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历迁侍讲，告归。象瑛著有《健松斋诗文集》三十四卷，《封长白山记》一卷，《松窗笔乘》三十卷，（均清史列传）并行于世。",[24,46,139,140,83,141,7,26],"册页","墨笔","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd71424a0f93ff353445747b79ebe0f80.jpg",[54],1,{"id":146,"slug":147,"title":148,"dynasty":75,"author":149,"museum":20,"description":150,"tags":151,"thumbUrl":153,"material":30,"size":31,"collection":32,"collections":154,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":36},240883,"za-shu-shi-ce-wu-kuan-240883","杂书诗册","吴宽","吴宽（1435年－1504年8月19日 ），字原博，号匏庵、玉亭主，世称匏庵先生。直隶长州（今江苏苏州）人。明代名臣、诗人、散文家、书法家。\n吴宽为明宪宗成化八年（1472年）状元，授翰林修撰，曾侍奉孝宗读书。孝宗即位，迁左庶子，预修《宪宗实录》，进少詹事兼侍读学士。官至礼部尚书，卒赠太子太保，谥号“文定”。\n吴宽的诗深厚醲郁，自成一家，著有《匏庵集》 。又擅书法，作书姿润中时出奇崛，虽规模于苏，而多所自得。",[104,152,46,24,48,141,49,7],"册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16b7f882622f12b0a331a79d29ef1c3c.jpg",[],{"id":156,"slug":157,"title":158,"dynasty":123,"author":159,"museum":20,"description":160,"tags":161,"thumbUrl":168,"material":30,"size":31,"collection":32,"collections":169,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269855,"yi-xian-kuan-zhu-ke-shan-shui-ren-wu-shi-ci-bei-yi-ming-269855","艺仙款竹刻山水人物诗词杯","佚名","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[162,163,164,165,7,166,167],"竹刻","雕刻","山水","人物","饮酒器","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a6f6f7345667e1506ab42951c0372c3.jpg",[],{"id":171,"slug":172,"title":173,"dynasty":123,"author":174,"museum":20,"description":175,"tags":176,"thumbUrl":177,"material":30,"size":31,"collection":32,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},241180,"qing-ren-ji-jin-ce-lu-lin-he-jing-shi-san-shou-ye-zhang-wen-tao-241180","清人集锦册-录林和靖诗三首页","张问陶","张问陶（1764年—1814年） ，字仲冶，一字柳门，其故乡四川遂宁城西有船山，因以为号。因善画猿，亦自号“蜀山老猿”。清四川潼川州遂宁县黑柏沟（今属遂宁市蓬溪县）人。",[123,104,24,152,46,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c9df2d22a06caf30330b459ff52ba46.jpg",[],1777535729998]