[{"data":1,"prerenderedAt":82},["ShallowReactive",2],{"subject-shou-shou-xian-huan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},8406,"shou-shou-xian-huan","兽首衔环","兽首衔环画高清赏析","精选中国历代兽首衔环题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa73945f3223b8be721c13a61351b8b0d.jpg",0,4,[14,37,54,68],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":30,"material":31,"size":32,"collection":33,"collections":34,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},261872,"yi-xing-yao-zi-sha-tu-hua-zhu-chong-wen-hai-tang-shi-ping-yi-ming-261872","宜兴窑紫砂凸花竹虫纹海棠式瓶","清","佚名","藏地不详","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[23,24,25,26,27,28,7,29],"陶瓷","紫砂器","海棠式瓶","竹","虫","凸花","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b9d5cc5ac1ee7e9ea58ecbea8e99b3f.jpg","未知","Xcm*Xcm","瓷器精选",[33],1,"BDBDBD",{"id":38,"slug":39,"title":40,"dynasty":41,"author":19,"museum":20,"description":42,"tags":43,"thumbUrl":10,"material":31,"size":32,"collection":51,"collections":52,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":53},243079,"long-wen-hu-yi-ming-243079","龙纹壶","宋","方口束颈，垂腹方足，兽首衔环双耳古拙雄浑，带着上古礼器的庄重威仪。器身纹饰分层排布，龙纹蜿蜒辗转，线条灵动腾挪，缠绕的回纹勾勒出规整韵律，铜绿斑驳覆于表面，浸着千年时光的痕迹。\n\n它复刻商周青铜古韵，却又带着宋人的雅致意趣，将狞厉厚重的古礼器气质，融于复刻的精妙匠心中，沉静肃穆间尽显复古美学的隽永韵味，将上古的狞厉与复刻的匠心凝于一方铜器中，古意盎然。",[44,45,46,47,7,48,49,50],"青铜器","礼器","铜制","龙纹","回纹","复刻","古意","",[],"37474F",{"id":55,"slug":56,"title":57,"dynasty":58,"author":19,"museum":20,"description":59,"tags":60,"thumbUrl":65,"material":31,"size":32,"collection":51,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},260713,"qing-you-xi-yi-ming-260713","青釉洗","晋","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,61,62,63,7,64],"器","青釉","洗","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc22ac123ae586ffff7891405b5400daa.jpg",[],"795548",{"id":69,"slug":70,"title":71,"dynasty":72,"author":19,"museum":20,"description":73,"tags":74,"thumbUrl":80,"material":31,"size":32,"collection":51,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},257693,"huang-you-miao-jin-jue-yi-ming-257693","黄釉描金爵","明","黄釉是汉族传统的陶瓷装饰艺术。最早出现于唐代，当时安徽淮南寿州窑、河南密县窑等都烧黄釉。但正色黄釉，还是宋代汝窑的高温黄釉——茶叶末釉。明代的黄釉有新的发展，洪武时的老僧衣即茶叶末的衍化；始于宣德的浇黄，更是明代杰出的黄釉；嘉靖以后，又有鱼子黄、鸡油黄等。入清后有康熙的淡黄，以及其后的菜尾、鼻烟、金酱等。",[23,75,76,77,78,45,79,7],"黄釉","描金","明代","饮酒器","三足","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc1f8690d755657e35d1347f7abbe0a66.jpg",[],1777535764295]