[{"data":1,"prerenderedAt":110},["ShallowReactive",2],{"subject-shu-hua-he-bi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2038,"shu-hua-he-bi","书画合璧","书画合璧画高清赏析","精选中国历代书画合璧题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc875daee5bfab3898833325fe605edcf.jpg",0,5,[14,41,64,81,101],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":35,"material":36,"size":36,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},227693,"song-gao-zong-shu-nv-xiao-jing-ma-he-zhi-bu-tu-shang-juan-zhao-gou-227693","宋高宗书女孝经马和之补图上卷","宋","赵构","台北故宫博物院","宋高宗书女孝经马和之补图上卷，台北故宫博物院藏。\n\n旧题为高宗书马和之绘，所谓高宗题字，较近于理宗（1225-1264在位），故宜易名为〈宋人书画女孝经〉",[23,24,7,25,26,27,28,29,30,31,32,33,34],"高清","宋代","长卷","白描","设色","人物","庭院","树木","建筑","书法","人物故事","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffdad394b67f242e6a179c502e1ccdc7b.jpg","",[],98,1,"795548",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":20,"description":47,"tags":48,"thumbUrl":57,"material":36,"size":58,"collection":59,"collections":60,"showCount":62,"zanCount":39,"manualWeight":11,"mainColor":63},221063,"shi-ba-xue-shi-yu-zhi-ning-shu-zan-juan-yan-li-ben-221063","十八学士于志宁书赞卷","唐","阎立本","唐太宗在做秦王时建“文学馆”，收聘贤才，以杜如晦、房玄龄、于志宁、苏世长、姚思廉、薛收、褚亮、陆德明、孔颖达、李玄道、李守素、虞世南、蔡允恭、颜相时、许敬宗、薛元敬、盖文达、苏勗十八人并为学士。复命画家阎立本为十八学士画像， 即为《十八学士写真图》，褚亮题赞。当时获唐太宗选入文学馆者称为“登瀛洲”，后人有所谓“十八学士登瀛洲”，又因唐太宗常与门下十八学士弈棋，后人因此画有《十八学士弈棋图》。",[32,49,50,25,51,28,52,53,54,55,56,7],"行书","水墨","书画","纸本","墨书","人物题材","书卷形式","笔墨技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21f296a09018a42795a522f41118a330.jpg","29.7x475","书法精选",[59,61],"碑帖精选",50,"BDBDBD",{"id":65,"slug":66,"title":67,"dynasty":68,"author":69,"museum":70,"description":71,"tags":72,"thumbUrl":78,"material":52,"size":36,"collection":36,"collections":79,"showCount":80,"zanCount":11,"manualWeight":11,"mainColor":63},234143,"jiang-nan-bie-yi-juan-lu-zhi-234143","江南别意卷","明","陆治","北京故宫博物院","陆治（1496－1576）明代画家。吴县（今江苏苏州）人，字叔平，因先世由汴徙居吴之包山梅梁里，遂自号包山。倜傥嗜义，以孝友称。好为诗及古文辞，善行、楷，尤心通绘事。游祝允明、文徵明门，其於丹青之学，务出其胸中奇，一时好称，几与文埒。工写生得徐、黄遗意。点染花鸟竹石，往往天造。山水受吴门派影响，也吸取宋代院体和青绿山水之长，用笔劲峭，景色奇险，意境清朗，自具风格，在吴门派画家中具有一定新意，与陈淳并重于世。晚年贫甚，衣处士服，隐支硎山，种菊自赏。有贵官子因所知某以画请，作数幅答之。其人厚其贽币以谢。治曰：吾为所知非为贫也。立却之。求其画者，请之而强必不可得，不请之乃或可得。卒年八十一。",[23,73,25,50,27,49,7,74,75,30,76,77,28],"吴门画派","山水","亭台","小桥","流水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7318ab2ac09bf9c15a1e91c7c9ced007.jpg",[],14,{"id":82,"slug":83,"title":84,"dynasty":68,"author":85,"museum":86,"description":87,"tags":88,"thumbUrl":96,"material":97,"size":98,"collection":36,"collections":99,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":63},283759,"shu-hua-he-bi-juan-dong-qi-chang-283759","书画合璧卷","董其昌","藏地不详","董其昌（1555年2月10日—1636年10月26日），字玄宰，号思白、香光居士，松江华亭（今上海市）人。明朝后期大臣、书画家。正如李志敏所说：“主张学古变古，但在书法神韵问题上的迷信观念，却比古人尤有过之”。\n万历十七年，考中进士，授翰林院编修。一度担任皇长子朱常洛的讲官。历任湖广提学副使、福建提学副使、河南参政，因病辞职。泰昌元年（1620年），明光宗朱常洛继位，授太常少卿、国子司业，参修《明神宗实录》。天启五年（1625年），出任南京礼部尚书，因事辞官。崇祯五年（1632年），出任太子詹事。崇祯七年（1634年），回归乡里。崇祯九年，去世，谥号“文敏”。\n董其昌擅于山水画，师法于董源、巨然、黄公望、倪瓒，笔致清秀中和，恬静疏旷；用墨明洁隽朗，温敦淡荡；青绿设色，古朴典雅。以佛家禅宗喻画，倡“南北宗”论，为“华亭画派”杰出代表，兼有“颜骨赵姿”之美。存世作品有《岩居图》《明董其昌秋兴八景图册》《昼锦堂图》《白居易琵琶行》《草书诗册》《烟江叠嶂图跋》等。画作及画论对明末清初的画坛影响甚大。书法出入晋唐，自成一格。作品《戏鸿堂帖》（刻帖）。颇能诗文，著有《画禅室随笔》《容台文集》等。",[23,89,90,25,7,50,91,49,92,34,93,30,77,94,95],"国画","名画","山水画","草书","山峦","飞鸟","皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9fbcb8f4bdac99113b80ce2e8cf5f1a.jpg","未知","Xcm*Xcm",[],11,{"id":102,"slug":103,"title":104,"dynasty":68,"author":85,"museum":86,"description":87,"tags":105,"thumbUrl":107,"material":97,"size":98,"collection":36,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":63},283708,"pan-gu-xu-shu-hua-he-bi-juan-dong-qi-chang-283708","盘谷序书画合璧卷",[23,90,89,25,7,27,74,93,30,106,92,32,34],"屋舍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9014f8bc1998914af824e954e462d91d.jpg",[],9,1777535751577]