[{"data":1,"prerenderedAt":64},["ShallowReactive",2],{"subject-shou-gong-zhi-zuo":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},6961,"shou-gong-zhi-zuo","手工制作","手工制作画高清赏析","精选中国历代手工制作题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F484e34342297ee7cb7f1ab4daaf40744.jpg",0,3,[14,35,50],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},245790,"xuan-tong-shi-yi-nian-yong-he-gong-kuan-yin-pen-yi-ming-245790","宣统十一年永和宫款银盆","民国","佚名","藏地不详","此银盆器型周正舒展，宽沿敞口沉稳大气，通体素洁无饰，尽显清雅克制之美。银身晕染着深浅错落的岁月包浆，暗哑柔光里凝住旧时光阴的摩挲痕迹，内敛又带着厚重的历史质感。胎质匀实细腻，弧腹线条柔和流畅，将银料的矜贵融于日常器物的质朴之中，静静承载着往昔深宫内的日常烟火意趣，尽显沉静雅致的民国器物格调。",[23,24,18,25,26,7,27],"银器","器","日用具","金属器","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10d858d5e05ff6c5079dd7eb02b6d4e8.jpg","未知","Xcm*Xcm","",[],1,"F48FB1",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":47,"material":29,"size":30,"collection":31,"collections":48,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},255798,"tao-zun-yi-ming-255798","陶尊","汉","汉代陶器的工艺水平很高,造型优美,质地精良。品种、装饰则因地区不同而不同。陕西关中地区常见的日用陶器有豆、 盆、筒杯、勺、盘、缸、甑、 釜、小壶、扁壶、茧形壶、钵、罐、钟、碗等。明器包括礼器鼎和模型明器仓、陶囤以及各种动物形象。纹饰多为变形回纹、三角纹和窝纹。陕西潼关以东地区人们的日常用陶，以灰陶为主，有罐、 壶、碗、勺、筒杯、 瓮、盒、洗、甑、釜、杯、盘、尊等。在汉代流行起来的生活用具模型，如仓、 炉、 灶、井等。大都作为明器供随葬之用。盒、盘、案、杯等，逐渐成组出现，为适应人们厚葬之需也成为祭器。猪、羊、狗、鸡等家畜家禽及圈舍、住宅等明器模型也大量流行。装饰则有弦纹、刻划的三角纹、连环纹、栉齿纹和动物纹，还有绳纹、拍印纹、模印、浮雕、涂色和彩绘等。南方的长沙地区，制陶工艺自成体系，陶盒使用普遍，陶壶无盖，鼎的三足成矮胖的兽蹄形，其他实用器皿还有壶、罐、碗、钫、、盆、釜、甑、长方炉、博山炉等。特点是坚硬厚重。殉葬明器有灶、仓、井、屋、猪圈模型等。广东地区秦汉时属南海郡，常用陶器有瓮、双耳罐、提、四联罐和五联罐、瓿、小瓿、壶、匏壶、温壶、钫、 盒、敦、 小盒、三足盒、三足罐、三足瓿、四联盒、 碗、盆、 甑、釜、鼎、豆、三足格盒等。生活用具中灰白色的印纹硬陶占多数， 有的还戳上印记，多为容器，炊器只有釜、 鼎、甑 3种。造型特别的三足器、温壶、匏壶有着明显的地方特点。印纹硬陶很讲究装饰，单是几何图案就达70多种，此外还有弦纹、 陶纹、 镂孔、篦纹及文字记号等。明器上多施彩绘。四川云南等也有自己的制陶业，不少作品和中原地区相似，如圆底釜、侈口束颈、鼓腹的壶等。关中地区流行的茧形壶虽不生产，确有发现。舞蹈俑、说书俑、抚琴俑、听琴俑、侍立俑和各类家禽形象，生动优美，自然写实。",[39,42,24,43,44,45,46,7],"陶瓷","礼器","盛酒器","陶制","古朴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf60579d9be36faa39f08017d5b0a751.jpg",[],"795548",{"id":51,"slug":52,"title":53,"dynasty":54,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":62,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":63},231923,"cu-ci-bei-yi-ming-231923","粗瓷杯","元","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[42,57,58,59,60,61,7],"元代","粗瓷","饮酒器","日用器","釉色",[],"BDBDBD",1777535777831]