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吴昌硕热心提携后进，齐白石、王一亭、潘天寿、陈半丁、赵云壑、王个簃、沙孟海等均得其指授。 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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[185,186,28,51,52,187,7],"陶瓷","五彩","动物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1336f22edfccb59a0701d39deaa2694.jpg",[],6,{"id":192,"slug":193,"title":194,"dynasty":18,"author":66,"museum":20,"description":169,"tags":195,"thumbUrl":199,"material":35,"size":36,"collection":37,"collections":200,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":202},268397,"hu-se-duan-xiu-wan-fu-shou-ru-yi-wen-huo-ji-xue-ye-yi-ming-268397","湖色缎绣万福寿如意纹活计-靴掖",[131,77,196,7,197,175,198],"靴掖","蝙蝠纹","吉祥纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F386c673f8296660611e1f1aa507d94b5.jpg",[],5,"37474F",{"id":204,"slug":205,"title":206,"dynasty":18,"author":207,"museum":144,"description":208,"tags":209,"thumbUrl":211,"material":37,"size":37,"collection":37,"collections":212,"showCount":201,"zanCount":11,"manualWeight":11,"mainColor":213},202596,"ma-gu-xian-shou-tu-zhou-xiao-chen-202596","麻姑献寿图轴","萧晨","画面中麻姑衣袂飘飘，长裙曳地如流风回雪，线条婉转流畅，设色淡雅却见精致。身旁二侍女或捧寿桃，或携花篮，神情温婉柔和，姿态各异，尽显娴静之态。工笔细腻处，人物面容秀雅，衣纹转折自然，兼具飘逸与庄重。寿桃彤彤、花篮簇簇，暗含吉祥寓意，传递出祝寿的美好祈愿。整幅画作将人物的灵动与祝寿的庄重完美融合，尽显古典雅致之韵。",[24,51,50,28,27,52,7,210,23],"花篮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdb9c6fddee33db0d808cc33f7ca937b1.jpg",[],"c8baa9",{"id":215,"slug":216,"title":217,"dynasty":18,"author":66,"museum":20,"description":218,"tags":219,"thumbUrl":222,"material":35,"size":36,"collection":37,"collections":223,"showCount":224,"zanCount":11,"manualWeight":11,"mainColor":41},272847,"ti-hong-bian-zuo-qian-fa-lang-ling-xian-zhu-shou-tu-cha-ping-yi-ming-272847","剔红边座嵌珐琅灵仙祝寿图插屏","此作以珐琅为绘、剔红为骨，画面之上双鹤亭亭立于水畔石矶，丹顶雪羽苍劲灵动，松下桃枝夭夭，硕桃莹润饱满，枝叶舒展鲜活，鹅黄底色衬得彩料明丽雅致，将灵仙祝寿的吉祥意趣晕染得生机盎然。\n外框与底座剔红工艺精湛，满地锦纹细密匀净，开光内纹饰古拙雅致，瑞兽形足沉稳端庄，木雕重工与珐琅彩饰相映成趣，尽显华贵雅致的陈设气度，把鹤寿延年、蟠桃贺喜的美好祈愿，凝于匠心巧思之间。",[104,220,103,105,7,221,33,30,50,28],"漆器","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf7c80669c61a459b6dd9db902f696d8.jpg",[],4,{"id":226,"slug":227,"title":228,"dynasty":18,"author":66,"museum":20,"description":169,"tags":229,"thumbUrl":232,"material":35,"size":36,"collection":37,"collections":233,"showCount":224,"zanCount":11,"manualWeight":11,"mainColor":202},268393,"hu-se-duan-xiu-wan-fu-shou-ru-yi-wen-huo-ji-he-bao-yi-ming-268393","湖色缎绣万福寿如意纹活计-荷包",[174,77,131,230,7,175,231],"荷包","福寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe111450a2a946c190f60c5d4c79113e9.jpg",[],{"id":235,"slug":236,"title":237,"dynasty":18,"author":66,"museum":20,"description":238,"tags":239,"thumbUrl":246,"material":35,"size":36,"collection":37,"collections":247,"showCount":224,"zanCount":11,"manualWeight":11,"mainColor":41},267277,"huang-se-duan-suo-xiu-ling-xian-zhu-shou-wen-huo-ji-shan-tao-yi-ming-267277","黄色缎锁绣灵仙祝寿纹活计-扇套","此件以明黄缎为底，锁绣工艺勾勒满幅雅趣。双“壽”字方正饱满，搭配灵仙花、寿桃与折枝卉草，针脚细密平齐，设色柔和鲜亮。纹样排布错落有序，将福寿延年的美好祈愿融于绣纹之中，既见刺绣工艺的精巧工致，又尽显华贵雅致，把东方传统的祈福意趣藏于方寸之间。",[240,77,241,242,7,243,244,245],"扇套","锁绣","寿字","水仙","祝寿纹","活计","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0315f8f15bd5c2a940dc5bd3b75d67f.jpg",[],{"id":249,"slug":250,"title":251,"dynasty":18,"author":66,"museum":20,"description":252,"tags":253,"thumbUrl":255,"material":35,"size":36,"collection":37,"collections":256,"showCount":224,"zanCount":11,"manualWeight":11,"mainColor":41},266294,"huang-se-ke-si-ling-xian-zhu-shou-wen-mian-chen-yi-yi-ming-266294","黄色缂丝灵仙祝寿纹棉衬衣","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 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