[{"data":1,"prerenderedAt":2316},["ShallowReactive",2],{"subject-shi-nei-chang-jing":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1150,"shi-nei-chang-jing","室内场景","室内场景画高清赏析","精选中国历代室内场景题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d775dd98444214b8fa3c76dbd69d111.jpg",0,197,[14,42,73,99,116,130,149,171,190,208,222,246,265,285,302,325,337,349,366,379,395,409,423,434,446,457,468,480,494,505,523,534,542,553,564,571,581,590,604,614,628,646,653,664,673,686,697,707,716,725,737,750,757,772,786,802,813,826,836,847,858,873,890,904,918,929,939,953,967,983,997,1008,1018,1027,1039,1048,1059,1073,1083,1092,1106,1116,1133,1145,1163,1175,1185,1196,1209,1218,1230,1238,1246,1257,1267,1284,1298,1308,1318,1331,1339,1348,1357,1370,1381,1391,1400,1411,1421,1432,1445,1458,1469,1478,1488,1498,1510,1519,1528,1538,1549,1560,1570,1579,1590,1602,1613,1624,1634,1643,1654,1663,1674,1684,1694,1704,1714,1723,1734,1743,1759,1769,1776,1785,1792,1802,1812,1825,1833,1846,1853,1863,1871,1879,1896,1906,1919,1932,1943,1952,1961,1969,1976,1985,1995,2003,2010,2021,2028,2041,2050,2057,2070,2077,2087,2102,2110,2122,2131,2140,2150,2159,2169,2178,2187,2196,2208,2219,2226,2234,2246,2256,2266,2273,2282,2292,2303],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":34,"material":35,"size":36,"collection":37,"collections":38,"showCount":39,"zanCount":40,"manualWeight":11,"mainColor":41},288360,"gong-le-tu-yi-ming-288360","宫乐图","唐","佚名","台北故宫博物院","本图描写后宫嫔妃十人,围坐于一张巨型的方桌四周,有的品茗,有的在行酒令。中央四人,则负责吹乐助兴。所持用的乐器,自右而左,分别为筚篥、琵琶、古筝与笙。",[23,24,25,26,27,28,29,30,31,32,33,7],"高清","国画","书画","设色","工笔","人物","美人","仕女","乐器","猫","宫廷宴乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F39857b914581e42221c8c2d3a920666e.jpg","绢本,设色","48.7x69.5","人物画精选",[37],159,2,"795548",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":66,"material":67,"size":68,"collection":69,"collections":70,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":72},225616,"rembrandt-harmensz-van-rijn-020-lun-bo-lang-225616","Rembrandt Harmensz.van Rijn - 020","不详","伦勃朗","藏地不详","伦勃朗·哈尔曼松·凡·莱因（Rembrandt Harmenszoon van Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[51,52,53,28,54,55,56,57,58,7,59,60,61,62,63,64,65],"油画","写实","明暗对比","男性","女性","书籍","烛台","布料","胡须","白发","帽子","白色衣领","桌子","蜡烛","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879cda8e31773dcf7ca7b39f3116a968.jpg","未知","Xcm*Xcm","油画精选",[69],127,"37474F",{"id":74,"slug":75,"title":76,"dynasty":77,"author":78,"museum":79,"description":80,"tags":81,"thumbUrl":93,"material":94,"size":95,"collection":95,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":98},220560,"lu-xun-yu-qu-qiu-bai-xu-bei-hong-220560","鲁迅与瞿秋白","民国","徐悲鸿","中央美术学院美术馆","画面以一动一静构置张力，站立的瞿秋白舒展自若，抬手持烟尽显温润从容；端坐的鲁迅凝眸持烟，神色沉静锐利，尽显思想锋芒。铅笔线条细腻精准，将二人长衫身姿勾勒得儒雅传神，复刻出民国文人的风骨气度。\n\n背景书架与小幅挂画烘托出书房的沉静氛围，左侧题字带着创作随笔的鲜活质感，让这幅写生多了几分私语般的松弛。徐悲鸿以写实笔触定格挚友相处的松弛瞬间，将革命文人的相知情谊藏在细节里，落笔克制却满含温度，把精神共鸣与文人风骨永远定格在画纸之上。",[82,52,28,83,7,84,85,86,87,88,89,90,91,92],"素描","民国服饰","书架","椅子","挂画","题字","长袍","眼镜","站姿","坐姿","手部动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd35baa1f70ee32b5127b101976bdff7a.jpg","纸本素描","",[],75,"BDBDBD",{"id":100,"slug":101,"title":102,"dynasty":46,"author":103,"museum":48,"description":104,"tags":105,"thumbUrl":113,"material":67,"size":68,"collection":69,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":72},225703,"a-weaver-s-cottage-1884-fan-gao-225703","A Weaver's Cottage 1884","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[51,28,106,107,108,109,58,110,111,7,112,52],"织布机","小屋","窗户","灯","木制结构","工具","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F17825a2c204d7af79695adc115eb2f0b.jpg",[69],71,{"id":117,"slug":118,"title":119,"dynasty":46,"author":47,"museum":48,"description":49,"tags":120,"thumbUrl":127,"material":67,"size":68,"collection":69,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":72},225624,"rembrandt-harmensz-van-rijn-028-lun-bo-lang-225624","Rembrandt Harmensz.van Rijn - 028",[51,121,53,28,7,63,56,85,122,123,124,125,126],"巴洛克风格","织物","宽边帽","黑衣","男性群体","写实主义","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e87816d76a215056188f561f11b93ff.jpg",[69],67,{"id":131,"slug":132,"title":133,"dynasty":134,"author":135,"museum":48,"description":136,"tags":137,"thumbUrl":146,"material":67,"size":68,"collection":95,"collections":147,"showCount":148,"zanCount":11,"manualWeight":11,"mainColor":41},290013,"he-le-shi-nv-tu-zhou-wen-ju-290013","合乐仕女图","五代十国","周文矩","周文矩（约907年－975年），五代十国时南唐的宫廷画家，句容（今江苏句容县）人。南唐李昪异元年间（937—943），已在宫中作画。后主李煜（961—975年）朝任翰林待诏，擅人物仕女，多以宫廷贵族或文士生活为题材，兼画山水、屋木、佛道。绘画风格接近唐代画家周昉而更纤丽，多用颤动的“颤笔”画衣纹，线条挺健又略带抖动和顿挫。宋人称其“用笔深远，于繁富则尤工”。",[23,24,138,139,27,26,29,30,31,140,7,141,142,143,144,145],"长卷","人物画","奏乐","闺阁","书法","行书","印章","雅致","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66132f9f2e6e9d33fbf23643535dd1c2.jpg",[],61,{"id":150,"slug":151,"title":152,"dynasty":46,"author":153,"museum":48,"description":154,"tags":155,"thumbUrl":169,"material":67,"size":68,"collection":95,"collections":170,"showCount":148,"zanCount":11,"manualWeight":11,"mainColor":72},225589,"zai-wen-shi-li-ai-de-hua-ma-nai-225589","在温室里","爱德华·马奈","爱德华·马奈（Édouard Manet，1832.01.23～1883.04.30）是19世纪印象主义的奠基人之一，1832年出生于法国巴黎。他从未参加过印象派的展览，但他深具革新精神的艺术创作态度，却深深影响了莫奈、塞尚、梵高等新兴画家，进而将绘画带入现代主义的道路上。受到日本浮世绘及西班牙画风的影响，马奈大胆采用鲜明色彩，舍弃传统绘画的中间色调，将绘画从追求三元次立体空间的传统束缚中解放出来，朝二元次的平面创作迈出革命性的一大步。\n印象派大师爱德华·马内的名画《春天》5日在美国纽约佳士得拍卖行拍得3320万美元。《春天》是马内的代表作之一，最早于1882年在法国巴黎展出，描绘女演员让娜·德马尔西身穿花裙，与春色交相辉映。马内试图用画笔描绘四季，但仅完成《春天》和《秋天》。马内1883年离世，终年51岁。",[51,156,26,52,28,157,158,159,160,61,161,162,163,164,7,165,166,167,168],"印象派","温室植物","长椅","花盆","遮阳伞","女士","男士","绿植","花卉","服饰","光影","热带植物","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5670ad47ae742da5c0afcd6fcba8f181.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":46,"author":175,"museum":48,"description":176,"tags":177,"thumbUrl":187,"material":67,"size":68,"collection":69,"collections":188,"showCount":189,"zanCount":11,"manualWeight":11,"mainColor":72},225891,"fa-guo-wang-hou-ma-li-an-tuo-wa-he-ta-de-hai-zi-men-yi-li-sha-bai-lu-yi-si-wei-jie-lei-bu-lun-225891","法国王后玛丽．安托瓦和她的孩子们","伊丽莎白·路易丝·维杰·勒布伦","伊丽莎白·路易丝·维热·勒布伦（ElisabethLouiseVigee-LeBrun），1755年出生于法国，学肖像画成名后，被选为法兰西皇家绘画雕塑学院院士，1842年在巴黎逝世。",[51,26,52,178,28,179,55,180,7,181,122,182,183,184,166,185,186],"肖像画","孩童","贵族","华丽服饰","地毯","窗帘","柜子","古典","欧洲宫廷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93289aec03f77fbc22f98dd6e56f227e.jpg",[69],57,{"id":191,"slug":192,"title":193,"dynasty":46,"author":194,"museum":48,"description":195,"tags":196,"thumbUrl":205,"material":67,"size":68,"collection":69,"collections":206,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":72},226148,"da-shi-men-xiao-han-si-huo-er-bai-yin-226148","大使们","小汉斯·霍尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》",[51,52,26,28,197,198,56,31,199,63,182,58,200,201,202,203,7,204],"衣帽","地球仪","科学仪器","金属器","木质","典籍","写实技法","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe2fbcb4770ff51108175120146d4681.jpg",[69],48,{"id":209,"slug":210,"title":211,"dynasty":46,"author":212,"museum":48,"description":213,"tags":214,"thumbUrl":220,"material":67,"size":68,"collection":69,"collections":221,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":41},226007,"portrait-of-mrs-gaudibert-1868-mo-nai-226007","Portrait of Mrs. Gaudibert, 1868","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[156,51,28,55,215,216,183,63,217,218,182,7,26,219],"长裙","披肩","花瓶","玫瑰花","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f9d8975a5f7f36a6c408e9a43bb51d8.jpg",[69],{"id":223,"slug":224,"title":225,"dynasty":226,"author":227,"museum":228,"description":229,"tags":230,"thumbUrl":242,"material":243,"size":244,"collection":95,"collections":245,"showCount":207,"zanCount":11,"manualWeight":11,"mainColor":41},223075,"hong-lou-meng-61-sun-wen-223075","红楼梦61","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[23,24,27,26,231,28,232,233,234,235,236,237,238,29,204,239,240,7,241,185],"界画","山水","雪景","楼阁","庭院","树木","围墙","房屋","桌椅","红楼梦题材","陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ce8b0c32c96d9c86a13f94caf067894.jpg","绢本","纵43.3厘米、横76.5厘米",[],{"id":247,"slug":248,"title":249,"dynasty":46,"author":250,"museum":48,"description":251,"tags":252,"thumbUrl":262,"material":67,"size":68,"collection":95,"collections":263,"showCount":264,"zanCount":11,"manualWeight":11,"mainColor":72},226149,"ma-la-zhi-si-ya-ke-lu-yi-da-wei-226149","马拉之死","雅克·路易·大卫","雅克·路易·大卫（Jacques-Louis David，1748—1825）是法国著名画家，新古典主义画派的奠基人。画风严谨，技法精工。\n在资产阶级革命民主派雅各宾专政时期，曾任公共教育委员会和美术委员会的委员。早期作品以历史英雄人物为题材，如《荷拉斯兄弟的宣誓》、《处决自己的儿子布鲁特斯》等。",[51,253,52,28,254,255,256,257,258,259,260,261,7],"新古典主义","浴盆","木箱","羽毛笔","纸张","白布","血迹","伤口","历史题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3042836c18f5ca365fb9d9264702bfd.jpg",[],47,{"id":266,"slug":267,"title":268,"dynasty":46,"author":103,"museum":48,"description":104,"tags":269,"thumbUrl":282,"material":67,"size":68,"collection":69,"collections":283,"showCount":264,"zanCount":284,"manualWeight":11,"mainColor":41},225736,"de-slaapkamer-fan-gao-225736","De slaapkamer",[270,51,271,272,273,274,275,276,277,85,63,108,86,278,279,280,281,7],"名画","厚涂","笔触奔放","色彩鲜明","色彩对比强烈","表现主义","卧室","床","木地板","墙壁","枕头","被子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41b9903979093dab1417ced8def24ffa.jpg",[69],1,{"id":286,"slug":287,"title":288,"dynasty":289,"author":290,"museum":48,"description":291,"tags":292,"thumbUrl":299,"material":67,"size":68,"collection":95,"collections":300,"showCount":301,"zanCount":11,"manualWeight":11,"mainColor":41},289345,"jing-zhuang-shi-nv-tu-su-han-chen-289345","靓妆仕女图","宋","苏汉臣","苏汉臣（1094年―1172年），汴京（今河南开封）人，北宋画家。北宋徽宗宣和年间（1119~1125）任画院待诏，南宋高宗绍兴年间（1131~1162）复职，南宋孝宗隆兴初年（1163）任承信郎。\n苏汉臣曾为北宋宣和画院待诏，南渡后又复职，隆兴初画佛像称旨，任承信郎。师刘宗古，工画道释、人物臻妙，尤善婴孩，所画货郎图，描画精细，货物繁颐，更为特出。\n苏汉臣师从画院待诏刘宗古，所绘人物、士女及佛道宗教画，用笔工整细劲，着色鲜润。尤擅描绘婴儿嬉戏之景和货郎担，情态生动。传世作品有《秋庭戏婴图》《五瑞图》《击乐图》《婴戏图》等。",[24,293,27,26,30,29,7,294,295,296,297,298],"扇面","妆扮","屏风","枯树","盆栽","娴静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F461f3a441637bef355b5e52fce686547.jpg",[],43,{"id":303,"slug":304,"title":305,"dynasty":306,"author":307,"museum":308,"description":309,"tags":310,"thumbUrl":319,"material":320,"size":321,"collection":37,"collections":322,"showCount":324,"zanCount":40,"manualWeight":11,"mainColor":41},221712,"fu-zui-tu-juan-qian-xuan-221712","扶醉图卷","元","钱选","美国大都会艺术博物馆","描绘的是东晋著名隐士陶渊明喝酒的故事。画中共三人：酒后面露醉态的陶渊明，醉眼朦胧，坦胸露肚，一手倚扶于竹榻之上，一手作摆手送客状。右侧的客人对着陶渊明双手作揖，面容恭谨，作告辞状；白衣老仆欲引客人离去。一边的地面上陶制的酒罐、酒盆和瓷器的酒杯洒落一地，杯盘狼藉。",[23,24,25,138,26,27,311,28,312,197,63,313,243,314,315,316,7,317,318],"文人画","饮酒器","饮酒场景","古代服饰","酒具","人物互动","线条细腻","设色典雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc7ccffb9f1d8c8a7d08362296a28da33.jpg","水墨设色","纵28厘米，横49.5厘米",[37,323],"设色画精选",40,{"id":326,"slug":327,"title":328,"dynasty":329,"author":19,"museum":330,"description":331,"tags":332,"thumbUrl":334,"material":35,"size":95,"collection":37,"collections":335,"showCount":336,"zanCount":284,"manualWeight":11,"mainColor":41},219497,"juan-xiu-tu-yi-ming-219497","倦绣图","明","美国弗利尔美术馆","朱红绣案上绿绸随意铺陈，仕女凭案敛臂休憩，绣活未竟便沉沉暂歇。淡墨轻施勾勒出松弛倦态，素绢古旧的底色晕开沉静氛围，没有繁复华饰，只以极简笔意定格闺阁日常里的慵懒闲逸。将绣女劳顿后的松弛心绪藏在素雅笔墨间，未完成的针线暗合着闺中往复的日常细碎，静穆画面里漫出平淡悠长的闺中况味，把细碎倦怠揉进古雅色调里，尽显内敛温柔的东方意趣。",[24,25,26,27,28,29,165,333,122,7],"榻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa4a4c0ec9f990f6ad692fcb7681f4b5.jpg",[37],39,{"id":338,"slug":339,"title":340,"dynasty":329,"author":341,"museum":48,"description":342,"tags":343,"thumbUrl":346,"material":35,"size":95,"collection":95,"collections":347,"showCount":348,"zanCount":11,"manualWeight":11,"mainColor":41},216269,"er-shi-si-xiao-tu-24-chou-ying-216269","二十四孝图-24","仇英","二十四孝图是明朝时期著名的书画作品，由仇英创作。它描绘了中国传统文化中的二十四种孝道场景。二十四孝图的内容涵盖了人生各个阶段的孝道行为，从小学阶段的“孝悌忠信”到晚年的“慈孝双全”。这幅作品在明朝时期广受欢迎，并被视为一部重要的文化遗产。",[24,25,27,26,28,29,179,344,345,7],"床帐","家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b1868ae9aca77ace350a7dcb3a1cb6c.jpg",[],38,{"id":350,"slug":351,"title":352,"dynasty":226,"author":227,"museum":228,"description":229,"tags":353,"thumbUrl":363,"material":243,"size":244,"collection":95,"collections":364,"showCount":365,"zanCount":11,"manualWeight":11,"mainColor":98},223055,"hong-lou-meng-180-sun-wen-223055","红楼梦180",[23,27,26,231,28,234,354,355,356,357,358,236,359,239,360,361,362,235,7],"亭","荷花","荷叶","池塘","栏杆","圆形窗","茶具","扇子","鸭子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7f50c00b41d18bf698643e1b41df6987.jpg",[],36,{"id":367,"slug":368,"title":369,"dynasty":46,"author":370,"museum":48,"description":371,"tags":372,"thumbUrl":376,"material":67,"size":68,"collection":95,"collections":377,"showCount":378,"zanCount":284,"manualWeight":11,"mainColor":41},231751,"ming-zhi-nian-bi-ming-zhi-nian-wu-ji-you-hua-dong-jing-hei-tian-qing-hui-231751","明治年 笔 明治年舞姬油画(东京)","黑田清辉","日本画家。1884年赴巴黎留学。1893年回国。1896年创立白马会。1898年任东京美术学校教授。1922年任帝国美术院院长。还担任贵族院议员等。吸收法国外光派画风，创立了日本外光画派。在日本明治时期画坛上颇有影响。主要作品有《读书》《湖畔》《昔语》《朝妆》等。去世后，根据其遗愿，设立了黑田纪念馆（现在东京国立文物研究所内）。",[51,26,28,29,373,374,375,7],"和服","窗","水面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F864e28fa6e99590567aa0ef59b9c5efd.jpg",[],32,{"id":380,"slug":381,"title":382,"dynasty":46,"author":103,"museum":48,"description":104,"tags":383,"thumbUrl":393,"material":67,"size":68,"collection":69,"collections":394,"showCount":378,"zanCount":284,"manualWeight":11,"mainColor":98},225708,"absinth-fan-gao-225708","Absinth",[51,384,272,273,63,385,386,387,108,388,389,7,390,391,392],"后印象派","玻璃瓶","高脚杯","液体","窗外行人","街道","透明器皿","浅色桌面","模糊背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c30aac4efe7f28091c0e63b6d531d8e.jpg",[69],{"id":396,"slug":397,"title":398,"dynasty":226,"author":227,"museum":228,"description":229,"tags":399,"thumbUrl":406,"material":243,"size":244,"collection":95,"collections":407,"showCount":408,"zanCount":11,"manualWeight":11,"mainColor":41},222904,"hong-lou-meng-29-sun-wen-222904","红楼梦29",[23,24,27,26,28,30,400,401,7,402,403,404,405],"红楼梦","宴席","楼台亭阁","牡丹","器物陈设","古典题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68d7832e0c9828dbc157eabdcb611f62.jpg",[],29,{"id":410,"slug":411,"title":412,"dynasty":46,"author":47,"museum":48,"description":49,"tags":413,"thumbUrl":420,"material":67,"size":68,"collection":69,"collections":421,"showCount":422,"zanCount":284,"manualWeight":11,"mainColor":72},225637,"rembrandt-harmensz-van-rijn-047-lun-bo-lang-225637","Rembrandt Harmensz.van Rijn - 047",[51,52,166,414,28,415,416,56,7,122,417,418,419],"宗教","天使","摇篮","木质地板","篮子","翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ce04536eb31562eabbd5f9378930f7c.jpg",[69],28,{"id":424,"slug":425,"title":426,"dynasty":46,"author":103,"museum":48,"description":104,"tags":427,"thumbUrl":431,"material":67,"size":68,"collection":69,"collections":432,"showCount":433,"zanCount":11,"manualWeight":11,"mainColor":41},225783,"night-cafeclub-fan-gao-225783","Night cafeclub",[51,384,428,429,7,28,430],"夜间咖啡馆","台球桌","暖色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc9278161355402872d617f1b610b0d9.jpg",[69],27,{"id":435,"slug":436,"title":437,"dynasty":226,"author":227,"museum":228,"description":229,"tags":438,"thumbUrl":443,"material":243,"size":244,"collection":95,"collections":444,"showCount":445,"zanCount":11,"manualWeight":11,"mainColor":41},222952,"hong-lou-meng-77-sun-wen-222952","红楼梦77",[23,24,27,26,138,28,234,358,439,295,440,239,441,7,165,442,182,241],"灯笼","对联","帘子","柱子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3cb75e26a8f376aed3e1677a920d3885.jpg",[],25,{"id":447,"slug":448,"title":449,"dynasty":46,"author":47,"museum":48,"description":49,"tags":450,"thumbUrl":454,"material":67,"size":68,"collection":69,"collections":455,"showCount":456,"zanCount":11,"manualWeight":11,"mainColor":72},225630,"rembrandt-harmensz-van-rijn-039-lun-bo-lang-225630","Rembrandt Harmensz.van Rijn - 039",[51,28,52,53,451,166,452,7,453,178],"巴洛克","老年男性","衣着华丽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dedba658724fa1c3703f05f3d6304c3.jpg",[69],24,{"id":458,"slug":459,"title":460,"dynasty":226,"author":227,"museum":228,"description":229,"tags":461,"thumbUrl":465,"material":243,"size":244,"collection":95,"collections":466,"showCount":456,"zanCount":11,"manualWeight":11,"mainColor":467},222945,"hong-lou-meng-70-sun-wen-222945","红楼梦70",[23,24,25,27,26,231,28,204,165,7,462,463,464,243,241],"细描","古典建筑","彩绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F48fc777519a843d419ec0f54c0df26de.jpg",[],"F48FB1",{"id":469,"slug":470,"title":471,"dynasty":226,"author":227,"museum":228,"description":229,"tags":472,"thumbUrl":478,"material":243,"size":244,"collection":95,"collections":479,"showCount":456,"zanCount":11,"manualWeight":11,"mainColor":41},222903,"hong-lou-meng-28-sun-wen-222903","红楼梦28",[23,24,27,26,138,231,139,473,235,236,474,463,7,475,476,241,314,204,440,477],"古典绘画","怪石","室外场景","人物活动","山水纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffbf114af71bd44fc7209522477504afd.jpg",[],{"id":481,"slug":482,"title":483,"dynasty":226,"author":227,"museum":228,"description":229,"tags":484,"thumbUrl":491,"material":243,"size":244,"collection":95,"collections":492,"showCount":493,"zanCount":11,"manualWeight":11,"mainColor":467},222968,"hong-lou-meng-93-sun-wen-222968","红楼梦93",[23,24,25,27,26,28,7,204,440,295,485,345,486,487,488,489,490],"古装","字画","传统服饰","古典陈设","中式建筑构件","室内装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93df387d900686b98bb06eaee91c247b.jpg",[],23,{"id":495,"slug":496,"title":497,"dynasty":226,"author":227,"museum":228,"description":229,"tags":498,"thumbUrl":502,"material":243,"size":244,"collection":95,"collections":503,"showCount":504,"zanCount":11,"manualWeight":11,"mainColor":41},223025,"hong-lou-meng-150-sun-wen-223025","红楼梦150",[23,24,25,138,26,27,28,30,234,7,499,500,501,164],"红楼故事","桌案","帷幔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6648d89f3633663c83d3317a0b227995.jpg",[],21,{"id":506,"slug":507,"title":508,"dynasty":226,"author":227,"museum":228,"description":229,"tags":509,"thumbUrl":521,"material":243,"size":244,"collection":95,"collections":522,"showCount":504,"zanCount":284,"manualWeight":11,"mainColor":41},222992,"hong-lou-meng-117-sun-wen-222992","红楼梦117",[23,27,26,510,28,7,345,295,239,440,197,511,512,513,490,514,515,516,517,204,518,519,520],"重彩","镜子","坐垫","地砖","古装人物","跪姿人物","站立人物","坐像人物","红色织物","彩色服饰","工笔人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd16ff9d69ff438ca69c1c2cca252e1f.jpg",[],{"id":524,"slug":525,"title":526,"dynasty":329,"author":341,"museum":48,"description":342,"tags":527,"thumbUrl":532,"material":35,"size":95,"collection":95,"collections":533,"showCount":504,"zanCount":284,"manualWeight":11,"mainColor":41},216272,"er-shi-si-xiao-tu-20-chou-ying-216272","二十四孝图-20",[270,24,25,27,26,28,314,528,529,530,487,531,7,316],"室内建筑","孝主题","明代","建筑构件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24f72fe8f1633c28ef8d5e6987d97a2f.jpg",[],{"id":535,"slug":536,"title":537,"dynasty":226,"author":227,"museum":228,"description":229,"tags":538,"thumbUrl":539,"material":243,"size":244,"collection":95,"collections":540,"showCount":541,"zanCount":11,"manualWeight":11,"mainColor":41},222979,"hong-lou-meng-104-sun-wen-222979","红楼梦104",[23,24,27,26,28,7,231,345,204,197,25,142],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc331b246377204b7e5131a65e0b5ebce.jpg",[],20,{"id":543,"slug":544,"title":545,"dynasty":134,"author":546,"museum":48,"description":547,"tags":548,"thumbUrl":550,"material":67,"size":68,"collection":95,"collections":551,"showCount":552,"zanCount":11,"manualWeight":11,"mainColor":41},289779,"tiao-er-tu-wang-qi-han-289779","挑耳图","王齐翰","王齐翰(公元10世纪)〔五代·南唐〕金陵(今江苏南京)人，生卒年不详。后主李煜朝(961-975)为宫廷翰林图画院待诏。工画人物、佛道宗教画，兼擅山水、花鸟，以画猿獐出名。好作山林丘壑，隐岩幽谷，无朝市风埃气，其画以笔法工细为特色〔南唐〕金陵（今南京）人。仕南唐李煜（九六一至九七五）在位为翰林待诏。画道释人物多思致，好作山林丘壑，隐岩幽卜。其画以笔法入细者胜，无一点朝市风尘气。开宝末商贾刘元嗣以高价售得齐翰画罗汉十六轴，载入京师，置于僧寺。后僧以过期拒赎与讼。时太宗尹京，督索其画，一见大加赏叹。遂留画厚赐而释之。阅十六日太宗即位，后名其画曰应运罗汉。画花鸟如生，人但以獐猨名。",[24,138,25,28,26,549,143,142,7],"挑耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37f9346d130fe1c6cb415de0888edf5b.jpg",[],19,{"id":554,"slug":555,"title":556,"dynasty":46,"author":103,"museum":48,"description":104,"tags":557,"thumbUrl":562,"material":67,"size":68,"collection":69,"collections":563,"showCount":552,"zanCount":284,"manualWeight":11,"mainColor":41},225732,"corridor-in-the-asylum-fan-gao-225732","Corridor in the Asylum",[51,384,272,273,7,558,559,442,560,28,561,166],"走廊","拱门","地面","墙面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F280e79c7ab565bfd54bd93db4e4d2752.jpg",[69],{"id":565,"slug":566,"title":567,"dynasty":226,"author":227,"museum":228,"description":229,"tags":568,"thumbUrl":569,"material":243,"size":244,"collection":95,"collections":570,"showCount":552,"zanCount":11,"manualWeight":11,"mainColor":98},223007,"hong-lou-meng-132-sun-wen-223007","红楼梦132",[23,24,25,27,26,28,165,345,217,295,440,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32553c012ce6da2e7f869061a13b57c8.jpg",[],{"id":572,"slug":573,"title":574,"dynasty":226,"author":227,"museum":228,"description":229,"tags":575,"thumbUrl":579,"material":243,"size":244,"collection":95,"collections":580,"showCount":552,"zanCount":11,"manualWeight":11,"mainColor":41},222993,"hong-lou-meng-118-sun-wen-222993","红楼梦118",[23,24,27,26,28,30,400,7,576,345,295,577,578],"盆景","博古杂项","形神兼备","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F967feb5c933d55b587a121a9b5ff6ac2.jpg",[],{"id":582,"slug":583,"title":584,"dynasty":226,"author":227,"museum":228,"description":229,"tags":585,"thumbUrl":587,"material":243,"size":244,"collection":95,"collections":588,"showCount":589,"zanCount":11,"manualWeight":11,"mainColor":41},222943,"hong-lou-meng-68-sun-wen-222943","红楼梦68",[23,27,26,231,28,7,345,164,204,142,440,84,63,586,439,297],"凳子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c32ce07b23c9a117289cfb2e75eaa4a.jpg",[],18,{"id":591,"slug":592,"title":593,"dynasty":46,"author":19,"museum":48,"description":594,"tags":595,"thumbUrl":601,"material":67,"size":68,"collection":95,"collections":602,"showCount":603,"zanCount":11,"manualWeight":11,"mainColor":98},231687,"ping-an-shi-dai-e-gui-cao-zhi-yi-ming-231687","平安时代 恶鬼草纸","此卷以幽谲笔致铺陈幽冥幻景，起首狞厉恶鬼赤面焰发，拖拽拷打罪者，怪骇形貌带着慑人的怖气。继而转绘冥境丘泽，精怪盘桓、寒鸟掠空，荒寂山景藏着隐秘的妖异氛围。后半段落回人间宅邸，鬼魅附着日常起居，悄然撕开阴阳两界的缝隙。\n\n笔墨简淡古拙，残褪的朱红晕开岁月斑驳，将佛教果报之说揉入和风怪谈，以稚拙线条勾勒出旧时代对幽冥的想象，让泛黄纸本载着千年的畏怖诡奇，铺展出一场跨越阴阳的怪幻绘卷。",[23,138,596,26,28,597,598,599,232,600,7,475],"白描","鬼怪","兽","龙","建筑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71db9ddecacf189990a84725835b6d52.jpg",[],17,{"id":605,"slug":606,"title":607,"dynasty":226,"author":227,"museum":228,"description":229,"tags":608,"thumbUrl":612,"material":243,"size":244,"collection":95,"collections":613,"showCount":603,"zanCount":11,"manualWeight":11,"mainColor":98},222929,"hong-lou-meng-54-sun-wen-222929","红楼梦54",[23,24,25,609,27,26,231,28,234,235,236,610,7,611],"清代","传统建筑","室外庭院","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54c36497319a800572a5dac3ea91b0d5.jpg",[],{"id":615,"slug":616,"title":617,"dynasty":226,"author":227,"museum":228,"description":229,"tags":618,"thumbUrl":625,"material":243,"size":244,"collection":95,"collections":626,"showCount":627,"zanCount":11,"manualWeight":11,"mainColor":98},222949,"hong-lou-meng-74-sun-wen-222949","红楼梦74",[23,24,27,26,231,28,234,235,232,236,619,358,620,600,7,621,622,623,624],"山石","细笔","远景山水","近景树木","庭院栏杆","假山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d1b1748c99a26d06efa29fd5321b683.jpg",[],16,{"id":629,"slug":630,"title":631,"dynasty":226,"author":19,"museum":48,"description":632,"tags":633,"thumbUrl":643,"material":95,"size":95,"collection":95,"collections":644,"showCount":645,"zanCount":11,"manualWeight":11,"mainColor":98},234390,"hong-li-shi-yi-shi-er-tu-zhou-yi-ming-234390","弘历是一是二图轴","工笔淡彩晕染出雅致书斋，主人凭榻安坐，仆从侍侧奉茶。博古架上瓷瓶书卷错落，案头盆景清供雅致静立，将文人闲居意趣铺陈开来。\n线条秀逸细腻，设色柔和平静，画面写实入微，又暗藏是一是二的禅意哲思。主人凝睇画像，物我交融的意境悄然流露，将古时文人士大夫观照自我的精神世界定格绢素，让人身临其境触摸旧日清贵的闲雅日常。",[24,26,27,28,232,634,345,204,500,333,576,635,636,7,637,638,639,640,641,642,297,295],"文房四宝","松树","梅枝","笔","墨","纸","砚","香炉","几案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a85e7afac4f195c0df770e25d47790.jpg",[],15,{"id":647,"slug":648,"title":649,"dynasty":226,"author":227,"museum":228,"description":229,"tags":650,"thumbUrl":651,"material":243,"size":244,"collection":95,"collections":652,"showCount":645,"zanCount":11,"manualWeight":11,"mainColor":41},223026,"hong-lou-meng-151-sun-wen-223026","红楼梦151",[23,24,27,26,28,29,234,7,240],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f3ed8aba82f48e5a27e63e8dfabd8d6.jpg",[],{"id":654,"slug":655,"title":656,"dynasty":226,"author":227,"museum":228,"description":229,"tags":657,"thumbUrl":662,"material":243,"size":244,"collection":95,"collections":663,"showCount":645,"zanCount":11,"manualWeight":11,"mainColor":41},222990,"hong-lou-meng-115-sun-wen-222990","红楼梦115",[23,27,26,28,234,235,236,658,487,659,660,7,661],"中式建筑","园林元素","秋季树木","户外互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a2491eda8f72b68617a9425fea5dfe4.jpg",[],{"id":665,"slug":666,"title":667,"dynasty":226,"author":227,"museum":228,"description":229,"tags":668,"thumbUrl":671,"material":243,"size":244,"collection":95,"collections":672,"showCount":645,"zanCount":11,"manualWeight":11,"mainColor":41},222983,"hong-lou-meng-108-sun-wen-222983","红楼梦108",[23,24,27,26,138,139,240,30,669,7,670,634,234],"文人","古典家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F70d7b7cd11d8e0b7c16820dd98b03e49.jpg",[],{"id":674,"slug":675,"title":676,"dynasty":226,"author":227,"museum":228,"description":229,"tags":677,"thumbUrl":684,"material":243,"size":244,"collection":95,"collections":685,"showCount":645,"zanCount":11,"manualWeight":11,"mainColor":41},222902,"hong-lou-meng-27-sun-wen-222902","红楼梦27",[23,24,27,26,28,234,678,679,235,463,487,680,520,7,681,682,683],"竹","树","园林景观","室外景物","工笔设色","室内外结合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa474741499a901456edefc992e52add8.jpg",[],{"id":687,"slug":688,"title":689,"dynasty":329,"author":690,"museum":48,"description":691,"tags":692,"thumbUrl":694,"material":67,"size":68,"collection":95,"collections":695,"showCount":696,"zanCount":11,"manualWeight":11,"mainColor":98},235955,"wen-li-tu-zhou-you-qiu-235955","问礼图轴","尤求","明]字子求，号凤丘（一作凤山），长洲（今江苏苏州）人，移居太仓。",[24,25,693,596,28,204,7],"立轴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F673798774d06c9a3bbef4aec0a5cf911.jpg",[],14,{"id":698,"slug":699,"title":700,"dynasty":226,"author":227,"museum":228,"description":229,"tags":701,"thumbUrl":705,"material":243,"size":244,"collection":95,"collections":706,"showCount":696,"zanCount":11,"manualWeight":11,"mainColor":41},222977,"hong-lou-meng-102-sun-wen-222977","红楼梦102",[23,27,26,231,28,234,235,702,703,236,29,704,30,7,600,163],"芭蕉","竹子","古典园林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f29d4f96bae2ac203a1e271aaabb89e.jpg",[],{"id":708,"slug":709,"title":710,"dynasty":226,"author":227,"museum":228,"description":229,"tags":711,"thumbUrl":714,"material":243,"size":244,"collection":95,"collections":715,"showCount":696,"zanCount":11,"manualWeight":11,"mainColor":98},222973,"hong-lou-meng-98-sun-wen-222973","红楼梦98",[23,27,26,231,28,234,235,297,236,712,713,165,204,7,475],"太湖石","门窗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54ea2eba1280154b2baab54fd4a20ff7.jpg",[],{"id":717,"slug":718,"title":719,"dynasty":226,"author":227,"museum":228,"description":229,"tags":720,"thumbUrl":722,"material":243,"size":244,"collection":95,"collections":723,"showCount":724,"zanCount":11,"manualWeight":11,"mainColor":98},222907,"hong-lou-meng-32-sun-wen-222907","红楼梦32",[23,24,25,27,26,231,28,234,235,678,679,619,241,29,238,721,7,475],"花木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F365e9f1d82d6ef78a2bca3d92337f7fb.jpg",[],13,{"id":726,"slug":727,"title":728,"dynasty":46,"author":47,"museum":48,"description":49,"tags":729,"thumbUrl":734,"material":67,"size":68,"collection":69,"collections":735,"showCount":736,"zanCount":11,"manualWeight":11,"mainColor":72},225688,"rembrandt-harmensz-van-rijn-098-lun-bo-lang-225688","Rembrandt Harmensz.van Rijn - 098",[51,52,178,53,28,452,730,731,732,733,7],"毛领外套","白色褶皱领","打开的书籍","黑色帽子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01fbf84ee850aa47b2daf160f5df7fbc.jpg",[69],12,{"id":738,"slug":739,"title":740,"dynasty":46,"author":212,"museum":48,"description":213,"tags":741,"thumbUrl":747,"material":67,"size":68,"collection":69,"collections":748,"showCount":749,"zanCount":11,"manualWeight":11,"mainColor":72},225983,"meditation-mrs-monet-sitting-on-a-sofa-1870-1871-mo-nai-225983","Meditation, Mrs. Monet Sitting on a Sofa, 1870-1871",[156,51,7,742,743,182,744,56,183,745,219,746,490],"女性人物","沙发","壁炉","花卉纹样","装饰画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd839b67cfb870696d6b4c5ef21db946e.jpg",[69],11,{"id":751,"slug":752,"title":276,"dynasty":46,"author":103,"museum":48,"description":104,"tags":753,"thumbUrl":755,"material":67,"size":68,"collection":69,"collections":756,"showCount":749,"zanCount":11,"manualWeight":11,"mainColor":41},225887,"wo-shi-fan-gao-225887",[51,384,276,277,239,7,754],"家居","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a9bbeff72a518ed22333781b0bd1d6c.jpg",[69],{"id":758,"slug":759,"title":760,"dynasty":46,"author":103,"museum":48,"description":104,"tags":761,"thumbUrl":770,"material":67,"size":68,"collection":69,"collections":771,"showCount":749,"zanCount":11,"manualWeight":11,"mainColor":72},225828,"the-dance-hall-in-arles-1888-fan-gao-225828","The Dance Hall in Arles 1888",[270,51,384,762,763,7,764,765,28,766,165,767,768,769],"色彩强烈","粗犷笔触","舞厅","人群","灯光","动态","聚会","热闹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ac917e4a97038284307323705bda8eb.jpg",[69],{"id":773,"slug":774,"title":775,"dynasty":46,"author":212,"museum":48,"description":213,"tags":776,"thumbUrl":783,"material":67,"size":68,"collection":69,"collections":784,"showCount":785,"zanCount":11,"manualWeight":11,"mainColor":72},226068,"the-dinner-an-interior-after-1868-69-mo-nai-226068","The Dinner, An Interior after, 1868-69",[51,156,219,777,7,778,85,779,744,28,780,781,782],"色彩运用","圆桌","吊灯","杯具","坐着的人物","站着的人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7eba2fba40aab4bd0a82c77dbe0f19fd.jpg",[69],10,{"id":787,"slug":788,"title":789,"dynasty":46,"author":790,"museum":48,"description":791,"tags":792,"thumbUrl":799,"material":67,"size":68,"collection":95,"collections":800,"showCount":801,"zanCount":11,"manualWeight":11,"mainColor":41},232300,"a-er-ma-27-lao-lun-si-a-er-ma-ta-de-ma-232300","阿尔玛27","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[51,26,52,793,28,29,794,795,202,796,797,58,798,7],"古典风格","大理石","卷轴","雕刻","浮雕","台阶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7d69d0fe4c253f427ebc397002a8f949.jpg",[],9,{"id":803,"slug":804,"title":805,"dynasty":46,"author":103,"museum":48,"description":104,"tags":806,"thumbUrl":810,"material":67,"size":68,"collection":69,"collections":811,"showCount":812,"zanCount":11,"manualWeight":11,"mainColor":41},225769,"l-arle-sienne-fan-gao-225769","L'Arlésienne",[51,384,271,28,56,807,61,63,7,808,809],"围巾","笔触鲜明","色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bad232a8b96ff00f1c89822871c7b98.jpg",[69],8,{"id":814,"slug":815,"title":816,"dynasty":289,"author":19,"museum":20,"description":817,"tags":818,"thumbUrl":822,"material":35,"size":823,"collection":95,"collections":824,"showCount":825,"zanCount":11,"manualWeight":11,"mainColor":41},287557,"wu-yin-qing-xia-tu-yi-ming-287557","梧阴清暇图","画作以梧桐浓荫晕开清寂底色，堂上二人对坐清谈，案头摊卷置砚，文房雅具错落排布，尽显雅人深致。侧间一人伏案凝思，似耽于笔耕。堂下侍从垂手侍立，神态恭谨，衬出主家松弛闲雅的氛围。\n\n整作线条细劲秀逸，设色古雅清淡，以界笔精工勾勒厅堂家具的榫卯细节，将宋代文人士族的日常雅趣铺陈开来，无喧嚣繁复，只剩林下清暇的悠然意趣，把宋人尚雅的生活情态藏进每一处细腻笔触中，静穆里流淌着熨帖安然的宋代文人日常美学。",[24,27,26,28,819,820,821,7,345],"文人雅集","梧阴","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68ca955a94f5ca2c38f7fc71495003a7.jpg","50.1x41.1",[],7,{"id":827,"slug":828,"title":829,"dynasty":46,"author":830,"museum":48,"description":831,"tags":832,"thumbUrl":834,"material":67,"size":68,"collection":95,"collections":835,"showCount":825,"zanCount":11,"manualWeight":11,"mainColor":72},232536,"mi-lai-si-80-yue-han-ai-fu-li-te-mi-lai-si-232536","米莱斯80","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[51,52,28,55,179,165,7,26,833],"细腻笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F58092561fc216246f4f9920bc7048b49.jpg",[],{"id":837,"slug":838,"title":839,"dynasty":329,"author":840,"museum":20,"description":841,"tags":842,"thumbUrl":845,"material":243,"size":95,"collection":95,"collections":846,"showCount":825,"zanCount":11,"manualWeight":11,"mainColor":98},228842,"tai-ping-le-shi-ce-dai-jin-228842","太平乐事册","戴进","它一般描绘社会安和乐利，人民安居乐业的的太平景象。太平乐事册页，一共十开。分别为婴戏、骑牛、捕鱼、娱乐、戏耍、试射、耕罢、观戏、木马、牧归。画面中有不同阶层人生活的场景，非常有生活气味。",[24,26,27,843,28,179,844,345,7,204],"册","成年人","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa10f2caf70a0e0917dcab4e7bdff22a0.jpg",[],{"id":848,"slug":849,"title":850,"dynasty":226,"author":851,"museum":48,"description":852,"tags":853,"thumbUrl":855,"material":67,"size":68,"collection":95,"collections":856,"showCount":857,"zanCount":11,"manualWeight":11,"mainColor":98},235543,"xi-xiang-tu-ce-ye-bu-235543","西廂图册","叶逋","《西厢记》故事，最早起源于唐代元稹的传奇小说《莺莺传》，叙述书生张珙与同时寓居在普救寺的已故相国之女崔莺莺相爱，在婢女红娘的帮助下，两人在西厢约会，莺莺终于以身相许。后来张珙赴京应试，得了高官，却抛弃了莺莺，酿成爱情悲剧。亦相传为元稹假借张生的自传体小说或故事。这个故事到宋金时代流传更广，一些文人、民间艺人纷纷改编成说唱和戏剧，王实甫编写的多本杂剧《西厢记》就是在这样丰富的艺术积累上进行加工创作而成的。",[24,25,843,26,27,143,28,345,204,165,164,295,854,7,142,144],"窗棂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c2265be97eaccf6c319a909a54d6d01.jpg",[],5,{"id":859,"slug":860,"title":861,"dynasty":46,"author":862,"museum":48,"description":863,"tags":864,"thumbUrl":871,"material":67,"size":68,"collection":95,"collections":872,"showCount":857,"zanCount":11,"manualWeight":11,"mainColor":98},231964,"the-dance-lesson-metropolitan-museum-of-art-usa-de-jia-231964","The Dance Lesson - - Metropolitan Museum of Art (USA)","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[156,51,28,865,866,867,278,7,868,869,870,219],"芭蕾舞女","小提琴","舞蹈把杆","白色舞裙","红色发饰","人物动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9179d200bc4d1c8ddd4331f8807c6158.jpg",[],{"id":874,"slug":875,"title":876,"dynasty":289,"author":877,"museum":20,"description":878,"tags":879,"thumbUrl":886,"material":887,"size":888,"collection":95,"collections":889,"showCount":857,"zanCount":11,"manualWeight":11,"mainColor":41},231398,"bu-na-tu-liu-song-nian-231398","补纳图","刘松年","本幅画两名僧人坐于禅榻上，老者正潜心补衣，另一人则抱膝旁观。屏后，复有侍者二人，伫立捻茶。画中人物，表情鲜活而自然，衣纹用笔亦流畅有力。惟左下方款署之“画院待诏赐金带刘松年敬赠”及钤印疑伪。 宋元罗汉画常见僧侣日常活动，此轴描绘僧人补衣，亦可归入罗汉画类型。刘松年是活动在十二世纪的南宋宫廷画家，以本院所藏〈画罗汉〉三轴最具代表性。若与〈补纳图〉相较，风格互异，本幅应系南宋晚期至元的画家托名所作。\n“南宋四家”之一刘松年在南宋画院崭露头角，介于李唐和马远、夏圭之间。他曾师从张敦礼学画，而敦礼画法学李唐，工于山水、人物画，刘松年学到了老师恬洁滋润的长处，也继承了李唐的绘画优点。\n刘松年的作品传世者并不多，据记载他的作品多表现江南一带风景，特别是西湖园林的优美景色，并穿插以文人贵族的闲适生活，少数还图绘了仙山楼阁的神仙世界，反映了那一时代上层社会的审美情趣。\n刘松年的工笔人物画尤其是罗汉图主要是对贯休的继承。当然这种继承不是拷贝，而是在古人的基础之上融入了自己的理解和心得，并形成自己的风格特色。",[24,270,25,693,27,26,28,598,880,500,881,164,882,520,883,7,884,885],"室内陈设","鞋履","衣饰","宋代画风","衣纹细致","色彩典雅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ad9390faee56e00d3126eeee9d660f4.jpg","纸本","纵141.9cm，横59.8cm",[],{"id":891,"slug":892,"title":893,"dynasty":46,"author":19,"museum":48,"description":894,"tags":895,"thumbUrl":902,"material":67,"size":68,"collection":95,"collections":903,"showCount":857,"zanCount":11,"manualWeight":11,"mainColor":98},225475,"fu-shi-hui-233-yi-ming-225475","浮世绘233","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[896,897,26,28,29,678,898,7,165,899,900,901,295],"浮世绘","木刻","器","垫子","小桌","瓶罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8df95966597f1edd0f21f060475f25ca.jpg",[],{"id":905,"slug":906,"title":907,"dynasty":46,"author":19,"museum":48,"description":908,"tags":909,"thumbUrl":915,"material":67,"size":68,"collection":95,"collections":916,"showCount":917,"zanCount":11,"manualWeight":11,"mainColor":98},288612,"john-gregory-crace-design-for-the-decoration-of-the-drawing-room-yi-ming-288612","John Gregory Crace--Design for the Decoration of the Drawing Room","这是一幅哥特复兴风格的会客厅设计稿，蓝底描金的肋拱穹顶缀满纹章浮雕，修长花饰沿拱券垂落，将中世纪宗教建筑的雅致庄重移入私邸。墙面铺陈古典叙事壁画，壁炉侧的猩红长椅柔化了建筑线条的冷硬，同色系帐幔与地毯首尾呼应，晕开温暖柔和的空间底色。\n\n中央雕花台座配古典画作，与两侧壁龛形成对称韵律，阳光穿透高窗在彩绘织物间晕开朦胧层次。设计师将中世纪装饰语言转化为宅邸厅堂的华贵私享氛围，纹饰暗含古典美学秩序感，平衡复古形制与起居暖意，尽显浪漫规整的复古室内美学精髓。",[910,911,7,912,913,744,501,182,793,26,914,670],"水彩画","装饰设计","客厅","彩绘天花板","壁画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8d7a55d043f4e803338390b664ca6de8.jpg",[],4,{"id":919,"slug":920,"title":921,"dynasty":46,"author":790,"museum":48,"description":791,"tags":922,"thumbUrl":927,"material":67,"size":68,"collection":95,"collections":928,"showCount":917,"zanCount":11,"manualWeight":11,"mainColor":72},232285,"a-er-ma-12-lao-lun-si-a-er-ma-ta-de-ma-232285","阿尔玛12",[51,52,28,923,122,794,345,924,7,88,925,926,183,561,560,85],"古典服饰","饰品","凉鞋","珍珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a38c189cf5cd4e316f5512b79dd0ab5.jpg",[],{"id":930,"slug":931,"title":932,"dynasty":46,"author":862,"museum":48,"description":863,"tags":933,"thumbUrl":937,"material":67,"size":68,"collection":95,"collections":938,"showCount":917,"zanCount":11,"manualWeight":11,"mainColor":41},231965,"the-dance-class-circa-musee-d-orsay-france-de-jia-231965","The Dance Class - circa - - Musee d'Orsay (France)",[51,156,934,935,7,28,936],"芭蕾","舞者","小狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10fea89e78fdf95c5d54223b32e46d64.jpg",[],{"id":940,"slug":941,"title":942,"dynasty":46,"author":943,"museum":48,"description":944,"tags":945,"thumbUrl":951,"material":67,"size":68,"collection":95,"collections":952,"showCount":917,"zanCount":11,"manualWeight":11,"mainColor":98},231717,"shi-ting-shi-dai-xing-guang-si-yuan-qi-hua-juan-shang-xia-juan-xia-tu-zuo-guang-xin-231717","室町时代 星光寺缘起画卷上下卷(下)","土佐光信","室町时代（1338~1573）的著名大和绘（注1）画师土佐光信（1434~1525）向来被尊为妖怪画的开山宗师。室町时代，虽然中国宋元时期的宫廷水墨画（区别于“唐绘”，被称之为“汉画”）受到幕府的推崇，但以土佐光信为代表的正统大和绘画师也借鉴中国画的技巧，为势渐衰退的大和绘注入了新的活力。室町时代的大和绘取材已具有明显的世俗化特征，也更加注重装饰效果（这在一定程度上成为其后“浮世绘”诞生的先导），土佐光信的《百鬼夜行绘卷》正是充分体现了这两个特点的作品。",[23,26,27,231,138,25,28,234,232,236,600,235,946,947,948,414,201,703,949,7,475,950],"河流","山峦","佛像","草地","文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c4e8c658f98ed5e6da2b6f79695a224.jpg",[],{"id":954,"slug":955,"title":956,"dynasty":46,"author":19,"museum":48,"description":894,"tags":957,"thumbUrl":965,"material":67,"size":68,"collection":95,"collections":966,"showCount":917,"zanCount":11,"manualWeight":11,"mainColor":98},225491,"fu-shi-hui-249-yi-ming-225491","浮世绘249",[896,26,897,28,29,31,295,958,373,959,54,7,960,961,962,963,964],"飞鸟","儿童","和服纹样","坐姿人物","弹奏","吹奏","孩童玩耍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8711365c8ce340cf08d74d9e918e2e24.jpg",[],{"id":968,"slug":969,"title":970,"dynasty":46,"author":19,"museum":48,"description":971,"tags":972,"thumbUrl":980,"material":67,"size":68,"collection":95,"collections":981,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":98},288787,"pierre-peyron-despair-of-hecuba-yi-ming-288787","Pierre Peyron--Despair of Hecuba","画面以明暗铺陈悲剧底色，左侧女子漠然汲水，角落人群隔窗窥望，漠然与窥探的冷感，反衬中心的撕心裂肺。赫卡柏陷在绝望之中，亲友围拢恸哭，有人瘫坐在地，有人垂首饮泣，搀扶的手臂绷着极致的哀恸，瘫倒的身影泄尽王室覆灭后的崩溃。冷硬的石质楼宇衬得这场悲悼愈发凄怆，线条把苦难之下各异的情绪张力具象化，将灭国后王族的破碎绝境淋漓展现，沉郁的古典悲剧质感漫溢纸面，把大悲之下的麻木与恸哭对照得刺目惊心。",[82,973,974,139,975,7,976,977,978,979],"淡彩","西洋画","人物群像","哀伤","绝望","希腊神话","悲剧场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9efea2d592b59c1609cdbc4d87c819dc.jpg",[],3,{"id":984,"slug":985,"title":986,"dynasty":46,"author":19,"museum":48,"description":987,"tags":988,"thumbUrl":995,"material":67,"size":68,"collection":95,"collections":996,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":41},288629,"jean-baptiste-greuze-the-angry-wife-yi-ming-288629","Jean-Baptiste Greuze--The Angry Wife","翻涌的浓烟打破室内宁静，一场家庭闹剧骤然爆发。左侧男女仓皇躲闪，少女依偎男伴面露惊惶，男子眉头紧蹙难掩慌乱，身旁女子伸手拉扯，满是焦灼惶急。右侧主妇攥紧双手，怒色满面厉声质问，老者高举手臂厉声怒斥，脚下家犬狂吠不止，门后孩童探头窥望，将混乱氛围推至顶峰。\n\n作者以精细的笔触勾勒出每个角色的神态动作，将失控的争吵与仓皇的情绪铺陈开来，把日常家庭龃龉鲜活定格，让观者仿若能听见满室喧闹争执，共情这场突如其来的慌乱冲突。",[974,139,989,990,7,991,992,993,994],"风俗画","黑白素描","餐桌","狗","愤怒","慌乱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c0decee440d1f17868f3135d475e19b.jpg",[],{"id":998,"slug":999,"title":1000,"dynasty":46,"author":1001,"museum":48,"description":1002,"tags":1003,"thumbUrl":1006,"material":67,"size":68,"collection":95,"collections":1007,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":41},232590,"wei-lian-a-dao-fu-bu-ge-luo-204-wei-lian-a-dao-fu-bu-ge-luo-232590","威廉·阿道夫·布格罗204","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[51,28,959,511,7,1004,1005],"写实风格","唯美","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdef21ac07963bbc6dbcdc3457bd8849c.jpg",[],{"id":1009,"slug":1010,"title":1011,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1012,"thumbUrl":1016,"material":67,"size":68,"collection":95,"collections":1017,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":98},232122,"de-jia-63-de-jia-232122","德加63",[270,1013,1014,26,28,1015,122,7],"色粉画","印象派风格","裸体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0a1b4c1843f67aef9147bc5335c8634e.jpg",[],{"id":1019,"slug":1020,"title":1021,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1022,"thumbUrl":1025,"material":67,"size":68,"collection":95,"collections":1026,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":41},232049,"portrait-of-a-lady-in-grey-circa-metropolitan-museum-of-art-usa-de-jia-232049","Portrait of a Lady in Grey - circa - Metropolitan Museum of Art (USA)",[51,1014,28,55,7,1023,1024,745,203],"灰色调","黑色配饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2fa5562f5b1cd0c4174e442637cc685.jpg",[],{"id":1028,"slug":1029,"title":1030,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1031,"thumbUrl":1037,"material":67,"size":68,"collection":95,"collections":1038,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":41},231969,"de-jia-1-de-jia-231969","德加1",[156,1013,7,28,1032,1033,122,1034,1035,1036],"裸体女性","浴桶","色彩丰富","笔触灵动","日常生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febe8b85ecb6e5a9478c7314ed714a3f6.jpg",[],{"id":1040,"slug":1041,"title":1042,"dynasty":46,"author":19,"museum":48,"description":894,"tags":1043,"thumbUrl":1046,"material":67,"size":68,"collection":95,"collections":1047,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":98},225441,"fu-shi-hui-199-yi-ming-225441","浮世绘199",[896,26,28,1044,63,1045,197,7,165],"梅","箱子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F654fc1e539166c1d5fc7dcd8900da995.jpg",[],{"id":1049,"slug":1050,"title":1051,"dynasty":226,"author":1052,"museum":1053,"description":1054,"tags":1055,"thumbUrl":1056,"material":95,"size":1057,"collection":95,"collections":1058,"showCount":982,"zanCount":11,"manualWeight":11,"mainColor":98},223210,"geng-zhi-tu-ce-jiao-bing-zhen-223210","耕织图册","焦秉贞","北京故宫博物院","《御制耕织图》又名《佩文斋耕织图》，不分卷，清圣祖玄烨题诗，焦秉贞绘图，朱圭、梅玉凤镌刻，清康熙三十五年（1696年）内府刊本。耕图、织图各23幅，共计46幅图。每页34.7cm×27.7cm。图框24.4cm×24.4cm。四周单边。册页装。\n《耕织图》以江南农村生产为题材，系统地描绘了粮食生产从浸种到入仓，蚕桑生产从浴蚕到剪帛的具体操作过程，每图配有康熙皇帝御题七言诗一首，以表述其对农夫织女寒苦生活的感念。\n《耕织图》是中国农桑生产最早的成套图像资料，它的绘写渊源可上溯至南宋，绘者为楼璹。楼璹在宋高宗时期任於潜（今浙江省临安市）县令时，深感农夫、蚕妇之辛苦，即作耕、织二图诗来描绘农桑生产的各个环节。《耕织图》成为后人研究宋代农业生产技术最珍贵的形象资料。南宋嘉定三年（1210年），楼璹之孙楼洪、楼深等以石刻之传于后世，南宋理熙元年（1237年）有汪纲木刻复制本。宋以后关于本书的记载已不多见，较著名的有南宋刘松年编绘的《耕织图》，元代程棨的《耕织图》45幅。明代初年编辑的《永乐大典》曾收《耕织图》，已失传。明天顺六年（1462年）有仿刻宋刻之摹本，虽失传，但日本延宝四年（1676年）京都狩野永纳曾据此版翻刻，今均以狩野永纳本《耕织图》作楼璹本《耕织图》之代表。\n清康熙二十八年（1689年）康熙帝南巡时，江南士子进献藏书甚丰，其中有“宋公重加考订，诸梓以传”的《耕织图》。康熙帝即命焦秉贞据原意另绘耕图、织图各23幅，并附有皇帝本人的七言绝句及序文。绘画内容略有变动，耕图增加“初秧”、“祭神”二图，织图删去“下蚕”、“喂蚕”、“一眠”三图，增加“染色”、“成衣”二图，图序亦有变换。宋、清《耕织图》的布景与人物活动大同小异，但焦图画中的风俗易为清代，所绘更为工细纤丽，在技法上还参用了西洋焦点透视法。\n《耕织图》初印于康熙三十五年（1696年），后又出现了很多不同版本，木刻本、绘本、石刻本、墨本、石印本均行于世。如康熙年间的康熙三十八年（1699年）张鹏翮刻本，康熙五十一年（1712年）内府刻本，雍亲王胤禛绢底彩绘本，康熙五十三年（1714年）歙县汪希古恭摹刻48块墨板，宫廷绘白描本等，乾隆年间的康熙、雍正、乾隆三帝题诗刊本，清内府刻《授时通考》本，袖珍彩绘本，乾隆四年（1739年）清内府图为木刻、诗为石刻的经折装本，乾隆三十四年（1769年）北京刻朱墨套印本，杨大章彩绘本，乾隆三十四年（1769年）高宗命画院据元代程棨本临摹之《耕织图》，石刻嵌在皇家清漪园延赏斋左右廊壁的拓本，乾隆三十五年（1770年）徽州守臣摹刻的墨版。此外，还有嘉庆十三年（1808年）《耕织图诗》补刊本，同治十一年（1872年）刊本，光绪五年（1879年）上海点石斋《御制耕织图》石印本，光绪十一年（1885年）上海文瑞楼本，光绪十二年（1886年）上海点石斋石印本。民国时期也有多种版本，较著名的为武进陶兰泉刊本；日本、朝鲜、琉球等国亦有《耕织图》的摹本、翻刻本。\n《耕织图》不但版本众多，版式等也不尽相同，如上文下图本，左图右文本，版框带有龙纹的装饰本，袖珍刻本，木刻填色本，书中序文、诗文前后玺印朱色钤印本，前后玺印为刊版墨印本等。",[270,24,25,843,27,26,231,28,235,238,236,358,798,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa350f8d098fb7712b35be69ebece04b8.jpg","34.7cm×27.7cm",[],{"id":1060,"slug":1061,"title":1062,"dynasty":46,"author":19,"museum":48,"description":1063,"tags":1064,"thumbUrl":1071,"material":67,"size":68,"collection":95,"collections":1072,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},289067,"julien-mue-re-drawing-room-of-the-plas-spa-yi-ming-289067","Julien Muère--Drawing Room of the Plas. Spa","这幅水彩画晕开柔雅色调，将午后的松弛闲逸定格成永恒。暖阳穿窗而入，给暖棕木纹镀上薄金，携着窗外山岚绿意漫进房间。\n\n身着曳地白纱的女子斜倚竖琴旁，似刚停驻拨弦，侧脸笼在纱帘漏下的光影里，漫着倦怠温柔。房间陈设处处流露旧调雅致：壁炉台的铜饰雕塑凝着复古意趣，墙沿挂画晕着岁月质感，丝绒窗帘垂着柔滑褶皱，雕花座椅绣着釉蓝纹样，每一处细节都铺陈出旧日贵族的精致日常。\n\n室外山岚与室内静谧温柔衔接，让这方小天地既有烟火暖意，又带着清隽诗意，把慵懒松弛的午后氛围描摹得淋漓尽致。",[910,974,7,1065,1066,1067,1068,1069,1070,122,86],"起居室","女子","竖琴","西洋家具","窗景","静谧","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea84235e6f60b98d8ac29929493de518.jpg",[],{"id":1074,"slug":1075,"title":1076,"dynasty":46,"author":19,"museum":48,"description":1077,"tags":1078,"thumbUrl":1081,"material":67,"size":68,"collection":95,"collections":1082,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},288741,"sebald-beham-the-circumcision-of-christ-yi-ming-288741","Sebald Beham--The Circumcision of Christ","这幅素描以圆形构图框定这场神圣时刻，细密排线与淡墨晕染交织铺陈氛围。手托圣婴的老者面容悲悯，缓缓铺开仪式的庄重感。围绕的众人神态各异，或垂眸致意，或低语慨叹，右侧侍从静立旁观，沉静的姿态平衡了画面重心。\n劲挺利落的衣褶线条勾勒出人物身份差异，浅淡明暗衬出逼仄小屋的空间纵深感。整作以克制写实的笔调，将这场圣典仪式的肃穆与温情定格，带着早期素描质朴的表现力，让宗教叙事的神圣感顺着笔尖漫溢开来，尽显内敛沉静的古典宗教绘画面貌。",[414,139,596,1079,1080,54,179,7],"基督受割礼","宗教仪式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb55bd63aba6418745280fe5b65b91168.jpg",[],{"id":1084,"slug":1085,"title":1086,"dynasty":46,"author":19,"museum":48,"description":1087,"tags":1088,"thumbUrl":1090,"material":67,"size":68,"collection":95,"collections":1091,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},288720,"vincent-van-gogh-corridor-in-the-asylum-yi-ming-288720","Vincent van Gogh--Corridor in the Asylum","明黄拱顶顺着透视铺展，带着焦灼的暖意，裹挟幽闭压抑感漫开。粗粝震颤的笔触勾勒拱券弧度，将紧绷情绪凝在颜料中，沿回廊纵向拉扯出逼仄的纵深感。\n\n暖黄墙面与冷灰立柱撞色，衬得红砖地面色块割裂又眩晕。回廊深处孤影茕茕孑立，空荡长廊漫开死寂疏离。规整构图之下藏着翻涌的精神暗流，将疗养院囚笼里的惶惑与对微光的眷恋揉进画面，把幽居的孤独具象成可触摸的视觉张力，每一道线条都在诉说封闭空间里的情绪风暴。",[51,558,1089,28,7,430],"拱廊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f0e7b4ed14ff6ce34b20646c85f898.jpg",[],{"id":1093,"slug":1094,"title":1095,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1096,"thumbUrl":1104,"material":67,"size":68,"collection":95,"collections":1105,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":72},232565,"mi-lai-si-109-yue-han-ai-fu-li-te-mi-lai-si-232565","米莱斯109",[51,52,26,28,1097,1098,1099,61,1100,217,1101,201,58,1102,164,7,63,85,418,1103],"少女","连衣裙","蕾丝","花束","雕花家具","玫瑰","孔雀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b9c1c2e8e84966cdeea1f489bd678d8.jpg",[],{"id":1107,"slug":1108,"title":1109,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1110,"thumbUrl":1114,"material":67,"size":68,"collection":95,"collections":1115,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232538,"mi-lai-si-82-yue-han-ai-fu-li-te-mi-lai-si-232538","米莱斯82",[51,52,26,28,55,7,183,743,215,923,1111,219,430,1112,880,1113],"地板","织物纹理","窗户光线","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aef65d57929deae91f37a5c6057d281.jpg",[],{"id":1117,"slug":1118,"title":1119,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1120,"thumbUrl":1131,"material":67,"size":68,"collection":95,"collections":1132,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232537,"mi-lai-si-81-yue-han-ai-fu-li-te-mi-lai-si-232537","米莱斯81",[51,26,52,28,1121,1122,1123,1124,1125,1126,1127,7,765,1128,1129,1130],"教堂","拱形窗","木梁","旗帜","座椅","武器","历史服饰","讲台","宗教建筑","建筑内部","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e4f39f8636b0b362c575129219604e7.jpg",[],{"id":1134,"slug":1135,"title":1136,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1137,"thumbUrl":1143,"material":67,"size":68,"collection":95,"collections":1144,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232532,"mi-lai-si-76-yue-han-ai-fu-li-te-mi-lai-si-232532","米莱斯76",[51,52,26,28,7,1138,1066,85,63,56,164,108,1124,418,1139,1140,1141,417,183,1142,122],"老人","画框","玻璃杯","柠檬","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35965a9e92a1fbfaa6a3fa09fb6fb5fc.jpg",[],{"id":1146,"slug":1147,"title":1148,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1151,"thumbUrl":1161,"material":67,"size":68,"collection":95,"collections":1162,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},232519,"he-er-bai-yin-178-he-er-bai-yin-232519","荷尔拜因178","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[596,1152,28,7,183,1153,345,1154,165,586,52,1155,1156,923,880,1157,1158,516,1159,515,1112,1160],"线描","挂钟","门框","线条勾勒","多人场景","墙面装饰","木质结构","坐卧人物","金属器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F031043b380a7ceb517cfc3896dfc26e1.jpg",[],{"id":1164,"slug":1165,"title":1166,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1167,"thumbUrl":1173,"material":67,"size":68,"collection":95,"collections":1174,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232379,"he-er-bai-yin-38-he-er-bai-yin-232379","荷尔拜因38",[1168,52,28,180,1169,1170,923,7,1171,1172,797,241],"铜版画","碑刻","建筑装饰","线条精细","文艺复兴风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F776b8b23ccd1986927ba039cc9fa4a8c.jpg",[],{"id":1176,"slug":1177,"title":1178,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1179,"thumbUrl":1183,"material":67,"size":68,"collection":95,"collections":1184,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},232362,"he-er-bai-yin-21-he-er-bai-yin-232362","荷尔拜因21",[82,596,52,1155,28,600,559,442,501,358,7,1180,88,1181,1182],"宗教题材","皇冠","集会","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc97387c0f945fa80e58054b6d7f5fc01.jpg",[],{"id":1186,"slug":1187,"title":1188,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1189,"thumbUrl":1194,"material":67,"size":68,"collection":95,"collections":1195,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232307,"a-er-ma-34-lao-lun-si-a-er-ma-ta-de-ma-232307","阿尔玛34",[51,253,52,26,28,7,1190,670,86,122,485,204,1191,1192,183,1193],"马赛克地面","多人互动","建筑内部装饰","墙面壁画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7630c2f3362a2df42e2d469c846240c4.jpg",[],{"id":1197,"slug":1198,"title":1199,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1200,"thumbUrl":1207,"material":67,"size":68,"collection":95,"collections":1208,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232293,"a-er-ma-20-lao-lun-si-a-er-ma-ta-de-ma-232293","阿尔玛20",[51,52,26,1201,166,29,7,217,164,1202,417,158,1203,746,1204,1205,1206],"细腻","拱形门窗","老虎皮","圆形桌","水域","船只","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F795068ca8c135a4797c99b6c59089871.jpg",[],{"id":1210,"slug":1211,"title":1212,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1213,"thumbUrl":1216,"material":67,"size":68,"collection":95,"collections":1217,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232245,"dance-class-metropolitan-museum-of-art-usa-oil-on-panel-de-jia-232245","Dance Class - - Metropolitan Museum of Art (USA) - oil on panel",[156,51,26,28,865,866,511,1214,1215,7,868,767,31,278,1154,166],"舞蹈教室","琴盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12613903f20f7d620c2d037fafe0a18b.jpg",[],{"id":1219,"slug":1220,"title":1221,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1222,"thumbUrl":1228,"material":67,"size":68,"collection":95,"collections":1229,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":467},232228,"dancer-in-her-dressing-room-circa-cincinnati-art-museum-united-states-pastel-de-jia-232228","Dancer in Her Dressing Room - circa - Cincinnati Art Museum (United States) - pastel",[156,1223,139,1224,7,1225,1226,1227],"粉彩画","芭蕾舞者","梳妆","纱裙","舞鞋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F565995caac92c37a4e6e2d52dcdd977e.jpg",[],{"id":1231,"slug":1232,"title":1233,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1234,"thumbUrl":1236,"material":67,"size":68,"collection":95,"collections":1237,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232139,"de-jia-71-de-jia-232139","德加71",[156,1013,28,1224,361,85,278,1227,1226,7,1235],"动态表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2fa9cbb1bb0e61391821e050237639e.jpg",[],{"id":1239,"slug":1240,"title":1241,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1242,"thumbUrl":1244,"material":67,"size":68,"collection":95,"collections":1245,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232108,"de-jia-53-de-jia-232108","德加53",[156,1013,139,1243,7,743,560],"裸体人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40693f7a23fbc756ff2d1ce8ad67d049.jpg",[],{"id":1247,"slug":1248,"title":1249,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1250,"thumbUrl":1255,"material":67,"size":68,"collection":95,"collections":1256,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},232101,"m-and-mme-edouard-manet-circa-kitakyushu-municipal-museum-of-art-japan-de-jia-232101","M. and Mme Edouard Manet - circa - - Kitakyushu Municipal Museum of Art (Japan)",[51,26,28,1251,156,1252,1253,1254,7,1035,219],"室内","西式服饰","躺卧姿态","站立姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec52a8ea94d018f17b8b98bb75995f37.jpg",[],{"id":1258,"slug":1259,"title":1260,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1261,"thumbUrl":1265,"material":67,"size":68,"collection":95,"collections":1266,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":72},232027,"rehearsal-circa-frick-collection-usa-de-jia-232027","Rehearsal - circa - Frick Collection (USA)",[51,156,28,1224,866,31,7,183,278,1262,166,1263,1264],"动态人物","舞蹈排练","舞者服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42b3561c0a13939976d99a8870df75b1.jpg",[],{"id":1268,"slug":1269,"title":1270,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1271,"thumbUrl":1282,"material":67,"size":68,"collection":95,"collections":1283,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},231984,"de-jia-5-de-jia-231984","德加5",[156,1272,28,55,7,511,1273,219,430,1274,1275,1276,1277,1278,1279,1280,1281],"粉彩","反射","动态姿态","织物质感","色彩交融","笔触表现","空间分割","姿态捕捉","室内光影","质感描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ff1b40308832c5bdf1a111182676d53.jpg",[],{"id":1285,"slug":1286,"title":1287,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1288,"thumbUrl":1296,"material":67,"size":68,"collection":95,"collections":1297,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},231978,"the-bellelli-family-musee-d-orsay-france-de-jia-231978","The Bellelli Family - - - Musee d'Orsay (France)",[51,26,156,52,28,7,279,86,63,85,744,182,1289,1290,215,1291,1292,1293,959,1294,1295],"钟表","盘子","围裙","衬衫","外套","成年男性","成年女性","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4241b29045f6925539990d742e2d6bc4.jpg",[],{"id":1299,"slug":1300,"title":1301,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1302,"thumbUrl":1306,"material":67,"size":68,"collection":95,"collections":1307,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},231976,"the-billiard-room-at-menil-hubert-staatsgalerie-stuttgart-germany-de-jia-231976","The Billiard Room at Menil-Hubert - - Staatsgalerie Stuttgart (Germany)",[51,156,7,429,1303,1304,1125,1305,219,1034],"墙壁挂画","花纹地毯","房间陈设","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0309a9a9d5899427c2bb0fb9ea786a1a.jpg",[],{"id":1309,"slug":1310,"title":1311,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1312,"thumbUrl":1316,"material":67,"size":68,"collection":95,"collections":1317,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},231975,"de-jia-4-de-jia-231975","德加4",[156,1013,219,1313,1314,28,1315,531,7],"速写感","包厢","浮雕装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44dc1e636a4409d670695bdd54e92041.jpg",[],{"id":1319,"slug":1320,"title":1321,"dynasty":46,"author":862,"museum":48,"description":1322,"tags":1323,"thumbUrl":1329,"material":95,"size":95,"collection":95,"collections":1330,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},231967,"the-dance-class-corcoran-gallery-of-art-usa-de-jia-231967","The Dance Class - - Corcoran Gallery of Art (USA)","德加避开了芭蕾舞台的高光时刻，将镜头对准排练教室的松弛日常。暖黄的光晕漫过磨损的木地板，把陈旧教室的慵懒氛围铺陈开来。少女们或扶把舒展肢体，或侧身整理舞鞋，褪去舞台滤镜的倦怠与松弛毫无修饰地流露。\n\n晕染的油彩揉开纱裙的蓬松柔润，将肌肉线条的张力与裙摆的轻软相融，镜中虚晃的倒影晕开朦胧层次，把排练间隙的细碎日常定格下来。没有刻意雕琢的完美，唯有舞者日常的鲜活侧影，将芭蕾的轻盈与幕后的倦怠奇妙交织，把转瞬即逝的松弛瞬间凝为永恒。",[156,51,219,28,55,1324,1214,1325,1227,511,417,85,7,1326,1327,1112,1328],"芭蕾舞演员","芭蕾舞裙","动态姿势","练习场景","光线运用","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F96bc03aaa213bf32b13fe67187e18d41.jpg",[],{"id":1332,"slug":1333,"title":1334,"dynasty":226,"author":19,"museum":48,"description":1335,"tags":1336,"thumbUrl":1337,"material":95,"size":95,"collection":95,"collections":1338,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},230320,"li-dai-di-wang-gui-fei-da-chen-chao-fu-xiang-shi-ba-huang-zi-yi-ming-230320","历代帝王贵妃大臣朝服像(十八皇子)","这幅画铺展开世家闲居的松弛意趣：虬枝梨花在庭院侧畔盛放，湖石苍古雅致。男子斜倚榻上，宝蓝常服沉稳端方，神态悠然松弛。侍女分执茶盏、捧来春卉，幼童探首嬉闹，满室漫着融融暖意。案头书卷错落，瓷瓶供花清雅妥帖，室外栏杆精巧别致，衬出宅院精致格调。\n\n工笔细致入微，设色明丽柔和，跳脱出制式画像的拘谨，以细腻笔触定格仕宦之家的日常温情，将清中期世家生活的雅致闲逸藏于方寸，笔底皆是烟火温情与静谧松弛的氛围感。",[23,27,26,28,403,204,236,197,7,164,241],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2c33448e42b17343c1735b1f412006e.jpg",[],{"id":1340,"slug":1341,"title":1342,"dynasty":46,"author":47,"museum":48,"description":49,"tags":1343,"thumbUrl":1346,"material":67,"size":68,"collection":95,"collections":1347,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},225606,"rp-p-1962-111-lun-bo-lang-225606","RP-P-1962-111",[1168,1344,53,166,52,185,28,56,85,183,108,7,1345],"蚀刻","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68940a2abde6230499070caaa0e5fc1f.jpg",[],{"id":1349,"slug":1350,"title":1351,"dynasty":46,"author":19,"museum":48,"description":894,"tags":1352,"thumbUrl":1355,"material":67,"size":68,"collection":95,"collections":1356,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},225486,"fu-shi-hui-244-yi-ming-225486","浮世绘244",[896,897,26,28,7,1252,1353,442,1354],"格子地板","门","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e32091d0770f2e6a4d0f4879e2d5d73.jpg",[],{"id":1358,"slug":1359,"title":1360,"dynasty":46,"author":19,"museum":48,"description":894,"tags":1361,"thumbUrl":1368,"material":67,"size":68,"collection":95,"collections":1369,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},225448,"fu-shi-hui-206-yi-ming-225448","浮世绘206",[896,897,26,1362,1363,235,1364,28,7,1252,1365,1366,1367,182,501],"西式建筑","喷泉","樱花树","军装","礼服","红色窗帘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1a55165906873ebf4595a496de453f60.jpg",[],{"id":1371,"slug":1372,"title":1373,"dynasty":46,"author":19,"museum":48,"description":894,"tags":1374,"thumbUrl":1379,"material":67,"size":68,"collection":95,"collections":1380,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},225439,"fu-shi-hui-197-yi-ming-225439","浮世绘197",[896,897,1375,26,28,1376,936,164,1377,165,182,358,232,236,7,1378],"版画","宠物","樱花","室外背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa07c9e6c28210584baeedcad1739a1bc.jpg",[],{"id":1382,"slug":1383,"title":1384,"dynasty":226,"author":19,"museum":48,"description":1385,"tags":1386,"thumbUrl":1389,"material":35,"size":95,"collection":95,"collections":1390,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":98},215163,"yi-shi-ji-yao-tan-29-yi-ming-215163","医士及药摊-29","青绿柜台前，顾客与铺中人的互动藏着市井暖意。朱红药格层层叠叠，盛着百草的细碎光阴。窗棂投下的软影里，桌案小碟静立，衣袂褶皱间是鲜活的日常。递药的手势轻缓，似把老铺的温厚递到掌心；旁观的身影谦和，映着市井交易的质朴。整幅画如一段被定格的烟火片段，将药铺的气息、人与人的温情揉进淡彩里。那些药柜的格子、桌上的陈设，皆如时光切片般留存了彼时的生活肌理，让百年前的药香与寻常烟火，仍能透过画面触手可及。",[23,24,609,26,231,843,28,1387,63,85,1388,7],"药柜","商铺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68dde0b5021a713b4cbdb1db8c0889a1.jpg",[],{"id":1392,"slug":1393,"title":1394,"dynasty":46,"author":19,"museum":48,"description":1395,"tags":1396,"thumbUrl":1398,"material":67,"size":68,"collection":95,"collections":1399,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289549,"attributed-to-john-carter-drawing-room-of-lea-castle-looking-west-yi-ming-289549","Attributed to John Carter--Drawing Room of Lea Castle, Looking West","整体是哥特复兴风格的雅致厅堂，层次错落的雕花藻井以青绿描金点缀，晕开复古华贵的底色。墙面拱壁龛柱搭配浮雕人像，庄重典雅之余带着复古仪式感。壁炉居于视觉中心，上方古典画作与对称排布的软包座椅相互呼应，边桌鎏金摆件柔和了建筑的冷硬肌理，铺陈出旧日宅邸的闲适氛围。\n水彩晕染柔和细腻，精准勾勒每一处雕花肌理，将中世纪复古形制与室内陈设的柔美融合，仿若将鎏金岁月凝于纸面，尽显古典宅邸的精致雍容，让人好似窥见旧日厅堂里衣香鬓影的松弛光景。",[910,231,26,1397,7,463,744,1125,86],"厅堂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbdffd9fcd1e4b98c5eb7752208451339.jpg",[],{"id":1401,"slug":1402,"title":1403,"dynasty":46,"author":19,"museum":48,"description":1404,"tags":1405,"thumbUrl":1409,"material":67,"size":68,"collection":95,"collections":1410,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289548,"attributed-to-louis-binet-costume-drawing-lady-and-gentleman-dancing-yi-ming-289548","Attributed to Louis Binet--Costume Drawing Lady and Gentleman Dancing","这幅素描以细腻明暗笔触，定格下旧日舞池的浪漫瞬间。女郎曳地裙摆随舞步漾开柔美的褶皱，高耸饰缎礼帽衬得身姿窈窕，侧脸噙着笑意，全然沉醉在舞步之中。身旁绅士微微俯身，目光凝在女伴身上，姿态亲昵温柔。\n\n角落观舞老者悠然倚坐，为画面添上松弛余韵。画家用精准线条勾勒华服层次，淡墨晕染出光影虚实，将洛可可时代贵族社交的慵懒雅致尽数铺展，仿佛能听见舞池弦乐轻响，把十八世纪上流社会的缱绻情调，永远封存在纸面之上。",[28,1406,82,974,7,1407,1408],"舞蹈","贵族服饰","社交","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffed8279660b3f64f90c97c3a6a5c6391.jpg",[],{"id":1412,"slug":1413,"title":1414,"dynasty":46,"author":19,"museum":48,"description":1415,"tags":1416,"thumbUrl":1419,"material":67,"size":68,"collection":95,"collections":1420,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289508,"bartolome-esteba-n-murillo-standing-male-figure-study-for-a-portrait-yi-ming-289508","Bartolomé Estebán Murillo--Standing Male Figure Study for a Portrait","这幅速写以奔放随性的线条，精准捕捉了男子的松弛站姿。寥寥数笔便交代出衣物褶皱的虚实变化，挺括与垂坠感暗藏其间，暗合人物沉静松弛的绅士气度。\n\n人物重心偏倚，一手搭在身侧台架，眉眼凝练传神，无需繁复细节，便将对象的沉稳气韵牢牢定格。纸面带着岁月留下的斑驳墨点与折痕，晕开旧时光的质感，即兴创作的鲜活感扑面而来。\n\n画师以极简的线条语言直追神韵，舍弃精细描摹，用粗粝却灵动的笔触记录下转瞬即逝的人物状态，质朴间满是表现力，让人仿佛能窥见那个被匆忙定格的沉静瞬间。",[82,1417,139,1418,1152,7],"速写","男性人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fccb729c45cf161d15812d44e935d452c.jpg",[],{"id":1422,"slug":1423,"title":1424,"dynasty":46,"author":19,"museum":48,"description":1425,"tags":1426,"thumbUrl":1430,"material":67,"size":68,"collection":95,"collections":1431,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289494,"bernardino-poccetti-saint-antoninus-kneeling-before-the-crucifix-yi-ming-289494","Bernardino Poccetti--Saint Antoninus Kneeling before the Crucifix","这幅素描以克制却灵动的线条铺陈教堂内的虔敬图景。穹顶之下的礼拜堂中，左侧信众列队垂首静立，姿态沉凝庄重，中央跪伏的身影向着祭台苦像全心祷祝，简练笔触将敬慕与赤诚传递尽致。右侧妇孺依偎观望，柔缓的线条晕开寻常信众的平和安然。作品以疏密有致的排线交代空间纵深，利落轮廓清晰区分群像与祭台陈设，未以繁复敷色修饰，仅凭借明暗层次，便烘托出圣堂静谧庄严的氛围，将宗教场域的肃穆虔敬藏于每一处线条起落，尽显素描语言叙事传情的力量。",[414,596,82,139,1427,1428,1121,7,1429],"十字架","跪拜","宗教人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F34839885bd23d52532b53256e5a94bf9.jpg",[],{"id":1433,"slug":1434,"title":1435,"dynasty":46,"author":19,"museum":48,"description":1436,"tags":1437,"thumbUrl":1443,"material":67,"size":68,"collection":95,"collections":1444,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289484,"biagio-pupini-penitent-woman-anointing-the-feet-of-christ-at-the-table-yi-ming-289484","Biagio Pupini--Penitent Woman Anointing the Feet of Christ at the Table","淡褐晕染铺就肃穆沉静的室内底色，透视线条清晰锚定出空间层次。\n\n画面里站立二人姿态恭谨，长桌旁一众观者神态沉凝，或侧目注视中央场景，或垂首敛神静思，右下角跪坐的女子动作虔诚柔缓，将整个场面的庄重感悄然拉满。\n\n这是带着草稿质感的速写，以简练利落的线条勾勒出人物身形轮廓，明暗晕染淡淡区分出衣物质感与光影层次。未加修饰的拙朴笔触，却精准将场景的神圣静谧定格，仿佛能让旁观者浸身于这份沉凝的氛围里，触摸到这个瞬间的虔诚与肃穆。",[1438,139,82,973,1439,7,1440,1441,1442],"宗教画","群体人物","基督教","耶稣","忏悔主题","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2bec7e2d3d6aa89f6571c793b65299cb.jpg",[],{"id":1446,"slug":1447,"title":1448,"dynasty":46,"author":19,"museum":48,"description":1449,"tags":1450,"thumbUrl":1456,"material":67,"size":68,"collection":95,"collections":1457,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289479,"camillo-procaccini-saint-francis-of-assisi-resuscitating-a-dead-youth-yi-ming-289479","Camillo Procaccini--Saint Francis of Assisi Resuscitating a Dead Youth","这幅红粉笔素描以沉郁红褐调铺陈救赎场景，圣徒攥住死者手腕，神色悲悯庄重，将神性的温度凝于相触的指尖。瘫倒的青年躯体松弛却暗含张力，濒死的颓态反衬出神迹的力量。\n\n围观修士神态各异，或惊愕或敬畏，错落身影烘托出肃穆庄重的氛围。苍劲线条勾勒厚重衣褶，衬出圣徒的沉稳坚毅，明暗层次揉合粗粝与细腻，让信仰的救赎感在呼吸间流淌，将宗教神迹的沉静张力尽数藏在纸笔之中。",[82,1438,139,1451,1452,1453,7,1454,1455],"圣方济各","亡者复苏","神职人员","肃穆","单色绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35a459928aa47afab605b77bf30c92ba.jpg",[],{"id":1459,"slug":1460,"title":1461,"dynasty":46,"author":19,"museum":48,"description":1462,"tags":1463,"thumbUrl":1467,"material":67,"size":68,"collection":95,"collections":1468,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289474,"carle-charles-andre-vanloo-la-conversation-espagnole-yi-ming-289474","Carle (Charles André) Vanloo--La Conversation espagnole","灵动的钢笔线条铺陈出拱券厅堂，廊柱勾勒出庄重又松弛的空间氛围。站立绅士侧身搭话，端坐淑女抬眼回应，旁侧眷侣或私语或垂首观书，将这场闲谈的松弛慵懒晕开。\n\n细碎笔触刻画出衣袍褶皱的柔润起伏，角落细犬添了鲜活意趣，远景街景虚化处理，让画面层次分明。潦草又精准的速写笔触，将贵族沙龙的脉脉温情定格，带着鲜活的临场质感，把日常社交的优雅瞬间尽数留存，尽显古典社交场景的闲雅意韵。",[82,139,7,1464,1465,974,1466,923],"贵族社交","交谈","犬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9157aec215e63a74de0bb3eca78b4b2.jpg",[],{"id":1470,"slug":1471,"title":1472,"dynasty":46,"author":19,"museum":48,"description":1473,"tags":1474,"thumbUrl":1476,"material":67,"size":68,"collection":95,"collections":1477,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289467,"rembrandt-nathan-admonishing-david-yi-ming-289467","Rembrandt--Nathan Admonishing David","这幅速写以粗粝不羁的炭笔线条铺陈画面，左侧长者垂眼沉声，语重心长的恳切藏在紧绷的肩线之中；右侧男子以手撑脸，垂首默听，愧色暗涌在潦草勾勒的轮廓里。\n\n急促交错的排线晕出昏暗的背景，挤出束束微光落在二人身上，把训诫的沉郁氛围揉进笔痕之中。作者并未雕琢细节，衣物褶皱以随性笔触带过，却精准抓住了对话的情绪张力，潦草却鲜活的笔调定格下这肃穆的瞬间，让观者能即刻沉入这场带着沉重情绪的对话，寥寥数笔就将叙事感拉满，粗朴的画迹间藏着饱满的戏剧张力。",[82,1417,139,1438,1418,1475,7],"宗教故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5c57cdbf14f507f44d9abbf1c302370d.jpg",[],{"id":1479,"slug":1480,"title":1481,"dynasty":46,"author":19,"museum":48,"description":1482,"tags":1483,"thumbUrl":1486,"material":67,"size":68,"collection":95,"collections":1487,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289466,"rembrandt-potiphar-s-wife-accusing-joseph-before-her-husband-yi-ming-289466","Rembrandt--Potiphar's Wife Accusing Joseph Before her Husband","这幅速写以极简棕调线条铺陈叙事，寥寥数笔便将室内戏剧张力拉至顶点。卧床的丈夫神色沉郁瘫软，似刚听完偏颇控诉；右侧的约瑟夫垂手伫立，头巾长袍勾勒出隐忍自持的姿态。左侧的波提乏之妻身姿紧绷前倾，满是指控的怒意呼之欲出。\n画面摒弃精雕细琢，以灵动粗粝的笔触捕捉情绪流转，逼仄空间的压抑氛围扑面而来，留白更衬出这场构陷闹剧的窒息感。潦草却精准的动态勾勒，让每个角色都鲜活饱满，将这场经典伦理冲突凝于方寸纸面，尽显速写直击内核的叙事力量。",[82,139,1417,1180,7,1484,1485],"叙事画","圣经故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a02ec67a2e6db8aa0c3e2c256ab9104.jpg",[],{"id":1489,"slug":1490,"title":1491,"dynasty":46,"author":19,"museum":48,"description":1492,"tags":1493,"thumbUrl":1496,"material":67,"size":68,"collection":95,"collections":1497,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289318,"francesco-allegrini-the-departure-of-aeneas-announced-to-dido-yi-ming-289318","Francesco Allegrini--The Departure of Aeneas Announced to Dido","这幅速写以棕褐笔墨铺陈情绪，明暗排线利落切割出柱廊围合的空间。俯身攥住石沿的身影满是焦灼惶然，抬手掩面的身影浸着难掩悲戚，静立持物的侍者衬出凝滞的肃穆，右侧探身振臂的身影将急切情绪推向顶峰。\n\n没有精谨勾勒，粗犷的线条却精准抓住每个身姿的情绪内核，光影顺着衣褶流淌，把离别的错愕、不舍揉进纸面。仿佛能听见场中低哑的争执与压抑的叹息，鲜活地定格下这场情绪翻涌的瞬间，把别离前震颤的氛围永远封存在笔墨之间。",[139,82,1494,1495,975,7,1455],"神话故事","离别场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4acbda414b86f1852ec47b09260fc0db.jpg",[],{"id":1499,"slug":1500,"title":1501,"dynasty":46,"author":19,"museum":48,"description":1502,"tags":1503,"thumbUrl":1508,"material":67,"size":68,"collection":95,"collections":1509,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},289307,"melchior-steidl-feast-in-the-house-of-simon-yi-ming-289307","Melchior Steidl--Feast in the House of Simon","椭圆形构图收拢画面张力，宴饮众人姿态鲜活各异，卧躺的宾客慵懒松弛，侍立女眷沉静端庄，动静相映。以明暗浓淡的炭笔笔触铺陈氛围，帷幔褶皱厚重苍劲，器物细节写实精巧。画面留存转印网格，带着创作底本的严谨质感，在简约素描层次里藏住宴饮喧嚣叙事，明暗晕染烘托出古典场景的庄重氛围感，将宗教宴饮的鲜活场面凝于笔端，尽显古典叙事画的沉稳张力。",[414,975,1504,82,1505,7,1506,1507],"宴饮","西方绘画","圣经题材","稿本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2de53b456f02f9d26f9b4c24226c1a05.jpg",[],{"id":1511,"slug":1512,"title":1513,"dynasty":46,"author":19,"museum":48,"description":1514,"tags":1515,"thumbUrl":1517,"material":67,"size":68,"collection":95,"collections":1518,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289296,"palma-il-giovane-penitent-woman-anointing-the-feet-of-christ-yi-ming-289296","Palma Il Giovane--Penitent Woman Anointing the Feet of Christ","奔放随性的线条捕捉着场景的戏剧张力，端坐的基督周身晕着轻浅圣光，神色沉静安然。对面的众人姿态紧绷躁动，或是厉声诘问，或是愤然争执，将质疑的情绪拉满。左侧俯伏的女信徒低垂身形，将全然的虔敬凝于动作之中，与场域里的喧哗形成强烈对照。\n\n简练立柱划分出开放式空间，背景错落的人物剪影烘托出拥挤的临场氛围。没有精雕细琢的细节，潦草却精准的笔触将叙事的情绪全然释放，带着速写独有的鲜活生动，将虔敬与质疑的拉扯冲突定格在刹那之间，让这桩圣典的情绪张力跃然纸面。",[1438,139,596,82,1417,1440,7,975,1516],"忏悔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7b52b53aad928ed4144de6da115321eb.jpg",[],{"id":1520,"slug":1521,"title":1522,"dynasty":46,"author":19,"museum":48,"description":1523,"tags":1524,"thumbUrl":1526,"material":67,"size":68,"collection":95,"collections":1527,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289294,"paolo-gerolamo-piola-christ-in-the-house-of-martha-and-mary-yi-ming-289294","Paolo Gerolamo Piola--Christ in the House of Martha and Mary","画面以对称拱厅铺展故事，左右两厢冷暖对照。左间烟火蒸腾，仆役们穿梭备宴，满是劳碌的市井温热；右厢静穆虔敬，马利亚跪伏迎候，基督垂目颔首满是悲悯柔和，门徒们肃立随侍。弧顶的小天使舒展羽翼，为庄严肃穆的空间揉入轻盈灵动。\n\n手绘排线勾勒衣褶起伏，淡彩晕染铺陈光影层次，让织物的厚重、石墙的冷硬呼之欲出。画师用细腻笔触刻绘神态，将侍奉的匆忙与敬拜的沉静并置，在古典建筑的框定下，把宗教叙事的神圣性揉进日常图景里，让信仰的温度顺着笔锋漫溢开来。",[974,414,139,82,1525,415,7,992,1485],"基督","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f8e2f3da11049f2f67762368bf36188.jpg",[],{"id":1529,"slug":1530,"title":1531,"dynasty":46,"author":19,"museum":48,"description":1532,"tags":1533,"thumbUrl":1536,"material":67,"size":68,"collection":95,"collections":1537,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289250,"placido-costanzi-unidentified-subject-yi-ming-289250","Placido Costanzi--Unidentified Subject","这幅八角形构图的素描以浅淡排线在灰晕基底上铺陈，用克制的明暗勾勒出充满叙事感的古典群像。左侧二人侧身低语，神态暗藏机锋，右侧高台之上的互动带着庄重肃穆的仪式感，人物动态错落有致。纤细走线精准捕捉人物神态与肢体张力，虚实留白巧妙拓展空间层次，整体氛围沉郁内敛，将故事性藏在细腻线条节奏中，以极简笔触铺陈出饱满戏剧张力，尽显古典创作特有的庄重含蓄。",[82,139,596,975,7,1534,1535,405],"八角构图","西洋绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13557aa7dcba0f32940e4d514bf1062b.jpg",[],{"id":1539,"slug":1540,"title":1541,"dynasty":46,"author":19,"museum":48,"description":1542,"tags":1543,"thumbUrl":1547,"material":67,"size":68,"collection":95,"collections":1548,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289209,"giuseppe-piattoli-the-sword-of-damocles-yi-ming-289209","Giuseppe Piattoli--The Sword of Damocles","棕褐墨色勾勒出这场浮华宴饮，灵动线条利落铺陈出宏大场域。高台之上君主恣然享乐，环坐宾客或曲意逢迎，或沉湎欢宴，佩剑侍者垂首躬身，将权力场的谄媚浮华尽数铺展。疏密排线晕开明暗层次，墙间浮雕、帷幔褶皱都刻画入微，角落争食的猎犬呼应着席间躁动虚浮。画家将悬剑的悚然暗喻藏进觥筹交错之中，让宴饮的欢闹与暗藏的危机形成尖锐对冲，寥寥笔墨便把权势顶端如影随形的惶惶不安揉进浮华表象里，勾勒出权力场的荒诞张力。",[1494,139,82,1544,1545,7,992,1546],"群像人物","宫廷宴会","达摩克利斯之剑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf27598ff40a1edd3a5bbfc4fb1c27fb.jpg",[],{"id":1550,"slug":1551,"title":1552,"dynasty":46,"author":19,"museum":48,"description":1553,"tags":1554,"thumbUrl":1558,"material":67,"size":68,"collection":95,"collections":1559,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289198,"goya-a-woman-kneeling-before-an-old-man-images-yi-ming-289198","Goya--A Woman Kneeling before an Old Man, Images","这幅速写以浓烈明暗拉开视觉层次，深暗的背景将视线牢牢锁在前景二人身上。白发老者抬手前伸，姿态带着训诫的威严，跪坐的女子抬眸望向前方，神色满是惶惑与恳求，肢体紧绷流露着情绪的拉扯。背景处模糊的侧影悄然伫立，为这场私密的对话添上一丝窥探般的压抑氛围。\n画家以奔放写意的笔触，借浓淡不一的墨色晕染出衣物质感与光影起伏，舍弃繁缛细节，却将人物的情绪张力刻画得入木三分，让画面自带戏剧叙事感，仿佛下一秒便要诉说出一段沉郁的故事。",[82,1555,139,7,1556,1557],"水墨","老者","跪妇","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc340abb80a2941703eeb313e635441c9.jpg",[],{"id":1561,"slug":1562,"title":1563,"dynasty":46,"author":19,"museum":48,"description":1564,"tags":1565,"thumbUrl":1568,"material":67,"size":68,"collection":95,"collections":1569,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289184,"goya-generosity-versus-greed-yi-ming-289184","Goya--Generosity versus Greed","这幅速写以黑白水彩晕染铺就，满是市井叙事感。柜台后的老者眉眼拧起，目光死死黏在桌面，将悭吝刻在脸上；伏在货堆上的男子满身疲态，气力已然耗尽。右侧女子身披薄纱挺身而立，神情悲悯又坦荡，与老者的刻薄形成刺眼的对冲。\n粗粝朴拙的笔触勾勒出人物神态，明暗反差烘托出情绪张力，将慷慨与贪婪的人性拉扯具象在这方寸市井一隅，直白展露俗世里的人心对峙，让观者一眼便窥见两种心性的鲜明分野，把细碎日常里的人性褶皱揉进画面之中。",[139,1555,974,7,1566,1567],"人性对比","市井人物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa10213fe7ea43372dffa64218050c8f.jpg",[],{"id":1571,"slug":1572,"title":1573,"dynasty":46,"author":19,"museum":48,"description":1574,"tags":1575,"thumbUrl":1577,"material":67,"size":68,"collection":95,"collections":1578,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},289179,"goya-hunting-lice-images-yi-ming-289179","Goya--Hunting Lice; Images","昏棕的晕染铺就逼仄昏暗的农舍小屋，粗粝松弛的笔触将贫贱日常缓缓铺开。佝偻的老者沉坐椅上，少女俯身专注为他捉虱，旁侧二人埋首桌前，或是沉湎琐事或是短暂休憩。\n\n光影裹挟着粗朴烟火气，潦草随性的线条藏着底层生计的疲惫，没有刻意煽情，只以速写般的随性刻画出小人物的片刻日常，粗粝笔触让窘迫的生活质感扑面而来，将困顿里的麻木与细碎温情揉合在晕开的墨色中，尽显平凡褶皱下的沉郁况味，静诉着底层人生的黯淡庸常。",[139,1555,7,975,1576,52],"市井生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1508bb2fbfdf636bee6dd2db310d8eaa.jpg",[],{"id":1580,"slug":1581,"title":1582,"dynasty":46,"author":19,"museum":48,"description":1583,"tags":1584,"thumbUrl":1588,"material":67,"size":68,"collection":95,"collections":1589,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},289100,"jean-guillaume-moitte-manius-curius-dentatus-refusing-the-presents-yi-ming-289100","Jean Guillaume Moitte--Manius Curius Dentatus Refusing the Presents","画面以冷峻细腻的线条铺展古典叙事，明暗错落间，端坐的主角舒展身形，神色淡然推开身前献礼，自带不容置喙的威严。左侧仆从们躬身捧着珍奇宝器，神色恭敬又带着试探的忐忑。右侧女子伸手指点，满脸惊惶失态，反衬出主角不为利诱所动的坚定。\n\n殿堂烟气袅袅升腾，衬出肃穆沉静的氛围，衣褶勾勒厚重写实，精准传递出人物情绪张力。画作将清廉拒贿的古典风骨藏在庄重场景中，不动声色间诉说着这份超越物欲的高贵气节。",[1585,139,82,1152,1586,7,923,204,1587],"历史画","古典人物","仪式场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F77165ecf5f269022033462cc7f4b559c.jpg",[],{"id":1591,"slug":1592,"title":1593,"dynasty":46,"author":19,"museum":48,"description":1594,"tags":1595,"thumbUrl":1600,"material":67,"size":68,"collection":95,"collections":1601,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},289068,"jules-fre-de-ric-bouchet-circular-drawing-of-a-classical-interior-yi-ming-289068","Jules-Frédéric Bouchet--Circular Drawing of a Classical Interior","整体采用圆形构图，以柔和的棕褐色调铺就复古底色，定格下古典宅邸的静谧一隅。画面中，人形立柱肃穆承托器物，带着古典雕塑的厚重质感；炉火烧得正暖，晕开融融暖意，花瓮植着繁密草木，为冷硬的古典陈设添了几分生机。创作者以细腻线条勾勒出每一处细节肌理，淡彩晕染出柔和光影层次，将新古典主义的内敛雅致融入画面，仿佛凝固了旧时光里悠然沉静的片刻。带着手稿特有的温润质感，将古典美学的肃穆与家居日常的柔和相融，传递出沉静舒缓的空间美学张力。",[1596,82,974,1597,1598,1599,7],"圆形构图","古典室内","古典器物","雕塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae1f952c35501b7d983c2bf619ac11f4.jpg",[],{"id":1603,"slug":1604,"title":1605,"dynasty":46,"author":19,"museum":48,"description":1606,"tags":1607,"thumbUrl":1611,"material":67,"size":68,"collection":95,"collections":1612,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288886,"giovanni-battista-tiepolo-illustration-for-a-book-scene-of-a-murder-yi-ming-288886","Giovanni Battista Tiepolo--Illustration for a Book Scene of a Murder","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[82,596,139,1608,1609,7,1610,500,57,1125],"书籍插画","谋杀场景","紧张氛围","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2d15d54c191e52ce80ba49defc72373.jpg",[],{"id":1614,"slug":1615,"title":1616,"dynasty":46,"author":19,"museum":48,"description":1617,"tags":1618,"thumbUrl":1622,"material":67,"size":68,"collection":95,"collections":1623,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288824,"pelagio-palagi-king-charles-viii-of-france-with-the-dying-gian-galeazzo-sforza-yi-ming-288824","Pelagio Palagi--King Charles VIII of France with the Dying Gian Galeazzo Sforza","画面以细密的素描笔触铺陈出沉郁的宫廷场景。濒死的贵族被幼童与侍从竭力搀扶，身体佝挛着满是将熄的孱弱。白衣王后垂首哀戚，伸出的双手似在向王座上的君主求告，却难掩绝望。王座上的帝王神色冷漠，端坐的姿态衬出权力的威压，旁立的老者们或侧目忧心、或冷眼漠然，将宫廷凉薄尽显。明暗层次晕染出窒闷的氛围，将王权阴影下生命的凋零与权力倾轧的悲剧，凝在这一凝滞的对峙瞬间，满是末世宫廷的唏嘘与沉重。",[82,139,1585,7,1619,1620,180,179,1621,1125],"多人","悲伤氛围","床榻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd5ce4e52f01efe6cb2336aef223b6f8.jpg",[],{"id":1625,"slug":1626,"title":1627,"dynasty":46,"author":19,"museum":48,"description":1628,"tags":1629,"thumbUrl":1632,"material":67,"size":68,"collection":95,"collections":1633,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":467},288795,"pierre-alexandre-wille-two-women-in-an-elegant-interior-yi-ming-288795","Pierre Alexandre Wille--Two Women in an Elegant Interior","闺房之内，执诗琴的少女垂眸拨弦，伴立的女伴持羽扇缓摇，为她驱散溽暑。高耸繁复的假发、曳地蓬松的长裙，尽显洛可可时代独有的精致柔美。背景中的古典雕塑、软包座椅与华纹地毯，铺陈出雅致雍容的室内氛围。\n画家以细腻笔触晕染衣物质感，褶皱明暗过渡自然，将闺中密友闲适松弛的午后时光定格。静室里似有琴音流淌，慵懒悠然漫溢其间，将贵族女性的闲逸日常尽数展现，尽显洛可可艺术柔媚优雅的独特意趣。",[139,974,82,973,7,29,923,31,1630,1225,1631],"鲁特琴","闺房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8b7fed7fe920b0495c3f04d297113f94.jpg",[],{"id":1635,"slug":1636,"title":1637,"dynasty":46,"author":19,"museum":48,"description":1638,"tags":1639,"thumbUrl":1641,"material":67,"size":68,"collection":95,"collections":1642,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288793,"pierre-antoine-baudouin-le-matin-morning-yi-ming-288793","Pierre Antoine Baudouin--Le Matin (Morning)","蓝调帷幔围起一方私密闺房，鎏金饰边晕着华贵暖意。榻上女子尚陷在晨睡余韵中，手臂交叠枕于脑后，肌肤被晨光晕出柔润光泽，慵懒松弛漫溢开来。男子止步侧身，目光凝向榻上，似被这晨间慵态绊住脚步，一旁孩童扯住他的衣袍，为这暧昧氛围添上几分稚拙的拉扯感。\n\n笔触细腻晕开织物褶皱的柔光，以雅致配色铺就贵族晨间日常图景，将洛可可式的缱绻意趣藏在光影里，让私邸晨光里的松弛与暧昧，都融在人物细微的神态互动间。",[51,139,7,276,29,54,179,26,793,1640],"晨起","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ab80b5e9afb5f726df2bf7b031e3390.jpg",[],{"id":1644,"slug":1645,"title":1646,"dynasty":46,"author":19,"museum":48,"description":1647,"tags":1648,"thumbUrl":1652,"material":67,"size":68,"collection":95,"collections":1653,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288784,"pierre-numa-bassaget-fashion-drawing-with-a-woman-seated-in-a-chair-yi-ming-288784","Pierre-Numa Bassaget--Fashion Drawing with a Woman Seated in a Chair","这幅水彩以柔润晕染铺陈开旧时光景。斜倚扶手椅的贵妇，珊瑚红软帽配同色蕾丝镶边晨衣，慵懒姿态里满是矜贵松弛感。身旁两个孩童相映成趣，女孩白纱绣裙蓬松雅致，男孩风琴褶上衣带着复古俏皮，仰头的神态似在软声诉说童趣日常。低饱和色调晕开朦胧温柔的氛围，将上流宅邸的午后闲情定格，仿佛能听见童声软语和贵妇含笑的轻应，把闺阁细碎的暖意揉进纸面，晕成一首安静的复古情诗。",[910,26,139,1649,1650,179,7,1651],"时装画","贵妇","欧式服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aec5d0a21f79315420cb6d2d129cf14.jpg",[],{"id":1655,"slug":1656,"title":1657,"dynasty":46,"author":19,"museum":48,"description":1658,"tags":1659,"thumbUrl":1661,"material":67,"size":68,"collection":95,"collections":1662,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},288635,"jean-baptiste-deshays-phryne-before-the-areopagus-yi-ming-288635","Jean-Baptiste Deshays--Phryne Before the Areopagus","这幅稿作用赭色浓淡铺陈光影，勾勒出喧嚷的法庭场域。前景跪地的躯体奋力伸展手臂，带着哀恳与申辩的张力，将视线锚向高台肃穆的审判者。廊柱分割开空间，把焦灼的人群与端坐的法官区隔开来，晕染的暗部烘托出紧绷的氛围，仿佛能听见场中沸沸的议论与抗辩的声息。\n作者以奔放的线条捕捉人物情绪起伏：有人交头接耳私语，有人愤然争执，有人怆然动容。潦草却精准的笔触，将这场审判的戏剧张力凝于纸面，定格了人性在律法与情欲间拉扯震颤的瞬间。",[82,26,975,1585,1660,7],"法庭场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f778f38edf98897cdb02c85211def16.jpg",[],{"id":1664,"slug":1665,"title":1666,"dynasty":46,"author":19,"museum":48,"description":1667,"tags":1668,"thumbUrl":1672,"material":67,"size":68,"collection":95,"collections":1673,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},288632,"jean-baptiste-greuze-domestic-scene-yi-ming-288632","Jean-Baptiste Greuze--Domestic Scene","暖棕淡彩晕开一室烟火，松弛灵动的线条勾勒出满溢温情的日常。画面里，有人怀抱着幼童轻声逗弄，有人俯身依偎私语，老者安坐椅上垂眸休憩，小童子依偎身侧安静亲昵，连脚边蜷卧的小狗都浸着慵懒松弛的气息。\n随性的明暗铺陈里，没有刻意雕琢的精致，却精准捕捉住每个角色的神态动作，将家人间脉脉的温情揉进每一处互动里，仿佛下一秒就能听见屋中的软语和孩童的笑闹，把俗世日常里细碎鲜活的暖意，永远定格在这方寸画纸间。",[139,989,82,973,7,1138,179,1669,1670,1671],"成人","家犬","温馨日常","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F425ae02db494af8a36b6e81568f10d2f.jpg",[],{"id":1675,"slug":1676,"title":1677,"dynasty":46,"author":19,"museum":48,"description":1678,"tags":1679,"thumbUrl":1682,"material":67,"size":68,"collection":95,"collections":1683,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},288618,"jean-pierre-louis-laurent-hou-el-visitors-with-torches-yi-ming-288618","Jean-Pierre Louis Laurent Hoüel--Visitors with Torches","这幅作品以淡彩晕染开古雅底色，环形厅堂中科林斯立柱肃穆排布，斑驳拱顶带着岁月侵蚀的痕迹，整体沉郁又庄重。摇曳的火把撕破昏沉夜色，暖光将访客身影刻在冷调石质建筑中，明暗拉扯出强烈氛围感。\n画师细腻勾勒柱身纹理与拱券结构，精准还原古建形制，又借弥散烟火晕开朦胧意境。古迹的厚重沧桑，糅合夜游探幽的鲜活悸动，仿佛能听见火把燃动的轻响，窥见旅人指尖抚过残石时，追怀往昔文明的震颤。",[974,973,463,1680,28,1681,7],"柱廊","火把","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31dcc726a3cdf93c3741455352e5273b.jpg",[],{"id":1685,"slug":1686,"title":1687,"dynasty":46,"author":19,"museum":48,"description":1688,"tags":1689,"thumbUrl":1692,"material":67,"size":68,"collection":95,"collections":1693,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288616,"johan-carl-loth-solomon-yi-ming-288616","Johan Carl Loth--Solomon","画面铺陈出一场慵懒放浪的宴饮图景，男女嬉游缱绻，侍从穿梭其间，纵情声色的迷醉气息扑面而来。作者以灵动迅疾的棕线在灰底之上勾勒轮廓，寥寥数笔便将衣褶流转、肌肉起伏的韵律精准捕捉，又以白色提亮晕染肌肤高光与衣袂亮部，在灰纸衬映下，光影层次呼之欲出。整体构图饱满错落，拥挤的人物排布将享乐图景铺陈得鲜活生动，笔意松弛随性，却精准传递出人物沉醉欢愉的神态，将这场奢华宴饮的绮靡质感渲染尽致。",[82,28,1690,7,1504,1691,596],"群像","宗教神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53249bcd7086ce744e4bb5962bd3ae3d.jpg",[],{"id":1695,"slug":1696,"title":1697,"dynasty":46,"author":19,"museum":48,"description":1698,"tags":1699,"thumbUrl":1702,"material":67,"size":68,"collection":95,"collections":1703,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288610,"john-sloan-of-human-bondage-chapter-87-yi-ming-288610","John Sloan--Of Human Bondage, Chapter 87","这幅铅笔速写以松弛随性的线条，定格了室内暗流涌动的片刻。立着的女子神态柔和舒展，椅背旁垂首偏倚的老者似正沉溺在私语中，背景的少年静立旁观，沉默烘托出隐秘拉扯的氛围。\n\n未加修饰的笔调留存下创作时的鲜活感，边角潦草的手书，将构思的思绪一同凝固在纸面。人物间的张力藏在简略勾勒的神态与动作里，仿佛将一段暧昧纠葛的人际关系定格，带着草稿独有的即兴温度，让观者得以触碰创作者捕捉情绪瞬间时的心境，将未完成的朦胧质感，揉进了这场缄默的场景中。",[82,139,1700,7,1701,975],"铅笔画","手绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f24e495705c2b730edf8e5d3a1c468e.jpg",[],{"id":1705,"slug":1706,"title":1707,"dynasty":46,"author":19,"museum":48,"description":1708,"tags":1709,"thumbUrl":1712,"material":67,"size":68,"collection":95,"collections":1713,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},288604,"jonas-umbach-january-one-of-a-series-representing-the-labors-yi-ming-288604","Jonas Umbach--January (one of a series representing the labors","暖棕的红粉笔铺就冬日底色，画面被暖意与萧寒生生切开。前景炉火明旺，烤火的男子摊开手掌烘着寒气，脚边小狗垂首摇尾静候温存，侍者端着热气氤氲的食盘，将烟火气揉进暖室。背景街巷清寒，行人瑟缩赶路，将冬日凛冽尽数写在佝偻的背影里。\n\n线条松弛灵动，明暗晕开冷暖边界，把隆冬里市井日常的温热与奔波的清冷对撞，粗粝笔触勾勒出鲜活的人间情态，让萧索冬日晕开熨帖暖意，定格下寒月里最平凡动人的片刻温存。",[82,974,28,992,1710,238,389,1576,7,475,1711],"炉火","日常劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3bc0adf67108b3fb7f67076724fc5493.jpg",[],{"id":1715,"slug":1716,"title":1717,"dynasty":226,"author":19,"museum":48,"description":1718,"tags":1719,"thumbUrl":1721,"material":67,"size":68,"collection":95,"collections":1722,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},237252,"ming-chen-gu-shi-deng-xu-ti-song-ce-yi-ming-237252","名臣故事邓旭题颂册","此作为诗画合璧之品，右侧绘书馆内景，层叠书阁贮满典籍，案头笔墨俨然。馆内三儒者或凝思展卷，或执烛随侍，衣袂舒展自然，器物刻画入微，静谧肃穆的氛围，生动还原贤臣夜读治事的日常，细节写实雅致。左幅题诗笔意端秀，诗文咏叹主人公勤政笃学的德行，以书映画，以诗衬人。二者相辅相融，以具象图景承载贤臣风操，将贤德品格寄于细腻绘事与清雅题咏之中，兼具叙事意趣与文史价值。",[24,25,843,26,27,28,1720,84,202,142,143,637,638,639,640,7],"书桌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff0edcbefe1432ad0ec3bad0c721c13d.jpg",[],{"id":1724,"slug":1725,"title":1726,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1727,"thumbUrl":1732,"material":67,"size":68,"collection":95,"collections":1733,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232569,"mi-lai-si-113-yue-han-ai-fu-li-te-mi-lai-si-232569","米莱斯113",[51,139,7,1728,1729,1730,1731],"宗教元素","西洋女性","秋意","忧郁","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac87d51f880066a7b085f8cb2d24dc63.jpg",[],{"id":1735,"slug":1736,"title":1737,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1738,"thumbUrl":1741,"material":67,"size":68,"collection":95,"collections":1742,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232566,"mi-lai-si-110-yue-han-ai-fu-li-te-mi-lai-si-232566","米莱斯110",[51,52,28,992,277,61,1739,7,1740,1345,166,560],"剑","拱形背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5869ee96e31eb2b3bc207800055c4665.jpg",[],{"id":1744,"slug":1745,"title":1746,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1747,"thumbUrl":1757,"material":67,"size":68,"collection":95,"collections":1758,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232553,"mi-lai-si-97-yue-han-ai-fu-li-te-mi-lai-si-232553","米莱斯97",[51,1004,26,28,959,1669,1748,1749,1750,1751,7,1752,949,1753,168,1754,1254,1755,1345,1756],"木工台","木材","木屑","梯子","户外远景","天空","跪地姿态","赤足","工坊场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc4abf962a939e2c2e7f7e64f597dfb3.jpg",[],{"id":1760,"slug":1761,"title":1762,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1763,"thumbUrl":1767,"material":67,"size":68,"collection":95,"collections":1768,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":467},232552,"mi-lai-si-96-yue-han-ai-fu-li-te-mi-lai-si-232552","米莱斯96",[1417,82,1764,52,28,1619,923,1765,316,1766,7],"线条","社交场景","门口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2510457e90c30d13521def99561adb18.jpg",[],{"id":1770,"slug":1771,"title":1772,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1773,"thumbUrl":1774,"material":67,"size":68,"collection":95,"collections":1775,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232550,"mi-lai-si-94-yue-han-ai-fu-li-te-mi-lai-si-232550","米莱斯94",[910,139,26,7,923,55],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc924003145fc229ec280be56594507c.jpg",[],{"id":1777,"slug":1778,"title":1779,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1780,"thumbUrl":1783,"material":67,"size":68,"collection":95,"collections":1784,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232546,"mi-lai-si-90-yue-han-ai-fu-li-te-mi-lai-si-232546","米莱斯90",[51,52,26,28,1781,1782,1125,183,7,122,165,203],"鸟笼","猫头鹰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F266eccfc6db489ca62a2dfd5174d46db.jpg",[],{"id":1786,"slug":1787,"title":1788,"dynasty":46,"author":830,"museum":48,"description":831,"tags":1789,"thumbUrl":1790,"material":67,"size":68,"collection":95,"collections":1791,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232544,"mi-lai-si-88-yue-han-ai-fu-li-te-mi-lai-si-232544","米莱斯88",[270,51,52,26,28,992,7,1345,166],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26b8dfeb2de0adf7a8887c804e3220f6.jpg",[],{"id":1793,"slug":1794,"title":1795,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1796,"thumbUrl":1800,"material":67,"size":68,"collection":95,"collections":1801,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232468,"he-er-bai-yin-127-he-er-bai-yin-232468","荷尔拜因127",[51,178,28,52,1797,1720,1798,164,1799,7],"人文主义","文具","书信","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6afd57f56901457c63c33593c01d2942.jpg",[],{"id":1803,"slug":1804,"title":1805,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1806,"thumbUrl":1810,"material":67,"size":68,"collection":95,"collections":1811,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232461,"he-er-bai-yin-120-he-er-bai-yin-232461","荷尔拜因120",[51,52,26,28,500,257,1807,1808,1809,1345,61,7,833],"盒子","绿色织物","木质背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19fa393ad16a51e049511a0d9822e803.jpg",[],{"id":1813,"slug":1814,"title":1815,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1816,"thumbUrl":1823,"material":67,"size":68,"collection":95,"collections":1824,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232387,"he-er-bai-yin-46-he-er-bai-yin-232387","荷尔拜因46",[1817,596,897,414,28,1621,1818,1819,1820,236,600,7,1821,1822,107],"册页","羊群","帐篷","山地","户外场景","卧榻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0792a4de4426d538713a909d665e62c6.jpg",[],{"id":1826,"slug":1827,"title":1828,"dynasty":46,"author":1149,"museum":48,"description":1150,"tags":1829,"thumbUrl":1831,"material":67,"size":68,"collection":95,"collections":1832,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232373,"he-er-bai-yin-32-he-er-bai-yin-232373","荷尔拜因32",[270,28,82,1830,7,975,1797],"钢笔画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15597ebdd36813b69b5f987a78142340.jpg",[],{"id":1834,"slug":1835,"title":1836,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1837,"thumbUrl":1844,"material":67,"size":68,"collection":95,"collections":1845,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232339,"a-er-ma-66-lao-lun-si-a-er-ma-ta-de-ma-232339","阿尔玛66",[51,1004,405,26,975,1838,7,1839,1840,1841,961,1842,404,219,203,1843,316],"古埃及元素","烛火","织物服饰","木质家具","卧姿人物","地面装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d04dccf5d574e7c874dfd00b59e4363.jpg",[],{"id":1847,"slug":1848,"title":1849,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1850,"thumbUrl":1851,"material":67,"size":68,"collection":95,"collections":1852,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232337,"a-er-ma-64-lao-lun-si-a-er-ma-ta-de-ma-232337","阿尔玛64",[51,270,28,55,405,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c47f327d65eb0ccb71b7c5acff98f37.jpg",[],{"id":1854,"slug":1855,"title":1856,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1857,"thumbUrl":1861,"material":67,"size":68,"collection":95,"collections":1862,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232334,"a-er-ma-61-lao-lun-si-a-er-ma-ta-de-ma-232334","阿尔玛61",[270,253,1168,1004,975,463,1680,180,179,1858,1859,1860,1126,923,7,1587],"武士","盔甲","陶罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa382e9402051a6e9901e425d81f8359d.jpg",[],{"id":1864,"slug":1865,"title":1866,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1867,"thumbUrl":1869,"material":67,"size":68,"collection":95,"collections":1870,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232332,"a-er-ma-59-lao-lun-si-a-er-ma-ta-de-ma-232332","阿尔玛59",[270,82,139,1585,1868,7,1599],"古典场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F576b68ffc3360a1e345892eae510f2e8.jpg",[],{"id":1872,"slug":1873,"title":1874,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1875,"thumbUrl":1877,"material":67,"size":68,"collection":95,"collections":1878,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232325,"a-er-ma-52-lao-lun-si-a-er-ma-ta-de-ma-232325","阿尔玛52",[51,178,1418,1004,7,1252,1876],"沉稳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9df4ccaab96b1791f33574f2f3e4f9e.jpg",[],{"id":1880,"slug":1881,"title":1882,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1883,"thumbUrl":1894,"material":67,"size":68,"collection":95,"collections":1895,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232322,"a-er-ma-49-lao-lun-si-a-er-ma-ta-de-ma-232322","阿尔玛49",[253,51,52,26,28,923,1884,1885,442,798,1112,1886,430,1887,7,1888,203,1889,1890,1891,1892,1893],"手杖","木料堆","几何纹样","建筑元素","人物肖像","服饰图案","木质材料","古典建筑构件","地面陈设","人物姿态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d4611ad0d5f81d0c032838a2cfee65f.jpg",[],{"id":1897,"slug":1898,"title":1899,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1900,"thumbUrl":1904,"material":67,"size":68,"collection":95,"collections":1905,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232312,"a-er-ma-39-lao-lun-si-a-er-ma-ta-de-ma-232312","阿尔玛39",[270,51,28,463,7,1901,1902,1903],"杂耍","奢华装饰","古代生活","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b409842c3cb7f85b8c49b5a5c18e88e.jpg",[],{"id":1907,"slug":1908,"title":1909,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1910,"thumbUrl":1917,"material":67,"size":68,"collection":95,"collections":1918,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232308,"a-er-ma-35-lao-lun-si-a-er-ma-ta-de-ma-232308","阿尔玛35",[51,26,1911,28,463,7,442,1912,923,765,261,52,975,1913,1914,1191,1915,1916],"古典主义","石板地面","建筑细节","地面纹理","室内空间","历史场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F362d8435696b82416006426eedae3741.jpg",[],{"id":1920,"slug":1921,"title":1922,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1923,"thumbUrl":1930,"material":67,"size":68,"collection":95,"collections":1931,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232299,"a-er-ma-26-lao-lun-si-a-er-ma-ta-de-ma-232299","阿尔玛26",[51,52,26,28,7,345,122,1924,1925,417,1926,1927,1099,1928,85,277,184,1929],"日常用品","衣物细节","光影处理","针线活","花纹布料","针线盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfbb4709da8199cc2c2afb0572720142.jpg",[],{"id":1933,"slug":1934,"title":1935,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1936,"thumbUrl":1941,"material":67,"size":68,"collection":95,"collections":1942,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232296,"a-er-ma-23-lao-lun-si-a-er-ma-ta-de-ma-232296","阿尔玛23",[51,52,26,405,28,31,1937,58,200,164,1938,1822,122,1599,312,1939,7,203,1940],"静物","水果","植物","人物场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18351da96fe54544990753c4fb0b325a.jpg",[],{"id":1944,"slug":1945,"title":1946,"dynasty":46,"author":790,"museum":48,"description":791,"tags":1947,"thumbUrl":1950,"material":67,"size":68,"collection":95,"collections":1951,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232289,"a-er-ma-16-lao-lun-si-a-er-ma-ta-de-ma-232289","阿尔玛16",[51,28,473,1948,1949,7],"古代场景","画架","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adf7a61b359bc3230f43462be789cd6.jpg",[],{"id":1953,"slug":1954,"title":1955,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1956,"thumbUrl":1959,"material":67,"size":68,"collection":95,"collections":1960,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232238,"dancer-posing-pushkin-museum-of-fine-arts-russia-oil-on-canvas-de-jia-232238","Dancer Posing - - Pushkin Museum of Fine Arts (Russia) - oil on canvas",[51,156,28,1224,7,108,1957,183,278,868,1958,1274],"城市背景","足尖鞋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ed4d65d095c57570165d09abadb65e9.jpg",[],{"id":1962,"slug":1963,"title":1964,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1965,"thumbUrl":1967,"material":67,"size":68,"collection":95,"collections":1968,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232231,"dancer-at-the-barre-circa-shelburne-museum-united-states-pastel-de-jia-232231","Dancer at the Barre - circa - Shelburne Museum (United States) - pastel",[1272,156,28,1224,867,1325,1958,7,1966,833],"光影捕捉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b4b5408675308105b9b7df80b2618af.jpg",[],{"id":1970,"slug":1971,"title":1972,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1973,"thumbUrl":1974,"material":67,"size":68,"collection":95,"collections":1975,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232210,"dancer-s-dressing-room-circa-1878-private-collection-pastel-de-jia-232210","Dancer's Dressing Room - circa 1878 - Private collection - pastel",[1272,156,26,28,935,1325,7,54,55,85,165],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F252224d6f4229d14ea00b86c4a9b236a.jpg",[],{"id":1977,"slug":1978,"title":1979,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1980,"thumbUrl":1983,"material":67,"size":68,"collection":95,"collections":1984,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232204,"dancers-circa-1895-1900-private-collection-oil-on-canvas-de-jia-232204","Dancers - circa 1895-1900 - Private collection - oil on canvas",[156,51,28,935,1325,85,7,1981,1035,1982],"动态感","色彩温润","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe13420f277aa2f574861b59ff3747863.jpg",[],{"id":1986,"slug":1987,"title":1988,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1989,"thumbUrl":1993,"material":67,"size":68,"collection":95,"collections":1994,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232192,"dancers-at-the-old-opera-house-circa-national-gallery-of-art-washington-usa-pastel-de-jia-232192","Dancers at the Old Opera House - circa - National Gallery of Art - Washington (USA) - pastel",[156,1272,28,935,1990,1991,7,165,1992,1227],"芭蕾舞","舞台","舞裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3e227cd8874e34401560b800a4fcdb1.jpg",[],{"id":1996,"slug":1997,"title":1998,"dynasty":46,"author":862,"museum":48,"description":863,"tags":1999,"thumbUrl":2001,"material":67,"size":68,"collection":95,"collections":2002,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232175,"diego-martelli-national-galleries-of-scotland-scotland-de-jia-232175","Diego Martelli - - National Galleries of Scotland (Scotland)",[51,156,28,54,743,63,257,56,85,2000,7,1345],"鞋子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88b785dbc7c26f6de1e2ce601c5daeb3.jpg",[],{"id":2004,"slug":2005,"title":2006,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2007,"thumbUrl":2008,"material":67,"size":68,"collection":95,"collections":2009,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232174,"diego-martelli-1879-de-jia-232174","Diego Martelli - 1879",[51,156,28,54,743,63,56,257,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1e370c57143123dd152dcf1c40622ef.jpg",[],{"id":2011,"slug":2012,"title":2013,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2014,"thumbUrl":2019,"material":67,"size":68,"collection":95,"collections":2020,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232173,"de-jia-84-de-jia-232173","德加84",[51,156,28,2015,7,2016,2017,809,2018],"红色座椅","白色花瓶","黑色衣物","笔触写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6fca874553439f04ba8f215dc477b3e.jpg",[],{"id":2022,"slug":2023,"title":2024,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2025,"thumbUrl":2026,"material":67,"size":68,"collection":95,"collections":2027,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232172,"edmond-duranty-glasgow-art-gallery-and-museum-scotland-de-jia-232172","Edmond Duranty - - Glasgow Art Gallery and Museum (Scotland)",[51,52,26,28,84,56,1720,257,1798,7,112,166],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b26031ada056f7cd0868af3a74bd7c6.jpg",[],{"id":2029,"slug":2030,"title":2031,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2032,"thumbUrl":2039,"material":67,"size":68,"collection":95,"collections":2040,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232156,"group-of-dancers-circa-national-galleries-of-scotland-scotland-de-jia-232156","Group of Dancers - circa - - National Galleries of Scotland (Scotland)",[51,156,2033,2034,26,935,1325,2035,7,2036,2037,2038],"动态捕捉","松散笔触","人物群体","绿色地面","白色舞鞋","舞裙褶皱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71d6309828024f30b8d685e76e91c60b.jpg",[],{"id":2042,"slug":2043,"title":2044,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2045,"thumbUrl":2048,"material":67,"size":68,"collection":95,"collections":2049,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232150,"helene-rouart-in-her-father-s-study-circa-1886-1895-national-gallery-london-de-jia-232150","Helene Rouart in Her Father's Study - circa 1886-1895 - National Gallery - London",[51,156,1888,7,55,85,63,257,2046,86,561,2047],"雕像","玻璃柜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff861beaa12d4a0ea3482bdd9c184cdb8.jpg",[],{"id":2051,"slug":2052,"title":2053,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2054,"thumbUrl":2055,"material":67,"size":68,"collection":95,"collections":2056,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232149,"henri-de-gas-and-his-neice-lucie-degas-circa-the-art-institute-of-chicago-usa-de-jia-232149","Henri De Gas and His Neice, Lucie Degas - circa - The Art Institute of Chicago (USA)",[51,156,1888,7,452,1097],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ad3640ca1acf9d072ed1374770aec18.jpg",[],{"id":2058,"slug":2059,"title":2060,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2061,"thumbUrl":2068,"material":67,"size":68,"collection":95,"collections":2069,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232140,"in-a-laundry-circa-glasgow-art-gallery-and-museum-scotland-de-jia-232140","In a Laundry - circa - Glasgow Art Gallery and Museum (Scotland)",[156,1013,2034,219,28,2062,7,2063,58,56,2064,1711,2065,1280,1262,2066,1112,2067,316],"晾晒衣物","工作台","女性形象","色彩明快","生活场景","日常物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc83f3e07ec2391cbb5d346747c92e397.jpg",[],{"id":2071,"slug":2072,"title":2073,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2074,"thumbUrl":2075,"material":67,"size":68,"collection":95,"collections":2076,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232136,"jeantaud-linet-and-laine-1871-musee-d-orsay-de-jia-232136","Jeantaud, Linet and Laine - 1871 - Musee d'Orsay",[51,156,139,1418,7,1252],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0cf839fe89be9cec2c4e67c79850c266.jpg",[],{"id":2078,"slug":2079,"title":2080,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2081,"thumbUrl":2085,"material":67,"size":68,"collection":95,"collections":2086,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232127,"josephine-gaujean-isabella-stewart-gardner-museum-usa-de-jia-232127","Josephine Gaujean - - Isabella Stewart Gardner Museum (USA)",[51,1888,156,26,7,55,2082,518,2083,91,2084],"黑色服饰","头饰","手部描绘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa00b344f496e21cecab9b9f80cc84b56.jpg",[],{"id":2088,"slug":2089,"title":2090,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2091,"thumbUrl":2100,"material":67,"size":68,"collection":95,"collections":2101,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232124,"la-la-at-the-cirque-fernando-paris-national-gallery-london-england-de-jia-232124","La La at the Cirque Fernando, Paris - - National Gallery - London (England)",[51,156,28,2092,2093,2094,2095,442,430,1274,7,1913,2096,2097,2098,2099],"杂技演员","绳索","马戏团内部","拱形结构","悬挂姿态","舞台结构","橙色背景","金属装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe1b690f4c8d4fd77726bf420e1a89480.jpg",[],{"id":2103,"slug":2104,"title":2105,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2106,"thumbUrl":2108,"material":67,"size":68,"collection":95,"collections":2109,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232091,"mademoiselle-marie-dihau-circa-metropolitan-museum-of-art-usa-de-jia-232091","Mademoiselle Marie Dihau - circa - Metropolitan Museum of Art (USA)",[51,156,28,29,924,122,61,7,2107,112,166],"女性肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd8243f4a3e8abb08d7c5a757d8c6ee0d.jpg",[],{"id":2111,"slug":2112,"title":2113,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2114,"thumbUrl":2120,"material":67,"size":68,"collection":95,"collections":2121,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232082,"musicians-in-the-orchestr-stadelsches-kunstinstitut-franfurt-germany-de-jia-232082","Musicians in the Orchestr - - Stadelsches Kunstinstitut - Franfurt (Germany)",[51,156,2115,31,1324,28,1991,166,7,2116,2117,1690,2118,2119],"音乐家","演奏者","舞蹈者","色彩表现","管弦乐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F866f1c057460f59283e8339815255508.jpg",[],{"id":2123,"slug":2124,"title":2125,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2126,"thumbUrl":2129,"material":67,"size":68,"collection":95,"collections":2130,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232060,"portrait-of-henri-michel-levy-calouste-gulbenkian-foundation-portugal-de-jia-232060","Portrait of Henri Michel-Levy - - - Calouste Gulbenkian Foundation (Portugal)",[51,156,28,7,1949,2127,61,1345,2128],"调色板","背景画作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffcdf9bfbefaa2eefb112e5bca4499da7.jpg",[],{"id":2132,"slug":2133,"title":2134,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2135,"thumbUrl":2138,"material":67,"size":68,"collection":95,"collections":2139,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232059,"portrait-of-james-tissot-metropolitan-museum-of-art-usa-de-jia-232059","Portrait of James Tissot - - - Metropolitan Museum of Art (USA)",[51,52,65,28,85,1949,2136,2137,1884,7,1111,279],"画作","相框","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8069610e679a9a8194e5632fe8c3fabe.jpg",[],{"id":2141,"slug":2142,"title":2143,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2144,"thumbUrl":2148,"material":67,"size":68,"collection":95,"collections":2149,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},232057,"de-jia-29-de-jia-232057","德加29",[51,52,29,28,7,215,61,743,511,1139,182,2145,64,166,2146,2147],"装饰摆件","色彩","立姿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F559e82188df089146adbe1608224c3ca.jpg",[],{"id":2151,"slug":2152,"title":2153,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2154,"thumbUrl":2157,"material":67,"size":68,"collection":95,"collections":2158,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232055,"portrait-of-mary-cassatt-circa-national-portrait-gallery-uk-england-de-jia-232055","Portrait of Mary Cassatt - circa - - National Portrait Gallery (UK) (England)",[51,156,1888,55,61,2155,2156,7,1035,219],"深色衣物","手持物品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc9802044d88285d5b90594e384ee7f44.jpg",[],{"id":2160,"slug":2161,"title":2162,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2163,"thumbUrl":2167,"material":67,"size":68,"collection":95,"collections":2168,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232048,"portrait-of-a-man-circa-brooklyn-museum-of-art-usa-de-jia-232048","Portrait of a Man - circa - Brooklyn Museum of Art (USA)",[51,156,1888,7,2164,59,85,258,63,1937,166,112,2165,2166],"男子","深色上衣","浅色裤子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd587611bc3461aa4c6df4a79f5e657e4.jpg",[],{"id":2170,"slug":2171,"title":2172,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2173,"thumbUrl":2176,"material":67,"size":68,"collection":95,"collections":2177,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},232041,"portraits-at-the-stock-exchange-musee-d-orsay-france-de-jia-232041","Portraits at the Stock Exchange - - - Musee d'Orsay (France)",[51,156,28,54,2174,2175,765,7],"礼帽","西装","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F405edf168b310c760d423b5e9d24fea7.jpg",[],{"id":2179,"slug":2180,"title":2181,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2182,"thumbUrl":2185,"material":67,"size":68,"collection":95,"collections":2186,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},232008,"seated-woman-adjusting-her-hair-circa-courtauld-institute-galleries-england-de-jia-232008","Seated Woman Adjusting Her Hair - circa - Courtauld Institute Galleries (England)",[156,2183,26,82,28,55,91,2184,1345,166,52,2033,7],"色粉","调整头发","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e3a591ef45780dfedf90cf901695e35.jpg",[],{"id":2188,"slug":2189,"title":2190,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2191,"thumbUrl":2194,"material":67,"size":68,"collection":95,"collections":2195,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},231995,"singers-on-stage-circa-the-art-institute-of-chicago-usa-de-jia-231995","Singers on Stage - circa - The Art Institute of Chicago (USA)",[156,1272,26,28,55,2192,1991,7,2193],"歌手","表演","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb5e9a8ac77f0f94c63edb458f769eee1.jpg",[],{"id":2197,"slug":2198,"title":2199,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2200,"thumbUrl":2205,"material":67,"size":68,"collection":95,"collections":2206,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":2207},231985,"the-absinthe-drinker-musee-d-orsay-france-de-jia-231985","The Absinthe Drinker - - Musee d'Orsay (France)",[51,156,139,7,2201,2202,2203,2204],"饮酒","酒杯","酒瓶","咖啡馆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3c5a526fa0137dcda5ab25a012ba597f.jpg",[],"FFFFFF",{"id":2209,"slug":2210,"title":2211,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2212,"thumbUrl":2217,"material":67,"size":68,"collection":95,"collections":2218,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},231980,"the-ballet-from-robert-la-diable-metropolitan-museum-of-art-usa-de-jia-231980","The Ballet from 'Robert la Diable' - - Metropolitan Museum of Art (USA)",[51,156,28,935,2213,1991,7,2214,2033,2215,2216],"观众","光影对比","男性背影","女性舞者形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a0eb39819b38f9f6b1c0ae66c98c00c.jpg",[],{"id":2220,"slug":2221,"title":2222,"dynasty":46,"author":862,"museum":48,"description":863,"tags":2223,"thumbUrl":2224,"material":67,"size":68,"collection":95,"collections":2225,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":41},231977,"the-bellelli-family-circa-ordrupgaard-collection-denmark-de-jia-231977","The Bellelli Family - circa - - Ordrupgaard Collection (Denmark)",[51,156,52,28,7,63,85,744,86,215,1291,54,55,959,165],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9b65ae0737dd3e5a7be688dda3fe8c3.jpg",[],{"id":2227,"slug":2228,"title":2229,"dynasty":46,"author":19,"museum":48,"description":894,"tags":2230,"thumbUrl":2232,"material":67,"size":68,"collection":95,"collections":2233,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},230782,"fu-shi-hui-164-yi-ming-230782","浮世绘164",[896,26,27,28,29,142,143,144,2231,204,7],"日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb679f860e951c05b3586454f9a5f5139.jpg",[],{"id":2235,"slug":2236,"title":2237,"dynasty":46,"author":47,"museum":48,"description":49,"tags":2238,"thumbUrl":2244,"material":67,"size":68,"collection":95,"collections":2245,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},230623,"rembrandt-harmensz-van-rijn-0258-lun-bo-lang-230623","Rembrandt Harmensz.van Rijn - 0258",[51,53,28,7,63,2239,1158,1180,122,2240,880,2241,2242,2243],"食物","光影效果","人物聚会","暗色调","光线聚焦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1e8517a7c7fec469f62b1bb23dc7e09.jpg",[],{"id":2247,"slug":2248,"title":2249,"dynasty":46,"author":47,"museum":48,"description":49,"tags":2250,"thumbUrl":2254,"material":67,"size":68,"collection":95,"collections":2255,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":72},230620,"rembrandt-harmensz-van-rijn-0254-lun-bo-lang-230620","Rembrandt Harmensz.van Rijn - 0254",[51,2251,52,975,7,2243,923,2252,1112,2253,316],"明暗对照法","宗教主题","暗背景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd645e1e03908214eb57645df921e9919.jpg",[],{"id":2257,"slug":2258,"title":2259,"dynasty":46,"author":19,"museum":48,"description":894,"tags":2260,"thumbUrl":2264,"material":67,"size":68,"collection":95,"collections":2265,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},225566,"fu-shi-hui-43-yi-ming-225566","浮世绘43",[896,897,26,28,7,2261,2262,439,2263,798],"拉门","格子窗","枫叶纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9b1774d2f2f6c689f55a8bbf22b05a6.jpg",[],{"id":2267,"slug":2268,"title":2269,"dynasty":46,"author":19,"museum":48,"description":894,"tags":2270,"thumbUrl":2271,"material":67,"size":68,"collection":95,"collections":2272,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},225462,"fu-shi-hui-220-yi-ming-225462","浮世绘220",[896,26,28,277,85,108,183,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4369f1c36643f1a59f3803bf7ad4ba03.jpg",[],{"id":2274,"slug":2275,"title":2276,"dynasty":226,"author":19,"museum":48,"description":2277,"tags":2278,"thumbUrl":2279,"material":35,"size":2280,"collection":95,"collections":2281,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":98},215907,"qing-ren-xiao-xiang-tu-ce-10-yi-ming-215907","清人肖像图册-10","画面铺陈雅致室内景，二人端坐仪态端方。左侧衣袍如墨沉敛，右侧靛蓝袍服鲜亮，衣纹线条挺括，盘扣细节隐约，尽显服饰规制之美。背景红棂窗格映枝叶扶疏，右侧书架罗列典籍，案几陈设精巧，处处流露中式居停的清幽意趣。人物面容温婉，神情平和，似在静谧时光中凝驻片刻。笔墨兼具写实细腻与传统肖像的含蓄韵味，将彼时生活的从容雅致悄然晕染，于方寸间藏着岁月静好与中式美学的淡然，让观者仿佛触碰到那段时光里的悠然气息。",[24,609,26,27,843,28,239,84,297,854,7,178],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22240642df201931a647d38e5108087f.jpg","44x40",[],{"id":2283,"slug":2284,"title":2285,"dynasty":226,"author":19,"museum":48,"description":2286,"tags":2287,"thumbUrl":2290,"material":67,"size":68,"collection":95,"collections":2291,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":72},273091,"mu-bian-bo-li-hua-ren-wu-tu-gua-ping-yi-ming-273091","木边玻璃画人物图挂屏","这幅玻璃画以反绘工艺晕染出柔润朦胧的质感，中西审美交融尽显其间。室内红帐绿帘撞色浓烈却和谐，男子就火点烟，女子持酒伴坐，二人神态松弛闲适，将日常宴饮的悠然闲逸娓娓道来。衣褶晕染带着西洋写实的光影柔度，器物刻画朴拙雅致，窗外暗沉云气反衬出室内暖意融融的松弛氛围。整体画风质朴鲜活，将市井日常的温情瞬间定格，藏着晚晴民间审美与西洋技法碰撞出的别致意趣。",[2288,2289,28,26,2201,312,7],"玻璃画","挂屏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb6a903df946569aa99862ea3c4786f9.jpg",[],{"id":2293,"slug":2294,"title":2295,"dynasty":226,"author":19,"museum":48,"description":2296,"tags":2297,"thumbUrl":2301,"material":67,"size":68,"collection":95,"collections":2302,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},260921,"qing-hua-ren-wu-tu-bi-tong-yi-ming-260921","青花人物图笔筒","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[2298,2299,28,2300,821,7],"陶瓷","青花","笔筒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e5d6b5ca54b482c9c1569c87972e84f.jpg",[],{"id":2304,"slug":2305,"title":2306,"dynasty":18,"author":19,"museum":48,"description":2307,"tags":2308,"thumbUrl":2314,"material":67,"size":68,"collection":95,"collections":2315,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},227175,"dun-huang-46-yi-ming-227175","敦煌46","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[24,25,26,27,2309,2310,139,1438,1484,948,2311,2312,358,236,487,7,475,2313],"唐代风格","敦煌艺术","莲花座","宫殿建筑","文字题跋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F116a4e2727294d527ea752d0bb8e8fab.jpg",[],1777535701387]