[{"data":1,"prerenderedAt":146},["ShallowReactive",2],{"subject-sheng-suo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2859,"sheng-suo","绳索","绳索画高清赏析","精选中国历代绳索题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd54d852e66d5fe642d7f2e45c0edb66.jpg",0,6,[14,44,79,97,120,129],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":37,"material":38,"size":39,"collection":40,"collections":41,"showCount":42,"zanCount":11,"manualWeight":11,"mainColor":43},225770,"la-berceuse-woman-rocking-a-cradle-augustine-alix-pellicot-roulin-fan-gao-225770","La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, –)","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,24,25,26,27,28,29,30,31,32,33,34,35,7,36],"名画","油画","后印象派","厚涂","色彩强烈","设色","笔触奔放","人物","女性","椅子","花卉","绿色服饰","红色地面","装饰性花纹背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b3e7df88d868009b6c22e553e11f38a.jpg","未知","Xcm*Xcm","油画精选",[40],20,"37474F",{"id":45,"slug":46,"title":47,"dynasty":48,"author":49,"museum":20,"description":50,"tags":51,"thumbUrl":74,"material":38,"size":39,"collection":75,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":78},238445,"geng-zhi-tu-ce-mian-yi-238445","耕织图册","清","绵亿","绵亿（1764年9月10日－1815年4月14日），直隶省顺天府大兴县（今北京市）人，清高宗弘历之孙，荣纯亲王永琪第五子，母侧福晋索绰罗氏，左都御使观保之女。",[52,28,53,54,55,30,56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71,72,7,73],"国画","工笔","册","界画","建筑","纺织工具","农具","庭院","草木","器物","日常劳作","孩童","竹棚","木桶","织物","草地","柱子","格子窗","竹帘","木架","栅栏","篮子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50d37f566a234b1327c9f0ce5f533f64.jpg","",[],4,"BDBDBD",{"id":80,"slug":81,"title":82,"dynasty":48,"author":83,"museum":20,"description":84,"tags":85,"thumbUrl":93,"material":94,"size":75,"collection":75,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":78},215856,"qing-dai-xing-fa-ji-lu-tu-ce-15-yi-ming-215856","清代刑罚记录图册-15","佚名","明丽设色裹着森严寒气，桌案后端坐者威重，阶前匍匐者惶然，执杖差役肃立两侧。衣褶间的纹路、案上的刑具、人物微蹙的眉梢，皆被细致勾勒。笔触不尚写意，却以写实之姿凝住清代司法场景的一角：权力的威严与惩戒的凛冽，在人物互动间静静流淌。那些或跪或立的身影，带着彼时的烟火气与沉重感，仿佛能听见堂前呵斥与低泣。这是切片般的历史印记，让百年前的瞬间在绢素上鲜活如初，每处细节都在诉说过往故事，将司法场景的张力与温度凝于方寸之间。",[52,28,53,54,30,86,87,88,89,90,91,7,92],"刑罚","桌案","服饰","帽子","棍","跪姿","清代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F406eb57efb6f25766e8025cfeac1a331.jpg","纸本,设色",[],2,{"id":98,"slug":99,"title":100,"dynasty":18,"author":101,"museum":20,"description":102,"tags":103,"thumbUrl":116,"material":38,"size":39,"collection":75,"collections":117,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":119},232124,"la-la-at-the-cirque-fernando-paris-national-gallery-london-england-de-jia-232124","La La at the Cirque Fernando, Paris - - National Gallery - London (England)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[24,104,30,105,7,106,107,68,108,109,110,111,112,113,114,115],"印象派","杂技演员","马戏团内部","拱形结构","暖色调","动态姿态","室内场景","建筑细节","悬挂姿态","舞台结构","橙色背景","金属装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1b690f4c8d4fd77726bf420e1a89480.jpg",[],1,"795548",{"id":121,"slug":122,"title":123,"dynasty":48,"author":83,"museum":20,"description":124,"tags":125,"thumbUrl":10,"material":94,"size":75,"collection":75,"collections":128,"showCount":118,"zanCount":11,"manualWeight":11,"mainColor":78},215852,"qing-dai-xing-fa-ji-lu-tu-ce-17-yi-ming-215852","清代刑罚记录图册-17","素净纸面铺展着一段无声的刑罚默剧。受刑者跪伏在地，红衫被绳索牵扯得微颤，仰头的姿态里藏着难忍的挣扎；两侧壮汉弓身拽绳，臂膀肌肉似要冲破衣料，绳线绷成笔直的标尺，丈量着痛苦的边界。左侧蓝袍人肃立旁观，目光如寒潭般平静，沉默里浸着时代的冰冷。线条朴拙却精准捕捉神态：拉绳者的用力、受刑者的屈从、旁观者的漠然，将清代刑罚的规制与残酷凝作切片。没有血腥直白，却以肢体对抗与绳线紧勒，让历史的沉重在方寸间流转，每一笔都似在低语那段被定格的规制与人性的微光。",[28,30,54,86,7,126,127],"痛苦","漠然",[],{"id":130,"slug":131,"title":132,"dynasty":18,"author":133,"museum":20,"description":134,"tags":135,"thumbUrl":144,"material":38,"size":39,"collection":75,"collections":145,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":78},231107,"su-miao-361-xi-fang-231107","素描361","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[136,137,138,30,139,140,141,142,143,7],"素描","写实","黑白","男性","卷发","胡须","手部","衬衫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4334aff41a5960df2487b095bc0a7060.jpg",[],1777535747659]