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porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[89,90,91,26,7,28,92,93,94,95,96,97,98,99,100,101],"陶瓷","青花","釉里红","清代","器","花鸟题材","清代风格","花卉纹饰","陶瓷工艺","青花技法","釉里红技法","设色陶瓷","石榴纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0f855157aabb7256f9ad841137c7804.jpg",[],15,{"id":106,"slug":107,"title":108,"dynasty":18,"author":19,"museum":20,"description":109,"tags":110,"thumbUrl":115,"material":34,"size":35,"collection":36,"collections":116,"showCount":117,"zanCount":118,"manualWeight":11,"mainColor":39},267353,"xiu-xian-ying-xun-fan-shi-huan-hai-yin-feng-tu-zhou-yi-ming-267353","绣线迎薰繁实环海殷丰图轴","此作为清代闺阁绣画佳制，以绒线摹绘花鸟景致，针脚平齐细腻，以色丝晕染物象明暗层次。虬曲老枝次第缀满榴花柔瓣，艳红素白交织，生机勃发。两只绣眼灵动鲜活，一栖于枝头侧目远眺，一振翅穿飞上空，翎毛纤毫毕现，神态鲜活传神。蓝调湖石玲珑奇秀，衬以幽草兰蕙，野趣天成。整体设色雅致清新，将工笔花鸟的悠然意蕴以绣线还原，石榴暗合多子繁茂的吉祥意趣，画面静谧清丽，尽显太平雅致的融融生机。",[23,24,111,48,27,26,28,112,7,113,114,65],"名画","飞鸟","兰花","湖石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a85f6bcb511ada6a39d14319c058076.jpg",[],12,1,{"id":120,"slug":121,"title":122,"dynasty":123,"author":124,"museum":20,"description":125,"tags":126,"thumbUrl":129,"material":34,"size":35,"collection":36,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":39},290505,"duan-yang-jing-zhou-liu-guang-290505","端阳景轴","明","刘广","字元博，长洲（今江苏苏州）人。山水秀润。参看刘溥。作有《画史会要、明画录》.",[23,111,24,48,26,27,28,127,7,128,31],"蜀葵","端阳景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F696d4cf2daa2892c33509b5d15af2925.jpg",[],11,{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":136,"tags":137,"thumbUrl":143,"material":34,"size":35,"collection":36,"collections":144,"showCount":145,"zanCount":11,"manualWeight":11,"mainColor":39},267490,"mei-gui-zi-se-duan-xiu-shi-liu-hua-die-jin-pi-qiu-hua-wen-hua-shen-yi-yi-ming-267490","玫瑰紫色缎绣石榴花蝶金皮球花纹花神衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 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lor":209},246006,"ti-hong-shi-liu-hua-wen-yuan-pan-yi-ming-246006","剔红石榴花纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[192,237,238,216,7,93],"漆器","剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc6bcaa08be576d34244216900ac8e8f.jpg",[],{"id":242,"slug":243,"title":244,"dynasty":123,"author":19,"museum":20,"description":235,"tags":245,"thumbUrl":248,"material":34,"size":35,"collection":36,"collections":249,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},246005,"ti-hong-shi-liu-hua-yuan-pan-yi-ming-246005","剔红石榴花圆盘",[192,237,246,238,216,7,247],"雕漆","圆盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82adbd45a4e1acc51e0d20e240285601.jpg",[],1777535722915]