[{"data":1,"prerenderedAt":132},["ShallowReactive",2],{"subject-shu-fang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3177,"shu-fang","书房","书房画高清赏析","精选中国历代书房题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F57554a37f077ed634f35ee35c88231b9.jpg",0,6,[14,43,65,86,102,115],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":36,"size":37,"collection":38,"collections":39,"showCount":40,"zanCount":41,"manualWeight":11,"mainColor":42},218296,"mo-song-ren-wen-hui-tu-yao-wen-han-218296","摹宋人文会图","清","姚文瀚","台北故宫博物院","唐太宗为秦王时，府中蓄有十八谋士，登基后，特命阎立本画十八学士图，宋以后常以文人雅集的方式呈现。姚文瀚此卷绘于乾隆十七年，上有嵇璜楷书〈十八学士赞〉，与院藏〈刘松年唐十八学士图〉构图相同，设色明净秀丽，用笔精细挺劲，人物开面略施阴影，具立体感，对各类家具器物的细节描绘考究。姚文瀚（生于西元一七一三－卒年不详），北京人。号濯亭。乾隆时供奉内廷，工佛道人物。",[23,24,25,26,27,28,29,30,31,32,7,33,34,35],"国画","长卷","临摹","工笔","设色","人物","文人雅集","孩童","松","鹤","文房四宝","家具","楷书","纸本,设色","46.8x196.1cm","人物画精选",[38],309,12,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":47,"author":48,"museum":49,"description":50,"tags":51,"thumbUrl":57,"material":58,"size":59,"collection":60,"collections":61,"showCount":62,"zanCount":63,"manualWeight":11,"mainColor":64},290156,"liu-li-tang-ren-wu-tu-zhou-fang-290156","琉璃堂人物图","唐","周昉","藏地不详","《琉璃堂人物图》上一共画有11人，其中有僧1人，文士7人，侍者3人。该画作描绘唐朝诗人王昌龄与其诗友在江宁县丞任所琉璃堂厅前聚会吟唱的故事。该画作色彩淡雅，格调清逸，衣纹线描顿挫转折，做服“战笔”描，与今传《重屏会棋图》用笔一致。",[52,53,23,24,28,27,26,29,7,54,55,56],"高清","名画","文房用具","书法","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc12046a5b0dcd14509fbc2516cadb18b.jpg","未知","Xcm*Xcm","",[],113,2,"795548",{"id":66,"slug":67,"title":68,"dynasty":69,"author":70,"museum":49,"description":71,"tags":72,"thumbUrl":82,"material":58,"size":59,"collection":60,"collections":83,"showCount":84,"zanCount":85,"manualWeight":11,"mainColor":64},289997,"ting-qin-tu-li-zhou-du-jin-289997","听琴图立轴","明","杜堇","杜堇，明代画家，生活在十五至十六世纪初，原姓陆，字惧男、号柽居、古狂、青霞亭长，江苏丹徒（今江苏镇江）人。",[23,73,53,74,27,26,28,75,76,77,78,79,80,7,81],"书画","立轴","美人","文人","琴","乐器","孤石","蕉叶","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9241a9963f0c789754bcb630030c914e.jpg",[],55,1,{"id":87,"slug":88,"title":89,"dynasty":90,"author":91,"museum":49,"description":92,"tags":93,"thumbUrl":99,"material":58,"size":59,"collection":60,"collections":100,"showCount":101,"zanCount":11,"manualWeight":11,"mainColor":64},290139,"kan-shu-tu-wang-qi-han-290139","勘书图","五代十国","王齐翰","此图绘一文士勘书之暇挑耳自娱的情景。文人白衣长髯，袒胸赤足，坐于书几前，左手扶椅，右手作挑耳状，神态怡然自得。书几上有摊开的书卷，一书童于几旁侍立。文人身后为三叠屏风，上画青绿设色山水。屏风前横一长案，上陈卷帙。画家十分巧妙地选取画中人“校读间隙挑耳”这一看似平常的动作，着意刻画了其惬意的神情。加之环境的铺陈、烘托，生动地表现了南唐贵族文人闲适的情状，展示出他们日常生活的一个侧面\n该图描写手法高超，形神兼备，反映了昔日勘书者的荡然性格与狂放的气质。画中环境，为室内陈设着的屏风、几案、卷册之类。全图构思十分精密，合适有度。",[53,23,73,27,28,7,94,95,96,97,56,76,98],"书桌","书籍","屏风","山水","桌案","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F37fa9c6a247d3036f1d8a3cae7e653f5.jpg",[],30,{"id":103,"slug":104,"title":105,"dynasty":90,"author":106,"museum":20,"description":107,"tags":108,"thumbUrl":112,"material":58,"size":59,"collection":60,"collections":113,"showCount":114,"zanCount":11,"manualWeight":11,"mainColor":64},290377,"kan-shu-tu-zhou-huang-quan-290377","勘书图轴","黄筌","此幅图写韩愈深明爱子之道，唯教以读书之事。书法甚奇，沈周与董其昌之跋俱伪，以笔墨论，似为明代作品。 画中有案面两头翘起，两足为竖条组成的板式足，足下安托子，保留隋唐以来直栅足跗的遗意。坐榻体大厚重，足下有托泥，形成箱形榻体亦以壶门装饰。榻之三面以画屏装饰，屏风上绘墨竹。屋旁置有三层圆腿书籍架格。",[23,73,74,26,27,97,28,109,110,111,7,55,56],"楼阁","树木","山石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8286af7d0b0d9bd266ca815cb5e318ec.jpg",[],23,{"id":116,"slug":117,"title":118,"dynasty":119,"author":120,"museum":49,"description":121,"tags":122,"thumbUrl":129,"material":58,"size":59,"collection":60,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":42},288385,"shan-guan-du-shu-tu-liu-song-nian-288385","山馆读书图","宋","刘松年","描绘的是文人雅士所向往的闲适生活。长松掩映之下，长案临窗，清风徐来，窗外传来书童打扫落叶的声音，间或闻得几声鸟鸣，宁静悠闲，倚案展卷，何等惬意。",[52,53,23,73,27,123,28,109,124,7,125,126,55,56,127,128],"界画","松树","童子","行书","读书","闲适","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42ed6fe2292944c59304920fb2612397.jpg",[],19,1777535746106]