[{"data":1,"prerenderedAt":121},["ShallowReactive",2],{"subject-shou-dai-er":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},5957,"shou-dai-er","绶带耳","绶带耳画高清赏析","精选中国历代绶带耳题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F16086d6fa4e23c1956bf7c450cc8e8e5.jpg",0,9,[14,37,47,65,74,87,96,104,112],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},228542,"qing-hua-tu-an-hua-wen-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228542","青花图案花纹葫芦形绶带耳扁壶","明","佚名","藏地不详","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[23,24,25,26,7,27,28,29],"明代","陶瓷","青花","葫芦形","扁壶","器","图案花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b4e3edb26d1004b2e0d8201227ee711.jpg","未知","Xcm*Xcm","",[],12,"795548",{"id":38,"slug":39,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":43,"material":31,"size":32,"collection":33,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},228609,"qing-hua-tu-an-hua-wen-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228609",[23,25,24,27,7,26,29,41,42],"装饰纹样","器型","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb97e51e8a0e90f05768b921b8b007229.jpg",[],5,"37474F",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":51,"tags":52,"thumbUrl":61,"material":31,"size":32,"collection":62,"collections":63,"showCount":64,"zanCount":11,"manualWeight":11,"mainColor":46},257617,"long-quan-yao-qing-you-yin-hua-long-wen-shou-dai-er-bian-fu-hu-lu-ping-yi-ming-257617","龙泉窑青釉印花龙纹绶带耳扁腹葫芦瓶","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[18,53,54,55,56,57,7,58,59,24,60],"龙泉窑","青釉","印花","龙纹","龙","扁腹","葫芦瓶","青瓷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51225c8bdfab3ed909665d4c6190d405.jpg","瓷器精选",[62],4,{"id":66,"slug":67,"title":68,"dynasty":18,"author":19,"museum":20,"description":21,"tags":69,"thumbUrl":71,"material":31,"size":32,"collection":33,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":36},256379,"qing-hua-a-la-bo-hua-wen-shou-dai-er-hu-lu-bian-hu-yi-ming-256379","青花阿拉伯花纹绶带耳葫芦扁壶",[23,24,25,70,7],"阿拉伯花纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7e2c015faca51ec03c5deaf7908a9a9b.jpg",[],2,{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":84,"material":31,"size":32,"collection":33,"collections":85,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":46},228594,"tian-bai-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228594","甜白葫芦形绶带耳扁壶","器仿葫芦形，敛口，短颈，腹圆体扁，侧面平阔，颈旁两方形耳，长方浅圈足。通体施釉，色白莹润略青，口膨大处印有一圈转枝花纹，器腹双钩细刻几何花卉，以长叶与如意首交错排列成一轮形，外有一圈卷叶纹；侧边浅划两道弦纹，耳缘与中脊作细棱，线条细腻雅致。长方圈足底端露胎",[23,24,80,7,27,26,81,82,83],"甜白釉","瓷器","釉色","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff0a78dcc628e4e8a2e7a404e881e21da.jpg",[],1,{"id":88,"slug":89,"title":90,"dynasty":18,"author":19,"museum":20,"description":21,"tags":91,"thumbUrl":94,"material":31,"size":32,"collection":33,"collections":95,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},257139,"qing-hua-lun-hua-wen-shou-dai-er-hu-lu-bian-ping-yi-ming-257139","青花轮花纹绶带耳葫芦扁瓶",[24,25,92,7,26,93],"轮花纹","扁瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feb2d161ef777a85ae31b2b5cfbbf1646.jpg",[],{"id":97,"slug":98,"title":90,"dynasty":18,"author":19,"museum":20,"description":21,"tags":99,"thumbUrl":102,"material":31,"size":32,"collection":33,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},257130,"qing-hua-lun-hua-wen-shou-dai-er-hu-lu-bian-ping-yi-ming-257130",[23,24,25,92,7,26,93,100,101],"开光纹饰","缠枝纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3b6ffc15128e37e0566a58b6b49323f1.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":21,"tags":108,"thumbUrl":110,"material":31,"size":32,"collection":33,"collections":111,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},256201,"qing-hua-chan-zhi-lian-wen-shou-dai-er-ping-yi-ming-256201","青花缠枝莲纹绶带耳瓶",[24,25,109,7,23],"缠枝莲纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b47003fa722805d3cbfbd2430d00447.jpg",[],{"id":113,"slug":114,"title":115,"dynasty":18,"author":19,"museum":20,"description":116,"tags":117,"thumbUrl":10,"material":31,"size":32,"collection":33,"collections":119,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":120},228579,"tian-bai-hua-hua-hu-lu-xing-shou-dai-er-bian-hu-yi-ming-228579","甜白划花葫芦形绶带耳扁壶","器仿葫芦形，敛口，短颈，腹圆体扁，侧面平阔，颈旁两方形耳，长方浅圈足。通体施釉，色白莹润略青，口膨大处印有一圈转枝花纹，器腹双钩细刻几何花卉，以长叶与如意首交错排列成一轮形，外有一圈卷叶纹；侧边浅划两道弦纹，耳缘与中脊作细棱，线条细腻雅致。长方圈足底端露胎。",[24,80,118,7,26,27,23],"划花",[],"BDBDBD",1777535736868]