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Marie Pierre--Cybele Prevents Turnus from Setting Fire","不详","这幅棕褐色调的素描以遒劲灵动的笔触，定格下充满张力的神话冲突瞬间。\n\n左侧持炬的战士裹挟汹汹战意，欲纵火破坏，动作暴烈张扬。云间端坐的女神厉声伸臂喝止，翻卷衣袂将神性威严拉至顶点，她驾乘的狮车冲破云层，圣兽鬃毛倒竖，低吼着拱卫主人。下方裸身灵体惊惶躲闪，更衬出场面紧绷的戏剧感。\n\n画师以明暗晕染勾勒立体感，将神祇的凛然、战士的悍勇与旁观者的惊惧刻画入微，单色笔触间，尽显古典叙事的浪漫气魄。",[69,70,71,72,49,73,74,7,75,76,77],"西洋画","素描","淡彩","神话","裸女","狮子","火炬","冲突场景","神话故事","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8082bf6e0f7737b12c5ab693f788825.jpg","未知","Xcm*Xcm",[],3,"795548",{"id":85,"slug":86,"title":87,"dynasty":66,"author":19,"museum":20,"description":88,"tags":89,"thumbUrl":95,"material":79,"size":80,"collection":28,"collections":96,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":61},289299,"orazio-samacchini-study-for-the-decoration-of-a-vault-yi-ming-289299","Orazio Samacchini--Study for the Decoration of a 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Squares","这六幅装饰草图以淡墨勾勒晕染，随性又不失章法。左上与中下方格以茛苕涡卷为饰，托举层叠的壁台式置物架，柔卷线条带着洛可可式的柔媚韵律。上方圆框内的立像庄重沉静，带着古典雕塑的肃穆质感，缠绕的卷草中和了厚重感。左下角的花叶圆盘舒展雅致，如盛放的茛苕花团，对称规整。右侧上下二幅，或是垂饰点缀的华丽泉台，或是侍女拱卫的壁间水景，将古典人像与装饰性构件巧妙融合。整体笔触松弛灵动，草稿的随性间尽显复古雅致的美学氛围，处处流露着对古典装饰语言的精妙探索。",[70,104,105,49,7,93,106],"手绘","装饰纹样","设计草图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F750a0983da30180be0539fae56e91c8c.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":66,"author":19,"museum":20,"description":113,"tags":114,"thumbUrl":120,"material":79,"size":80,"collection":28,"collections":121,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":61},289152,"guercino-a-diablerie-yi-ming-289152","Guercino--A 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Mask","这幅手稿以刚柔碰撞的奇趣美学铺展画面。左侧异兽狞猛诡谲，狮首卷躯、龙形蜷身，涡旋肌理缠绕着神话生物的凌厉骨相，线条利落锋利，把幻想造物与古典卷草饰纹肆意糅合。右侧则以舒展羽翼的裸女为核心，柔美的躯体缠绕华丽茛苕纹样，柔化了异兽的暴戾气质。\n\n创作者以细腻排线勾勒轮廓，随性的手绘线条里藏着装饰设计的巧思，怪诞奇想与古典雅致彼此制衡，让狞厉的异兽与柔婉人像在卷草间共生，勾勒出中古奇幻美学的浪漫剪影，尽显复古怪谲的灵动诗意。",[94,158,159,160,161,162,163,7,164],"线稿","狮","神兽","带翼女性","怪诞形象","装饰画","神话形象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe85579304a607bb95b13c75572308a88.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":66,"author":19,"museum":20,"description":171,"tags":172,"thumbUrl":176,"material":79,"size":80,"collection":28,"collections":177,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":61},288682,"attributed-to-andre-s-de-melgar-seated-female-with-staff-receiving-female-bringing-yi-ming-288682","attributed to Andrés de Melgar--Seated Female with Staff Receiving Female 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Figures","棕褐墨色在纸面肆意游走，灵动线条勾勒出张力满溢的群像图景。端坐的神女衣袂舒展垂落，神情凝敛自带神性威严，抬手间似在降下谕示。右侧立身者引吭振臂，姿态激越仿若将神旨高声传扬。下方凡躯奔突扭曲，惶惑与挣扎顺着笔锋倾泻而出，伏身的猎犬贴着倒地身影，更添凄惶意绪。\n\n潦草随性的笔触精准锚定每一处动态，虚实明暗间，神性的肃穆与俗世的躁动拉扯碰撞。留白处余韵悠长，寥寥数笔便将寓意图景的戏剧张力全然铺开，情绪顺着笔尖流淌成画面肌理，即兴又充满力量感。",[94,128,184,49,70,7,185,186],"寓言","动态","激昂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3038894d18652244127293402cad0564.jpg",[],{"id":190,"slug":191,"title":192,"dynasty":66,"author":19,"museum":20,"description":193,"tags":194,"thumbUrl":197,"material":79,"size":80,"collection":28,"collections":198,"showCount":97,"zanCount":11,"manualWeight":11,"mainColor":61},288644,"attributed-to-francesco-allegrini-horses3-yi-ming-288644","attributed to Francesco Allegrini--Horses3","这幅速写以精准洗练的线条，定格两匹健硕骏马的背影。左侧骏马昂首曳尾，轮廓线条利落分明，顺着马匹脊背、腿部的肌肉起伏排布排线，将筋骨的力量感藏在疏密变化里，劲瘦的肌理呼之欲出。右侧的骏马微偏脖颈，臀部曲线圆润饱满，蓬松尾梢以松动的线条轻扫而过，添了几分悠然灵动。\n\n整幅画作没有繁复修饰，落笔笃定干脆，以极简的排线铺陈体积，寥寥数笔便将骏马的体态神韵凝练在纸面，带着速写独有的鲜活气韵，仿佛下一秒骏马就能踏步而去，尽显画者对马匹肌理神态的通透理解。",[94,195,70,196,7],"马","动物画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fbd255f56bbd66d0fb5425333586d94.jpg",[],{"id":200,"slug":201,"title":202,"dynasty":203,"author":19,"museum":20,"description":204,"tags":205,"thumbUrl":211,"material":79,"size":80,"collection":28,"collections":212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},280840,"jin-lv-shan-di-qian-zhang-tuo-niu-tong-yin-yi-ming-280840","“晋率善氐仟长”驼钮铜印","晋","铜印章是由金属铜铸造而成，具有硬度大，不变形，保存时间长的特点。当代，由中国铜领域第一人的朱炳仁大师开创了熔铜铸印，每枚形态各异，造型独特，极具艺术性。\n铜印的印面，也可见到极少数的棱形和圆形铜印，印纽的形状变化较多，有瓦纽，兔纽，兽纽，柄纽，片纽等等。古代铜印从印文内容上又可分为官印，人名印，闲章，吉祥语，图案印，斋室印，收藏印，在古代遗留下的书画作品或其他文史资料中，人们可以常常可以看到这类印文。\n从拍卖市场来看，铜印中的官印最受市场追捧，像“统军千户之印”，印背一侧刻“统军千户之印”，另一侧刻“中书礼部造，太平二年月日”，系元末农民起义军徐寿辉所铸。另外一枚魏晋时期的奉车都尉鎏金青铜玺印，估价5万至8万元，成交价则达到了19.04万元。奉车都尉是一种官名，自汉武帝设立之后，到宋代废弃，这枚铜印无疑是当时历史的一段记载。\n相比官印，肖形印也是铜印中的主要品种。在2007年中国嘉德秋拍中，一枚估价仅为2000至4000元的战国肖形青铜印，成交价达到了4万余元。这枚铜印的印面为龙形图案，虎钮，造型生动活泼，栩栩如生，不可多得。肖形印，亦称画印、图印、封蜡印及生肖印，是印学研究中不可缺少的重要组成部分，它有别于文字印，但内容十分广泛。\n值得注意的是，随着铜印身价的与日俱增，赝品也越来越多地出现在市场上。由于铜本身的价格不如金银，因此造假成本比较低，加上拍卖价格比较高，因此巨大的利益驱使了造假者纷纷出手。收藏市场上的铜印赝品，绝大多数是翻砂浇铸的粗劣之作。印钮两侧的标记文字也是浇铸成形的，文字不清或似是而非。为了使赝品更加逼真，造假者往往会人为制作黑色包浆，常用办法是涂上油腊烤烧数遍之后即成，但往往可以通过手剥看到下面的黄铜。",[206,207,208,209,210,7],"印章","篆刻","铜制","青铜器","骆驼","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c518cd824135bb035c052b557454dd9.jpg",[],{"id":214,"slug":215,"title":216,"dynasty":217,"author":19,"museum":20,"description":218,"tags":219,"thumbUrl":221,"material":79,"size":80,"collection":28,"collections":222,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},278043,"chi-niu-tian-ran-yin-yi-ming-278043","螭纽“天然”印","明","战国时期，主张合纵的名相苏秦佩戴过六国相印。近几年来，出土的文物又把印章的历史向前推进了数百年。也就是说，印章在周朝时就有了。\n传世的古代玺印，多数出于古城废墟、河流和古墓中。有的是战争中战败者流亡时所遗弃，也有在战争中殉职者遗弃在战场上的，而当时的惯例，凡在战场上虏获的印章必须上交，而官吏迁职、死后也须脱解印绶上交。其它有不少如官职连姓名的，以及吉语印、肖形印等一般是殉葬之物，而不是实品。其它在战国时代的陶器和标准量器上，以及有些诸侯国的金币上，都用印章盖上名称和记录上制造工匠的名姓或图记性质的符号，也被流传下来。\n古玺是先秦印章的通称。我们现在所能看到的一般最早的印章大多是战国古玺。印文笔画细如毫发，都出于铸造。白文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。官玺的印文内容有“司马”、“司徒”等名称外，还有各种不规则的形状，内容还刻有吉语和生动的物图案。朱文古玺大多加边栏，或在中间加一竖界格，文字有铸有凿。",[206,207,220,7],"螭纽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda598effbe8b97ef5d15dd05afdcc4d7.jpg",[],{"id":224,"slug":225,"title":226,"dynasty":37,"author":19,"museum":20,"description":218,"tags":227,"thumbUrl":228,"material":79,"size":80,"collection":28,"collections":229,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},277120,"bi-xie-niu-lin-gu-zhi-qin-ji-wei-yin-yi-ming-277120","辟邪纽“凛顾禔钦几微”印",[206,24,207,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6236d91dcf5ccde7902dce36c48784ac.jpg",[],{"id":231,"slug":232,"title":233,"dynasty":37,"author":19,"museum":20,"description":234,"tags":235,"thumbUrl":242,"material":79,"size":80,"collection":28,"collections":243,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":244},274475,"tong-du-jin-qian-liao-shi-liu-shi-tuo-ping-hua-yin-yue-biao-yi-ming-274475","铜镀金嵌料石六狮驮瓶花音乐表","中国清宫内所存以机械为动力、用珍贵材料做外壳、构造复杂的艺术性计时器。中国本是世界上发明计时器最早的国家。但自1601年意大利 传教士 利玛窦向中国明万历皇帝呈献第一件自鸣钟起，陆续有西洋钟表进献宫廷。清康熙帝把西洋钟表作为一种新科学加以重视，将西洋钟表（也称自鸣钟）贮于端凝殿南端，并将此处命名为自鸣钟处，还在宫内成立了做钟处。到乾隆时，钟表已成为帝后们生活中不可缺少之物，不但在各宫殿内陈设，就连外出乘坐的车、轿、船、马鞍上也都置有钟表。因而每年都要使用大批新奇钟表。这些钟表有清宫做钟处、广州、苏州制造的，也有英国、法国、德国、瑞士、日本等国制造的。",[208,236,25,237,74,238,239,240,241,7],"金器","嵌料石","钟表","音乐器","工艺品","瓶花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F11d2ceb84ee357f177551f15724459a7.jpg",[],"37474F",{"id":246,"slug":247,"title":248,"dynasty":37,"author":19,"museum":20,"description":249,"tags":250,"thumbUrl":252,"material":79,"size":80,"collection":28,"collections":253,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":61},274431,"tong-du-jin-shan-zi-zhuan-tian-e-ren-da-zhong-yi-ming-274431","铜镀金山子转天鹅人打钟","最早的钟原本是指古代汉族 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