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不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[92,93,94,95,96,97,98,7],"清代","陶瓷","孔雀绿釉","凸纹","云纹","龙纹","盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7273fff5c09589b25b74f11f5af7d82c.jpg",[],"FFFFFF",{"id":103,"slug":104,"title":105,"dynasty":106,"author":19,"museum":20,"description":107,"tags":108,"thumbUrl":10,"material":29,"size":30,"collection":31,"collections":110,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":68},226982,"zhang-tuan-si-yin-tong-yin-yi-ming-226982","「张彖私印」铜印","汉","铜印章是由金属铜铸造而成，具有硬度大，不变形，保存时间长的特点。当代，由中国铜领域第一人的朱炳仁大师开创了熔铜铸印，每枚形态各异，造型独特，极具艺术性。\n铜印的印面，也可见到极少数的棱形和圆形铜印，印纽的形状变化较多，有瓦纽，兔纽，兽纽，柄纽，片纽等等。古代铜印从印文内容上又可分为官印，人名印，闲章，吉祥语，图案印，斋室印，收藏印，在古代遗留下的书画作品或其他文史资料中，人们可以常常可以看到这类印文。\n从拍卖市场来看，铜印中的官印最受市场追捧，像“统军千户之印”，印背一侧刻“统军千户之印”，另一侧刻“中书礼部造，太平二年月日”，系元末农民起义军徐寿辉所铸。另外一枚魏晋时期的奉车都尉鎏金青铜玺印，估价5万至8万元，成交价则达到了19.04万元。奉车都尉是一种官名，自汉武帝设立之后，到宋代废弃，这枚铜印无疑是当时历史的一段记载。\n相比官印，肖形印也是铜印中的主要品种。在2007年中国嘉德秋拍中，一枚估价仅为2000至4000元的战国肖形青铜印，成交价达到了4万余元。这枚铜印的印面为龙形图案，虎钮，造型生动活泼，栩栩如生，不可多得。肖形印，亦称画印、图印、封蜡印及生肖印，是印学研究中不可缺少的重要组成部分，它有别于文字印，但内容十分广泛。\n值得注意的是，随着铜印身价的与日俱增，赝品也越来越多地出现在市场上。由于铜本身的价格不如金银，因此造假成本比较低，加上拍卖价格比较高，因此巨大的利益驱使了造假者纷纷出手。收藏市场上的铜印赝品，绝大多数是翻砂浇铸的粗劣之作。印钮两侧的标记文字也是浇铸成形的，文字不清或似是而非。为了使赝品更加逼真，造假者往往会人为制作黑色包浆，常用办法是涂上油腊烤烧数遍之后即成，但往往可以通过手剥看到下面的黄铜。",[109,42,23,24,45,7],"汉代",[],{"id":112,"slug":113,"title":114,"dynasty":115,"author":19,"museum":20,"description":107,"tags":116,"thumbUrl":118,"material":29,"size":30,"collection":31,"collections":119,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":68},224055,"qin-mu-yin-xin-tong-yin-yi-ming-224055","「秦穆印信」铜印","晋",[42,23,24,7,45,117],"晋代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca8b29908a1fb526a63b914e9d0a9382.jpg",[],{"id":121,"slug":122,"title":123,"dynasty":39,"author":19,"museum":20,"description":107,"tags":124,"thumbUrl":125,"material":29,"size":30,"collection":31,"collections":126,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},280783,"sun-sai-zhi-yin-shou-niu-tong-yin-yi-ming-280783","“孙赛之印”兽钮铜印",[23,24,42,7,44],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1be2491313b624b9934ac8a68915a1eb.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":39,"author":19,"museum":20,"description":107,"tags":131,"thumbUrl":133,"material":29,"size":30,"collection":31,"collections":134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},280782,"xu-pu-yin-xin-bi-xie-niu-tong-yin-yi-ming-280782","“许普印信”辟邪钮铜印",[23,42,24,7,132],"辟邪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac5f08b8c98b753a1826e705cc9c7283.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":106,"author":19,"museum":20,"description":40,"tags":139,"thumbUrl":142,"material":29,"size":30,"collection":31,"collections":143,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},280779,"wan-xin-shou-niu-tong-liu-jin-yin-yi-ming-280779","“万信”兽钮铜鎏金印",[23,24,42,140,141,7],"金器","兽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7ee737c29a8e3de6e657c3a228332401.jpg",[],{"id":145,"slug":146,"title":147,"dynasty":39,"author":19,"museum":20,"description":107,"tags":148,"thumbUrl":149,"material":29,"size":30,"collection":31,"collections":150,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},280721,"sun-qian-yin-xin-bi-xie-niu-tong-yin-yi-ming-280721","“孙谦印信”辟邪钮铜印",[23,42,24,44,7,132],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe20ab6f8fc5d112613d9c9d590ac7262.jpg",[],{"id":152,"slug":153,"title":154,"dynasty":18,"author":19,"museum":20,"description":21,"tags":155,"thumbUrl":157,"material":29,"size":30,"collection":31,"collections":158,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},280676,"zhu-xian-song-jing-shou-niu-shou-shan-shi-zhang-yi-ming-280676","“竹闲松静”兽钮寿山石章",[23,24,156,7,55,45],"寿山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd0d329b61ba138063b8377cccbda7003.jpg",[],{"id":160,"slug":161,"title":162,"dynasty":18,"author":19,"museum":20,"description":21,"tags":163,"thumbUrl":164,"material":29,"size":30,"collection":31,"collections":165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":85},280626,"deng-chuan-mi-yin-shuang-shou-niu-shou-shan-shi-zhang-yi-ming-280626","“邓传密印”双兽钮寿山石章",[23,24,156,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9ba0a70683b8b68bc27a045aa93dd3bc.jpg",[],{"id":167,"slug":168,"title":169,"dynasty":18,"author":19,"museum":20,"description":21,"tags":170,"thumbUrl":171,"material":29,"size":30,"collection":31,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},280625,"deng-bo-zi-zi-shou-zhi-yi-hao-shao-bo-shuang-shou-niu-qing-tian-shi-zhang-yi-ming-280625","“邓伯子字守之一号少伯”双兽钮青田石章",[23,24,25,65,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24a2b020f4d2611faba339e36846a7dc.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":18,"author":19,"museum":20,"description":21,"tags":177,"thumbUrl":178,"material":29,"size":30,"collection":31,"collection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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[55,45,381,382,383,7,384],"寿字纹","勾莲纹","螭纹","盖壶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fea7fd5937496dabde3a795d0fdc53b90.jpg",[],{"id":388,"slug":389,"title":390,"dynasty":313,"author":19,"museum":20,"description":391,"tags":392,"thumbUrl":401,"material":29,"size":30,"collection":31,"collections":402,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":68},249036,"jing-tai-kuan-qia-si-fa-lang-gou-lian-wen-gu-shi-gai-lu-yi-ming-249036","景泰款掐丝珐琅勾莲纹鼓式盖炉","此炉敦厚朴拙，鎏金铺首兽耳雄浑大气，三兽足稳稳承托炉身，尽显庄重华贵。盖顶卧象憨态可掬，暗藏太平有象的祥瑞寓意，鎏金镂空缠枝盖面，可让焚香烟气自花隙间悠然漫出，虚实相映雅致灵动。炉身以澄澈天青为地，掐丝勾勒缠枝宝相花，填色饱满鲜亮，珐琅釉色沉厚莹润，与鎏金饰件的亮眼光泽相映成趣，尽显明代掐丝珐琅精湛工艺，集焚香实用、陈设装饰与吉祥意蕴于一身，是兼具美学价值与文化内涵的精工之作。",[393,394,395,396,397,382,398,7,399,400],"明代","掐丝珐琅","珐琅器","设色","器","鼓式","兽耳","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72b42ebd939ae1c4933ec4739aa20b68.jpg",[],1777535711027]