[{"data":1,"prerenderedAt":201},["ShallowReactive",2],{"subject-shu-jia":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2890,"shu-jia","书架","书架画高清赏析","精选中国历代书架题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F22240642df201931a647d38e5108087f.jpg",0,11,[14,42,70,95,113,130,147,158,171,182,195],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":36,"material":37,"size":38,"collection":38,"collections":39,"showCount":40,"zanCount":11,"manualWeight":11,"mainColor":41},220560,"lu-xun-yu-qu-qiu-bai-xu-bei-hong-220560","鲁迅与瞿秋白","民国","徐悲鸿","中央美术学院美术馆","画面以一动一静构置张力，站立的瞿秋白舒展自若，抬手持烟尽显温润从容；端坐的鲁迅凝眸持烟，神色沉静锐利，尽显思想锋芒。铅笔线条细腻精准，将二人长衫身姿勾勒得儒雅传神，复刻出民国文人的风骨气度。\n\n背景书架与小幅挂画烘托出书房的沉静氛围，左侧题字带着创作随笔的鲜活质感，让这幅写生多了几分私语般的松弛。徐悲鸿以写实笔触定格挚友相处的松弛瞬间，将革命文人的相知情谊藏在细节里，落笔克制却满含温度，把精神共鸣与文人风骨永远定格在画纸之上。",[23,24,25,26,27,7,28,29,30,31,32,33,34,35],"素描","写实","人物","民国服饰","室内场景","椅子","挂画","题字","长袍","眼镜","站姿","坐姿","手部动态","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd35baa1f70ee32b5127b101976bdff7a.jpg","纸本素描","",[],75,"BDBDBD",{"id":43,"slug":44,"title":45,"dynasty":46,"author":47,"museum":48,"description":49,"tags":50,"thumbUrl":64,"material":65,"size":66,"collection":38,"collections":67,"showCount":68,"zanCount":11,"manualWeight":11,"mainColor":69},222943,"hong-lou-meng-68-sun-wen-222943","红楼梦68","清","孙温","旅顺博物馆","纵览《清·孙温绘全本〈红楼梦〉》全图，笔法精细，设色浓丽，情节连贯且生动感人。作者以独特的视角，将各种人物活动情节置于特定的环境之中，以生动直观的艺术形式，勾画出一幅幅情景交融、富有诗意的画面，将一部洋洋大观、令人荡气回肠的古典名著《红楼梦》表现得耐人寻味、雅俗共赏。其情节之详尽、笔法之精细、篇幅之宏大，为清代同题材绘画作品所仅见。\n全图以石头记大观园全景为开篇，画面鸟瞰构图，将大观园诸多景致悉数入画，一览无余。从第二开画面开始，依次描绘出全本《红楼梦》的故事情节。每个章回情节所用画幅数量不尽相同。画面围绕原著的故事情节，将主要人物活动表现的细致入微，楚楚动人。\n有关专家介绍，这套图中绘有山水人物、花卉树木、楼台亭阁、珍禽走兽、舟车轿舆、鬼怪神仙及博古杂项等，几近包括全部画科内容。仅各种人物就多达3000余人，主要人物采用写真技法，注重面部肤色肌纹之渲染，形神兼备。年轻的女子，弯眉、细眼、樱桃小口，身材窈窕，长颈削肩，给人以纤瘦柔媚、弱不禁风的感觉。人物的衣褶裙带勾染并用，线条流畅飘逸",[51,52,53,54,25,27,55,56,57,58,59,7,60,61,62,63],"高清","工笔","设色","界画","家具","花卉","器物","书法","对联","桌子","凳子","灯笼","盆栽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c32ce07b23c9a117289cfb2e75eaa4a.jpg","绢本","纵43.3厘米、横76.5厘米",[],18,"795548",{"id":71,"slug":72,"title":73,"dynasty":74,"author":75,"museum":76,"description":77,"tags":78,"thumbUrl":90,"material":91,"size":92,"collection":38,"collections":93,"showCount":94,"zanCount":11,"manualWeight":11,"mainColor":69},231971,"the-cotton-exchange-in-new-orleans-musee-des-beaux-arts-pau-france-de-jia-231971","The Cotton Exchange in New Orleans - - Musee des Beaux-Arts - Pau (France)","不详","德加","藏地不详","埃德加·德加（Edgar Degas，1834年7月19日—1917年9月27日），印象派重要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长在一个非常关心艺术的家庭中。\n中学毕业后，德加报考了美术学校，他在意大利学习意大利的艺术，特别是文艺复兴时期的艺术。与此同时，他又在让-奥古斯特·多米尼克·安格尔（Jean-Suguste Dominique Ingres，1780-1867）的一位得意门生路易·拉莫特（Louis Lamott）的画室里学画。\n1917年9月27日，埃德加·德加逝世于巴黎，享年83岁。",[79,80,25,81,82,60,28,83,84,85,7,86,87,88,89],"油画","印象派","室内","棉花","窗户","报纸","高顶礼帽","文件","西装","男性","办公场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F586e0b61bcd288a663f1a4b09686aab0.jpg","未知","Xcm*Xcm",[],2,{"id":96,"slug":97,"title":98,"dynasty":74,"author":99,"museum":76,"description":100,"tags":101,"thumbUrl":110,"material":91,"size":92,"collection":38,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":41},288581,"attributed-to-francesco-allegrini-the-library-of-pergamus-given-to-cleopatra-yi-ming-288581","attributed to Francesco Allegrini--The Library of Pergamus Given to Cleopatra","佚名","棕褐水彩晕染出朦胧帐幕空间，松弛的线条却极具叙事张力。左侧伏案抄录的文士俯身勾勒出专注沉静的姿态，与右侧列队人群形成鲜明动静对比。铠甲武士伸手托举馆藏典籍，衣袍垂坠褶皱饱含厚重质感，将文明馈赠的庄重感缓缓铺陈。晕染色块模糊背景边界，将视线牢牢锚定在这场文明递接的瞬间，仿佛跨越千年的典籍温度仍在笔尖与掌间流动。粗粝的速写笔触藏着即兴的生动，将献书的庄重底蕴揉进随性笔意里，复刻出这段文明馈赠的肃穆与温热。",[23,102,103,104,105,106,107,7,108,109,53],"淡彩","人物画","历史画","古典人物","图书馆","书桌","埃及艳后","人物群像","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0ebc219020ba6bc98c69d29ab417da37.jpg",[],1,{"id":114,"slug":115,"title":116,"dynasty":46,"author":99,"museum":76,"description":117,"tags":118,"thumbUrl":128,"material":91,"size":92,"collection":38,"collections":129,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":41},237252,"ming-chen-gu-shi-deng-xu-ti-song-ce-yi-ming-237252","名臣故事邓旭题颂册","此作为诗画合璧之品，右侧绘书馆内景，层叠书阁贮满典籍，案头笔墨俨然。馆内三儒者或凝思展卷，或执烛随侍，衣袂舒展自然，器物刻画入微，静谧肃穆的氛围，生动还原贤臣夜读治事的日常，细节写实雅致。左幅题诗笔意端秀，诗文咏叹主人公勤政笃学的德行，以书映画，以诗衬人。二者相辅相融，以具象图景承载贤臣风操，将贤德品格寄于细腻绘事与清雅题咏之中，兼具叙事意趣与文史价值。",[119,120,121,53,52,25,107,7,122,58,123,124,125,126,127,27],"国画","书画","册","典籍","行书","笔","墨","纸","砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff0edcbefe1432ad0ec3bad0c721c13d.jpg",[],{"id":131,"slug":132,"title":133,"dynasty":74,"author":134,"museum":76,"description":135,"tags":136,"thumbUrl":145,"material":91,"size":92,"collection":38,"collections":146,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":69},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[79,53,24,81,55,7,137,83,29,138,139,140,60,28,141,142,143,144],"书籍","壁炉","地毯","榻","吊灯","装饰摆件","木地板","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg",[],{"id":148,"slug":149,"title":150,"dynasty":74,"author":75,"museum":76,"description":77,"tags":151,"thumbUrl":156,"material":91,"size":92,"collection":38,"collections":157,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":41},232172,"edmond-duranty-glasgow-art-gallery-and-museum-scotland-de-jia-232172","Edmond Duranty - - Glasgow Art Gallery and Museum (Scotland)",[79,24,53,25,7,137,107,152,153,27,154,155],"纸张","文具","笔触","光影","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b26031ada056f7cd0868af3a74bd7c6.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":46,"author":99,"museum":76,"description":162,"tags":163,"thumbUrl":10,"material":168,"size":169,"collection":38,"collections":170,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":41},215907,"qing-ren-xiao-xiang-tu-ce-10-yi-ming-215907","清人肖像图册-10","画面铺陈雅致室内景，二人端坐仪态端方。左侧衣袍如墨沉敛，右侧靛蓝袍服鲜亮，衣纹线条挺括，盘扣细节隐约，尽显服饰规制之美。背景红棂窗格映枝叶扶疏，右侧书架罗列典籍，案几陈设精巧，处处流露中式居停的清幽意趣。人物面容温婉，神情平和，似在静谧时光中凝驻片刻。笔墨兼具写实细腻与传统肖像的含蓄韵味，将彼时生活的从容雅致悄然晕染，于方寸间藏着岁月静好与中式美学的淡然，让观者仿佛触碰到那段时光里的悠然气息。",[119,164,53,52,121,25,165,7,63,166,27,167],"清代","桌椅","窗棂","肖像画","绢本,设色","44x40",[],{"id":172,"slug":173,"title":174,"dynasty":46,"author":99,"museum":76,"description":175,"tags":176,"thumbUrl":179,"material":91,"size":92,"collection":38,"collections":180,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":181},272947,"hua-li-mu-shu-jia-yi-ming-272947","花梨木书架","这件书架形制规整雅致，以虚实相间的分层布局尽显巧思。上层敞格疏朗开阔，可陈古籍清供；中层设对开柜门，将私密藏品妥帖收纳，素面铜饰为温润木质添上几分利落点缀；下两层敞架舒展大气，适配各类陈设。\n\n花梨木质地沉润，经年累月晕出醇厚包浆，木纹隐现间流淌着岁月的静雅光泽。整体摒弃繁缛雕饰，以极简线条勾勒出内敛沉静的文人审美，将收纳与陈列融于一体，是书房雅室里兼具实用意趣与东方古韵的经典木器。",[177,7,55,178],"木质","木器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0551dba5df06411f064b2760ebf5f879.jpg",[],"F48FB1",{"id":183,"slug":184,"title":185,"dynasty":186,"author":187,"museum":76,"description":188,"tags":189,"thumbUrl":193,"material":38,"size":38,"collection":38,"collections":194,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},233528,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233528","十竹斋五色笺谱册","明","胡日从","《十竹斋书画谱》，融诗、书、画、印艺术为一体，是木版水印史上的巨制鸿构，有“画苑之白眉，绘林之赤帜”之誉。凡书画、竹、墨华、石、翎毛、梅、兰、果八谱，每谱两册，全帙共十六册，蝴蝶装。\n一为书画册。花卉竹石、翎毛蔬果二十幅，均有对题。谱前有醒天居士《题十竹斋画册小引》和芒砀山人王三德《胡曰从书画谱引》。\n二为竹谱。卷首有《梨云馆竹谱》，分“写竹要语”，“写竹括”和“写竹法”。前半为一画一题，凡竹图二十幅，分作“廻风”、“喜霁”、“带雨”、“凝露”、“贮云”、“笼烟”、“快雪”、“印月”、“怡老”、“启新”、“飞白”、“聚翠”、“紫蓧”、“朱帔”、“崖影”、“石床”、“飨松”、“访菊”、“友梅”、“佩兰”等。后半则为画竹“起手式”。\n三为墨华册。谱中图呈圆光型，对题有绿色“十竹斋琅干笺”竹纹边框。画、题各有二十幅，画面着色细润，气韵生动。谱前有语水乘槎子《十竹斋墨花题辞》。\n四为石谱。画、题各二十幅，谱前有序两篇，一为王三德《阅石谱题言》，一为米芾后人米万钟《石谱题辞》。谱中二十幅画皆为高阳所作。高阳，字秋甫，善花鸟，为万历间写生名手。高阳画奇石尤精，石谱中作品是临摹上版，王三德观后评价极高，以为“天划神缕之巧，嵌空玲珑之致，半幅冰茧，宛具层岩叠嶂、峰峦洞穴，真可以对杨次公矣。”图有墨石、彩石，但均以套版为之，每画都有对应的题赞。\n五为翎毛谱。画、题各二十幅，有杨文骢于“天启丁卯立秋日”所题《翎毛谱小序》，非常精彩地评介了胡氏所施饾版之法：“胡曰从氏巧心妙手，超越前代，以铁笔作颖生，以梨枣代绢素，而其中皴法、染法、点法，及着色之轻重、浅深、远近、离合无不呈妍曲致，穷巧极工。即当行作手观之，定以为写生妙品，不敢作刻画观。”此翎毛谱二十图，画上无名款，从印鉴来看，应全为凌云翰一人所作。凌云翰，字五云，万历、崇祯时人。《明画录》说他善画山水，其实上凌氏花鸟亦善，尤工画石，为胡正言所推许。\n六为梅谱。由玉山进士董继周作序。此册胡正言以“芳信先传”、“飘飘欲仙”、“冰壶掩映”、“暖谷回阳”、“君子之交”、“铁干支春”、“暗香浮动”、“拾翠为钿”、“黄惹蜂腰”、“额上玄功”、“东邻窥宋”、“盟坚寒素”、“香梦沉酣”、“水妃写照”、“玉骨同妍”、“疏影横斜”、“幽人赠佩”、“调脂梅粉”、“宫锦清班”、“寿阳点妆”等二十画题，分别写早梅、风梅、雪梅、枯梅、竹梅、老梅、月梅、松梅、蜡梅、墨梅、过墙梅、倚石梅、烟梅、临水梅、水仙梅、疏梅、兰花梅、茶花梅、杏花梅和落梅，或水墨，或设色，意境、造型与章法，则穷尽变化之能事。每幅画都有对应的题赞。\n七为兰谱。前有涂日昌“兰谱序”和画兰“起手执笔式”，此谱图解兰花，并附小注，颇为详尽，但无题赞。多为墨印，间有彩版，此谱可为之初学之范本。图二十幅，多是临摹赵孟頫等名家之作。\n八为果谱。画、题各二十幅，有西京韩文镜作序。其中“三元”、“朱橘”等图，雕版设计巧妙，可谓匠心独运。\n《十竹斋书画谱》自万历己未（1619年）第一谱《书画册》起，至崇祯癸酉（1633年）第八谱《果谱》止，梓印时间长达十五年之久。每谱有序言，除《竹谱》附写竹诀，《兰谱》附起手式，其余各谱均四十幅，一图一文，以书配画，交相辉映。\n胡正言辑印《十竹斋书画谱》，广交名人时贤，亦自作书画付梓。全谱序、画、诗作者或书法题写者，多达一百五十余人。谱中所辑作品大多是由当时名家如吴彬、倪瑛、魏之克、米万钟、吴士冠、文震亨、高阳、高友等创作的，也有二十多幅画稿是临摹自赵孟頫、唐寅、沈周、文征明、陆治、陈道复等著名书画家的；胡正言自己也曾为谱画稿、题诗，画有“白莲”、“墨梅”、“芝草”三图，诗有“题梅花”、“题兰竹”两首。画谱中所题诗句，笔调清新，咏物抒情，不同程度地反映了诗人们喜爱画谱的心情。题诗大部分都是书写者自己所作，也有借用前人诗句题咏的，如胡正言用唐释无可的咏兰诗题《兰竹图》，西湖仙郎何伟然用徐渭咏榴诗题《石榴图》，竹冠道人应麟用刘禹锡题开元寺枸杞诗书《枸杞诗图》等等。全谱书法篆、隶、行、楷诸体皆备，最多的还是晚明文人流行的行草。这些书迹，大都兼有晋、唐、宋书家的风韵，亦可为后人临池所借鉴。\n醒天居士的《题十竹斋画册小引》把胡正言的爱好、特长及画谱刊印的初衷和艺术水平都进行了叙述：\n“王宰十日一山，五日一石，岂肖形之难哉？山有情，石有态，磅礴得之为难耳。近代画手，千临百摹，如里媪捧心，不揜儿寝，而目食者争售之，大轴小图，祗为壁疥。新安胡曰从氏，清姿博学，既精六书，尤擅众巧。所制隃糜硾茧与所镌法语名言，皆出新裁，赏鉴家多宝爱之。乃竹斋多暇，复创画册。所选皆花果竹石，有关于幽人韵士之癖好者。而写形既妙，设色尤工，至于翠瓣丹柎，葩分蕊折，花之情，竹之姿，与禽虫飞懦之态，奇石云烟之气，展册淋漓，宛然在目。盖淡淡浓浓，篇篇神采；疏疏密密，幅幅乱真，诚画苑之白眉，绘林之赤帜也。然王宰之画妙出毫锥，胡君之画妙出梨枣，是磅礴之心，较王宰更难；而成功之捷，较王宰更简更易，岂不尤奇哉！余故喜而叙之，愿与好事者同赏，仍俟具眼者定价焉。时癸酉年中秋前二日，醒天居士书于十竹斋。”\n《十竹斋书画谱》“绘刻精而奇，谱则巧而该”，在画谱刊行后不久就引起广泛的注意，开始有人仿刻了，以至胡氏声明道“原板珍藏，素遐真赏，近有效颦，恐混鱼目，善价沽者，勿虚藻鉴。”历代重印、翻刻者达二十余种。清代李渔等人辑印的《芥子园画传》也是在它的启发下产生的。",[119,190,53,121,7,191,60,122,192],"木刻","书","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcff2f99211b1a55b9e637fee28b9a10.jpg",[],{"id":196,"slug":197,"title":185,"dynasty":186,"author":187,"museum":76,"description":188,"tags":198,"thumbUrl":199,"material":38,"size":38,"collection":38,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":41},233527,"shi-zhu-zhai-wu-se-jian-pu-ce-hu-ri-cong-233527",[119,120,121,53,190,192,191,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d95502285618b7aae0ff30bf18c4350.jpg",[],1777535732048]