[{"data":1,"prerenderedAt":183},["ShallowReactive",2],{"subject-shu-zhu":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4421,"shu-zhu","数珠","数珠画高清赏析","精选中国历代数珠题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e6cedbb100138ae146c76105f146c48.jpg",0,17,[14,36,50,60,71,79,86,93,100,108,117,128,135,145,153,160,171],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},242002,"zhen-zhu-shu-zhu-yi-ming-242002","珍珠数珠","清","佚名","藏地不详","此数珠以匀净珍珠串联而成，珠体莹润，泛着淡淡珠光，自带清雅质感。鲜亮的红珊瑚作为配饰，浓艳的色彩与珍珠的素净形成鲜明对比，提亮整体视觉，让整串器物雅致又不失灵动。底端金丝流苏丝丝缕缕，带着细腻华贵的质感，为器物添上几分富丽庄重。\n\n整体形制简约却暗含巧思，素净与明艳相互平衡，将内敛雅致与华贵大气融于一身，尽显旧时随身雅物的精致匠心，静静诉说着往昔的审美意趣。",[18,23,24,25,26,7,27,28],"饰品","珍珠","珊瑚","流苏","串饰","工艺","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbbc5a26d4f5271ee08d02867f85e6665.jpg","未知","Xcm*Xcm","",[],1,"37474F",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":47,"material":30,"size":31,"collection":32,"collections":48,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":49},229448,"mi-la-shu-zhu-qing-guang-xu-er-shi-yi-nian-ban-chan-e-er-de-ni-jin-yi-ming-229448","蜜蜡数珠-清光绪二十一年班禅额尔德尼进","这串数珠以蜜蜡为材，颗颗匀润饱满，凝着暖糯的琥珀色泽，澄澈通透间晕开经年的温润包浆。搭配花丝珐琅饰件，宝蓝底色衬着鎏金纹饰，掐丝填色细腻雅致，藏地风格浓郁庄重，带着沉静的宗教意蕴。\n\n作为朝贡进献的供器，它联结着藏汉礼佛传统，每一枚珠子都载着祈福愿力，沉淀着晚清宗教与政治交融的历史余温，藏地工艺与中原审美在此呼应，朴素里见匠心，静穆间藏着虔诚信仰的重量。",[42,43,44,23,45,7,46],"清代","宗教","佛教","蜜蜡","雕刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d010874b46d19c3826537b3b3c995c4.jpg",[],"BDBDBD",{"id":51,"slug":52,"title":53,"dynasty":18,"author":19,"museum":20,"description":54,"tags":55,"thumbUrl":58,"material":30,"size":31,"collection":32,"collections":59,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":49},229056,"ga-bu-la-shu-zhu-qing-qian-long-si-shi-wu-nian-shi-yue-er-shi-qi-ri-ban-chan-jin-yi-ming-229056","嘎布拉数珠-清乾隆四十五年十月二十七日班禅进","以嘎布拉骨管为主体串链，质朴肌理凝着岁月沉敛的质感。朱红珊瑚珠错落点缀其间，暖艳色调调和骨材的冷硬，下端配搭松石圆珠，撞色跳脱又不失和谐。垂坠的流苏柔化器物的肃穆轮廓，让密宗数珠兼具仪轨庄严与雅致美感。\n它带着雪域信仰的厚重温度，将藏地手工巧思与宗教意趣相融，静穆中晕开悠远禅意，是藏传佛教器物里兼具精神内核与审美价值的精妙之作，每一颗珠串都沉淀着雪域圣地的信仰情怀。",[43,56,23,7,42,57,25],"器","设色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F086aae1088c0d0eafd67f9d15d541cbe.jpg",[],{"id":61,"slug":62,"title":63,"dynasty":18,"author":19,"museum":20,"description":64,"tags":65,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":70,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":49},224023,"jin-gang-zi-shu-zhu-1-yi-ming-224023","金刚子数珠-1","是指佛教徒诵经时用来计数的成串的珠子",[42,43,23,7,66,25,67,68,69,28],"金刚子","松石","金属","织物",[],{"id":72,"slug":73,"title":74,"dynasty":18,"author":19,"museum":20,"description":75,"tags":76,"thumbUrl":77,"material":30,"size":31,"collection":32,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268991,"shan-hu-shu-zhu-yi-ming-268991","珊瑚数珠","这串数珠甄选深海珊瑚串联而成，颗颗匀净饱满，朱红莹润如凝脂，自带沉静华贵的质感。三处织锦护套缠裹串身，搭配柔缓垂落的青绒流苏，软绒暖意中和了珊瑚的明艳冷冽，暗涌着肃穆佛韵。整体形制周正古雅，将天然珍材与手工匠心相融，既是礼佛随身的庄严佩饰，亦是尽显内敛端庄的东方雅致好物，静静诉说着旧时工艺与天然珍材碰撞的精妙质感。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7149f6cdd31f0b1eb606d77052dad012.jpg",[],{"id":80,"slug":81,"title":74,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":84,"material":30,"size":31,"collection":32,"collections":85,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268990,"shan-hu-shu-zhu-yi-ming-268990","这串数珠以朱红珊瑚串联而成，珠粒匀净饱满，色泽莹润鲜活，如深海凝萃的朱砂熔珠，带着沉蕴的温热火气。整体轮廓恰似合掌祈愿的静穆剪影，顶端的累丝饰件轻簇如绒，柔化了珠串的规整冷硬，添就几分华贵温婉。\n\n颗颗珊瑚串起绵长意蕴，在玄黑衬底里，像一捧燃着的祈愿星火，将清寂古雅的禅意晕开，藏着旧时光里沉静的信仰温度，把日常供持的器物晕染出动人的仪式美感，尽显沉静雅致的东方韵致。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff63708ead76ac032554ec83e53480e44.jpg",[],{"id":87,"slug":88,"title":74,"dynasty":18,"author":19,"museum":20,"description":89,"tags":90,"thumbUrl":91,"material":30,"size":31,"collection":32,"collections":92,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268989,"shan-hu-shu-zhu-yi-ming-268989","这串数珠以珊瑚串就，粒粒匀净饱满，朱红莹润的色泽在素黑背景下愈发鲜亮明丽。配饰选用织物裹成饰管，青地间白纹盘绕，晕出雅致韵律，底端垂挂的肌理细腻的金属饰件，中和了珊瑚柔润，刚柔相济。中央悬垂的旧色绒线流苏，带着经年沉淀的古朴质感，为整串数珠添了几分沉静氛围感。它将天然材质的温润与手工细作的精巧融于一体，藏着旧时器物的温婉气韵，静静诉说着过往的审美意趣。",[23,25,7,43],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc301927b64dc4f7967d768175e91610f.jpg",[],{"id":94,"slug":95,"title":74,"dynasty":18,"author":19,"museum":20,"description":96,"tags":97,"thumbUrl":98,"material":30,"size":31,"collection":32,"collections":99,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268988,"shan-hu-shu-zhu-yi-ming-268988","这串数珠以匀净珊瑚穿制而成，饱满珠身晕开暖润橘红，凝脂般的肌理尽显天然珍材的莹润质感。三处配饰以青底织锦裹覆，彩线织就的纹样错落其间，撞色搭配提亮视觉层次，垂悬的绒绿流苏柔化整体气质，刚柔相济。\n\n形制周正古雅，将天然灵韵与手工巧思相融，静穆中带着雅致禅意，暗合清修沉静的旧时意趣，藏着岁月沉淀下的内敛温柔。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F383f44898b18c0d1c6d9236cff25b673.jpg",[],{"id":101,"slug":102,"title":74,"dynasty":18,"author":19,"museum":20,"description":103,"tags":104,"thumbUrl":106,"material":30,"size":31,"collection":32,"collections":107,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268986,"shan-hu-shu-zhu-yi-ming-268986","颗颗红珊瑚匀润鲜亮，如凝就的赤火串联成主链，莹润光泽尽显材质天然之美。三处饰件以翠绿丝线交缠出灵动斜纹，将红珊瑚圆柱束起，朱红与碧色撞色相映，晕开雅致古韵。垂下的绿线流苏虽稍显枯卷，却沉淀着岁月余温，添就古朴柔婉的氛围感。整串配饰形制周正大气，将天然材质的明艳与手工织造的匠心相融，尽显旧时配饰工艺的精巧审美，静静诉说着时光里的雅致意趣。",[23,25,7,105,26],"珠串","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1d91ffb0007c3ed532bba09f4541acb1.jpg",[],{"id":109,"slug":110,"title":111,"dynasty":18,"author":19,"museum":20,"description":112,"tags":113,"thumbUrl":115,"material":30,"size":31,"collection":32,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268910,"xiang-ya-shu-zhu-yi-ming-268910","象牙数珠","这串数珠以象牙米珠为主体，奶白素净的珠身凝着经年摩挲的温润包浆，尽显柔润雅致。朱红珊瑚珠作为隔饰，暖艳鲜亮，与象牙的清浅底色撞出恰到好处的雅致韵律，错落点缀提亮了整体视觉节奏。\n搭配质朴的绳结搭扣，带着不加修饰的古拙意趣。作为礼佛随身的器物，它将材质天然之美与禅意沉静相融，静静承载着旧时的清寂佛心，尽显古雅端庄的质感。",[23,114,7,43],"象牙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0c26655891c36dcad83f091b3b6ed559.jpg",[],{"id":118,"slug":119,"title":120,"dynasty":18,"author":19,"museum":20,"description":121,"tags":122,"thumbUrl":126,"material":30,"size":31,"collection":32,"collections":127,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268905,"pu-ti-zi-shu-zhu-yi-ming-268905","菩提子数珠","这串数珠以温润菩提子为主体，颗颗匀净饱满，自带沉静素雅的质感。深邃宝蓝的青金石作为结珠与佛头，与暖棕菩提相互衬映，色调雅致和谐。背云以翡翠精雕为花叶形制，莹润翠绿澄澈鲜亮，下端坠饰粉碧玺，柔媚添彩。三串记捻以红珠串联，垂下精巧小饰，摇曳灵动。\n\n整器搭配精妙，将清修菩提与各色珍宝玉石相融，既有禅意沉静，又暗含雅致工巧，尽显内敛华贵的古韵风华。",[23,7,123,124,125,105],"菩提子","玉石","宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ed9af8623ddadf69aea7a5f98375a60.jpg",[],{"id":129,"slug":130,"title":74,"dynasty":18,"author":19,"museum":20,"description":131,"tags":132,"thumbUrl":133,"material":30,"size":31,"collection":32,"collections":134,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},268708,"shan-hu-shu-zhu-yi-ming-268708","此数珠甄选深海珊瑚圆珠串就，颗颗匀净饱满，凝敛着莹润朱华，将深海孕育的天然绮丽尽展无余。红绳穿缀起珠体，走线流畅柔和，勾勒出舒展雅致的轮廓。三处饰件以彩线盘绕缠裹，冷暖色调交织，与珊瑚的浓艳底色相映成趣，下端绒须轻垂，柔化了珠串的端凝，添得几分古雅柔婉。\n它褪去冗余缀饰，以天然材质的本真之美见长，既是礼佛持诵的清寂信物，亦是随身相伴的雅致佩饰，静穆间晕染出沉静安然的东方韵致。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda599d360c3910b7916f112a38a0fd1a.jpg",[],{"id":136,"slug":137,"title":138,"dynasty":18,"author":19,"museum":20,"description":139,"tags":140,"thumbUrl":143,"material":30,"size":31,"collection":32,"collections":144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},267668,"tao-he-diao-luo-han-wen-shu-zhu-shen-yi-ming-267668","桃核雕罗汉纹数珠身","颗颗桃核凝萃匠心，圆雕罗汉各有神采，或垂眉敛目，或静虑参禅，方寸之间，把清隽佛韵藏纳其中。核身纹理随势而就，细密婉转，将罗汉衣褶、神情一一勾勒，虽形微却神足。\n\n长串包浆柔润古朴，带着经年摩挲的温润暖意，红铜搭扣小巧点睛，与素雅核珠相映成趣，沉静雅致中晕开禅意文趣，藏着旧时工艺的温度。",[23,46,141,142,7,43],"桃核","罗汉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe65d13f735b38c2b5721ec0b80d2c008.jpg",[],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":149,"tags":150,"thumbUrl":151,"material":30,"size":31,"collection":32,"collections":152,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},267588,"qing-yu-ling-long-shu-zhu-shen-yi-ming-267588","青玉玲珑数珠身","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[124,23,43,7,46],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6eacc2d77b6daec81bd120c9740350dd.jpg",[],{"id":154,"slug":155,"title":74,"dynasty":18,"author":19,"museum":20,"description":156,"tags":157,"thumbUrl":158,"material":30,"size":31,"collection":32,"collections":159,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},267587,"shan-hu-shu-zhu-yi-ming-267587","甄选匀净赤红珊瑚打磨为鼓珠，颗颗饱满莹润，浓正鲜亮的色泽恰似将天际赤霞凝于腕颈间。整串排布齐整，细腻肌理在光线下漾出含蓄柔光，尽显沉静雅致质感。顶端附缀原生毛穗，质朴绒感中和珊瑚明艳，晕开独有的古拙意蕴。\n它褪去繁复修饰，以材质本真的温润纯粹承载清净禅意，静静诉说着旧时光里的虔敬之心，将宗教的沉静与材质之美融于一体。",[23,25,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42de3827c14859c323b5e4124d382d1e.jpg",[],{"id":161,"slug":162,"title":163,"dynasty":18,"author":19,"museum":20,"description":164,"tags":165,"thumbUrl":169,"material":30,"size":31,"collection":32,"collections":170,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},241947,"pu-ti-xiang-zhu-shu-zhu-yi-ming-241947","菩提镶珠数珠","整串以深棕菩提为主体，珠体匀润饱满，色调沉敛温润。朱红珊瑚佛头与记子晕染出鲜亮暖意，撞色菩提的静雅，层次鲜明亮眼。绿松石、米珠串联的饰件错落点缀，搭配精巧金属配饰，更添几分灵秀雅致，鹅黄流苏垂坠摇曳，柔化了珠串的厚重，尽显灵动韵致。\n其制式规整严苛，选材配伍皆为用心之作，将佛家器物的清寂禅意与配饰的华贵工巧相融，静敛中暗藏精致细节，暗合诵念时的肃穆禅韵。",[18,23,43,166,167,168,7],"菩提","珠饰","镶嵌","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F64292ca100d7086ab84594d316ad0d4b.jpg",[],{"id":172,"slug":173,"title":174,"dynasty":18,"author":19,"museum":20,"description":175,"tags":176,"thumbUrl":181,"material":30,"size":31,"collection":32,"collections":182,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},229649,"tao-he-shu-zhu-yi-ming-229649","桃核数珠","这串数珠以桃核为主体，珠身肌理带着天然细密纹路，如凝住山野间的清风朝露，朴拙温润。橘色珊瑚配珠错落点缀，沉褐与明色相映，似枯枝缀着新橘，沉静里跳脱出鲜活暖意。旧系带晕着岁月黄，绳结间藏着经年摩挲的温度。\n\n没有绮丽雕琢，只以天然本貌示人，将日常持诵的沉静禅意融于方寸，朴雅淡然间藏着旧时人对清宁心境的追寻，把山野意趣与禅心雅韵悄然相融。",[42,23,177,7,46,178,179,180,141],"木质","装饰珠","器物","念珠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F786f8f84ad698e0584468d9bbc99f46f.jpg",[],1777535723560]