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"天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[23,26,56,7],"白釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d9cf3e69aacfdfad6013e9e798712a1.jpg",[31],1,{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":67,"material":29,"size":30,"collection":47,"collections":68,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},269271,"zhu-diao-shi-yi-ming-269271","竹雕匙","此器依竹之天然形质成物，勺身取竹根随形而就，留存浅棕肌理，自带经年摩挲的温润包浆，朴拙憨态自成一格。长柄顺势截取带节竹枝，竹节错落如天然节点，省去刻意雕镂，将天工与匠心融于一体。\n\n不见繁复纹饰，只以竹材本真质感传递东方雅趣，把寻常匙具化作案头清玩，尽显中式造物里“因材施制，顺物自然”的美学意涵，静雅之间藏着平淡天真的文人意趣。",[66,44,26,7,25],"竹制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F143342c3f913e2c5fb073fba21bb8ab1.jpg",[],{"id":70,"slug":71,"title":72,"dynasty":73,"author":19,"museum":20,"description":74,"tags":75,"thumbUrl":77,"material":29,"size":30,"collection":47,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},262123,"qing-you-shi-yi-ming-262123","青釉匙","晋","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,25,26,76,7],"青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66fd590687f6706422633eaaab84936c.jpg",[],{"id":80,"slug":81,"title":72,"dynasty":73,"author":19,"museum":20,"description":74,"tags":82,"thumbUrl":83,"material":29,"size":30,"collection":47,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},260207,"qing-you-shi-yi-ming-260207",[23,26,25,76,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67cde4f387a02b068835e58a40e7493c.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":95,"material":29,"size":30,"collection":47,"collections":96,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},259428,"tong-zhi-kuan-huang-di-fen-cai-kai-guang-wan-shou-wu-jiang-shi-yi-ming-259428","同治款黄地粉彩开光“万寿无疆”匙","此匙以娇黄釉为地，敷色明妍华贵，描金边饰勾勒出规整雅致的轮廓。开光之内，款识隽秀端正，衬以蛱蝶穿花的小景，将吉庆寓意与灵动意趣相融。外壁饰缠枝团花，纹饰饱满圆润，晕染细腻柔丽，尽显晚清粉彩柔妍的典型风韵。柄端錾刻云纹描金，收尾精巧雅致，既贴合握持的实用形制，又带着宫廷御造的雍容气度，是晚清瓷作中将装饰性与实用性精妙相融的精巧之品。",[23,91,26,92,93,7,94],"粉彩","花鸟","设色","开光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc91f48c26476b26be6a22973f7d3b93.jpg",[],1777535745139]