[{"data":1,"prerenderedAt":189},["ShallowReactive",2],{"subject-shu-gan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1314,"shu-gan","树干","树干画高清赏析","精选中国历代树干题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7a77bc06b22bb865e2d4a3e209528358.jpg",0,10,[14,40,63,81,101,116,128,141,160,176],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},233850,"gui-ju-shan-qin-tu-zhou-lv-ji-233850","桂菊山禽图轴","明","吕纪","北京故宫博物院","此图为工笔重彩花鸟与写意树石相结合的作品。所绘主体花鸟：绶带鸟、八哥、桂花、秋菊，均属于祥瑞、珍贵之物，寓有富贵长寿和君子节操含意，内容明显地反映了皇家的艺术和审美旨趣。\n画面的物象既真实地展现了生物的自然本性，也形象地表达了内涵的寓意。桂树干粗叶茂，枝头繁花如锦，黄色金桂似散出阵阵幽香；石畔数丛菊花，红、黄、粉、白，色彩斑斓，竞相斗艳；枝头八哥相对鸣叫，突出了其善鸣秉性；绶带鸟身姿优美，深蓝色羽毛分外夺目。花鸟绚丽的色泽和生动的情致，营造出喜庆、欢悦的气氛和吉祥、华美的意趣。\n此图画法工整鲜丽，继承了宋代“黄家富贵”的宫廷“院体”花鸟传统。同时，工笔重彩的花鸟与粗笔水墨的树石相间，也反映了吕纪兼工带写的成熟花鸟画风格。",[23,24,25,26,27,28,29,30,7,31,32],"明代","工笔","设色","院体","桂树","菊花","山禽","飞鸟","山石","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59bccc1179ac574e6114c194b238a5df.jpg","绢本，设色","纵192厘米，横107厘米","",[],38,"795548",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":57,"material":58,"size":59,"collection":60,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":39},225859,"tree-roots-july-fan-gao-225859","Tree-roots (July - )","不详","梵高","藏地不详","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[49,50,51,7,52,53,54,55,56],"油画","厚涂","树根","枝叶","土地","蓝色调","绿色调","暖黄色调","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8065df1b277b83b4e03f8a50d5bd6eca.jpg","未知","Xcm*Xcm","油画精选",[60],17,{"id":64,"slug":65,"title":66,"dynasty":44,"author":67,"museum":46,"description":68,"tags":69,"thumbUrl":76,"material":36,"size":36,"collection":36,"collections":77,"showCount":78,"zanCount":79,"manualWeight":11,"mainColor":80},225430,"fu-shi-hui-188-yi-ming-225430","浮世绘188","佚名","此作以花鸟入景，动静相映。左侧白头翁攀附苍劲老干，侧目凝神，右侧雀鸟栖于枇杷枝上，振羽抬首，二者遥遥呼应，将禽鸟互动的灵动瞬间定格。\n\n套色雅致柔和，墨色衬底的叶片沉稳内敛，鹅黄枇杷鲜亮温润，禽鸟青灰羽色搭配暖调胸腹，与木色老干和谐相融。大片留白晕染出清寂闲适的氛围，将山野间的幽趣与花果生机揉合一处，尽显东方花鸟绘的禅意雅致，笔触细腻写实，鲜活捕捉野雀情态，让画面饱含自然生趣，静静铺陈出一隅悠然的林间光景。",[70,71,25,72,73,74,75,7],"浮世绘","木刻","花鸟","树枝","果实","叶子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff24f2a719f1f32419d09090d1702b422.jpg",[],15,1,"BDBDBD",{"id":82,"slug":83,"title":84,"dynasty":44,"author":85,"museum":46,"description":86,"tags":87,"thumbUrl":97,"material":58,"size":59,"collection":60,"collections":98,"showCount":99,"zanCount":11,"manualWeight":11,"mainColor":100},226050,"the-bodmer-oak-1865-mo-nai-226050","The Bodmer Oak, 1865","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[88,49,89,90,91,92,93,7,94,95,96],"印象派","大树","岩石","草地","光影","自然景观","树叶","户外景物","色彩表现","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F46246f7f03d58d43628f780a2c0ed249.jpg",[60],9,"37474F",{"id":102,"slug":103,"title":104,"dynasty":44,"author":85,"museum":46,"description":86,"tags":105,"thumbUrl":113,"material":58,"size":59,"collection":60,"collections":114,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":39},226026,"saule-pleureur-2-1918-1919-mo-nai-226026","Saule pleureur 2, 1918-1919",[88,49,106,107,108,109,110,52,7,93,111,112],"色彩斑斓","光影表现","笔触灵动","垂柳","树木","植物","风景画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba7e94444469f07afa1fa6cf9c12ea32.jpg",[60],8,{"id":117,"slug":118,"title":119,"dynasty":44,"author":45,"museum":46,"description":47,"tags":120,"thumbUrl":126,"material":58,"size":59,"collection":60,"collections":127,"showCount":115,"zanCount":11,"manualWeight":11,"mainColor":39},225858,"tree-fan-gao-225858","Tree",[49,121,50,110,91,122,7,123,124,125],"后印象派","野花","植被","笔触奔放","色彩鲜明","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc10d19a09bd39a5be391af2acf817fdb.jpg",[60],{"id":129,"slug":130,"title":131,"dynasty":44,"author":132,"museum":46,"description":133,"tags":134,"thumbUrl":138,"material":58,"size":59,"collection":36,"collections":139,"showCount":140,"zanCount":11,"manualWeight":11,"mainColor":100},232284,"a-er-ma-11-lao-lun-si-a-er-ma-ta-de-ma-232284","阿尔玛11","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[49,135,136,91,137,7,52,92],"写实","古树","树林","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F617c34eb2e58635fc64551c8fdccb4d6.jpg",[],6,{"id":142,"slug":143,"title":144,"dynasty":145,"author":146,"museum":46,"description":147,"tags":148,"thumbUrl":157,"material":58,"size":59,"collection":36,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":80},235305,"shan-shui-ce-zhang-feng-235305","山水册","清","张风","张风，一作鹳，字大风，号升州道士，又号上元老人，或署“真香佛空”、“真香佛空四海”，明代画家、诗人。江苏南京人。思宗崇祯时生员，明亡后不为官，家里贫穷。他擅画山水、人物、花卉，也精于画肖像。早年风格较为恬静闲适，神韵悠然。晚年他曾佩剑北游，所以笔墨风格瘦挺豪纵。他还精通画理。",[149,150,151,25,24,152,153,154,31,7,155,156],"国画","书画","册","山水","人物","柳树","小径","地面石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2062c8cd5a9dd37b7e3569a1937f3538.jpg",[],4,{"id":161,"slug":162,"title":163,"dynasty":145,"author":164,"museum":46,"description":165,"tags":166,"thumbUrl":172,"material":173,"size":36,"collection":36,"collections":174,"showCount":175,"zanCount":11,"manualWeight":11,"mainColor":80},215080,"tui-bei-tu-ce-26-jiao-bing-zhen-215080","推背图册-26","焦秉贞","焦秉贞是中国清朝时期著名的画家，他被认为是中国水墨画史上最伟大的画家之一。其中最著名的作品是他的推背图册，其中包含了十幅推背图。推背图是一种特殊的水墨画，它们通常是用单一的墨色在纸上描绘的，并且使用了特殊的技巧来创造出立体感。焦秉贞的推背图册在当时被认为是一件杰出的艺术品，并且至今仍然备受赞赏。",[167,168,24,25,151,169,170,171,7],"高清","清代","枯树","新芽","枝条","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f7532a9c35f9ade8c8bbbea4ba95736.jpg","纸本,设色",[],3,{"id":177,"slug":178,"title":179,"dynasty":145,"author":67,"museum":46,"description":180,"tags":181,"thumbUrl":187,"material":58,"size":59,"collection":36,"collections":188,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":39},270372,"jin-xing-bo-li-shu-gan-shi-bi-tong-yi-ming-270372","金星玻璃树干式笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[182,183,184,7,185,186],"玻璃器","雕刻","笔筒","桃枝","桃果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff48f7e3fbbb1a481e6373462fc568fa7.jpg",[],1777535734166]