[{"data":1,"prerenderedAt":57},["ShallowReactive",2],{"subject-shi-jia-mu-ni-fu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},9782,"shi-jia-mu-ni-fu","释迦牟尼佛","释迦牟尼佛画高清赏析","精选中国历代释迦牟尼佛题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d5180596df2d54eb81fdd4b3e00c70b.jpg",0,3,[14,36,47],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},274662,"tong-liu-jin-shi-jia-mu-ni-fu-yi-ming-274662","铜鎏金释迦牟尼佛","明","佚名","藏地不详","佛陀结跏趺坐于仰莲台之上，左手托钵，右手结触地印，面容温婉慈悲，双目垂敛，神态安和沉静。躯体比例匀停舒展，鎏金层厚重莹润，尽显超脱肃穆的神性威仪。\n\n背光雕刻繁缛精巧，缠枝卷草间错落排布胁侍与护法造像，正中央饰摩羯宝焰纹，层次分明，华丽堂皇，将神性的庄严与工艺的华美相融。多层台座浮雕纹饰规整细致，层级错落间尽显匠心。整尊造像糅合藏地造像的雄浑与汉地审美秀雅，工艺精湛卓绝，静静散发着静谧祥和的宗教感染力。",[23,24,25,26,27,28,7],"铜制","鎏金","雕刻","金器","宗教","佛教造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11aa368cc116c4c9f981aee7ccc63275.jpg","未知","Xcm*Xcm","",[],1,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":46,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},253943,"tong-liu-jin-li-fu-shan-zao-shi-jia-mu-ni-fu-zuo-xiang-yi-ming-253943","铜鎏金李福善造释迦牟尼佛坐像","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[42,43,27,44,7,45,23,25,26],"明代","铜鎏金","佛教","坐像",[],{"id":48,"slug":49,"title":17,"dynasty":50,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},274680,"tong-liu-jin-shi-jia-mu-ni-fu-yi-ming-274680","清","此像面如满月，弯眉垂目，神情宁和恬然，慈悲法相一览无余。躯体舒展匀称，偏袒右肩的僧衣贴体垂落，衣纹写意凝练，鎏金莹亮厚重，将佛陀超脱清净的气度烘托得恰到好处。\n\n右手触地降魔，左手结禅定印，结跏趺坐于双层仰莲台之上，完美定格成道圣境。莲瓣饱满规整，台座沉稳大气，整体形神兼备，融精湛工法与静穆佛性于一身，尽显造像肃穆典雅的宗教美感。",[23,24,25,44,7,53,54],"佛像","宗教造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee0b237395deb8ae45611b1c06a435ef.jpg",[],1777535776624]