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虽然画面是冬景，但活跃的蚱蜢带来活力。",[86,24,25,23,28,72,73,7,138],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F56ef32d8e02f0c02c27da1581f805f1c.jpg","纸本,设色",[39],{"id":199,"slug":200,"title":201,"dynasty":119,"author":202,"museum":203,"description":204,"tags":205,"thumbUrl":208,"material":54,"size":54,"collection":39,"collections":209,"showCount":210,"zanCount":146,"manualWeight":11,"mainColor":43},238064,"po-shu-kun-chong-ye-yi-ming-238064","坡蔬昆虫页","佚名","藏地不详","此作以小品之境写就郊野秋意，淡墨晕染坡岸，尽显荒疏松软的野地质感。野蔬茎干挺秀，菜叶以赭红晕染，舒展间带着晚风轻拂的柔态，旁侧兰叶修长劲挺，笔墨清简古雅。\n\n三只草虫各得其所，伏于菜叶的凝神静立，栖于长茎的振翅欲飞，勾勒精细入微，翅脉纤毫毕现，将秋虫灵动之态定格。整体设色浅淡含蓄，意境清寂淡远，把乡野一隅的幽微生机全然铺展，尽显简淡空灵的审美意韵，藏着秋日郊野的闲静野趣。",[23,24,25,49,29,206,7,207,154,103],"坡地","昆虫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29a3dd3a5853542e3360f6f0e64b0218.jpg",[39],17,{"id":212,"slug":213,"title":163,"dynasty":119,"author":202,"museum":203,"description":214,"tags":215,"thumbUrl":216,"material":54,"size":54,"collection":54,"collections":217,"showCount":210,"zanCount":146,"manualWeight":11,"mainColor":114},231480,"shu-cai-tu-yi-ming-231480","蔬菜瓜果是人民生活的必需品。画家们从很早以前就把蔬果选作画材，历代画家以蔬菜瓜果为内容组成美丽的画面，留下许多不同风趣的佳作。\n蔬果从来都属于花鸟画科，花鸟画家应该在表现花鸟题材的同时，认真对蔬果进行观察研究，掌握其表现方法，推陈出新地去创作新的表现技法。\n宋《宣和画谱》中“蔬果叙论”里说：“然蔬果于写生最为难工，论者以为郊外之蔬而易工于水滨之蔬，而水滨之蔬又易工于园畦之蔬也。盖坠地之果而易工于折枝之果，而折枝之果又易工于林间之果也。”",[24,168,28,49,7,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a8f4262b168a0dc28995878832b968d.jpg",[],{"id":219,"slug":220,"title":221,"dynasty":18,"author":222,"museum":203,"description":223,"tags":224,"thumbUrl":226,"material":54,"size":54,"collection":39,"collections":227,"showCount":228,"zanCount":11,"manualWeight":11,"mainColor":114},234266,"bie-you-feng-wei-ce-huang-shen-234266","别有风味册","黄慎","黄慎（1687年6月14日—1772年），福建宁化人，初名盛，字恭寿，恭懋，躬懋、菊壮，号瘿瓢子，别号东海布衣。家贫，遂学画，擅长人物、山水、花鸟。他的人物画题材十分广泛和丰富，它不仅画神仙佛道和历史名人，也擅长从民间生活中取材，塑造了纤夫 、乞丐、流氓、渔民等下层人民的形象，这在古代的画家当中是十分难得的。康熙间至扬州卖画，人争客之。是中国清代杰出书画家，为“扬州八怪”之一。与郑燮友善。擅草书，后以狂草笔法作画。亦能诗。有《蛟湖诗钞》。\n黄慎14岁时，父亲客死湖南，两妹相继夭折，家境十分穷困，为生计，母亲命其学画，为人写真。16岁时，离家从师，他勤奋苦学，悉心钻研，画艺日进。\n黄慎生于清康熙二十六年（1687年）五月五日（6月14日），乾隆三十五年（1770年）84岁时尚在，卒年不详，幼丧父，以卖画为生，奉养母亲。初随上官周学画，后离家出游，曾多次在扬州卖画。方十八九岁，寄身萧寺，昼为画，夜无所得烛，从佛光明灯下读书。其艺既擅，出游豫章，历吴、越，康熙五十八年（1719年）至扬州鬻画，人争客之。\n雍正五年（1727年）以母垂老，不欲远离，乃奉居扬州，又三年乃返闽，郑燮赠以诗。\n乾隆十六年(1751年)黄慎的母亲去世，他又重游扬州，居住六年，才返故里，苦度晚年。\n乾隆三十三年（1768年）年八十二，尚作花卉册。慎工草书，法怀素。画人物，多取神仙故事为题材，初学上官周，后用狂草笔法作画。笔姿放纵，气象雄伟，深入古法，亦偶有笔过伤韵者。间作山水、花鸟，得荒率之致。所画多历史人物、佛道、樵夫渔父，早年工细，后参以怀素草书笔法，所作人物用笔粗犷，顿挫转折，纵横排奡，气象雄伟。花鸟笔法洗练，形象概括，画风泼辣；山水境界开阔，注重诗意的表达。",[86,24,25,26,27,28,225,73,7],"草书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef705fcbf5ff2df82c1954a51e8bbcbd.jpg",[39],11,{"id":230,"slug":231,"title":232,"dynasty":18,"author":202,"museum":203,"description":233,"tags":234,"thumbUrl":239,"material":110,"size":54,"collection":54,"collections":240,"showCount":241,"zanCount":11,"manualWeight":11,"mainColor":114},215519,"bai-miao-jie-tou-mai-mai-hua-ce-38-yi-ming-215519","白描街头买卖画册-38","画面中，挑担商贩头戴宽檐草帽，身着素朴短衫长裤，步履轻稳前行。扁担两端竹篮盈满，一侧蔬果鲜嫩欲滴，一侧货物隐约可见，细节处尽显生活实感。白描线条如行云流水，勾勒人物神情恬淡自然，衣褶纹理简洁却精准，草帽的弧度、竹篮的编织纹路皆生动传神。整幅画作以极简笔墨捕捉市井烟火，将街头买卖的平凡瞬间定格成永恒，质朴中透着鲜活生命力，仿佛能听见商贩的吆喝声在耳畔回响，尽显世俗生活的温暖与真味。",[86,27,26,235,236,237,7,238],"人物","竹篮","扁担","衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc04ae8709b212d8f2e9fa69cf70622a9.jpg",[],4,{"id":243,"slug":244,"title":245,"dynasty":18,"author":202,"museum":203,"description":246,"tags":247,"thumbUrl":253,"material":254,"size":255,"collection":54,"collections":256,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":43},229775,"yu-yuan-shu-tu-bi-tong-yi-ming-229775","玉园蔬图笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[248,249,250,7,251,252],"清代","玉石","雕刻","飞鸟","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2df4d4fcb20f62b8f9946b825e86893a.jpg","未知","Xcm*Xcm",[],1777535723664]