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Cathedral, the Portal, Morning Effect, 1894","不详","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[90,91,92,93,94,95,96,97,98,7,99,100],"印象派","油画","光影","教堂","塔楼","建筑","门廊","晨光","天空","碎笔触","光影变化","油画精选",[101],"BDBDBD",{"id":105,"slug":106,"title":73,"dynasty":74,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":109,"material":29,"size":29,"collection":30,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":33},253595,"shi-shuang-pu-sa-xiang-yi-ming-253595","这尊白石造像带着残损背光，浸透着岁月剥蚀的沧桑。双菩萨身姿修长挺秀，垂目含着温婉笑意，面容柔和慈悲，尽显东方神性的静雅。细密流畅的衣纹贴体延展，将身形勾勒得舒展优雅，一手施无畏印安抚众生，一手轻执器物垂于身侧，仪态端严圣洁。\n\n雕刻洗练素朴，褪去繁饰，以极简的刀工凝练出菩萨沉静温婉的气质，残痕见证着时光流转，带着北朝造像的厚重遗韵，又初显盛唐灵动秀雅的先兆，古雅沉静间尽显时代过渡的独特艺术风韵。",[25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28be91780a598c8978d620e5ab86633f.jpg",[30],16,{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":116,"tags":117,"thumbUrl":118,"material":44,"size":45,"collection":29,"collections":119,"showCount":120,"zanCount":11,"manualWeight":11,"mainColor":33},252908,"shi-pu-sa-li-xiang-yi-ming-252908","石菩萨立像","此像修长挺秀，莲瓣状背光清简古雅，晕染出菩萨端和沉静的容色。菩萨身姿温婉舒展，右手施无畏印昭示慈悲愿力，垂左手轻握披帛，衣褶垂坠自然流畅，周身纹饰细密精巧，藏着六朝造像“秀骨清像”的遗风。\n\n素朴石质褪去华彩，将温润禅意凝于一身，虽经岁月磨蚀，依然能窥见彼时造像工艺的精湛，尽显清逸典雅的审美意趣，静静伫立间，便自带出尘平和的静谧禅韵。",[18,25,24,7,26,27,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8389c2d1e0f0f8dbfd585af1eb51ae9a.jpg",[],12,{"id":122,"slug":123,"title":124,"dynasty":18,"author":19,"museum":20,"description":125,"tags":126,"thumbUrl":127,"material":44,"size":45,"collection":29,"collections":128,"showCount":129,"zanCount":11,"manualWeight":11,"mainColor":103},252917,"shi-li-shi-xiang-yi-ming-252917","石力士像","汉白玉凝作躯骸，虽首臂残缺，仍难掩雄浑气魄。右臂攥拳垂落，肌肉块面棱线分明，暗蓄力道千钧。覆身衣袍层叠垂坠，褶皱如斧劈刀斫，既贴合躯体勾勒出劲挺身形，又带着沉静肃穆的质感。足尖稳稳踏于石座，仿佛下一秒便会振臂而起，护法的悍勇与沉凝藏在残损轮廓里，岁月磨蚀不去刚猛神髓，静默间自有慑人气场。",[18,23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc454bc3e5104f1e83e7fe857b0f9d564.jpg",[],7,{"id":131,"slug":132,"title":133,"dynasty":74,"author":19,"museum":20,"description":134,"tags":135,"thumbUrl":137,"material":44,"size":45,"collection":29,"collections":138,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":140},252925,"shi-fu-zuo-xiang-yi-ming-252925","石佛坐像","中国雕塑是指具有中国特色且原产于中国的雕塑艺术品。中国雕塑（Chinese sculptures），为中国文化的重要组成部分。中国古代雕塑艺术的主要内容分别是陵墓雕塑（包括地上的纪念性石刻与墓室随葬俑）、宗教雕塑、民俗性及其他内容的雕塑。\n大型陵墓石刻肇始于汉代墓前的石人、石兽。存世的古代陵墓石刻主要为南朝宋、齐、梁、陈及唐、北宋、明、清各代帝陵和勋臣贵戚墓的遗存。北魏、辽、金、西夏等朝代陵墓遭严重破坏，仅有少量石刻遗留下来。南朝和唐代的作品代表了陵墓石刻的最高成就。自唐代乾陵起，以迄北宋，石刻的内容、配置方式，逐步形成定制，并为明、清两代所承袭。宗教雕塑主要保存于寺庙和石窟寺之内，由于寺庙毁损严重，石窟寺雕塑便成为宗教雕塑遗存的主要代表。石窟寺是开凿于山崖之上的宗教寺庙。以佛教为主，也有少量道教或其他宗教内容的造像。石窟形制源自印度，约于 3世纪传至中国。造窟风气最盛的时期为南北朝至唐代中期，约当5～8世纪。重要石窟多以皇室或勋臣贵戚雕造的大像为中心，由众多的窟、龛、摩崖造像等，构成庞大的石窟群。雕造的时间常延续10多个世纪。每个窟内又以立体雕塑本尊佛造像为中心，由弟子、菩萨（以后增加天王、力士）组成群像，四壁布满浮雕或壁画，形成浓厚的宗教氛围。由于造像和壁画、浮雕内容、样式的差异，而形成不同时期、不同地区的艺术风格。功能\n中国雕塑既可以是一个国家文化的标志和象征，又可作为该民族文化积累的产物。雕塑述说着民族发展的历史，凝聚着民族的精神和传统，代表着每一历史时期的精神面貌，反映着自古至今，人们的无限追求与执着信仰，展现价值观念及审美情趣。中国雕塑，城市建筑等，都是一个民族精神文明与物质文明最直观、最集中的表现。\n中国雕塑不仅仅是文化的产物，同时也是一个国际不可或缺的经济投资点。中国雕塑和其他其他国际建筑等共同构成世界高雅美丽的环境，使生活在城市中的人们受到优越的审美体验，感受到文化的魅力与美的精神，中国雕塑的存在影响了中国环境，提升了文化形象，产生了视觉空间的凝聚力，这就创造了一种对于环境的投资潜能。",[77,25,24,7,26,136],"坐像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9f2845df899acf9e47623c26fd836a2.jpg",[],6,"795548",{"id":142,"slug":143,"title":115,"dynasty":18,"author":19,"museum":20,"description":144,"tags":145,"thumbUrl":146,"material":44,"size":45,"collection":29,"collections":147,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":140},252914,"shi-pu-sa-li-xiang-yi-ming-252914","此汉白玉造像温润素净，虽身首、躯干留有残接痕迹，却未减静雅气韵。菩萨面相圆润柔婉，高髻簪饰，神情恬和静谧，尽显温婉慈悲。周身璎珞垂覆精美细致，衣裾线条简洁规整，将秀骨清像的典型特质尽数展现，糅合神性的庄严与人间的温婉。残损躯体晕开岁月沉淀的静穆美感，静默诉说着旧时造像艺术的审美意趣。",[18,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31b01f7bd4a1ba4fe7852769d1a99418.jpg",[],{"id":149,"slug":150,"title":115,"dynasty":18,"author":19,"museum":20,"description":151,"tags":152,"thumbUrl":153,"material":44,"size":45,"collection":29,"collections":154,"showCount":139,"zanCount":11,"manualWeight":11,"mainColor":103},252902,"shi-pu-sa-li-xiang-yi-ming-252902","此造像身形修长挺拔，面容温婉沉静，颔首垂目自带慈悲柔和的气韵。右手施无畏印，左手轻握披帛，衣褶垂坠流畅，如春水漾开，将石材的冷硬晕染出灵动柔婉的质感。\n\n身后桃形背光简约素净，衬得菩萨身姿愈发清隽秀雅，足下莲台小巧端庄，与方整基座呼应，古朴厚重中见精巧。整体洗去繁饰，以极简的雕刻语言，将清癯飘洒的风骨凝于白石之上，静穆间传递出冲淡安然的禅意，尽显中古造像含蓄内敛的东方美学意蕴。",[24,25,7,26,18,66],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2e84774f15d29d86a1e9dcfe747ed4e3.jpg",[],{"id":156,"slug":157,"title":158,"dynasty":18,"author":19,"museum":20,"description":159,"tags":160,"thumbUrl":161,"material":44,"size":45,"collection":29,"collections":162,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":140},252955,"shi-pu-sa-xiang-yi-ming-252955","石菩萨像","这尊残像虽失却全貌，却依旧带着动人的沉静慈悲。面庞丰腴温婉，眉眼低垂弯合，噙着浅淡的平和笑意，将神性的柔婉融于古拙的石质之中。残存衣褶线条舒展柔和，石面上还留着当年敷彩的淡红余痕，默默晕开千年前的华美底色。\n\n残损非但未折损其意蕴，反而让时光摩挲后的厚重质感愈发凸显，将独有的秀雅气韵凝于残躯之上。于断壁残垣间，往昔的庄严灵秀透过石面缓缓流露，带着历经岁月沉淀的沉静力量，引观者回溯往昔造像盛景，在残缺中窥见完整的神性风华。",[24,25,26,7,18],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba44c545a5129fe843aded1b161960ff.jpg",[],5,{"id":165,"slug":166,"title":115,"dynasty":18,"author":19,"museum":20,"description":167,"tags":168,"thumbUrl":169,"material":44,"size":45,"collection":29,"collections":170,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":33},252940,"shi-pu-sa-li-xiang-yi-ming-252940","虽首身佚失，却丝毫不减造像的隽永之美。肩侧胁侍托举宝珠，衣袂层叠垂坠，线条舒展流动，似有风拂过衣裾，飘然欲举。下裳遍饰缠枝纹样，刀工细腻饱满，将织物的柔润与石材的凝硬相融，既有佛教造像的庄严肃穆，又藏魏晋风骨的秀逸清灵。残损的断面带着岁月凿痕，让这件造像跳出了完整器物的束缚，沉淀下跨越千百年的沉静意蕴，尽显彼时匠人炉火纯青的雕刻功力。",[18,25,24,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb7b3801bcd34dce149f9400033164623.jpg",[],{"id":172,"slug":173,"title":115,"dynasty":74,"author":19,"museum":20,"description":174,"tags":175,"thumbUrl":177,"material":44,"size":45,"collection":29,"collections":178,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":103},252931,"shi-pu-sa-li-xiang-yi-ming-252931","这件造像以汉白玉雕就，虽首臂残缺，却依旧尽显秀雅端严。通身璎珞层叠垂绕，珠串婉转勾勒出躯体柔美的轮廓，腰间宝带束身，垂饰错落垂落，与垂坠舒展的衣褶相得益彰。\n\n匠师以凝练的刀法刻画出长裙褶皱，线条舒朗流畅，将衣物轻柔垂坠的质感尽显无遗。露于裙外的双足安稳伫立，静穆中自有沉静温婉的神性气韵，残存的细节里藏着独有的典雅审美，在残损中晕开含蓄隽永之美。",[77,25,24,26,7,176],"造像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0832df9cc9379fb4c9f597f3f0728ff6.jpg",[],{"id":180,"slug":181,"title":115,"dynasty":18,"author":19,"museum":20,"description":182,"tags":183,"thumbUrl":184,"material":44,"size":45,"collection":29,"collections":185,"showCount":163,"zanCount":11,"manualWeight":11,"mainColor":33},252922,"shi-pu-sa-li-xiang-yi-ming-252922","此造像虽首臂残缺，却依旧尽显匠心。颈间垂挂珠链，胸前璎珞层叠盘绕，腰间束带缠连花饰，曳地长裙纹路上缀满串珠络索，衣饰雕琢极尽精巧华丽。素朴砂石为底，将衣装的灵动雅致衬得愈见鲜明。造型承袭秀骨清像的时代余韵，融神性庄严与世俗审美于一体，残存躯体依旧传递出菩萨端方温婉的气韵，静静诉说着往昔造像艺术的绝妙意趣与审美风尚。",[18,25,24,7,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a071bae4c25510a0cb6752eaf8c0072.jpg",[],{"id":187,"slug":188,"title":133,"dynasty":74,"author":19,"museum":20,"description":134,"tags":189,"thumbUrl":191,"material":44,"size":45,"collection":29,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":33},255401,"shi-fu-zuo-xiang-yi-ming-255401",[24,7,25,26,136,77,190],"莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6fb384fe0aa53c2af7549df9c178c5c1.jpg",[],4,{"id":195,"slug":196,"title":197,"dynasty":74,"author":19,"museum":20,"description":198,"tags":199,"thumbUrl":203,"material":44,"size":45,"collection":29,"collections":204,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":140},253253,"shi-wo-yang-yi-ming-253253","石卧羊","这尊卧羊静卧沉眠，神态憨实温顺，尽显敦朴厚重之感。匠师以细密阴线刻出层层毛发，将羊毛蓬松质感写实呈现，精准勾勒出公羊昂扬神态与健硕体态。底座满饰网格纹路，与羊身毛发呼应，让整体更显协调规整。\n\n石材周身斑驳包浆晕开岁月痕迹，粗粝石面带着时光打磨的沉静古韵。整体雕工简约却传神，寥寥刀笔便将卧羊的静穆姿态刻画入微，尽显古拙内敛的审美意趣，尽显匠人的写实功力。",[77,7,24,200,201,202],"兽","羊","卧姿","https:\u002F\u002Fos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