[{"data":1,"prerenderedAt":252},["ShallowReactive",2],{"subject-shou-xie":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3610,"shou-xie","手写","手写画高清赏析","精选中国历代手写题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb934fc0031f87f7f2495d22609071206.jpg",0,20,[14,35,54,73,85,97,112,123,133,142,151,162,173,183,193,202,211,220,231,243],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":33,"zanCount":11,"manualWeight":11,"mainColor":34},221039,"pin-you-ai-huo-tie-yu-kong-shi-zhong-tie-you-xuan-tie-wang-xi-zhi-221039","《频有哀祸帖》与《孔侍中帖》、《忧悬帖》","晋","王羲之","日本尊经阁文库","《频有哀祸帖》行草书。\n为东晋王羲之所书尺牍摹本，原作久佚。存世的《频有哀祸帖》摹本收藏于日本前田育德会，为唐代硬黄响搨、双钩廓填摹本。作品行轴线时曲时直、书体时草时行、点画时方时圆，书写风格沉雄跳宕、劲健流纵，体现了王羲之高超的书写技巧和驾驭能力。作品。\n《孔侍中帖》為唐代摹搨墨跡，是對東晉王羲之尺牘進行的雙鈎廓填而形成的勾摹本。行草書，3行，25字。《孔侍中帖》筆畫體態豐腴雍容；“中和”之美，“多力豐筋”於此帖盡顯。作品墨跡收藏於日本前田育德會。",[23,24,25,26,7],"书法","行书","笔墨","帖","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0bf13a3fc38ad9b01d9a38229a29a96.jpg","纸本","纵24.8厘米，3行，20字","书法精选",[30,32],"碑帖精选",70,"BDBDBD",{"id":36,"slug":37,"title":38,"dynasty":39,"author":40,"museum":41,"description":42,"tags":43,"thumbUrl":48,"material":49,"size":50,"collection":51,"collections":52,"showCount":53,"zanCount":11,"manualWeight":11,"mainColor":34},273979,"he-huan-hua-deng-di-zhang-yi-ming-273979","《合欢花等底账》","清","佚名","藏地不详","这帧线装旧册装帧雅致，米黄封皮衬缠枝暗纹，古朴静穆。竖排题字端方厚重，带着晚清楷书的端正意趣。\n\n内页蝇头小楷工整细密，一笔一划皆带着认真肃穆，藏着百年前市井商贸的烟火日常。泛黄纸页上的细密字迹，是清末商号营生的微观注脚，将冰冷的流水账晕染出鲜活的市井温度，复刻着远去年代里掌柜伙计的营生日常，在墨香纸色之间，静静留存住晚清商贸的细碎切片，让远去的市井营生，在旧纸余温中可触可感。",[44,45,46,47,7],"线装","典籍","楷书","账本","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F267e91ace495e6f624788ab12f92378d.jpg","未知","Xcm*Xcm","",[],12,{"id":55,"slug":56,"title":57,"dynasty":58,"author":40,"museum":41,"description":59,"tags":60,"thumbUrl":69,"material":51,"size":51,"collection":51,"collections":70,"showCount":71,"zanCount":72,"manualWeight":11,"mainColor":34},227217,"fa-hua-jing-fang-bian-pin-zhu-sheng-dao-jing-yi-ming-227217","法华经方便品（竹生岛经）","唐","因本卷曾收藏于琵琶湖上竹生岛之宝严寺，故称为「竹生岛经」。原本应抄录了魏晋南北朝僧人兼翻译家、鸠摩罗什（344－413）所译《法华经》八卷之全文，但目前仅存卷第一中的〈方便品〉一卷，即本件，以及现仍由宝严寺收藏的经摺装〈序品〉一册。\n本卷采用以金、银泥描画蝴蝶、禽鸟、宝相华、花草、祥云等纹样的上等纸张，其上施以金泥行界，每纸二十八行，书写之笔致沉稳而工整，是极为优美的装饰经（指具有装饰性目的之写经，纸张染色并描绘各种纹饰，施加金银粉或细箔）。现存的〈方便品〉及〈序品〉上，都有松花堂昭乘（1584－1639）的题跋，松花堂昭乘与本阿弥光悦、近卫信尹等宽永年间三大名书家，同誉为「宽永三笔」。跋文中虽提及此卷出自源俊房（1035－1121）之笔，但并无确凿有力之证据。",[61,62,63,46,28,64,23,65,7,66,67,68],"高清","唐代","写经","宗教","古籍","经文","传统书法","经卷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde11b79c9b2a676beb39ef8701b43034.jpg",[],10,1,{"id":74,"slug":75,"title":76,"dynasty":77,"author":40,"museum":78,"description":79,"tags":80,"thumbUrl":10,"material":49,"size":50,"collection":51,"collections":83,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":84},226511,"xie-jing-p-4501-fu-ding-zun-sheng-tuo-luo-ni-jing-juan-yi-yi-ming-226511","写经P.4501佛顶尊胜陀罗尼经卷一","不详","敦煌","佛顶尊胜陀罗尼，尊胜佛顶尊之陀罗尼也。帝释天，悯善住天子有从今受七度畜生恶道身之业因，诣祇园精舍请佛救济之法，佛为说此陀罗尼，令诵之。尊胜陀罗尼经曰：“告帝释言：天帝有陀罗尼名为如来佛顶尊胜，能净一切恶道，能净除一切生死苦恼。（中略）佛告天帝：此佛顶尊胜陀罗尼，若有人闻一经于耳，先世所造一切地狱恶业皆悉消灭。”",[23,63,64,81,82,65,7,46],"墨书","长卷",[],"795548",{"id":86,"slug":87,"title":88,"dynasty":58,"author":40,"museum":41,"description":89,"tags":90,"thumbUrl":94,"material":51,"size":51,"collection":30,"collections":95,"showCount":96,"zanCount":11,"manualWeight":11,"mainColor":84},239682,"wu-kuan-huang-chao-qi-yi-ji-can-ye-yi-ming-239682","无款黄巢起义记残页","黄巢起义，指的是乾符五年（878年）至中和四年（884年）由黄巢领导的民变，是王仙芝起义的后续。也是唐末民变中，历时最久，遍及最大，影响最深远的一场农民起义。黄巢之乱转战近半唐朝江山，导致唐末国力大衰。\n黄巢起义，采用流动作战的方式，避实攻虚，走遍今天山东、河南、安徽、浙江、江西、福建、广东、广西、湖南、湖北、陕西等省广大地区，动摇了唐朝的统治。但由于长期流动作战，没有稳定的后方，缺乏经济上的保障和群众基础，故而很难持久下去，使起义军最后失败。",[62,23,24,91,92,45,7,93,65,81],"墨迹","残页","汉字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc26a9b5915211b536825c381c7234e93.jpg",[30],8,{"id":98,"slug":99,"title":100,"dynasty":101,"author":102,"museum":41,"description":103,"tags":104,"thumbUrl":109,"material":49,"size":50,"collection":51,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":34},232828,"zhuan-shu-qi-wen-si-zi-jing-feng-fang-232828","篆书奇文四字经","明","丰坊","丰坊（1492年－1563年），字存禮，又字人翁，號南禺外史，晚年更名道生。浙江鄞县（今浙江宁波）人。明朝书法家、篆刻家、藏书家，榜眼豐熙之子。",[23,105,106,107,7,65,108,67],"篆书","册","明代","篆书技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bc58a4a52e82b78789d6d9a223426bb.jpg",[],7,{"id":113,"slug":114,"title":115,"dynasty":101,"author":116,"museum":41,"description":117,"tags":118,"thumbUrl":120,"material":28,"size":51,"collection":30,"collections":121,"showCount":122,"zanCount":11,"manualWeight":11,"mainColor":34},241081,"jia-shu-juan-zong-da-241081","家书卷","宗达","通篇以狂草走笔，笔墨淋漓跌宕，字势欹侧相生，牵丝萦带间气脉贯通，如行云流水一气呵成。行与行错落排布，字距疏密随文气自在开合，将家书中的亲厚心绪，尽数融在笔墨起落之中。\n虽为尺素家书，却以长卷铺陈，笔墨间带着随性松弛的自在感，不见刻意雕琢之迹。提按转折裹挟着日常问安的温情，将家常絮语化作笔底波澜，既有狂草的张扬快意，又藏着尺牍的脉脉温情，笔墨性情与家书意趣浑然相融，是法度与意趣的绝佳平衡。",[61,23,24,82,107,119,7],"纸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1b5d870f4a970de323b72d5eb5b1cd9.jpg",[30],6,{"id":124,"slug":125,"title":126,"dynasty":39,"author":40,"museum":41,"description":127,"tags":128,"thumbUrl":131,"material":49,"size":50,"collection":51,"collections":132,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":34},273976,"ge-zhong-yao-wei-di-zhang-yi-ming-273976","《各种药味底账》","泛黄麻纸之上，淡墨依旧清晰。左侧题签方正端凝，右侧手书小楷朴拙工整，将一味味药材细细排布。它无刻意笔墨章法，却带着旧时药铺的温热烟火气。\n\n这页底账留存着晚清行医脉络的鲜活细节，每一行药材名称里藏着经手人指尖的温度，静静诉说着百年前市井里的寻常医事。作为日常药味底账，它以最平实的纸面承载基层医药的往昔图景，成为触摸晚清民生烟火的细碎切片，让后人得以窥见彼时市井间的医药日常，打捞起被时光湮没的平凡医事细节。",[45,46,7,129,130],"账册","医药记录","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc87eb374b9a90eaccdc09ffcae9401c3.jpg",[],{"id":134,"slug":135,"title":136,"dynasty":39,"author":40,"museum":41,"description":137,"tags":138,"thumbUrl":140,"material":49,"size":50,"collection":51,"collections":141,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":34},273967,"huang-hou-jin-yao-di-bu-yi-ming-273967","《皇后进药底簿》","素朴泛黄的古纸封面上，题字端凝庄重，墨色历经岁时仍清晰沉静。它以极简装帧承载深宫郑重医事，纸页间晕开的岁月痕迹，静静见证着严谨的皇家医事制度。\n\n这册底簿以缄默笔触，细致留存下皇后用药的全程细节，是窥见旧朝内廷医事运作与隐秘日常的珍贵遗存。每一页都藏着尘封的宫廷往事，一字一句皆是皇家医事流程的注脚，将深宫里的医案细节凝固为可触摸的历史碎片，在素朴沉静的表象之下，藏着一段被时光封存的深宫医史。",[45,46,7,139,23],"医药文书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89d852619f232d549881c91d62462fe2.jpg",[],{"id":143,"slug":144,"title":145,"dynasty":39,"author":40,"museum":41,"description":146,"tags":147,"thumbUrl":149,"material":49,"size":50,"collection":51,"collections":150,"showCount":72,"zanCount":11,"manualWeight":11,"mainColor":34},273966,"zhu-zi-deng-wei-yong-yao-di-bu-yi-ming-273966","《主子等位用药底簿》","这帧素麻纸封面带着旧时光的温润痕迹，墨色沉朴内敛。竖排题字带着馆阁抄录的端谨风骨，右侧手书落着具体日期，将它锚定在百年之前。它是深宫医档的遗存，没有华美的装帧修饰，以最平实的模样，缄藏着旧时皇室疗愈的细节。它并非精致的书画，却以质朴无华的纸面，承载着隐秘的宫廷日常，将当年的杏林诊疗细节凝于方寸之间，静静诉说着百年前的宫廷杏林往事，把皇室医疗的烟火气封存在泛黄纸页之中。",[45,23,46,7,148],"医药底簿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f7c1122af233d97481c49e5a3d54a45.jpg",[],{"id":152,"slug":153,"title":154,"dynasty":77,"author":40,"museum":41,"description":155,"tags":156,"thumbUrl":160,"material":49,"size":50,"collection":51,"collections":161,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},289857,"dun-huang-yi-shu-373-yi-ming-289857","敦煌遗书373","莫高窟，俗称千佛洞，坐落在河西走廊西端的敦煌。它始建于前秦宣昭帝苻坚时期，后历经北朝、隋朝、唐朝、五代十国、西夏、元朝等历代的兴建，形成巨大的规模，有洞窟735个，壁画4.5万平方米、泥质彩塑2415尊，是世界上现存规模最大、内容最丰富的佛教艺术地。\n1961年，莫高窟被中华人民共和国国务院公布为第一批全国重点文物保护单位之一。1987年，莫高窟被列为世界文化遗产。\n莫高窟与河南洛阳龙门石窟、山西大同云冈石窟并称中国三大石窟，后加麦积山石窟称四大石窟。 2019年8月31日，由敦煌研究院等单位联合摄制的大型纪录片《莫高窟与吴哥窟的对话》在敦煌国际会展中心首映。纪录片以亚洲文明对话为题材，向人们展现了不同文明之间命运相通、文化相通、艺术相通的奇妙关联。\n2020年2月，为致敬奋斗在抗疫一线的医务工作者，景区在恢复运营后，对全国所有医护人员实行免费开放，直至2020年底。5月10日，莫高窟恢复开放。\n莫高窟始建于前秦宣昭帝苻坚时期，据唐朝《李克让重修莫高窟佛龛碑》一书的记载，前秦建元二年（366年），僧人乐尊路经此山，忽见金光闪耀，如现万佛，于是便在岩壁上开凿了第一个洞窟。此后法良禅师等又继续在此建洞修禅，称为“漠高窟”，意为“沙漠的高处”。后世因“漠”与“莫”通用，便改称为“莫高窟”。另有一说为：佛家有言，修建佛洞功德无量，莫者，不可能、没有也，莫高窟的意思，就是说没有比修建佛窟更高的修为了。\n北魏、西魏和北周时，统治者崇信佛教，石窟建造得到王公贵族们的支持，发展较快。\n隋唐时期，随着丝绸之路的繁荣，莫高窟更是兴盛，在武则天时有洞窟千余个。安史之乱后，敦煌先后由吐蕃和归义军占领，但造像活动未受太大影响。北宋、西夏和元代，莫高窟渐趋衰落，仅以重修前朝窟室为主，新建极少。\n元代以后敦煌停止开窟，逐渐冷落荒废。明嘉靖七年（1528年）封闭嘉峪关，使敦煌成为边塞游牧之地。清康熙五十七年（1718）平定新疆，雍正元年（1723）在敦煌设沙州所，三年（1725）改沙州卫，并从甘肃各州移民敦煌屯田，重修沙州城。乾隆二十五年（1760）改沙州卫为敦煌县，敦煌经济开始恢复。莫高窟开始被人们注意。\n清光绪二十六年（1900）发现了震惊世界的藏经洞。不幸的是，在晚清政府腐败无能、西方列强侵略中国的特定历史背景下，藏经洞文物发现后不久，英人斯坦因、法人伯希和、日人橘瑞超、俄人鄂登堡等西方探险家接踵而至敦煌，以不公正的手段，从王道士手中骗取大量藏经洞文物，致使藏经洞文物惨遭劫掠，绝大部分不幸流散，分藏于英、法、俄、日等国的众多公私收藏机构，仅有少部分保存于国内，造成中国文化史上的空前浩劫。",[78,23,63,82,64,157,7,65,158,159],"佛经","文书","草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ae794dee1407e815d66d638890cb6ec.jpg",[],{"id":163,"slug":164,"title":165,"dynasty":39,"author":40,"museum":41,"description":166,"tags":167,"thumbUrl":171,"material":49,"size":50,"collection":51,"collections":172,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273991,"yan-ke-men-yao-fang-yi-ming-273991","“眼科门”药方","泛黄麻纸裹挟着旧时光晕，封皮题字朴拙苍劲，带着老中医提笔时的沉静力道。内页工整小楷清晰罗列眼目诸方，墨迹虽历经年岁依旧匀净明了。\n\n十九样眼科药方藏着旧时民间医技的细致巧思，纸面折痕与藏品编号，默默诉说它曾被反复翻阅、妥帖收存的过往。它跳脱开精致雅玩的范畴，带着实打实的实用温度，是传统中医眼科诊疗智慧的具象缩影，将晚清民间行医的日常封存在这尺幅纸页之中。",[45,23,46,168,169,28,170,7],"药方","中医药","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcace45b47bbc81f2b01aeed56ba05067.jpg",[],{"id":174,"slug":175,"title":176,"dynasty":39,"author":40,"museum":41,"description":177,"tags":178,"thumbUrl":181,"material":49,"size":50,"collection":51,"collections":182,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273989,"shang-han-men-yao-fang-yi-ming-273989","“伤寒门”药方","泛黄纸页带着岁月浸淫的旧色，题字朴拙苍劲，带着手写的随性温度，全无刻板匠气。内页工整抄录的药方，藏着民间杏林的鲜活脉络。纸页边缘摩挲出的毛边，是反复翻阅的痕迹，凝着旧时医者反复参照的日常。\n\n它没有雕版印刷的规整，却带着市井行医的烟火气，将中医药的传承藏在笔墨之间，是民间杏林仁心的具象遗存，静静诉说着旧时医家抄录药方、守护一方的过往。",[45,23,46,168,179,7,180],"册页","纸张","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F95a80b55c30bb8101a05eee750d1547f.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":39,"author":40,"museum":41,"description":187,"tags":188,"thumbUrl":191,"material":49,"size":50,"collection":51,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273985,"shang-yong-shang-yao-yao-wei-deng-xiang-di-bu-yi-ming-273985","《上用上要药味等项底簿》","纸面晕开旧时光的黄晕，暗纹隐在纸间沉静雅致。板框内题字端稳工整，右侧手书的光绪纪年墨迹依旧清晰，标注着这部底簿数载过往。\n\n它是旧时药料采办调配的详实底账，刊刻的规整与手书的随性相映成趣，既有官档的严整，又藏着日常署务的温热细节。纸面的斑驳痕迹皆是岁月摩挲的印记，静静承载着清代药业运作的细碎脉络，是窥见彼时医署日常、药务流转的珍贵遗存。",[45,189,46,23,7,190],"木刻","底簿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F01ad0b0770480392c75b1f45dc7e406f.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":39,"author":40,"museum":41,"description":197,"tags":198,"thumbUrl":200,"material":49,"size":50,"collection":51,"collections":201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273984,"shang-chuan-jiao-cun-wai-shang-di-bu-yi-ming-273984","《上传交存外赏底簿》","米黄色装帧素雅沉静，签条墨字端方内敛，朱红藏印晕开一抹亮色。内页小楷清隽工整，笔意匀净秀挺，诸般名目罗列齐整，墨色历经岁月经年仍清晰饱满。泛黄笺纸晕开时光痕迹，带着旧物独有的温润质感。\n\n它并非精工雅制的藏品，却带着旧文书独有的规整严谨，藏着往昔的日常脉络。细碎名目背后是旧时的烟火日常，朴素纸面承载着岁月沉淀的厚重温度，静静诉说着过往的细碎旧事，将平淡往昔凝练成可触摸的时光标本，带着沉静的烟火气，成为回望旧时日常的珍贵载体。",[45,23,46,199,7,44],"中医药方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2455be6ef6141f5921c37d62879401be.jpg",[],{"id":203,"slug":204,"title":205,"dynasty":39,"author":40,"museum":41,"description":206,"tags":207,"thumbUrl":209,"material":49,"size":50,"collection":51,"collections":210,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},273965,"ge-xiang-tao-ling-yao-wei-di-bu-yi-ming-273965","《各项讨领药味底簿》","泛黄麻纸载着岁月尘痕，端谨小楷笔意清劲内敛。这册底簿无丹青风雅，却是旧日药务的鲜活注脚，纸面斑驳污渍是时光浸洇的印记，藏着往昔药料申领的细碎日常。\n\n字迹排布恪守规制，带着公牍特有的肃穆质感，一笔一划间尽是旧时经办者的严谨态度。它以朴拙的台账面目，成为触摸晚清庶务肌理的载体，将刻板的物料申领晕染成可感的民生切片，让平淡的纸面沉敛住百年前药署日常的温热余韵，静静诉说着远去时代里的烟火民生。",[45,46,23,208,7],"簿册","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6f5b237a0f4430170aa6e44bb29cb38.jpg",[],{"id":212,"slug":213,"title":214,"dynasty":39,"author":40,"museum":41,"description":215,"tags":216,"thumbUrl":218,"material":49,"size":50,"collection":51,"collections":219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":84},273964,"lao-fo-ye-jin-yao-di-bu-yi-ming-273964","《老佛爷进药底簿》","这册线装古籍以素朴古纸装帧，朱红签条题字朴拙醒目，古意盎然。它是宫廷医疗史的鲜活注脚，纸面留存着岁月晕开的痕迹，每一页都细致载录着诊疗配药的全程细节。那些工整的字迹，是御药房医者斟酌药方的见证，带着旧时光的沉凝温度，静静诉说着深宫之中的医案往事。作为未经修饰的一手档案，它让后人得以窥见旧时宫廷诊疗的真实脉络，在泛黄纸页间，触摸一段被妥善留存的历史切片，是兼具文物价值与史学价值的珍贵遗存。",[45,44,217,7],"医药","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94d182f68c65797c3be77ca3f65fb57e.jpg",[],{"id":221,"slug":222,"title":223,"dynasty":101,"author":224,"museum":41,"description":225,"tags":226,"thumbUrl":229,"material":49,"size":50,"collection":51,"collections":230,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},241647,"zhi-yang-hu-shu-zha-wen-zheng-ming-241647","致阳湖书札","文徴明","文徵明（1470年11月28日－1559年3月28日），原名壁（或作璧），字徵明，四十二岁起，以字行，更字徵仲。因先世为衡山人，故号衡山居士，世称“文衡山”。南直隶苏州府长洲县（今江苏苏州）人。明代画家、书法家、文学家、鉴藏家。\n文徵明曾学文于吴宽，学书法于李应祯，学画于沈周，生平九次参加乡试均不中。嘉靖二年（1523年），以岁贡生参加吏部考试，被授予翰林院待诏之职。嘉靖五年（1526年），文徵明辞官归乡，专事创作。\n嘉靖三十八年（1559年）二月二十，文徵明去世，享年九十。其弟子私谥贞献。\n文徵明诗、文、书、画无一不精，人称“四绝”，其与沈周共创“吴派”。在画史上与沈周、唐寅、仇英合称“明四家”。在文学上，与祝允明、唐寅、徐祯卿并称“吴中四才子”。",[23,24,227,107,228,7],"水墨","信札","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F292ec851f26ba019ace37779c1151773.jpg",[],{"id":232,"slug":233,"title":234,"dynasty":39,"author":235,"museum":41,"description":236,"tags":237,"thumbUrl":241,"material":49,"size":50,"collection":51,"collections":242,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},240784,"shu-zha-ce-li-hong-zao-240784","书札册","李鸿藻","李鸿藻（1820年2月14日—1897年7月24日），字兰荪，号石孙、砚斋，河北保定人。同光年间的清流领袖，晚清主战派重臣之一。咸丰二年（1852年）进士，选庶吉士，授编修，督河南学政。同治元年（1862年），被提拔为侍讲，深受西太后慈禧的信任，累迁内阁学士，署户部左侍郎。同治四年（1865年），再升都察院左都御史，加太子少保。光绪二年（1876年），命兼总理各国事务衙门，反对完颜崇厚擅订《里瓦几亚条约》。历任礼部尚书、协办大学士，调吏部尚书。光绪二十三年（1897年）以病乞假，旋卒，享年七十八岁，清廷予谥文正，赠太子太傅，入祀贤良祠。",[23,24,106,170,238,91,239,93,67,7,25,28,240],"书札","毛笔","钤印","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbc4aad5bd2f93e96c7173aa0d8f71a1b.jpg",[],{"id":244,"slug":245,"title":246,"dynasty":77,"author":40,"museum":41,"description":247,"tags":248,"thumbUrl":250,"material":49,"size":50,"collection":51,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},230808,"xi-xia-wen-zi-xie-jing-yi-ming-230808","西夏文字寫経","这卷写经以素纸为底，墨笔书就的文字排布齐整肃穆，笔锋沉稳凝练，带着质朴虔诚的笔意。泛黄的纸页晕开旧墨的痕迹，卷边带着经年岁月摩挲出的肌理，静静承载着古文明的厚重底蕴。\n经文排布舒朗规整，虽历经岁月侵蚀，字迹依旧清晰劲挺，每一笔都带着抄写者的专注，尽显写经特有的庄严气韵，诉说着远去的信仰碎片，兼具珍贵的文献与艺术价值。",[63,23,45,82,64,249,7],"西夏文字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd6e38aa5a11cc54ae8b592455f80b52.jpg",[],1777535720444]