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Rijn，1606年7月15日～1669年10月4日）是欧洲17世纪最伟大的画家之一，也是荷兰历史上最伟大的画家。\n伦勃朗早年从师P.拉斯特曼，1625年在家乡开设画室。画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等领域。",[23,24,25,26,27,28,7,29,30,31,32,33,34,35,36,37,38],"油画","写实","明暗对比","人物","男性","女性","烛台","布料","室内场景","胡须","白发","帽子","白色衣领","桌子","蜡烛","肖像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879cda8e31773dcf7ca7b39f3116a968.jpg","未知","Xcm*Xcm","油画精选",[42],127,"37474F",{"id":47,"slug":48,"title":49,"dynasty":50,"author":51,"museum":52,"description":53,"tags":54,"thumbUrl":64,"material":65,"size":66,"collection":67,"collections":68,"showCount":69,"zanCount":11,"manualWeight":11,"mainColor":70},216952,"mi-tuo-fo-xiang-zhang-wo-216952","弥陀佛像","元","张渥","台北故宫博物院","这幅弥勒佛烧香招蝠是竹园二年的张渥题写的，不是真迹，更接近明末人物画家的风格。",[55,56,57,58,59,26,60,61,62,36,7,63],"国画","书画","设色","工笔","宗教","枯树","芭蕉","石","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4241a4efd980f7cd16dde56a1e854820.jpg","纸本,设色","87.5x30.4","人物画精选",[67],74,"BDBDBD",{"id":72,"slug":73,"title":74,"dynasty":18,"author":19,"museum":20,"description":21,"tags":75,"thumbUrl":83,"material":40,"size":41,"collection":42,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":45},225624,"rembrandt-harmensz-van-rijn-028-lun-bo-lang-225624","Rembrandt 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Harmensz.van Rijn - 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Mrs. Monet Sitting on a Sofa, 1870-1871","莫奈","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[228,23,31,229,230,113,231,7,232,233,234,235,236],"印象派","女性人物","沙发","壁炉","窗帘","花卉纹样","光影表现","装饰画","室内装饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd839b67cfb870696d6b4c5ef21db946e.jpg",[42],{"id":240,"slug":241,"title":242,"dynasty":18,"author":19,"museum":20,"description":21,"tags":243,"thumbUrl":247,"material":40,"size":41,"collection":42,"collections":248,"showCount":220,"zanCount":11,"manualWeight":11,"mainColor":45},225651,"rembrandt-harmensz-van-rijn-061-lun-bo-lang-225651","Rembrandt Harmensz.van Rijn - 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)",[23,93,254,255,256,94,7,257,258],"厚涂技法","笔触奔放","色彩鲜明","堆叠的书籍","桌面","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc64fa93c8818b7530e1f553d9be8e42.jpg",[42],9,{"id":263,"slug":264,"title":265,"dynasty":18,"author":90,"museum":20,"description":91,"tags":266,"thumbUrl":271,"material":40,"size":41,"collection":42,"collections":272,"showCount":273,"zanCount":11,"manualWeight":11,"mainColor":101},225769,"l-arle-sienne-fan-gao-225769","L'Arlésienne",[23,93,267,26,7,268,34,36,31,269,270],"厚涂","围巾","笔触鲜明","色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6bad232a8b96ff00f1c89822871c7b98.jpg",[42],8,{"id":275,"slug":276,"title":277,"dynasty":18,"author":278,"museum":20,"description":279,"tags":280,"thumbUrl":284,"material":40,"size":41,"collection":139,"collections":285,"showCount":286,"zanCount":11,"manualWeight":11,"mainColor":101},232089,"de-jia-42-de-jia-232089","德加42","德加","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[228,281,26,28,282,283,7],"色粉画","室内","画框","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9eb76c3339cbc60261468358096fca26.jpg",[],5,{"id":288,"slug":289,"title":290,"dynasty":18,"author":291,"museum":20,"description":292,"tags":293,"thumbUrl":302,"material":40,"size":41,"collection":139,"collections":303,"showCount":304,"zanCount":11,"manualWeight":11,"mainColor":101},232532,"mi-lai-si-76-yue-han-ai-fu-li-te-mi-lai-si-232532","米莱斯76","约翰·埃弗里特米莱斯","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,24,57,26,31,294,295,77,36,7,296,297,298,180,283,299,300,179,232,301,78],"老人","女子","花卉","窗户","旗帜","玻璃杯","柠檬","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35965a9e92a1fbfaa6a3fa09fb6fb5fc.jpg",[],2,{"id":306,"slug":307,"title":308,"dynasty":18,"author":19,"museum":20,"description":21,"tags":309,"thumbUrl":314,"material":40,"size":41,"collection":139,"collections":315,"showCount":304,"zanCount":11,"manualWeight":11,"mainColor":101},225606,"rp-p-1962-111-lun-bo-lang-225606","RP-P-1962-111",[310,311,25,176,24,312,26,7,77,232,297,31,313],"铜版画","蚀刻","古典","衣物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68940a2abde6230499070caaa0e5fc1f.jpg",[],{"id":317,"slug":318,"title":319,"dynasty":18,"author":320,"museum":20,"description":321,"tags":322,"thumbUrl":326,"material":40,"size":41,"collection":139,"collections":327,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":70},288813,"pesellino-saint-philip-seated-holding-a-book-and-a-cross-yi-ming-288813","Pesellino--Saint Philip Seated, Holding a Book and a Cross","佚名","以细腻排线铺陈明暗光影，衣褶层叠舒展，遒劲线条顺着肢体走势起伏，精准刻画出毛料垂坠的厚重质感。圣徒须发卷曲蓬松，眉眼低垂凝思，沉静肃穆的神态跃然纸面。他左手扶着十字架，右手轻按书本，安稳坐姿满是笃诚静穆，浅淡晕染的光晕衬出圣洁气质。整幅作品构图沉敛安稳，写实笔触糅合宗教的庄严氛围，将圣徒自持笃定的形象勾勒得生动传神，尽显古典宗教素描的静谧张力，让观者感知到人物沉静内敛的精神内核。",[59,193,323,324,7,325],"素描","十字架","圣徒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdaa82e7c1c3f8898be2d3a8197ca1ca5.jpg",[],{"id":329,"slug":330,"title":331,"dynasty":18,"author":320,"museum":20,"description":332,"tags":333,"thumbUrl":341,"material":40,"size":41,"collection":139,"collections":342,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},288715,"vittorio-maria-bigari-allegorical-figure-of-history-yi-ming-288715","Vittorio Maria Bigari--Allegorical Figure of History","这幅作品以色粉在灰蓝纸上营造出类浅浮雕的视觉效果，明暗晕染如石材般厚重沉静。静穆的天使展翼持卷，与垂颓疲惫的时间之神形成强烈对照。天使凝思的神情呼应上方题旨，将历史承载的文明荣光娓娓铺陈；一旁的时间之神枯槁佝偻，身侧沙漏与镰刀暗喻岁月流逝，抬手扶额的姿态尽显沧桑倦怠。摊开的古书静置于角落，暗合历史的叙事底色。创作者以雕塑化的造型语言，将历史在时间洪流里存续荣光、裹挟消逝的深邃哲思，藏入细腻的光影层次之中。",[323,193,334,177,335,181,7,336,337,338,339,340],"寓意画","老者","卷轴","沙漏","镰刀","神话形象","宗教元素","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F00fa3466829d08b1ca12ed5f967ce251.jpg",[],{"id":344,"slug":345,"title":346,"dynasty":18,"author":347,"museum":20,"description":348,"tags":349,"thumbUrl":353,"material":40,"size":41,"collection":139,"collections":354,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":45},232454,"he-er-bai-yin-113-he-er-bai-yin-232454","荷尔拜因113","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,244,193,350,351,352,7,214],"写实风格","人文主义","男子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82744cbb6f8001d43ef1a397419d21c1.jpg",[],{"id":356,"slug":357,"title":358,"dynasty":18,"author":347,"museum":20,"description":348,"tags":359,"thumbUrl":361,"material":40,"size":41,"collection":139,"collections":362,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":45},232435,"he-er-bai-yin-94-he-er-bai-yin-232435","荷尔拜因94",[23,244,26,24,351,112,110,7,360,282,214],"骷髅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd6428902bb7b0617ca6b59f9d1f6e9a6.jpg",[],{"id":364,"slug":365,"title":366,"dynasty":18,"author":347,"museum":20,"description":348,"tags":367,"thumbUrl":378,"material":40,"size":41,"collection":139,"collections":379,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},232403,"he-er-bai-yin-62-he-er-bai-yin-232403","荷尔拜因62",[59,23,57,26,177,325,368,369,370,134,371,372,373,374,181,7,375,376,377],"建筑","砖墙","拱门","头巾","光环","金色织物","棕榈枝","跪拜","坐姿","站立","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd799103db13332f5c4f816eddd27aae.jpg",[],{"id":381,"slug":382,"title":383,"dynasty":18,"author":384,"museum":20,"description":385,"tags":386,"thumbUrl":393,"material":40,"size":41,"collection":139,"collections":394,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[23,57,24,282,213,387,7,297,388,231,113,389,36,77,390,391,392,301],"书架","挂画","榻","吊灯","装饰摆件","木地板","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg",[],{"id":396,"slug":397,"title":398,"dynasty":18,"author":278,"museum":20,"description":279,"tags":399,"thumbUrl":402,"material":40,"size":41,"collection":139,"collections":403,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},232175,"diego-martelli-national-galleries-of-scotland-scotland-de-jia-232175","Diego Martelli - - National Galleries of Scotland (Scotland)",[23,228,26,27,230,36,400,7,77,401,31,313],"纸张","鞋子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88b785dbc7c26f6de1e2ce601c5daeb3.jpg",[],{"id":405,"slug":406,"title":407,"dynasty":18,"author":278,"museum":20,"description":279,"tags":408,"thumbUrl":409,"material":40,"size":41,"collection":139,"collections":410,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":45},232174,"diego-martelli-1879-de-jia-232174","Diego Martelli - 1879",[23,228,26,27,230,36,7,400,31],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd1e370c57143123dd152dcf1c40622ef.jpg",[],{"id":412,"slug":413,"title":414,"dynasty":18,"author":278,"museum":20,"description":279,"tags":415,"thumbUrl":418,"material":40,"size":41,"collection":139,"collections":419,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":70},232172,"edmond-duranty-glasgow-art-gallery-and-museum-scotland-de-jia-232172","Edmond Duranty - - Glasgow Art Gallery and Museum (Scotland)",[23,24,57,26,387,7,163,400,416,31,417,176],"文具","笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b26031ada056f7cd0868af3a74bd7c6.jpg",[],{"id":421,"slug":422,"title":423,"dynasty":18,"author":278,"museum":20,"description":279,"tags":424,"thumbUrl":437,"material":40,"size":41,"collection":139,"collections":438,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":70},232140,"in-a-laundry-circa-glasgow-art-gallery-and-museum-scotland-de-jia-232140","In a Laundry - circa - Glasgow Art Gallery and Museum (Scotland)",[228,281,425,234,26,426,31,427,30,7,428,429,430,431,432,433,434,435,436],"松散笔触","晾晒衣物","工作台","女性形象","日常劳作","色彩明快","室内光影","动态人物","生活场景","织物纹理","日常物品","人物互动","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc83f3e07ec2391cbb5d346747c92e397.jpg",[],{"id":440,"slug":441,"title":442,"dynasty":18,"author":278,"museum":20,"description":279,"tags":443,"thumbUrl":444,"material":40,"size":41,"collection":139,"collections":445,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":101},232070,"de-jia-37-de-jia-232070","德加37",[23,228,26,7,36,30,282,57,417],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c4dc19d9899d101d49ab88260384cb6.jpg",[],{"id":447,"slug":448,"title":449,"dynasty":18,"author":19,"museum":20,"description":21,"tags":450,"thumbUrl":452,"material":40,"size":41,"collection":139,"collections":453,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":70},225595,"rp-p-1961-1190-lun-bo-lang-225595","RP-P-1961-1190",[451,311,24,26,28,7,371,313],"版画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6c0c1216c938f08fbda30e3fea4439a.jpg",[],{"id":455,"slug":456,"title":457,"dynasty":18,"author":320,"museum":20,"description":458,"tags":459,"thumbUrl":464,"material":40,"size":41,"collection":139,"collections":465,"showCount":100,"zanCount":11,"manualWeight":11,"mainColor":70},225580,"fu-shi-hui-71-yi-ming-225580","浮世绘71","浮世绘，也就是日本的风俗画，版画。它是日本江户时代（1603～1867年间，也叫德川幕府时代）兴起的一种独特的民族艺术，是典型的花街柳巷艺术。主要描绘人们日常生活、风景和演剧。浮世绘常被认为专指彩色印刷的木版画（日语称为锦绘），但事实上也有手绘的作品。\n从其绘画素材看，70%以上内容是妓画（暂称为“美人画”）和伎画（暂称为“艺人画”），也就是说，作品主角是娼妓和艺伎，女性，裸体，性感美，色情是其标志性特征。用现代艺术眼光看，可算“人体绘画艺术”，其中的大胆的性爱题材引起注意，成为古代东方一种人本主义的新研究方向。在日本，存在着对这类作品的争议，也有的认为是乐而不淫，肯定其价值。\n浮世绘的艺术渊源，一来自绘画，师承了中国的“春画”，房中术绘画也；二来自文学，浸染了“浮世草子”（草子：小说），西鹤《好色一代女》、《好色一代男》和近松《曾根崎情死》、《情死天网岛》等等，是文学“浮世写”直接彰显，主题和题材无非色情和妓女（当然，文学价值与作品题材并非正比例关系）。\n因此，“浮世绘”是一个绘画艺术的专有名词，有其特定的内涵外延。印象派大师如德加等也受到浮世绘的感染，模仿当时日本的出口商品的包装的风格创作了不少绘画。近现代西方人体绘画艺术借鉴了日本“浮世绘”主题和技法，这是积极的方面，有着艺术审美的价值。\n望文生义的理解“浮世绘”，想当然的以为就是关于尘世风俗的绘画，类似于《清明上河图》那种风俗画。再扩大到文学领域运用这个专有名词，泛化为关于尘世风俗的描写，则偏离约定俗成的语义越来越远，差不多等于是错别字了。搞绘画的人很难接受这样的定义，日本人当诧异一个日本词汇出口到中国以后居然发生了那么大的歧义。",[460,57,461,26,210,148,462,147,463,336,7],"浮世绘","木刻","墨","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e586f687094bfaa3457fc2cf23e82d8.jpg",[],1777535714849]