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Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[23,218,219,25,7,220,166,221,222,223,224,225],"后印象派","厚涂","煤油灯","盘子","土豆","头巾","朴素衣物","灯光","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9eb1fc720c3d4c7d118f23e73006a376.jpg",[114],22,{"id":230,"slug":231,"title":232,"dynasty":45,"author":46,"museum":65,"description":233,"tags":234,"thumbUrl":238,"material":96,"size":97,"collection":37,"collections":239,"showCount":240,"zanCount":11,"manualWeight":11,"mainColor":58},288985,"tao-er-tu-zhou-wen-ju-288985","掏耳图","周文矩（约907年－975年），五代十国时南唐的宫廷画家，句容（今江苏句容县）人。南唐李昪异元年间（937—943），已在宫中作画。后主李煜（961—975年）朝任翰林待诏，擅人物仕女，多以宫廷贵族或文士生活为题材，兼画山水、屋木、佛道。绘画风格接近唐代画家周昉而更纤丽，多用颤动的“颤笔”画衣纹，线条挺健又略带抖动和顿挫。宋人称其“用笔深远，于繁富则尤工”。",[50,51,34,25,91,235,236,7,92,237,90],"侍童","掏耳","典籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b197e393b63bd3df8b5aa3efd2c13f1.jpg",[],19,{"id":242,"slug":243,"title":244,"dynasty":104,"author":215,"museum":65,"description":216,"tags":245,"thumbUrl":252,"material":96,"size":97,"collection":114,"collections":253,"showCount":254,"zanCount":11,"manualWeight":11,"mainColor":176},225834,"the-potato-peeler-recto-self-portrait-with-a-straw-hat1885-fan-gao-225834","The Potato Peeler recto Self-Portrait with a Straw 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the café Agostina Segatori in Le Tambourin (January - March )",[23,218,219,25,246,7,271,272,273,274,275,276,277,278,279,280],"咖啡馆","圆桌","玻璃杯","鼓形坐墩","墙面","窗户","装饰画","桌上物品","笔触奔放","色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe5ff734c082d4cbb0bac39c2d4b09413.jpg",[114],16,{"id":285,"slug":286,"title":287,"dynasty":121,"author":192,"museum":193,"description":194,"tags":288,"thumbUrl":290,"material":96,"size":200,"collection":37,"collections":291,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":58},287756,"wei-lu-bo-gu-tu-shen-se-zhang-xun-li-287756","围炉博古图（深色）",[50,34,51,25,197,198,52,289,74,7],"博古","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0b4f0146732b2cea380d3f0d3aa3e4d.jpg",[],14,{"id":294,"slug":295,"title":296,"dynasty":104,"author":297,"museum":65,"description":298,"tags":299,"thumbUrl":309,"material":96,"size":97,"collection":37,"collections":310,"showCount":292,"zanCount":11,"manualWeight":11,"mainColor":176},232275,"wei-lian-a-dao-fu-bu-ge-luo-1-wei-lian-a-dao-fu-bu-ge-luo-232275","威廉·阿道夫·布格罗1","威廉·阿道夫·布格罗","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n1875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,24,34,25,7,300,301,302,303,304,305,306,247,307,308],"床","枕头","窗帘","裸身儿童","闭眼","托腮","光线柔和","床单","绳结","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0fcaa4f875f6eea5a9e554b66563444.jpg",[],{"id":312,"slug":313,"title":314,"dynasty":315,"author":316,"museum":193,"description":317,"tags":318,"thumbUrl":323,"material":324,"size":325,"collection":37,"collections":326,"showCount":327,"zanCount":11,"manualWeight":11,"mainColor":40},216087,"tai-ping-le-shi-tu-ce-9-dai-jin-216087","太平乐事图册-9","明","戴进","此册共十开，分别绘「婴戏」、「骑牛」、「娱乐」、「戏耍」、「捕鱼」、「试射」、「耕罢」、「观戏」、「木马」、「牧归」等题材。其中数开以宋元名画为本：如第二开妇人哺乳之形象，可见于南宋李嵩〈市担婴戏〉（国立故宫博物院）；第九开「木马」则取自元任仁发〈果老见明皇〉（北京故宫博物院）；第十开则摹自宋人〈春社醉归〉。其余几开，皆透过人物之「观看」，将观者目光聚焦于画中场景，而营造某种叙事情节。绘人物之线条采「钉头鼠尾」（起笔钝重、收笔细）之笔法，与画史对戴进人物风格之描述吻合。然整体笔墨略显软弱、平直，或为晚期浙派画家根据戴进真迹加以临仿之作。",[50,94,262,34,51,141,25,142,7,149,319,320,321,322],"戏台","孩童","饮酒","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fe1bc9fd2502d1a2a1fdb91451ca3f9.jpg","纸本,设色","22.8x22cm",[],13,{"id":329,"slug":330,"title":331,"dynasty":315,"author":332,"museum":333,"description":334,"tags":335,"thumbUrl":342,"material":343,"size":344,"collection":37,"collections":345,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":40},233843,"bi-hu-zhu-shu-tu-zhou-shen-hao-233843","闭户著书图轴","沈颢","北京故宫博物院","画面苍松下篱门紧闭。窠石小溪，书屋内一人凭几挥笔著书。用笔工细严谨。自识“闭户著书多岁月，种松皆作老龙麟。安素先生，抱道高棲，日著书万言。穆如之风，真追支、许。其次公原定，逸才清骨，与予有缟紵之谊。近闻遷乔，写此代贺。癸酉中秋，朗道人颢”。钤“朗倩”白文方印等。另钤“乾隆御览之宝”等鉴藏印多方。按癸酉为崇祯六年，公元一六三三年，作者时年四十八岁。此图曾经清内府收藏。《石渠宝笈》著录。",[50,94,196,336,34,337,338,128,90,339,197,340,25,341,7],"水墨","皴法","行书","老树","房屋","孤石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f512c1583ae2897dc676a32f26a2c32.jpg","纸本设色","纵96.2厘米，横40.7厘米",[],11,{"id":348,"slug":349,"title":350,"dynasty":104,"author":215,"museum":65,"description":216,"tags":351,"thumbUrl":356,"material":96,"size":97,"collection":114,"collections":357,"showCount":346,"zanCount":11,"manualWeight":11,"mainColor":58},225872,"weaver-1884-fan-gao-225872","Weaver 1884",[23,24,25,352,353,7,354,355],"织布机","纺车","红色织物","椅子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F99b7a1ac022669dfeea1085459d74627.jpg",[114],{"id":359,"slug":360,"title":361,"dynasty":104,"author":215,"museum":65,"description":216,"tags":362,"thumbUrl":372,"material":96,"size":97,"collection":114,"collections":373,"showCount":374,"zanCount":11,"manualWeight":11,"mainColor":58},225782,"night-after-millet-october-fan-gao-225782","Night (after Millet) (October - )",[23,363,219,25,364,7,365,355,366,367,368,369,370,371],"临摹","猫","凳子","桶","灯","墙壁","地面","夜晚","劳作","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38b37849b04ddc3e6268e893287ee75f.jpg",[114],10,{"id":376,"slug":377,"title":378,"dynasty":104,"author":215,"museum":65,"description":216,"tags":379,"thumbUrl":384,"material":96,"size":97,"collection":114,"collections":385,"showCount":386,"zanCount":11,"manualWeight":11,"mainColor":176},225772,"la-berceuse-portrait-of-madame-roulin-december-january-fan-gao-225772","La berceuse (Portrait of Madame Roulin) (December - January )",[23,218,380,381,246,382,7,383],"人物画","肖像画","花卉","沉静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff16727b0aeda55dbc65473d3faea65.jpg",[114],9,{"id":388,"slug":389,"title":390,"dynasty":104,"author":391,"museum":65,"description":392,"tags":393,"thumbUrl":396,"material":96,"size":97,"collection":37,"collections":397,"showCount":398,"zanCount":11,"manualWeight":11,"mainColor":40},232509,"he-er-bai-yin-168-he-er-bai-yin-232509","荷尔拜因168","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[68,23,109,25,394,395,24,7],"最后的晚餐","聚餐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa6a455de3e58967c29e87ac7fce63a34.jpg",[],8,{"id":400,"slug":401,"title":402,"dynasty":104,"author":215,"museum":65,"description":216,"tags":403,"thumbUrl":411,"material":96,"size":97,"collection":114,"collections":412,"showCount":398,"zanCount":11,"manualWeight":11,"mainColor":176},225848,"the-potato-eaters-1885-fan-gao-225848","The potato eaters 1885",[23,24,25,404,7,405,406,222,225,407,408,409,410],"农民","餐桌","食物","帽子","桌布","餐具","陶罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ac89d1b40110f8532a8673a728e26b9.jpg",[114],{"id":414,"slug":415,"title":416,"dynasty":104,"author":215,"museum":65,"description":216,"tags":417,"thumbUrl":423,"material":96,"size":97,"collection":114,"collections":424,"showCount":398,"zanCount":11,"manualWeight":11,"mainColor":58},225797,"portret-van-madame-augustine-roulin-en-baby-marcelle-fan-gao-225797","Portret van Madame Augustine Roulin en Baby 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Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[461,462,25,246,7,463,464],"印象派","色粉画","画框","书籍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9eb76c3339cbc60261468358096fca26.jpg",[],5,{"id":469,"slug":470,"title":471,"dynasty":104,"author":259,"museum":65,"description":472,"tags":473,"thumbUrl":476,"material":37,"size":37,"collection":37,"collections":477,"showCount":467,"zanCount":11,"manualWeight":11,"mainColor":40},225437,"fu-shi-hui-195-yi-ming-225437","浮世绘195","这幅作品是东西洋文化碰撞的缩影，洋房穹顶下悬着西洋枝形吊灯，拼花地砖衬出雅致洋派的室内格局，男子身着饰有日式纹章的西式礼服，姿态倨傲疏离，侍女们则身披纹样繁复的传统和服。跪拜女子垂首哀戚，将新旧交替的时代拉扯藏于场景之中。鲜亮饱和的套色晕染出独有的明艳质感，细腻笔触勾勒出人物神态间的微妙情绪，既复刻出西风东渐的世俗图景，也暗喻着传统礼教与新潮文明碰撞下的人际张力，将时代洪流下的个体纠葛定格在纸面之上。",[448,474,34,25,26,7,52,147,475],"木刻","互动场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d023ef86179d59c6aefffc4a2684acc.jpg",[],{"id":479,"slug":480,"title":481,"dynasty":104,"author":458,"museum":65,"description":459,"tags":482,"thumbUrl":487,"material":96,"size":97,"collection":37,"collections":488,"showCount":489,"zanCount":11,"manualWeight":11,"mainColor":176},232123,"de-jia-64-de-jia-232123","德加64",[483,461,484,485,302,7,486],"色粉","裸体人物","水盆","洗漱场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51b2ef27700d4056366f02d15871d452.jpg",[],3,{"id":491,"slug":492,"title":493,"dynasty":104,"author":458,"museum":65,"description":459,"tags":494,"thumbUrl":498,"material":96,"size":97,"collection":37,"collections":499,"showCount":489,"zanCount":11,"manualWeight":11,"mainColor":58},231979,"the-bath-also-known-as-woman-from-behind-j-paul-getty-museum-usa-de-jia-231979","The Bath (also known as Woman from Behind) - - J. Paul Getty Museum (USA)",[68,461,483,34,25,495,496,7,168,497,182],"裸体","洗浴","背景花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68d1fa823e1061ab6a87d1778b7cf819.jpg",[],{"id":501,"slug":502,"title":503,"dynasty":104,"author":504,"museum":65,"description":505,"tags":506,"thumbUrl":510,"material":96,"size":97,"collection":37,"collections":511,"showCount":489,"zanCount":11,"manualWeight":11,"mainColor":58},231157,"su-miao-411-xi-fang-231157","素描411","西方","使用单一色彩表现明度变化的绘画。绘画工具而在画面载体上按照一定的绘制原则而有意塑造物体形态的美术活动。速写是素描的一种变式。素描水平是反映绘画者空间造型能力的重要指标之一。\n素描是绘画的基础，绘画的骨骼；也是最节制、最需要理智来协助的艺术。初学绘画的人一定要先学素描，素描画得好的人，油画自然画得好。素描的起源，普遍都是以文艺复兴开始，事实上希腊的瓶绘、雕塑都有良好的素描基础。初期的素描是视为绘画的底稿，例如作壁画先要有构想的草稿，然后有素描的底稿，同时也要有手、脸部分精密素描图。作壁画习惯上是不看模特儿写生的，完全要靠事先准备的习作素描和画家的记忆。近代素描，已脱离了原来的底稿和习作的地位，可以成为艺术品来欣赏。画素描的态度不只培养描写力，同时也培养造型的能力，最后仅仅是素描也可视为作品来欣赏。相反的单看油画作品就可知道作者在素描上的造诣如何。因此，素描是绘画的基础，也是绘画的骨骼，是初学画的人无论如何要先认真学素描。素描在严格的解释上，只有单色的黑与白，但如加上淡彩或颜色，仍可认作素描。素描的表现方法分成：一、以描画材料来看可分成木炭素描、铅笔素描、炭精素描、钢笔素描、银笔素描、毛笔素描等。二、以所画的题材可分成石膏像素描，风景素描，静物素描、人体素描、幻想素描。三、依素描的目的又可分成作为构想的素描、用作画稿的素描、速写、作品、习作。\n由木炭，铅笔，钢笔等，以线条来画出物象明暗的单色画，称作素描。单色水彩和单色油画也可以算作素描；中国传统的白描和水墨画也可以称之为素描。通常讲的素描多元化指铅笔画和炭笔画。素描是一切绘画的基础，这是研究绘画艺术所必须经过的一个阶段。　素描通常采用可于平面留下痕迹的方法：如，炭笔，钢笔，画笔，墨水，及纸张等。轮廓和线条是素描的一般称谓。素描具备了自然律动感。不同的笔触营造出不同的线条及横切关系和节奏、主动与被动的周围环境、平面、体积、色调、及质感。\n素描是一种正式的艺术创作，以单色线条来表现直观世界中的事物，亦可以表达思想、概念、态度、感情、幻想、象征甚至抽象形式。它不像带色彩的绘画那样重视总体和彩色，而是着重结构和形式。",[507,24,25,355,166,508,509,7],"素描","台灯","瓶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbec361f6280ac78dac058fcee057f41f.jpg",[],{"id":513,"slug":514,"title":515,"dynasty":104,"author":259,"museum":65,"description":516,"tags":517,"thumbUrl":519,"material":37,"size":37,"collection":37,"collections":520,"showCount":489,"zanCount":11,"manualWeight":11,"mainColor":40},225395,"fu-shi-hui-152-yi-ming-225395","浮世绘152","画面定格了缱绻拉扯的世俗瞬间，男子身着格纹浴衣，手提木桶，眉头蹙起神情不耐却藏着一丝软意，似是被恋人绊住了出门的脚步。跪坐的女子揽住男子的腿，眉眼柔婉，满是挽留之意。\n\n笔触利落简练，线条勾勒出人物鲜活的神态与衣物质感，格纹和服与女子衣袍的暗纹形成视觉反差，清雅沉稳的用色烘托出私密亲昵的氛围，将市井男女的日常情态描摹得鲜活动人，尽显捕捉俗世烟火的独到韵味。",[448,474,34,25,430,246,450,518,7],"木桶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05cef9db67519da8299fdc7cdc9a2edb.jpg",[],{"id":522,"slug":523,"title":524,"dynasty":104,"author":259,"museum":65,"description":525,"tags":526,"thumbUrl":533,"material":96,"size":97,"collection":37,"collections":534,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":40},289027,"louis-lagrene-e-les-gra-ces-lutine-es-par-les-amours-yi-ming-289027","Louis Lagrenée--Les Grâces lutinées par les amours","帷幔低垂晕开慵懒缱绻的闺中氛围，三位裸女舒展的体态柔润饱满，带着古典理想美人的松弛圣洁。\n\n小爱神们或是拽动衣袂，或是环身嬉戏，将静谧闺房揉进跳脱稚趣。细腻排线糅合柔和晕染，将肌肤的莹润起伏、织物的垂坠褶皱描摹得真实动人，光影在人体与纱幔间流淌，勾勒出柔美的明暗层次。神性的端庄与孩童的天真交织碰撞，让私密场景兼具优雅诗意与缱绻浪漫，将古典情爱主题诠释得温柔又富有生机。",[507,527,26,528,529,530,7,531,532],"西方绘画","小爱神","裸女","床帏","神话题材","嬉戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe473784c4321d86fdf9b63a995870aad.jpg",[],{"id":536,"slug":537,"title":538,"dynasty":104,"author":539,"museum":65,"description":540,"tags":541,"thumbUrl":548,"material":96,"size":97,"collection":37,"collections":549,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":40},232551,"mi-lai-si-95-yue-han-ai-fu-li-te-mi-lai-si-232551","米莱斯95","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[507,542,24,543,544,25,320,355,168,7,545,546,547],"蚀刻","线条","明暗","围裙","裙子","小物件","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F006940217178bdd904e81b75b456b661.jpg",[],{"id":551,"slug":552,"title":553,"dynasty":104,"author":539,"museum":65,"description":540,"tags":554,"thumbUrl":559,"material":96,"size":97,"collection":37,"collections":560,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":176},232539,"mi-lai-si-83-yue-han-ai-fu-li-te-mi-lai-si-232539","米莱斯83",[23,25,555,24,108,7,556,147,557,558],"群像","柱子","互动","昏暗环境","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc47b01b9ae12db12c366345f6d821fed.jpg",[],{"id":562,"slug":563,"title":564,"dynasty":104,"author":458,"museum":65,"description":459,"tags":565,"thumbUrl":572,"material":96,"size":97,"collection":37,"collections":573,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},232101,"m-and-mme-edouard-manet-circa-kitakyushu-municipal-museum-of-art-japan-de-jia-232101","M. and Mme Edouard Manet - circa - - Kitakyushu Municipal Museum of Art (Japan)",[23,34,25,7,461,566,567,568,569,570,571],"西式服饰","躺卧姿态","站立姿态","室内场景","笔触灵动","光影表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec52a8ea94d018f17b8b98bb75995f37.jpg",[],{"id":575,"slug":576,"title":577,"dynasty":104,"author":458,"museum":65,"description":459,"tags":578,"thumbUrl":579,"material":96,"size":97,"collection":37,"collections":580,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},231996,"de-jia-9-de-jia-231996","德加9",[23,461,25,246,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7af346e2f54e30e6b224d2e90145cf1d.jpg",[],{"id":582,"slug":583,"title":584,"dynasty":104,"author":458,"museum":65,"description":459,"tags":585,"thumbUrl":591,"material":96,"size":97,"collection":37,"collections":592,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},231981,"the-ballet-scene-from-robert-la-diable-victoria-and-albert-museum-england-de-jia-231981","The Ballet Scene from 'Robert la Diable - - Victoria and Albert Museum (England)",[23,461,25,586,587,70,588,225,7,589,571,590],"乐手","舞者","舞台","表演","剧场场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F183e5206ad818827ab1b01f638175366.jpg",[],{"id":594,"slug":595,"title":596,"dynasty":104,"author":458,"museum":65,"description":459,"tags":597,"thumbUrl":605,"material":96,"size":97,"collection":37,"collections":606,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":58},231971,"the-cotton-exchange-in-new-orleans-musee-des-beaux-arts-pau-france-de-jia-231971","The Cotton Exchange in New Orleans - - Musee des Beaux-Arts - Pau (France)",[23,461,25,7,598,166,355,276,599,600,601,602,603,430,604],"棉花","报纸","高顶礼帽","书架","文件","西装","办公场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F586e0b61bcd288a663f1a4b09686aab0.jpg",[],{"id":608,"slug":609,"title":610,"dynasty":104,"author":259,"museum":65,"description":446,"tags":611,"thumbUrl":615,"material":96,"size":97,"collection":37,"collections":616,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":40},225476,"fu-shi-hui-234-yi-ming-225476","浮世绘234",[448,474,34,25,26,128,147,7,612,450,613,614],"文字","木板墙","红色背景文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F71645008285fece7b8c9a946df2c0ee9.jpg",[],{"id":618,"slug":619,"title":620,"dynasty":63,"author":259,"museum":65,"description":621,"tags":622,"thumbUrl":10,"material":54,"size":37,"collection":37,"collections":625,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":40},215166,"yi-shi-ji-yao-tan-25-yi-ming-215166","医士及药摊-25","室内案前，医患对坐。医者指尖轻搭腕间，凝神探脉，似在捕捉气血的细微律动；患者微倾上身，神情恭谨，将身心托付于指尖的诊断。案上红盖瓷瓶静立，旁置小盏，待汤药调和的余韵隐于其间。背景蓝地缀白点纹如涟漪轻漾，衬得一室静谧；侧墙墨书流转，藏着旧时文人的风雅余味。衣袂纹缕清晰，器物形制古朴，淡彩线条质朴却传神，将传统医事的日常瞬间定格成温润的时光切片。无繁复铺陈，却于细微处见真章：医患间的信任，医事里的专注，器物纹饰间的烟火气，皆在笔墨中缓缓流淌，尽显旧时生活的温情与笃定。",[140,623,34,51,262,25,7,166,355,624],"清代","文字条幅",[],{"id":627,"slug":628,"title":629,"dynasty":104,"author":259,"museum":65,"description":630,"tags":631,"thumbUrl":636,"material":96,"size":97,"collection":37,"collections":637,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},289541,"attributed-to-richard-parkes-bonington-the-proposal-recto-unfinished-drawing-yi-ming-289541","Attributed to Richard Parkes Bonington--The Proposal (recto); Unfinished drawing","水彩晕染铺就朦胧室内，跪地的华服男子姿态热切，指尖轻触女子裙摆，将爱慕与忐忑揉进动作中。白衣女子背身僵直，侧脸带着疏离的犹豫，华贵裙装的褶皱在水色晕染下柔润舒展，将她的迟疑具象为凝滞的身形。\n\n镜中窥伺的侍女藏起好奇，壁龛肖像沉在暖棕色调里，衬得这场私密求婚暧昧又紧绷。松弛的笔触晕开柔化色块，把心动与迟疑拉扯的情绪藏进朦胧画面，如同古典戏剧里按下暂停的一幕，将未尽的话语与涌动心绪定格在这方寸之间。",[25,34,632,633,7,634,26,635],"西洋画","水彩","求婚","贵族","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F12d0fddc1aa0b6b6676202dd8b89e051.jpg",[],{"id":639,"slug":640,"title":641,"dynasty":104,"author":259,"museum":65,"description":642,"tags":643,"thumbUrl":648,"material":96,"size":97,"collection":37,"collections":649,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},289527,"aureliano-milani-an-old-man-on-his-deathbed-tempted-by-demons-yi-ming-289527","Aureliano Milani--An Old Man on His Deathbed Tempted by Demons","画面以逼仄卧房承载了临终前的精神炼狱。狞恶恶灵将濒死老人团团围住，有的俯身拉扯老人躯体，有的挥鞭恫吓，角落小魔怪煽风造势，床侧邪祟探爪攫取，连天花板都隐现魅影。\n作者以利落排线铺陈明暗，粗粝线条刻画出恶魔扭曲形貌，阴影将空间揉成压抑囚笼，把信徒临终前的精神拉扯具象到极致，让观者直面邪祟与神性的激烈对峙，将濒死之际的恐惧、挣扎全盘铺展，沉郁诡谲的氛围浸透纸面，直白诉说着灵肉博弈的终极试炼。",[507,644,380,109,645,646,647,7],"白描","恶魔","鬼怪","病床","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F36337968697098e1e262b560cbab1941.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":104,"author":259,"museum":65,"description":654,"tags":655,"thumbUrl":658,"material":96,"size":97,"collection":37,"collections":659,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},289460,"rembrandt-the-wedding-night-of-tobias-and-sarah-yi-ming-289460","Rembrandt--The Wedding Night of Tobias and Sarah","这幅速写以松弛灵动的线条，定格下私密的室内时刻。跪地的二人垂首祈祷，柔和的轮廓勾勒出庄重虔诚的神态，将新婚夜的郑重誓言藏在沉静姿态中。\n\n左侧起伏的线条晕开帷幔柔垂的褶皱，朦胧划分出私密空间，右侧侍立的女仆低首静立，更衬出场景静谧平和的氛围。没有繁复雕琢，仅以寥寥即兴的笔触，便将新婚的神圣暖意与日常的温柔相融，带着临场捕捉的鲜活质感，让观者仿佛能触碰画面里流动的松弛与虔诚。",[109,25,507,7,656,657],"祈祷","新婚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9f0ae428a5f2cd33afa19a9902c3642.jpg",[],{"id":661,"slug":662,"title":663,"dynasty":104,"author":259,"museum":65,"description":664,"tags":665,"thumbUrl":670,"material":96,"size":97,"collection":37,"collections":671,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},289241,"raffaello-motta-the-adoration-of-the-magi-yi-ming-289241","Raffaello Motta--The Adoration of the Magi","奔放粗犷的线条铺陈出满盈的叙事张力，明暗晕染将朝拜的庄重与人群的喧闹揉合一处。前景的裸身男子如视觉锚点，将目光引向中心的参拜场景：贤者躬身献礼，圣容安和静穆。\n\n错落排布的人群挤叠出鲜活的世俗烟火，潦草却精准的笔触勾勒出各异的神态动势，粗粝的棕调底色晕开朦胧氛围感，让神圣的宗教场面褪去疏离感，多了几分鲜活的人间温度。草稿般的松弛质感里藏着饱满的戏剧氛围，仿佛能听见场间的低语与惊叹，将一瞬的朝拜定格成极具生命力的永恒画面。",[666,380,507,667,668,669,7],"宗教画","三王来拜","裸男","犬","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F40fb28821e151e0c573b6a290feec477.jpg",[],{"id":673,"slug":674,"title":675,"dynasty":104,"author":259,"museum":65,"description":676,"tags":677,"thumbUrl":681,"material":96,"size":97,"collection":37,"collections":682,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},289199,"goya-a-woman-handing-a-mug-to-an-old-man-yi-ming-289199","Goya--A Woman Handing a Mug to an Old Man","焦墨铺就暗沉背景，逼仄出一处隐秘角落，暖棕水色晕开昏黄的朦胧暖意。老妇人俯身递出陶杯，动作迟缓却带着温柔的照料，半裸女子探身将另一杯盏送向洞口的男子。\n\n克制的互动下藏着难言的窘迫，模糊晕染的轮廓消解了锐利的棱角，将底层小人物昏暗日常里的片刻温情定格。粗粝的水墨肌理，让这份困顿里交换的微薄暖意更显厚重，暗调光影烘托出私密压抑的氛围，将乱世里普通人相互慰藉的瞬间凝于纸面。",[380,507,246,678,320,679,7,680],"老人","饮酒器","温情","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F776913cc201af3fb637c4ce0e68f2336.jpg",[],{"id":684,"slug":685,"title":686,"dynasty":104,"author":259,"museum":65,"description":687,"tags":688,"thumbUrl":690,"material":96,"size":97,"collection":37,"collections":691,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},289197,"goya-a-woman-whispering-to-a-priest-yi-ming-289197","Goya--A Woman Whispering to a Priest","暗褐晕染出幽闭的拱门空间，将两人的私语牢牢框锁其中。男子俯身倾侧，与对面女子贴耳凑近，肢体姿态亲昵又带着隐秘的试探，仿佛正交换着不足为外人道的秘密。画面用浓淡不一的墨色揉化掉背景细节，将所有心绪都凝在二人之间流动的氛围里。柔化的轮廓晕开暧昧张力，暗调光影裹挟着恍惚的氛围感，让这场低语仿佛下一秒就会随暗影一同消散，只余下难言的暧昧余韵，在纸面幽幽萦绕。",[25,109,507,7,689],"低语","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6d8110753294105e28e40122faca4e27.jpg",[],{"id":693,"slug":694,"title":695,"dynasty":104,"author":259,"museum":65,"description":696,"tags":697,"thumbUrl":699,"material":96,"size":97,"collection":37,"collections":700,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},289174,"goya-monks-in-an-interior-images-of-spain-yi-ming-289174","Goya--Monks in an Interior; Images of Spain","以浓淡交织的墨色晕开沉抑的室内氛围，左侧窗格漏入的微光刺破昏沉，与角落浓黑形成强烈明暗对冲。三位老僧神态各藏心绪，立者垂首缄默，隐在兜帽阴影里，络腮胡老僧目光沉郁似有千言，俯身老僧佝腰垂头，仿佛正沉溺在低语或是沉哀之中。\n粗粝朴拙的笔触舍去细节描摹，以大块墨块勾勒出僧侣的萧索身形，将幽闭空间里凝滞的沉默与隐秘情绪定格。整个画面带着厚重的肃穆感，仿佛能让观者触摸到这封闭空间里沉抑的情绪流动，尽显沉郁肃穆的氛围感。",[109,25,7,336,698],"速写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29c67d2acb5dbc33a24a33081429a5be.jpg",[],{"id":702,"slug":703,"title":704,"dynasty":104,"author":259,"museum":65,"description":705,"tags":706,"thumbUrl":710,"material":96,"size":97,"collection":37,"collections":711,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},288676,"attributed-to-andre-s-de-melgar-warrior-reclining-over-reclining-cupid-in-interior-yi-ming-288676","attributed to Andrés de Melgar--Warrior Reclining, Over Reclining Cupid in Interior","利落的排线勾勒明暗层次，上下双景带着鲜明的意象反差。上半帐幔低垂，老将斜倚榻间，铠甲棱线冷硬苍劲，虬结的肌肉带着饱经战事的沉郁感，榻边雕饰华美的兵器衬出骑士的威仪。\n\n下半空间私密柔和，小爱神慵卧床榻，持弓少年回身相望，躯体线条舒展柔婉，满是神话情爱里的松弛诗意。一刚一柔并置，将勇武与爱欲的古典母题悄然呼应，笔痕粗粝却藏着细腻的动态捕捉，铺陈出复古浪漫的叙事张力。",[507,380,707,708,7,431,709,644],"武士","丘比特","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8bd6c9b0155f9fad8dbc89d02e11ef3.jpg",[],{"id":713,"slug":714,"title":715,"dynasty":104,"author":259,"museum":65,"description":716,"tags":717,"thumbUrl":724,"material":96,"size":97,"collection":37,"collections":725,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},288619,"jean-michel-moreau-the-younger-perfect-harmony-yi-ming-288619","Jean-Michel Moreau the Younger--Perfect Harmony","这幅单色素描以柔缓的棕调晕开沙龙的慵懒雅致。细腻笔触勾勒出雕花墙板、柔垂纱幔与精致坐具，将室内典雅肌理尽数铺陈。竖琴手拨弦姿态舒展，女眷侧倚凝神，青年静坐倾听，三人沉醉在流淌的琴音里，神态松弛又带着隐秘的融洽。光影漫过纱裙褶皱与发间羽饰，晕开朦胧柔美的氛围，让静谧画面仿佛漾着琴音余韵，将知音和鸣的融洽，悄然定格在这场闲适雅集之中。",[632,507,718,25,26,719,70,720,721,7,722,723],"淡彩","绅士","竖琴","古钢琴","贵族生活","和谐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F827780675cf1263b3de68c987765178c.jpg",[],{"id":727,"slug":728,"title":729,"dynasty":104,"author":259,"museum":65,"description":730,"tags":731,"thumbUrl":735,"material":96,"size":97,"collection":37,"collections":736,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},288560,"attributed-to-pietro-antonio-novelli-satirical-drawing-artist-painting-yi-ming-288560","attributed to Pietro Antonio Novelli--Satirical drawing Artist Painting","这幅风俗讽刺画，将沙龙画室里的荒诞瞬间定格。端坐的贵族夫人带着傲慢神气，膝头蜷着爱犬静待肖像落成，而背身的画家，却在画板上将她画得怪诞丑陋。\n\n周围看客反应耐人寻味：胖绅士攥紧双手强憋笑意，年轻男子掩嘴窃笑，夫人身侧宾客或故作镇定打量画作，或低头掩饰嗤笑，朗读书本的男子也偷瞄着画板忍俊不禁。\n\n浅淡复古的水彩晕开旧时代的沙龙氛围，以戏谑笔调刺破贵族附庸风雅、爱慕容颜虚荣的假面，将众人的虚伪揣度，藏进微妙的神态与肢体之中，尽显辛辣滑稽的嘲讽意味。",[732,34,25,26,632,7,733,734],"讽刺画","宠物狗","画像场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe52d0d465500191e462f0865a2e62ca5.jpg",[],{"id":738,"slug":739,"title":740,"dynasty":104,"author":539,"museum":65,"description":540,"tags":741,"thumbUrl":754,"material":96,"size":97,"collection":37,"collections":755,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},232574,"mi-lai-si-118-yue-han-ai-fu-li-te-mi-lai-si-232574","米莱斯118",[644,507,742,743,25,744,745,29,166,355,719,746,7,154,747,748,749,750,405,751,752,753],"黑白","线条勾勒","画架","调色板","聚会","日常场景","绘画活动","社交交谈","戴帽人物","座椅","艺术创作","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F356922e47f9ff208cd235b3ea0edcb70.jpg",[],{"id":757,"slug":758,"title":759,"dynasty":104,"author":539,"museum":65,"description":540,"tags":760,"thumbUrl":765,"material":96,"size":97,"collection":37,"collections":766,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":176},232573,"mi-lai-si-117-yue-han-ai-fu-li-te-mi-lai-si-232573","米莱斯117",[23,24,34,25,246,761,7,166,762,763,764,355,31,153],"儿童","盒子","书","挂画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e85cdd6433cf71fc126764c999e64a2.jpg",[],{"id":768,"slug":769,"title":770,"dynasty":104,"author":539,"museum":65,"description":540,"tags":771,"thumbUrl":772,"material":96,"size":97,"collection":37,"collections":773,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},232570,"mi-lai-si-114-yue-han-ai-fu-li-te-mi-lai-si-232570","米莱斯114",[507,644,25,7,746,321],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F133c6f805c207966b55954524b175229.jpg",[],{"id":775,"slug":776,"title":777,"dynasty":104,"author":539,"museum":65,"description":540,"tags":778,"thumbUrl":782,"material":96,"size":97,"collection":37,"collections":783,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":176},232564,"mi-lai-si-108-yue-han-ai-fu-li-te-mi-lai-si-232564","米莱斯108",[23,24,34,25,779,780,781,247,7],"小孩","卷发","围巾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0efaf7035c89f35e70aadbb783d55857.jpg",[],{"id":785,"slug":786,"title":787,"dynasty":104,"author":391,"museum":65,"description":392,"tags":788,"thumbUrl":793,"material":96,"size":97,"collection":37,"collections":794,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":176},232435,"he-er-bai-yin-94-he-er-bai-yin-232435","荷尔拜因94",[23,381,25,24,789,790,791,464,792,7,147],"人文主义","科学仪器","地球仪","骷髅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6428902bb7b0617ca6b59f9d1f6e9a6.jpg",[],{"id":796,"slug":797,"title":798,"dynasty":104,"author":799,"museum":65,"description":800,"tags":801,"thumbUrl":806,"material":96,"size":97,"collection":37,"collections":807,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232345,"a-er-ma-72-lao-lun-si-a-er-ma-ta-de-ma-232345","阿尔玛72","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,34,24,25,26,802,153,803,301,382,804,7,805],"虎","果实","饰品","细腻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ff213782a868152d2a869e7d143df69.jpg",[],{"id":809,"slug":810,"title":811,"dynasty":104,"author":799,"museum":65,"description":800,"tags":812,"thumbUrl":819,"material":96,"size":97,"collection":37,"collections":820,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55",[23,34,24,7,93,601,464,276,764,813,433,814,166,355,815,816,817,818],"壁炉","榻","吊灯","装饰摆件","木地板","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg",[],{"id":822,"slug":823,"title":824,"dynasty":104,"author":458,"museum":65,"description":459,"tags":825,"thumbUrl":827,"material":96,"size":97,"collection":37,"collections":828,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232251,"combing-the-hair-circa-national-gallery-london-england-oil-on-canvas-de-jia-232251","Combing the Hair - circa - - National Gallery - London (England) - oil on canvas",[23,25,246,826,461,7],"梳妆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7955ef036d1a7969ca3cae17df5702e7.jpg",[],{"id":830,"slug":831,"title":832,"dynasty":104,"author":458,"museum":65,"description":459,"tags":833,"thumbUrl":837,"material":96,"size":97,"collection":37,"collections":838,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232249,"combing-the-hair-circa-nasjonalgalleriet-norway-norway-oil-on-canvas-de-jia-232249","Combing the Hair - circa - - Nasjonalgalleriet - Norway (Norway) - oil on canvas",[23,461,25,246,7,834,835,836,570],"梳头","动态","暖色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbe0a55da86e34a835c04a2c5b4e65890.jpg",[],{"id":840,"slug":841,"title":842,"dynasty":104,"author":458,"museum":65,"description":459,"tags":843,"thumbUrl":846,"material":96,"size":97,"collection":37,"collections":847,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},232248,"conversation-yale-university-art-gallery-usa-oil-on-canvas-de-jia-232248","Conversation - - Yale University Art Gallery (USA) - oil on canvas",[23,461,25,166,844,407,7,845],"纸张","交谈","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4784bb3d5487c9066087ba84c9a26b5.jpg",[],{"id":849,"slug":850,"title":851,"dynasty":104,"author":458,"museum":65,"description":459,"tags":852,"thumbUrl":854,"material":96,"size":97,"collection":37,"collections":855,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232247,"cotton-merchants-in-new-orleans-fogg-museum-of-art-usa-oil-on-canvas-de-jia-232247","Cotton Merchants in New Orleans - - Fogg Museum of Art (USA) - oil on canvas",[461,23,25,598,7,407,603,853],"外套","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8d7c2e75c662519a835b53a45a68f66.jpg",[],{"id":857,"slug":858,"title":859,"dynasty":104,"author":458,"museum":65,"description":459,"tags":860,"thumbUrl":866,"material":96,"size":97,"collection":37,"collections":867,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232236,"dancer-resting-circa-1879-1880-private-collection-pastel-de-jia-232236","Dancer Resting - circa 1879-1880 - Private collection - pastel",[68,861,25,587,862,863,864,865,7],"粉彩","休息","芭蕾舞裙","炉子","水壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Face0658c4f67608c6fe8dc6a66a8530e.jpg",[],{"id":869,"slug":870,"title":871,"dynasty":104,"author":458,"museum":65,"description":459,"tags":872,"thumbUrl":875,"material":96,"size":97,"collection":37,"collections":876,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232207,"dancers-1895-private-collection-oil-on-canvas-de-jia-232207","Dancers - 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canvas",[23,25,873,874,863,7,34,461,835,246,147],"芭蕾舞女","舞鞋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F656b2c7b0a8232bd1bdb8c000b2db807.jpg",[],{"id":878,"slug":879,"title":880,"dynasty":104,"author":458,"museum":65,"description":459,"tags":881,"thumbUrl":886,"material":96,"size":97,"collection":37,"collections":887,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232198,"de-jia-95-de-jia-232198","德加95",[461,462,25,882,883,884,7,835,182,885],"芭蕾舞者","舞蹈","舞裙","肢体","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F525b343c69bb234391ce8fbbf60bb161.jpg",[],{"id":889,"slug":890,"title":891,"dynasty":104,"author":458,"museum":65,"description":459,"tags":892,"thumbUrl":896,"material":96,"size":97,"collection":37,"collections":897,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":58},232197,"de-jia-94-de-jia-232197","德加94",[461,23,483,698,34,25,873,893,894,895,248,7],"舞蹈室","红色横杆","白色舞裙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3567679bae8c62414582518d3ca4581a.jpg",[],{"id":899,"slug":900,"title":901,"dynasty":104,"author":458,"museum":65,"description":459,"tags":902,"thumbUrl":904,"material":96,"size":97,"collection":37,"collections":905,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":176},232178,"de-jia-86-de-jia-232178","德加86",[23,34,25,147,7,461,24,903],"色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa23ba99b3549dc824da92ce4790b0c64.jpg",[],{"id":907,"slug":908,"title":909,"dynasty":104,"author":458,"museum":65,"description":459,"tags":910,"thumbUrl":912,"material":96,"size":97,"collection":37,"collections":913,"showCount":81,"zanCount":11,"manualWeight":11,"mainColor":40},232177,"degas-father-listening-to-lorenzo-pagans-museum-of-fine-arts-usa-de-jia-232177","Degas 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