[{"data":1,"prerenderedAt":142},["ShallowReactive",2],{"subject-shu-yin":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3226,"shu-yin","树荫","树荫画高清赏析","精选中国历代树荫题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1489cb236d6a2e63c61b98228bdc5e34.jpg",0,5,[14,46,69,93,112],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":39,"size":40,"collection":41,"collections":42,"showCount":43,"zanCount":44,"manualWeight":11,"mainColor":45},218642,"si-ji-mu-niu-tu-yan-ci-ping-218642","四季牧牛图","宋","阎次平","南京博物院","长卷铺展，四季牧歌徐徐启幕。春柳垂丝，牛群缓步林间，蹄印轻踏新草；夏木荫浓，一牛卧地纳凉，牧童侧坐闲憩，蝉鸣似隐叶间；秋阳正好，老牛伏身，牧童倚背小憩，树影斑驳洒落；冬风未寒，两牛相依，牧童骑牛信步，柳梢轻摇伴归途。树干苍劲虬曲，笔墨勾勒出牛的憨态肌理，牧童神态悠然，或坐或行皆显天真。画面静谧却藏鲜活气息，四季流转间，恬淡之趣溢于绢素，尽显宋人笔下自然意韵与生活情味。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,7],"高清","名画","国画","书画","长卷","水墨","工笔","皴法","牛","人物","牧童","树","柳树","草地","河岸","土地","绢本,设色","35x99.7x4","",[],59,3,"795548",{"id":47,"slug":48,"title":49,"dynasty":50,"author":51,"museum":52,"description":53,"tags":54,"thumbUrl":62,"material":63,"size":64,"collection":65,"collections":66,"showCount":67,"zanCount":68,"manualWeight":11,"mainColor":45},232902,"hua-xi-yu-ma-tu-zhao-meng-fu-232902","花溪浴马图","元","赵孟頫","美国大都会艺术博物馆","此画展现了一个充满生活趣味的浴马场景：在碧波清流之上，一大群马匹随着马倌入水、洗浴、出水。骏马温顺而矫健。\n《花溪浴马图》虽不知其创作时间，但从内容与风格上看，此图与北京故宫博物院所藏的《浴马图》应是同一时期作品。\n《花溪浴马图》布局开阔：岸边梧桐垂柳，绿荫成趣；溪水涓涓而流，清澈透明；骏马七匹，马倌八人，有序地安排在长长的画幅之中。在一片清幽、充满村野之趣的自然景象中，人与马悠然平和，各得其乐。画中马的姿态各异，神态生动，有的立于水中，有的饮水吃草，有的昂首嘶鸣。马倌们各自分工不同，或冲洗马身，或牵马上岸，或岸边小憩。赵孟頫以文人意笔勾线，行笔偏工，设色法唐人的青绿和重彩，人与马勾勒精细，设色雅致，并且色不掩笔。此图是一幅形神兼备、妙逸并具、风格高雅的鞍马画精品。\n赵孟頫(1254-1322)是元代文人画家中罕见的全能“选手”，山水、人物、鞍马、花鸟、竹石，无一不能，无一不精。再加上诗词、书法的成就，以及对篆刻的深刻理解，可以说，他基本界定了后世文人画家诗书画印全能的标准。",[23,24,25,26,27,55,56,29,32,57,58,59,36,60,7,61],"元代","设色","马","流水","树木","山石","溪流","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b00a4e6db6c090c8f49c50804767e58.jpg","绢本设色","横28.1厘米，纵155.5厘米","山水画精选",[65],55,1,{"id":70,"slug":71,"title":72,"dynasty":73,"author":74,"museum":75,"description":76,"tags":77,"thumbUrl":86,"material":87,"size":88,"collection":65,"collections":89,"showCount":91,"zanCount":11,"manualWeight":11,"mainColor":92},238302,"qian-long-huang-di-song-yin-xiao-xia-tu-zhou-dong-bang-da-238302","乾隆皇帝松荫消夏图轴","清","董邦达","北京故宫博物院","图绘崇山峻岭、溪水潺潺的郊外，乾隆皇帝身着汉装坐于石案旁，目视着童子烹茶的情景。石案上除有茶杯外，还有弦琴及书本，显现出他于茶道之外的文化修养。此图构思巧妙，作者并没有将贵为天子的乾隆皇帝画得身高体大，而是将他融入于自然山水之中，然后又通过山环水抱、苍松围绕的构图方式，将其自然地归笼到了画幅的中心部位，从而突显了其个人形象及至尊无上的皇权地位。图中的山石结构繁复而错落，笔法尖峭，皴法松秀，既有元人遗韵，又得宋人笔墨之工，因而成功地渲染出世外桃源的清幽雅境。实际画中的乾隆皇帝肖像，当出自郎世宁之手。\n此画轴包首处贴有黄签，题“澄观斋殿内东阁东墙面西挂”，点明了此图作为室内装饰画，曾被挂于避暑山庄的澄观斋殿内。",[25,28,56,30,78,79,80,81,82,59,32,83,84,85,7],"山水","松","山","石","亭","建筑","小径","岩石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2744412dddd49ddd4fa1d30f51c8f81f.jpg","纸本，水墨","纵193.5厘米，横158厘米",[65,90],"设色画精选",35,"BDBDBD",{"id":94,"slug":95,"title":96,"dynasty":18,"author":97,"museum":75,"description":98,"tags":99,"thumbUrl":107,"material":108,"size":109,"collection":41,"collections":110,"showCount":111,"zanCount":11,"manualWeight":11,"mainColor":92},234018,"huai-yin-xiao-xia-tu-ye-yi-ming-234018","槐荫消夏图页","佚名","图绘炎炎夏日里，一处槐荫下，一高士平卧榻上，上衣半解，袒胸露乳，闭目酣睡；榻边一条案上摆着香炉、蜡台、书卷等物品，可能高士睡醒后在此读书赏画。本幅无款，标签题王齐翰作，原载《历代名笔集胜册》第一册。\n此图人物、床榻、条案、文房清玩刻画人微，极富艺术表现力。在笔墨上，行笔飘逸柔美、气韵清新优雅，人物和背景勾勒细致，烘染细腻，体现了画家细致的观察力和深厚的绘画功底。",[25,56,29,100,101,102,32,103,104,105,106,7],"册","书法","印章","槐树","卧榻","小桌","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6d4e735e515eae8c0b9f36217672fe.jpg","绢本，设色","25×28.4cm",[],16,{"id":113,"slug":114,"title":115,"dynasty":116,"author":117,"museum":118,"description":119,"tags":120,"thumbUrl":136,"material":137,"size":138,"collection":139,"collections":140,"showCount":141,"zanCount":68,"manualWeight":11,"mainColor":45},225903,"bathers-at-la-grenouillere-1869-mo-nai-225903","Bathers at La Grenouillere, 1869","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[24,121,122,123,124,125,126,127,128,129,32,130,131,59,37,132,133,7,134,135],"印象派","油画","光影捕捉","色彩晕染","笔触灵动","户外写生","光色变化","水面","船只","浴者","码头","水波","阳光","夏日","休闲场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa84c60ec89242747c19de7147819298f.jpg","未知","Xcm*Xcm","油画精选",[139],13,1777535752120]