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Cat","这幅装饰手稿以端坐的猫咪作为视觉锚点，跳脱常规怪诞纹样的神性表达，糅入软萌生机。对称排布的禽鸟牵起垂坠布幔，为画面铺陈出仪式感。\n\n层叠舒展的茛苕涡旋、拟人化面具顺着纵向延展，灵动小兽攀附卷草藤蔓，底部葡萄纹样晕开自然野趣。速写式的线条松弛随性，将严谨的对称构图揉化出鲜活温度，肃穆的古典装饰语言与稚拙的即兴笔触感奇妙碰撞，把庄重怪诞风格晕染出俏皮意趣。",[396,384,221,117,217,397,398,7,375,76],"猫","怪诞纹样","古典装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4312bcad97a45aa578fc907226a457f6.jpg",[],{"id":402,"slug":403,"title":404,"dynasty":38,"author":19,"museum":57,"description":405,"tags":406,"thumbUrl":408,"material":47,"size":48,"collection":28,"collections":409,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},287935,"fa-cang-quan-jing-p4019-4-tang-yan-zi-fu-yi-juan-yuan-ti-shou-gao-jiu-ban-yi-ming-287935","法藏全景 P4019-4 唐 鷰子赋一卷（原题）手稿-旧版","纸页昏黄斑驳，岁月的侵蚀让纸面多有缺损漫漶。行楷字迹朴拙生动，落笔轻重藏着书写时的随性节奏，排布错落却不失规整。残损的卷页带着残缺的诗意，将千年笔墨的温度封存在纸间。\n\n文字虽多有断缺，却依旧能窥见俗赋的鲜活意趣，带着旧时文书特有的烟火质感，既是文学的载体，也是时光的切片。在漫漶墨迹里，往昔书写的专注与松弛依稀可感，触摸这古卷，便似触到了千年前的笔底余温，捡拾被时光磨蚀的旧日文思。",[25,24,27,7,304,39,407],"残卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4b2bdb921a8fefe559bb4e233c3529c2.jpg",[],{"id":411,"slug":412,"title":413,"dynasty":38,"author":19,"museum":57,"description":414,"tags":415,"thumbUrl":417,"material":47,"size":48,"collection":28,"collections":418,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":68},287906,"shang-juan-shou-gao-yi-ming-287906","上卷手稿","纸色泛黄斑驳，浸着时光晕染的旧痕。密密麻麻的行楷小字排布有序，笔画劲挺凝练，端秀雅致。长篇誊抄不见潦草懈怠，字字恪守写经法度，又带着抄经手的灵动笔意，朴拙中藏着灵秀。朱圈蓝注散落卷中，是昔年读诵校勘的手泽，藏着古人治学的谨严沉静。\n这卷长卷不只承载着经文奥义，更是触摸中古书写美学的载体，让今人得以摩挲千年前的笔墨温度，窥见彼时学术与笔墨交融的日常。",[85,25,7,24,42,75,27,61,416],"手抄本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2aecf19fbcd054c0106f45d080a8d6a1.jpg",[],{"id":420,"slug":421,"title":413,"dynasty":38,"author":19,"museum":57,"description":422,"tags":423,"thumbUrl":424,"material":47,"size":48,"collection":28,"collections":425,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},287903,"shang-juan-shou-gao-yi-ming-287903","泛黄麻纸带着岁月啃噬的斑驳缺损，沉凝墨色依旧劲挺匀稳。卷间小字结体端秀，作为抄经稿本，自带沉静从容的笔墨节奏，偶有改笔批注，让千年前伏案抄录的身影仿佛近在眼前。\n纸面残损晕开的墨痕、补缀的纸边，都是时光镌刻的印记。朱笔圈点与墨色小字交织，既是佛学文本载体，亦是民间书法珍贵遗存。朴拙虔诚的笔墨里，藏着旧时光里的信仰与文心，静静诉说着跨越千年的流转过往。",[85,25,7,304,62,24],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3e4561e07a7ec6ee9f6a64809d7bff12.jpg",[],{"id":427,"slug":428,"title":429,"dynasty":38,"author":19,"museum":57,"description":430,"tags":431,"thumbUrl":432,"material":47,"size":48,"collection":28,"collections":433,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":68},287751,"cao-shu-shou-gao-shang-bu-yi-ming-287751","草書手稿（上部）","全篇满纸云烟，字势连绵缠绕，锋毫游走毫无滞碍。虽密匝排布却丝毫不显壅塞，字字顾盼牵萦，气脉贯通首尾。书写随性自在，带着即兴挥洒的松弛快意，笔墨枯湿浓淡隐现其间，质朴纸色与苍劲墨痕相映，不见刻意雕琢，尽显草稿手札的天然意态。\n\n书写者将思绪随笔锋流淌于纸面，每一处牵丝映带都藏着心绪的起伏，满是率真的书写意趣，能让观者透过斑驳纸墨，触摸到这份笔墨遗存里鲜活且肆意的书写瞬间。",[23,304,25,85,7,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe85ca3afaac75a1562d93bc42ee1481e.jpg",[],{"id":435,"slug":436,"title":437,"dynasty":38,"author":19,"museum":57,"description":438,"tags":439,"thumbUrl":440,"material":47,"size":48,"collection":28,"collections":441,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":68},287743,"cao-shu-shou-gao-xia-bu-yi-ming-287743","草書手稿（下部）","纸面带着岁月蚀刻的斑驳，左首的蓝痕残损如同旧梦碎片。连绵草字铺陈满卷，笔锋辗转牵丝萦带，随性中藏着内敛法度。墨色深浅晕染在泛黄纸页间，每一行字都贯穿着书写时的流畅气韵，仿佛能窥见挥毫时的快意节奏，一气呵成的行气里藏着书写者的自在心境。残损的纸边反而晕开更浓的古旧质感，让这份笔墨更添厚重的时光温度，虽存残缺，却依旧能让人沉浸在这份古朴笔意中，触碰旧时书写里的松弛力道与雅致意趣。",[23,304,25,85,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf22d3479f5b4dfbf098b0e4063e82c7.jpg",[],{"id":443,"slug":444,"title":445,"dynasty":38,"author":19,"museum":57,"description":446,"tags":447,"thumbUrl":448,"material":47,"size":48,"collection":28,"collections":449,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},287688,"fa-cang-quan-jing-p3305-wei-he-yan-lun-yu-ji-jie-shou-gao-xia-juan-yi-ming-287688","法藏全景 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下部","用笔敦实凝练，结体端稳又暗含灵动意趣，通篇字距排布匀净齐整，苍润厚重的墨色晕染在泛黄古纸之上，自带沉静肃穆的禅意。书写者以虔诚心境落墨，字字饱含恭敬，带着写经特有的规整法度，却又不失手写的温度。边角晕开的岁月旧痕与朱印相映，晕开时光沉淀的古雅意蕴，将宗教仪轨的庄严与书写的质朴温情相融，尽显这份古旧写本的沉静质感与虔诚底色。",[39,25,24,26,42,75,27,44,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc05a6be8b4e52381a24a474e2ab72da4.jpg",[],{"id":459,"slug":460,"title":461,"dynasty":38,"author":19,"museum":154,"description":462,"tags":463,"thumbUrl":464,"material":47,"size":48,"collection":28,"collections":465,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},287631,"fu-shuo-wu-liang-shou-zong-yao-jing-shou-gao-yi-ming-287631","佛說無量壽宗要經手稿","通篇以精整小楷书就，笔墨匀净秀雅，字字排布齐整森严，行气舒朗贯通，尽显抄经人恭谨澄澈的心境。笔锋清劲内敛，点画温润饱满，无过度锋芒张扬，暗合佛家内敛平和的气韵。整卷绵长不绝，数千字一气呵成，古旧泛黄的纸面晕开时光沉淀的沉静质感。字里行间既有法度严谨的书写功底，亦藏着抄写时的清净禅意，将宗教的肃穆与书法的雅致相融，静静诉说着往昔抄经时的虔诚岁月。",[85,25,24,26,7,75,182,42],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59e26679fe02769653cf330ded417a39.jpg",[],{"id":467,"slug":468,"title":469,"dynasty":38,"author":19,"museum":154,"description":470,"tags":471,"thumbUrl":472,"material":47,"size":48,"collection":28,"collections":473,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},287630,"da-ban-nie-pan-jing-juan-shi-liu-shou-gao-yi-ming-287630","大般涅槃經卷十六手稿","这卷写本以泛黄古纸为底，小楷密密排布，铺满整幅长卷。墨色沉郁朴拙，虽历经岁月有着虫蛀墨损，却更添沧桑古意。笔锋秀劲内敛，字字端稳清隽，排布紧凑却无壅塞之感，尽显写经书法的沉静肃穆之美。\n写经人以虔诚贯注笔端，笔画匀净凝练，带着写经书法的典型风貌，将宗教的庄严感融入笔墨筋骨之中，质朴无华却动人心神。它是信仰与书法艺术的融合遗存，每一处墨迹都留存着千年前的虔敬气息，静穆之中藏着沉静的力量，尽显古写本的质朴美学意蕴。",[85,25,24,75,26,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1cb49db18a9b0a48d9b91fde333bcf7.jpg",[],{"id":475,"slug":476,"title":477,"dynasty":38,"author":19,"museum":57,"description":478,"tags":479,"thumbUrl":480,"material":47,"size":48,"collection":28,"collections":481,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290708,"fu-shuo-yan-luo-wang-shou-ji-si-zhong-yu-xiu-sheng-qi-wang-sheng-jing-tu-jing-shou-gao-2-yi-ming-290708","佛说阎罗王授记四众预修生七往生净土经手稿-2","泛黄发脆的古纸之上，深浅不一的污渍与折痕错落分布，皆是时光摩挲留下的印记。空茫的纸面恍若还留存着抄经手的温度，虽不见只字片语，却能遥想昔人正襟誊写经文时的肃穆虔诚。晕开的旧渍晕染出朦胧禅意，无声诉说着它辗转流传的过往，将宗教的沉静平和与岁月的厚重沧桑揉合在这一方残纸之中，自带沉静古朴的氛围感，藏着旧时光里的信仰余温，让观者于留白间触摸到跨越年岁的虔诚底色。",[24,25,42,75,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc32f5513c98a0976c815ef696d43240.jpg",[],{"id":483,"slug":484,"title":485,"dynasty":38,"author":19,"museum":57,"description":486,"tags":487,"thumbUrl":489,"material":47,"size":48,"collection":28,"collections":490,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290699,"da-cheng-wu-liang-shou-jing-juan-shou-gao-xia-juan-yi-ming-290699","大乘无量寿经卷手稿下卷","这是一件充满烟火气的写绘草稿，以粗粝麻纸为底，焦墨随性勾勒涂写。经文书写与即兴涂鸦交织，文字潦草朴拙，重复的字里藏着抄经时的倦怠走神。随手勾勒的人物、屋舍线条稚拙松弛，是抄经人信手的闲笔，带着未经雕琢的鲜活野趣。\n\n纸面斑驳泛黄，墨色沉郁晕散，带着岁月氧化的痕迹，没有精致佛绘的肃穆规整，只有民间抄经者最真实的日常状态，将信仰融入庸常，藏着千年前普通人与经文相伴的松弛瞬间。",[24,25,7,85,76,117,75,488,97,43],"佛经","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30bee55c4790b15aa5fc32c46b52f61c.jpg",[],{"id":492,"slug":493,"title":494,"dynasty":38,"author":19,"museum":57,"description":495,"tags":496,"thumbUrl":497,"material":47,"size":48,"collection":28,"collections":498,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290697,"da-bo-re-bo-luo-mi-duo-jing-shou-gao-yi-ming-290697","大般若波罗蜜多经手稿","泛黄的古纸晕开岁月旧痕，墨色虽有些许斑驳漫漶，婆罗米体古藏文依旧笔锋劲挺舒展。书写排布齐整匀净，字距疏密合宜，每一笔都带着缮写者沉潜的心力，将虔敬揉入笔端。残卷上的墨迹留存着时光剥蚀的印记，裂痕与晕染都是岁月镌刻的注脚，静静晕开千年前传法译经的温热气息，让信仰的厚重藏进这一卷写本的褶皱之中，尽显古朴庄重的典藏质感。",[24,25,85,42,75,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4886b75de8892d4c581e33df9c6781db.jpg",[],{"id":500,"slug":501,"title":502,"dynasty":38,"author":19,"museum":57,"description":503,"tags":504,"thumbUrl":505,"material":47,"size":48,"collection":28,"collections":506,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290696,"da-bo-re-bo-luo-mi-duo-jing-juan-di-wu-bai-liu-shi-san-shou-gao-yi-ming-290696","大般若波罗蜜多经卷第五百六十三手稿","此卷小楷清劲秀雅，起转收笔沉稳利落，点画排布匀整端严，通篇行气贯通，字字隽秀温润。写经人以恭谨之心落墨，将对般若经义的敬畏藏进笔锋起落里，笔墨间晕染着沉静禅意。\n\n纸面虽经岁月泛黄发脆，墨色偶有浅淡晕散，却更添沉厚古拙的时光质感，让这件古写本既有传载经文的厚重价值，亦携带着旧时写经书法的审美意趣，尽显古写卷独有的隽永韵味。",[85,7,25,24,26,42,27,488],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9944bbfb79bcaacc592eca4ab595e2f1.jpg",[],{"id":508,"slug":509,"title":510,"dynasty":38,"author":19,"museum":57,"description":511,"tags":512,"thumbUrl":513,"material":47,"size":48,"collection":28,"collections":514,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":68},290694,"shang-bu-yu-jia-lun-di-san-shi-si-san-shi-ba-fen-men-ji-da-cheng-qi-shi-lun-shou-gao-yi-ming-290694","上部 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笔意流转，尽显虔敬的抄经本心。留存的朱印为古卷晕开一抹鲜亮余韵，与旧纸的沉色相衬，更添古雅。残卷虽有缺损，却不减沉静质感，每一道纸痕都是时光的注脚，静静诉说着过往抄录时的专注与信仰，将千年前的沉静气韵凝于卷上，尽显写本古籍独有的历史温度。",[24,25,85,7,75,182,26,268,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38e17886411921161c94f1fad1384d42.jpg",[],{"id":589,"slug":590,"title":591,"dynasty":38,"author":19,"museum":57,"description":592,"tags":593,"thumbUrl":594,"material":47,"size":48,"collection":28,"collections":595,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290642,"ren-wang-bo-re-bo-luo-mi-jing-shou-gao-yi-ming-290642","仁王般若波罗蜜经手稿","此卷写经笔墨端秀匀净，是典型的写经体风貌。结体工稳舒展，笔势圆融内敛，通篇排布齐整肃穆，字里行间尽显抄经时的恭谨静定。泛黄古纸带着岁月侵蚀的破损痕迹，却丝毫不减沉静厚重的气韵，墨色历经岁时依旧清晰饱满，一笔一划皆带着对经文的敬畏之心，将宗教的肃穆平和藏进每一处笔锋转折中，静静诉说旧时光里的虔诚与沉静，晕开古卷独有的温润厚重的人文质感。",[42,75,24,25,26,27,7,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd5426662269ec9909c74a6a7658bf9f1.jpg",[],{"id":597,"slug":598,"title":599,"dynasty":38,"author":19,"museum":57,"description":600,"tags":601,"thumbUrl":602,"material":47,"size":48,"collection":28,"collections":603,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":33},290637,"fu-shuo-zhi-hui-hai-cang-jing-juan-xia-shou-gao-yi-ming-290637","佛说智慧海藏经卷下手稿","此卷以小楷抄录经文，笔致温润秀雅，排布齐整匀净。点画凝练舒展，字字恪守法度却不失灵动，带着写经特有的恭谨气韵。古旧泛黄的纸页晕着沉净墨色，字里行间漫溢着肃穆禅意，书写者的虔诚藏在每一笔起落之中。整体气息平和庄重，尽显写经书法的沉静质感，仿佛将往昔的清净禅心凝于卷上，带着旧时光特有的厚重静谧，观之便觉心神安定。",[85,25,24,75,42,26,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59f4ba215e4c3ce86f26a9ab281a61ec.jpg",[],{"id":605,"slug":606,"title":607,"dynasty":38,"author":19,"museum":57,"description":608,"tags":609,"thumbUrl":610,"material":47,"size":48,"collection":28,"collections":611,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":68},290636,"si-fen-jie-shu-juan-di-er-shou-gao-yi-ming-290636","四分戒疏卷第二手稿","此卷以小楷抄就，通篇字行排布匀整森密却不显拥迫，笔致秀雅端稳，墨色匀净沉凝。朱笔批注错落点缀于行间，与墨色相映成趣。书写者下笔收放合度，字字恪守法度，尽显誊抄的虔敬姿态，藏着沉静内敛的书写心力。卷中笔墨带着古朴雅致的书卷气，不见浮躁之态，完整留存了旧时誊写校阅的细节，舒展间尽显中古写本独有的质朴文心，将抄写经典时的肃穆与专注凝于毫端，朴素却动人心神。",[85,25,24,26,42,75,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95943061712ca034f03590423c4e51c1.jpg",[],{"id":613,"slug":614,"title":615,"dynasty":38,"author":19,"museum":57,"description":616,"tags":617,"thumbUrl":618,"material":47,"size":48,"collection":28,"collections":619,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":620},290631,"you-po-sai-jie-jing-juan-di-er-shou-gao-yi-ming-290631","优婆塞戒经卷第二手稿","此卷以黄麻纸为底，乌丝界格规整排布，小字楷书写就。笔致精劲稳帖，点画朴拙凝练，字字匀停舒展，通篇气脉连贯沉静，带着抄经时的虔敬肃穆。纸页虽有残损虫蛀，却晕染出时光浸淫的厚重质感，更衬笔墨的温润古雅。无刻意妍美雕琢，却在平实书写里展露精湛功底，将宗教典籍的庄严与民间书法的朴素风神相融，平淡间自有沉静禅意，尽显古写经的质朴美感。",[25,24,85,26,42,75,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F837032fc6d57fe59b4d1c7477ecb8245.jpg",[],"37474F",{"id":622,"slug":623,"title":624,"dynasty":38,"author":19,"museum":57,"description":625,"tags":626,"thumbUrl":628,"material":47,"size":48,"collection":28,"collections":629,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":68},288691,"attributed-to-andre-s-de-melgar-female-herm-with-two-dogs-other-grotesques-yi-ming-288691","attributed to Andrés de Melgar--Female Herm with Two Dogs; Other Grotesques","淡墨钢笔下迸发着奇想碎片，左上角女身赫尔墨斯立于台座，双犬垂首拱卫，线条带着古典仪式感，旁侧小字手札似私藏的创作注脚。右上角侏儒小像与翼爪兼具的奇美拉异兽，诡谲怪诞又带着浪漫张力。下方茛苕纹装饰糅合古典建筑装饰的韵律感。\n\n潦草勾勒的草稿带着随性松弛的创作张力，将典雅神话意象与怪诞造物并置，复刻着复古奇想美学的余韵，私密的手书衬出灵感迸发的瞬间，仿佛将文艺复兴的怪诞浪漫凝缩在纸面。",[117,217,43,627,219,385,7,223],"狗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F320148f2d0c0780324dfe5339cad043a.jpg",[],{"id":631,"slug":632,"title":633,"dynasty":38,"author":19,"museum":57,"description":634,"tags":635,"thumbUrl":636,"material":47,"size":48,"collection":28,"collections":637,"showCount":51,"zanCount":11,"manualWeight":11,"mainColor":68},288661,"attributed-to-francesco-allegrini-figures-yi-ming-288661","attributed to Francesco 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2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[39,25,85,24,26,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b9bf9d53d5841882a9e7613bc67fae6.jpg",[],1777535706247]