",[],{"id":292,"slug":293,"title":294,"dynasty":48,"author":89,"museum":152,"description":295,"tags":296,"thumbUrl":299,"material":127,"size":187,"collection":80,"collections":300,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215821,"miao-zu-yao-zu-sheng-huo-tu-ce-20-yi-ming-215821","苗族瑶族生活图册-20","画面定格边地日常的鲜活片段：左畔三人或亲昵相扶，衣袂间的花纹漫着山野灵气，独特发式藏着族群密码；右侧身影肩扛器物，步履匆匆似携劳作余温。线条细腻却不刻意雕琢，色彩古雅而饱含生活质感，人物神态自然流露——或关切或随性，将苗瑶族群的质朴气息凝于纸端。每一处衣褶的起伏、每一个眼神的流转，都透着未经修饰的生动，仿佛能触到那份山野间的生活温度，让久远的日常场景在眼前缓缓苏醒。",[52,23,25,108,26,27,29,297,298,7],"衣帽","少数民族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa389e3e338441a06da2a663ec0c447e0.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":48,"author":89,"museum":152,"description":305,"tags":306,"thumbUrl":307,"material":127,"size":187,"collection":80,"collections":308,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215818,"miao-zu-yao-zu-sheng-huo-tu-ce-27-yi-ming-215818","苗族瑶族生活图册-27","画面里，蓑衣裹身的身影躬身忙碌，指尖的动作似在传递生活的细碎暖意，地上散落的物什与翩跹的蓝羽飞鸟，为场景晕开几分灵动。右侧人物的衣袂纹饰与发髻样式，藏着民族独有的审美印记，布料的纹理在细腻线条下渐次铺展，仿佛能触到织物的温软。温润的色调晕染出质朴氛围，没有刻意的雕琢，却将苗瑶族群的日常片段凝注成帧。林间的风似在画面里流动，人们的低语仿佛隐于笔触之间，鲜活的生活气息扑面而来，尽显民俗画卷里那份不加修饰的动人质感。",[52,23,27,26,108,29,297,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1180b0a35f67cbd3f5e2d3a60d7ae77.jpg",[],{"id":310,"slug":311,"title":312,"dynasty":48,"author":89,"museum":152,"description":313,"tags":314,"thumbUrl":320,"material":127,"size":187,"collection":80,"collections":321,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215813,"miao-zu-yao-zu-sheng-huo-tu-ce-32-yi-ming-215813","苗族瑶族生活图册-32","画面捕捉劳作瞬间，三人挑担而行，动态各异。左者竹筐满溢，中者俯身发力，右者酒坛轻晃，蓝布巾随风微扬。衣褶线条流畅如溪，发髻与服饰携民族意趣，神态鲜活似能闻声。设色古朴温润，棕底衬出青灰衣袂、浅黄酒坛，器物纹理细腻可触。平凡日常凝于纸间，民族风情与烟火气交融，将山间行路的悠然与劳作的踏实，化作生动可感的视觉诗篇。",[52,23,27,26,108,315,316,317,318,319,7],"少数民族人物","挑担","竹篮","瓶","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F625aecdfe0a04be24d1489ee695ca319.jpg",[],{"id":323,"slug":324,"title":325,"dynasty":48,"author":89,"museum":152,"description":326,"tags":327,"thumbUrl":330,"material":127,"size":187,"collection":80,"collections":331,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215811,"miao-zu-yao-zu-sheng-huo-tu-ce-37-yi-ming-215811","苗族瑶族生活图册-37","画面定格了一群身着特色服饰者的生动场景。有人持长杆嬉戏，有人相携而立笑意盈盈，衣袂上的纹饰古朴鲜活，似山野间绽放的花。赤足的姿态透着随性自在，肢体互动藏着日常的亲昵。细腻笔触勾勒出少数民族生活的质朴欢愉，每一处神态动作都流淌着鲜活气息，仿佛能听见笑语，触到山野烟火的温度，将那份未经修饰的生活意趣静静铺展。",[52,23,27,26,108,29,328,329,56,34,7],"苗族","瑶族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1dc16bd14af4a61ff27ebea1a8f7c111.jpg",[],{"id":333,"slug":334,"title":335,"dynasty":48,"author":89,"museum":152,"description":336,"tags":337,"thumbUrl":338,"material":127,"size":187,"collection":80,"collections":339,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":64},215807,"miao-zu-yao-zu-sheng-huo-tu-ce-40-yi-ming-215807","苗族瑶族生活图册-40","三人身影在纸上舒展，衣饰带着鲜明的民族印记——前者裙摆垂着彩色流苏，背间翠叶簇簇；中者裹蓝布头巾，短褐赤足，动作憨实；幼童小步紧随，背篓里也盛着青绿。他们的姿态透着山野劳作的自在，眉眼间是不加修饰的质朴，仿佛能闻见草木的清香与泥土的气息。笔触细腻处，衣纹的褶皱、叶片的脉络皆清晰可见，色彩温润如旧时光，将苗瑶族人的日常片段定格成鲜活的图景，藏着最本真的生活暖意与民族风情。",[52,23,27,26,108,29,213,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16313b79631078440822b8b3463f1425.jpg",[],{"id":341,"slug":342,"title":343,"dynasty":48,"author":344,"museum":345,"description":346,"tags":347,"thumbUrl":362,"material":363,"size":80,"collection":80,"collections":364,"showCount":98,"zanCount":11,"manualWeight":11,"mainColor":43},215640,"yu-zhi-geng-zhi-tu-10-kang-xi-215640","御制耕织图-10","康熙","哈佛艺术博物馆","左边织室里，女子们或理丝或专注劳作，窗棂间光影轻摇，器物的纹路、衣袂的褶皱皆以细腻线条勾勒，透着生活的温润；右侧场景中，农具倚墙而立，庭院草木扶疏，质朴墨线晕染出农事的平实。整幅画以工笔之精绘就耕织日常，将农桑并重的传统深植于每处细节——织机旁的凝神、田畔的静谧，都藏着对民生根本的体察。笔触间既有绘事的严谨，更有对人间烟火的温柔观照，让平凡劳作生出静穆生机，尽显农耕文明里的生活智慧与人文关怀。",[52,28,26,23,25,108,29,160,158,172,348,193,349,350,351,352,353,354,355,356,357,358,359,360,361,7,200,112],"溪流","书法","农耕","织作","题字","线描","淡彩","清代风格","田园生活","民居","自然景物","劳作场景","传统技法","笔墨线条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d3e1b9c4436f1397b49dbfad26d2de.jpg","水墨",[],{"id":366,"slug":367,"title":368,"dynasty":369,"author":89,"museum":152,"description":370,"tags":371,"thumbUrl":378,"material":234,"size":235,"collection":80,"collections":379,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},254740,"tao-lv-you-mo-fang-yi-ming-254740","陶绿釉磨房","汉","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[372,373,374,375,160,7,376,377],"陶瓷","陶塑","绿釉","磨具","明器","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40de7cd46f5b8b323dd5af43b61d5d0a.jpg",[],{"id":381,"slug":382,"title":383,"dynasty":88,"author":384,"museum":152,"description":385,"tags":386,"thumbUrl":395,"material":234,"size":235,"collection":80,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":43},231208,"su-miao-462-xi-fang-231208","素描462","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[225,201,29,387,388,389,390,391,392,7,393,394],"织物","针线","炭笔","西方绘画","黑白","笔触","手持工具","背景人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0c39918d1e540887f4e5e1085ba28ea.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":48,"author":89,"museum":152,"description":401,"tags":402,"thumbUrl":403,"material":127,"size":187,"collection":80,"collections":404,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215830,"miao-zu-yao-zu-sheng-huo-tu-ce-16-yi-ming-215830","苗族瑶族生活图册-16","画面四人互动鲜活，左侧二男或蹲或立，姿态随性洒脱；右侧双女发髻别致，衣袂缀彩纹，手中彩带如流虹缠绕指尖，似在引逗嬉戏。衣纹线条简练却精准，如行云流水勾勒身形；色彩晕染古朴温润，眉眼间神态自然生动，藏着日常的鲜活意趣。整幅画以细腻笔触捕捉民族生活的灵动瞬间，服饰的独特纹样、人物的鲜活动态，皆透着对异域风情的真切观察，让久远的民俗场景在纸间苏醒，尽显质朴鲜活的生活气息与画卷的灵动韵致。",[52,23,27,26,29,298,56,7,108],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39c06b4f21350800a15cb078c39ffcc6.jpg",[],{"id":406,"slug":407,"title":408,"dynasty":48,"author":89,"museum":152,"description":409,"tags":410,"thumbUrl":412,"material":127,"size":187,"collection":80,"collections":413,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215825,"miao-zu-yao-zu-sheng-huo-tu-ce-23-yi-ming-215825","苗族瑶族生活图册-23","画面捕捉民族生活的日常瞬间：三人背负竹器而行，竹篾纹理清晰可见。前二者相倚低语，神态鲜活如在眼前；旁侧男子步履轻缓，衣袂随动作微扬。小黑犬紧随其后，尾尖轻摆，为画面添几分烟火气。整体笔触质朴却细腻，人物互动间流露着生活的恬淡与默契，仿佛能听见林间的脚步声与轻声絮语，将民族日常的质朴温情凝于纸上。",[52,23,27,26,108,29,280,411,297,7],"竹器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdab9480fe5d0f942ae25073ef966a5c4.jpg",[],{"id":415,"slug":416,"title":417,"dynasty":48,"author":89,"museum":152,"description":418,"tags":419,"thumbUrl":420,"material":127,"size":187,"collection":80,"collections":421,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215820,"miao-zu-yao-zu-sheng-huo-tu-ce-29-yi-ming-215820","苗族瑶族生活图册-29","画面定格边地民族的鲜活日常：稚童手持朱红旗幡雀跃，长者俯身相携，眉眼间淌着温情。一旁孩童或被轻揽，或赤脚追逐，衣饰纹样质朴灵动，尽显族群特色。近景小榻与玩物似是嬉闹角落，暖褐底色衬着婉转线条，将亲昵互动与烟火气息凝于尺幅。人物神态鲜活，动态自然，仿佛嬉闹声穿纸而来，让这份日常的生动成为时光里的温柔印记。",[52,23,27,108,29,26,297,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc126a081efde6bbe0b4c519f672f31af.jpg",[],{"id":423,"slug":424,"title":425,"dynasty":48,"author":89,"museum":152,"description":426,"tags":427,"thumbUrl":428,"material":127,"size":187,"collection":80,"collections":429,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215819,"miao-zu-yao-zu-sheng-huo-tu-ce-30-yi-ming-215819","苗族瑶族生活图册-30","画面定格了少数民族日常劳作的鲜活瞬间。两位女子身着彩边纹饰的裙装，侧首低语间衣袂轻垂，裙摆褶皱与织物纹理细腻可感；另一侧，两位男子着编织质感短装，一人蹲身专注于木盆中物事，手持小具动作娴熟，另一人持长杆而立，神态平和。温润色调下，简练线条精准勾勒人物神情与服饰特征，将质朴的生活场景凝练成画，尽显民族生活的意趣与人文温度。",[52,23,27,26,29,56,212,53,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d21c88a2fc198e14dd6aa8f4a76f10b.jpg",[],{"id":431,"slug":432,"title":433,"dynasty":48,"author":89,"museum":152,"description":434,"tags":435,"thumbUrl":436,"material":127,"size":187,"collection":80,"collections":437,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215812,"miao-zu-yao-zu-sheng-huo-tu-ce-34-yi-ming-215812","苗族瑶族生活图册-34","画面中四人姿态鲜活，或挥棍作势，或侧身呼应，或弯腰提步，动作间藏着生活的鲜活气。古拙发髻挽住青丝，衣襟下摆随步履轻扬，绑腿裹踝踏地稳健。背筐者肩头篓影沉沉，似载着山间新采的蔬果；挥棍人手臂弧度舒展，若有嬉戏的意趣流转。色调古朴温润，衣袂色彩虽淡却层次分明，人物间的互动感如微风拂过，将民族生活里的质朴与鲜活，悄悄铺展在纸面之上。每一处细节都透着对日常的细腻捕捉，仿佛能听见林间的轻语，看见山野里的烟火气在画面中缓缓流动。",[52,23,184,108,27,26,29,7,297,53],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0b400ccbd79b676ae91ceb2a650e17b.jpg",[],{"id":439,"slug":440,"title":441,"dynasty":48,"author":89,"museum":152,"description":442,"tags":443,"thumbUrl":445,"material":127,"size":187,"collection":80,"collections":446,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215809,"miao-zu-yao-zu-sheng-huo-tu-ce-36-yi-ming-215809","苗族瑶族生活图册-36","画面铺展苗瑶先民的日常肌理：衣袂刺绣如跃动星河，靛蓝朱红交织山野炽热。田间身影弓成岁月弧度，竹筐作物坠着晨露清辉；檐下妇人指尖捻线，线轴转着四季轮回。孩童追蝶跑过青石板，银饰脆响落进风里。笔触不刻意雕琢，却把烟火气揉进每道线条——一碗酸汤的热气，腰间猎刀的冷光，每处细节低语族群与土地的羁绊。那些未经修饰的鲜活如山涧清泉淌过纸页，将遥远生活的温度递至眼前。劳作的坚韧、家常的温柔，凝作时光切片，让民族烟火与土地呼吸至今可触。",[52,23,25,108,27,29,444,26,184,7],"民族生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6c3e4824f02936e10435cb9771f8a964.jpg",[],{"id":448,"slug":449,"title":450,"dynasty":48,"author":89,"museum":152,"description":451,"tags":452,"thumbUrl":453,"material":127,"size":187,"collection":80,"collections":454,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":64},215808,"miao-zu-yao-zu-sheng-huo-tu-ce-39-yi-ming-215808","苗族瑶族生活图册-39","画面截取了一段鲜活的民族生活动态场景：几人身着缀有纹饰的特色服饰，或持长杆相向而立，或伸手拉扯同伴，肢体的张力在古朴纸面上悄然流转。人物头饰的细节、衣料的红褐与浅灰质感，在暖黄底色衬托下更显岁月沉淀的温度。画家以精准笔触捕捉动作瞬间——拉扯的手臂紧绷，持杆者姿态警觉，仿佛能窥见现场的情绪起伏。这幅画不仅摹写了民族服饰的真实韵味，更以鲜活的动态感，将具体生活场景定格成跨越时空的剪影，让观者触摸到那个时代少数民族日常里的温热气息，是对民族生活情态的生动艺术留存。",[52,23,27,26,108,29,212,56,7,184],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d81b3b85fd27e8af59d899b298de7da.jpg",[],1777535714318]