[{"data":1,"prerenderedAt":96},["ShallowReactive",2],{"subject-shi-zhu-7249":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7249,"shi-zhu-7249","石柱","石柱画高清赏析","精选中国历代石柱题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fe067fd20e91da94f02812853eddef7.jpg",0,4,[14,46,64,80],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":39,"material":40,"size":41,"collection":42,"collections":43,"showCount":44,"zanCount":11,"manualWeight":11,"mainColor":45},232589,"wei-lian-a-dao-fu-bu-ge-luo-203-wei-lian-a-dao-fu-bu-ge-luo-232589","威廉·阿道夫·布格罗203","不详","威廉·阿道夫·布格罗","藏地不详","威廉·阿道夫·布格罗，1825年生于法国拉罗谢尔，是一名画家。他是法国19世纪学院派最重要人物，曾先后在安格尔画室、法朗索瓦·爱德华·皮柯特工作室接受训练，后入巴黎国家高等美术学院，以及到罗马进修。\n875年在巴黎朱利安美术学院教学，1888年成为巴黎国家高等美术学院教授。画风唯美，擅长创造美好、理想化的境界。题材多为神话、天使和寓言。",[23,24,25,26,27,28,29,30,31,7,32,33,34,35,36,37,38],"油画","新古典主义","写实","设色","人物","孩童","带翼人物","翅膀","弓箭","台阶","植物","花卉","裸体","坐姿","站姿","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F18093c9f14851c36be0b35e0cc03b672.jpg","未知","Xcm*Xcm","",[],11,"795548",{"id":47,"slug":48,"title":49,"dynasty":18,"author":50,"museum":20,"description":51,"tags":52,"thumbUrl":10,"material":40,"size":41,"collection":42,"collections":62,"showCount":63,"zanCount":11,"manualWeight":11,"mainColor":45},232288,"a-er-ma-15-lao-lun-si-a-er-ma-ta-de-ma-232288","阿尔玛15","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,25,26,53,54,55,7,56,57,58,59,60,61],"光影","古建筑","拱门","石板路","哥特式建筑","尖顶","花窗","庭院","石砌地面",[],3,{"id":65,"slug":66,"title":67,"dynasty":18,"author":68,"museum":20,"description":69,"tags":70,"thumbUrl":77,"material":40,"size":41,"collection":42,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":45},289139,"marco-ricci-capriccio-with-roman-ruins-yi-ming-289139","Marco Ricci--Capriccio with Roman Ruins","佚名","这幅画以残垣织就怀古梦境，将罗马废墟揉入抒情景致。斑驳拱券残存铭文，诉说岁月侵蚀的沉疴，虬曲斜枝携霜红枝叶晕开萧瑟秋意。石狮子盘踞高座，鬃毛的粗粝纹理凝固旧日威严，下方匠人在残石间忙碌，为荒颓废墟暗涌进鲜活生机。远景城郭轻笼烟霭，另一处颓败殿宇隐在林梢，暖调柔光漫过断壁，将怀古怅惘晕成温柔底色。画作以细腻笔触平衡沧桑与鲜活，把虚构的残景绘成带着呼吸的诗意挽歌，引观者沉陷古典余韵的温柔怅惘之中。",[23,26,71,55,7,72,27,73,74,75,76],"古罗马遗迹","狮子","残垣断壁","树木","风景","古典绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76d8e2b9a0bf24480d362f20cc1de8e4.jpg",[],2,{"id":81,"slug":82,"title":83,"dynasty":18,"author":68,"museum":20,"description":84,"tags":85,"thumbUrl":93,"material":40,"size":41,"collection":42,"collections":94,"showCount":95,"zanCount":11,"manualWeight":11,"mainColor":45},288563,"attributed-to-mauro-berti-framed-design-for-a-stage-set-yi-ming-288563","attributed to Mauro Berti--Framed Design for a Stage Set","明暗为笔，勾勒出古典回廊的剧场氛围。粗糙石质立柱如缄默卫士，撑起伏叠拱顶，石面纹理载着厚重的质感。回旋阶梯蜿蜒向幽深处，墙间壁灯凝着昏柔余韵。暖棕淡晕与墨色暗影交错，在柱身切出利落明暗面，将舞台布景的虚幻揉入砖石的实感里。静止的建筑仿佛漾开沉缓呼吸，石缝间藏着虚构场景的真实张力，静谧中漫开隐秘的叙事感，仿佛转瞬便会有人拾级转过拐角，打破这凝固的肃穆昏光。",[86,87,88,7,89,55,90,91,53,92],"舞台布景","素描","水彩","石阶","建筑画","西洋画","回廊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F07a34edcd35cfc76152450ba5f252afb.jpg",[],1,1777535761128]