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，字渔仙，号桃溪居士，后号墨井道人，江苏常熟人。曾笃信天主教，并往澳门逗留。工诗、善画山水，师事王时敏 (1592-1680)与王鉴 (1598-1677) ，连同王翚 (1632-1717)、王原祁 (1642-1715)和恽寿平 (1633-1690) 合称「四王吴恽」或称「清初六家」，为清代正统派绘画代表。\n\n该画为吴历应友人侯大年（约1641-约1710）之命所作，并以友人之号「凤阿」命名，绘于康熙十六年（1677）之后，为吴氏中晚年之作。画面山峦起伏，高树竹丛、屋舍数间，屋前小桥流水，一人策杖过桥。整幅作品尺幅虽不大，却构图繁密，墨色苍润，流露对笔墨的追求与讲究，是吴历的精品。事实上，吴历与侯大年交谊深厚，曾应命绘制多幅《凤阿山房图》，以表达侯氏「述祖德，守先业」并归隐的志向，然而凤阿山房终未建成。据记载，侯大年在吴历绘制完立轴后，另请他绘制小册并请诸友题咏，正是此册。全册共分上、下两册，引首朱彝尊　(1629-1709) 书「凤阿山房」，后有吴历、朱彝尊、姜宸英、梁佩兰、宋骏业、王撰、陆遵、梅庚、钱大昕等六十六家诗题，其中陆遵、梅庚补图并题诗。吴历此作无疑是全册点睛之笔，见证了他与侯大年的交谊。",[23,24,25,28,27,52,198,169,56,111,26,7],"房舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5eb5d306472da16e58bf92fd53e38f0.jpg","水墨,设色,纸本,册页","18×34.5厘米",[],{"id":204,"slug":205,"title":206,"dynasty":42,"author":83,"museum":44,"description":207,"tags":208,"thumbUrl":214,"material":62,"size":63,"collection":64,"collections":215,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},246553,"qian-long-kuan-ti-hong-yu-zhi-shi-tong-li-wan-yi-ming-246553","乾隆款剔红御制诗铜里碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[42,209,210,156,26,7,211,97,212,213,168],"漆器","剔红","碗","铜制","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cb45c90b0d871cdd6ddc07160215ef8.jpg",[],{"id":217,"slug":218,"title":219,"dynasty":18,"author":220,"museum":44,"description":221,"tags":222,"thumbUrl":224,"material":62,"size":63,"collection":64,"collections":225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},241124,"gong-yu-mai-bing-yan-zhi-xi-shi-shan-mian-liu-zai-chao-241124","恭遇麦饼宴志喜诗扇面","刘在朝","刘在朝（1587年8月28日－1646年6月27日），字长孺，号广乘，湖北监利红城乡白家湾村人，明朝政治人物，同进士出身。",[223,86,26,27,7,29],"明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ae7fa2c9fde16c9ab0c96c5f6675f3d.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":42,"author":230,"museum":44,"description":231,"tags":232,"thumbUrl":234,"material":62,"size":63,"collection":64,"collections":235,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},240201,"jin-dao-an-shi-zhou-jin-dao-an-240201","金道安诗轴","金道安","这件行书轴笔意纵逸洒脱，三列竖写排布疏密得宜，行气贯通流畅。起笔藏露互用，收笔敛放随心，牵丝映带间尽显行书灵动意趣。墨色枯湿浓淡富于层次，时而丰润饱满，时而枯劲老辣，点画间带着舒展的韵律感。\n整幅将诗文里乘马游春的雅逸景致，寄寓于遒劲又不失秀润的笔力之中，法度与性情相融，尽显尚意重韵的审美意趣，是兼具文学性与艺术性的书法佳构。",[26,27,47,7,98,233],"汉字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e14674951f94a7794ed77639b0dfd9.jpg",[],{"id":237,"slug":238,"title":239,"dynasty":18,"author":240,"museum":44,"description":241,"tags":242,"thumbUrl":245,"material":62,"size":63,"collection":64,"collections":246,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},240003,"shi-ye-jin-bi-zhai-240003","诗页","金璧斋","此作行书萧散灵动，笔意暗含晋人韵致，行笔纵逸自然，牵丝映带暗合章法节奏。字势欹正相生，时而开张如春风舒展，时而敛合如寒梅抱枝，将元日试笔的疏狂意趣融于笔墨之中。\n墨色枯湿浓淡相映，随着诗意铺陈，从开篇端雅渐转后半段纵放，把新年试笔的快意与迟暮自况的喟叹藏在笔触间。布局错落随性却行气贯通，虽为诗稿却不失文人风雅，笔墨间浸着旧岁新元的悠然意绪，将文人心境与书法意趣合而为一。",[26,27,30,243,244,7],"纸","墨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15b06bc0b705cf0bc79690ebe40cc868.jpg",[],{"id":248,"slug":249,"title":250,"dynasty":42,"author":251,"museum":44,"description":252,"tags":253,"thumbUrl":256,"material":62,"size":63,"collection":64,"collections":257,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":37},229723,"cao-su-gong-yu-zhi-geng-zhi-tu-shi-er-mian-mo-cao-su-gong-229723","曹素功 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