[{"data":1,"prerenderedAt":64},["ShallowReactive",2],{"subject-shu-yao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7400,"shu-yao","束腰","束腰画高清赏析","精选中国历代束腰题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1b5586dc910d3ecfedf0bdd6880f990f.jpg",0,2,[14,48],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":41,"material":42,"size":43,"collection":44,"collections":45,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},232568,"mi-lai-si-112-yue-han-ai-fu-li-te-mi-lai-si-232568","米莱斯112","不详","约翰·埃弗里特米莱斯","藏地不详","John Everett Millais十九世纪英国画家，是拉斐尔前派的三个创始人中年龄最小、才华最高的一位，其它两位是亨特和布朗。其油画《基督在自己父母家中》(1850)中体现了该派精神，以画风细腻著称。\n米莱斯是拉斐尔前派中最有才华的一个。他出生于南埃普顿，幼年就表现出非凡的绘画才能。10岁时，他的绘画就获得了艺术协会颁发的银质奖章。据说当时他的个子还没有讲台高，只能站在凳子上领奖。两年后，他的天赋为马丁·希伊勋爵发现，转入皇家美术学院的附属学校(希伊后来是皇家美术学院院长)，以后又转入皇家美术学院，以后又多次获奖，并在18岁那年获得金质奖章，是学院公认的高材生。",[23,24,25,26,27,28,29,30,31,32,33,7,34,35,36,37,38,39,40],"油画","写实","设色","人物","美人","衣帽","布料","肖像","写实主义","人物肖像","服饰","高领","纱质衣袖","卷发","深色背景","色彩层次","光影表现","织物纹理","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2b7355edbd8b266fbdae5d4468d6c3dc.jpg","未知","Xcm*Xcm","",[],1,"37474F",{"id":49,"slug":50,"title":51,"dynasty":18,"author":52,"museum":20,"description":53,"tags":54,"thumbUrl":10,"material":42,"size":43,"collection":44,"collections":62,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":63},232400,"he-er-bai-yin-59-he-er-bai-yin-232400","荷尔拜因59","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[24,55,56,25,26,57,58,33,34,7,59,60,61],"素描","淡彩","女性","长发","花纹领口","坐姿","手部",[],"BDBDBD",1777535801515]