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on":113,"tags":114,"thumbUrl":116,"material":54,"size":55,"collection":39,"collections":117,"showCount":108,"zanCount":68,"manualWeight":11,"mainColor":59},267306,"ga-nan-xiang-shou-chuan-yi-ming-267306","伽南香珠质地醇厚，包浆凝润泛着内敛柔光，沉敛棕褐底色之上，四颗朱红珊瑚尤显鲜亮，镂雕团寿纹样线条婉转工细，将吉祥祈愿凝于方寸。\n\n翠绿饰珠点缀其间，冷暖色调相互映衬，调和了沉郁与明艳。下端朱红流苏轻垂，缀以莹润绿珠收梢，柔媚灵动中和了珠串的厚重。\n\n整串手串将香料的清雅致趣、珊瑚的华贵工巧相融，是旧时配饰审美里材质与匠心交织的精巧手笔，把日常清玩与吉祥意涵藏于腕间。",[30,75,26,115,7,32],"金器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faca66ecf1451aced656f88fb20f359c8.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":122,"tags":123,"thumbUrl":124,"material":54,"size":55,"collection":39,"collections":125,"showCount":108,"zanCount":68,"manualWeight":11,"mainColor":59},267302,"bai-yu-shi-ba-zi-shou-chuan-yi-ming-267302","白玉十八子手串","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[30,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F983b966a48e91e3d1540523ed0bf59de.jpg",[],{"id":127,"slug":128,"title":129,"dynasty":18,"author":19,"museum":20,"description":130,"tags":131,"thumbUrl":133,"material":54,"size":55,"collection":39,"collections":134,"showCount":108,"zanCount":68,"manualWeight":11,"mainColor":44},241780,"huang-bi-xi-dai-zhu-shi-shi-ba-zi-shou-chuan-yi-ming-241780","黄碧玺带珠饰十八子手串","黄碧玺珠体澄澈通透，如将熔金凝入莹润玉髓，颗颗圆融饱满，流转着暖调柔光。朱红碧玺作为母珠与佛头，色泽浓艳似赤霞初凝，冷暖撞色相映，提亮整串气质。红绳绾系，坠下细巧珠饰，添了灵动娇俏之意。\n这腕间清玩将宝石的华贵与文玩的雅致相融，摩挲之际，仿佛能窥见旧时闺阁女子，将闲情雅致藏于一握之间，尽显精巧雅致的审美意趣。",[18,24,37,31,7,30,26,132],"串饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5696bc70f9b171430fdf67d18b616246.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":148,"material":54,"size":55,"collection":39,"collections":149,"showCount":108,"zanCount":68,"manualWeight":11,"mainColor":44},241767,"ga-nan-xiang-dai-zhu-bao-xi-zi-wen-shi-ba-zi-shou-chuan-yi-ming-241767","伽南香带珠宝喜字纹十八子手串","每颗伽南香珠皆精刻喜字，棕褐木质自带沉静古雅的质感。珊瑚配珠与佛头浮雕团寿，朱红暖调点亮腕间，将喜庆华贵融于肌理。\n坠饰错落排布，碧玺雕就的小鱼莹润粉嫩，似在水波中游曳，鲜活灵动。翡翠凝碧、珍珠莹白、青金石幽邃，珠玉交叠晕开层次。整串手串将材质之美与吉祥意趣相融，藏着旧时细腻雅致的审美意韵，诉说着喜乐圆满的美好祈愿。",[30,7,141,142,24,28,27,143,32,144,145,146,147],"伽南香","珊瑚","青金石","喜字纹","团寿纹","鱼","吉祥寓意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F382d08d03b2eeb27138d8a3783b48576.jpg",[],{"id":151,"slug":152,"title":153,"dynasty":18,"author":19,"museum":20,"description":154,"tags":155,"thumbUrl":158,"material":54,"size":55,"collection":39,"collections":159,"showCount":58,"zanCount":68,"manualWeight":11,"mainColor":44},268714,"ga-nan-xiang-qian-jin-chang-yuan-shou-zi-wen-shi-ba-zi-shou-chuan-yi-ming-268714","伽南香嵌金长圆寿字纹十八子手串","取伽南香为材，质地醇厚自带沉静古韵。长圆珠身嵌金錾刻寿纹，金饰光泽在深褐底色映衬下愈发明媚雅致。十八子颗颗匀整饱满，搭配同材质牌饰与坠角，牌面与坠饰亦饰金寿纹样，整套细节呼应统一，将福寿吉庆的美好意蕴藏于处处。香木的温润质感与金饰的华贵光华相融，工艺精巧细腻，尽显制器的匠心巧思，既带着雅致内敛的文人气韵，又饱含华贵格调，是兼具审美价值与吉祥寓意的上乘之作。",[30,7,141,156,157,32],"嵌金","寿字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a5bdb569d8680c009431b6bc9e853bd.jpg",[],{"id":161,"slug":162,"title":163,"dynasty":18,"author":19,"museum":20,"description":164,"tags":165,"thumbUrl":166,"material":54,"size":55,"collection":39,"collections":167,"showCount":58,"zanCount":68,"manualWeight":11,"mainColor":59},267578,"shan-hu-chuan-mi-zhu-shi-ba-zi-shou-chuan-yi-ming-267578","珊瑚穿米珠十八子手串","这串手串以缉珠工艺将细碎珊瑚米珠攒成圆珠，暖橙色泽鲜亮饱满，如揉碎的霞光凝于腕间。绿松石隔珠同样以米珠满裹，清润冷色中和暖调，撞色协调雅致。\n\n佛头选用沉蕴木珠，下接嵌翠鎏金佩饰，莹润翡翠澄澈温婉，提亮整体层次。末端流苏悬垂翡翠坠角，随形摇曳，添灵动雅致。\n\n整器将手工缉珠的精妙工艺尽数展现，藏着旧时清隽雅致的玩赏意趣，华丽却不张扬，是兼具匠心与美感的文玩佳物。",[30,7,31,142,52,26],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa0fcec7e4d209bf06fdac8ec39f56102.jpg",[],{"id":169,"slug":170,"title":121,"dynasty":18,"author":19,"museum":20,"description":122,"tags":171,"thumbUrl":172,"material":54,"size":55,"collection":39,"collections":173,"showCount":58,"zanCount":68,"manualWeight":11,"mainColor":59},267301,"bai-yu-shi-ba-zi-shou-chuan-yi-ming-267301",[26,30,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcfa1b00f0886c7c8217ec51efbc0063b.jpg",[],{"id":175,"slug":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