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"天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[162,163,7,164,38,165],"陶瓷","白釉","兽耳","饪食器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bd673ee61879eb43264643977739976.jpg","瓷器精选",[167],{"id":170,"slug":171,"title":159,"dynasty":18,"author":19,"museum":20,"description":160,"tags":172,"thumbUrl":173,"material":27,"size":28,"collection":167,"collections":174,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261868,"de-hua-yao-bai-you-shuang-er-lu-yi-ming-261868",[162,38,163,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf90e1f09a92a656afc371c1bf82ab25.jpg",[167],{"id":176,"slug":177,"title":178,"dynasty":53,"author":19,"museum":20,"description":160,"tags":179,"thumbUrl":182,"material":27,"size":28,"collection":167,"collections":183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},261202,"de-hua-yao-bai-you-yin-hua-kui-wen-shuang-er-lu-yi-ming-261202","德化窑白釉印花夔纹双耳炉",[162,163,180,181,7,38],"印花","夔纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F92e146f31a1547877b94c49821d327ae.jpg",[167],{"id":185,"slug":186,"title":187,"dynasty":53,"author":19,"museum":20,"description":160,"tags":188,"thumbUrl":190,"material":27,"size":28,"collection":167,"collections":191,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":192},260649,"de-hua-yao-xuan-de-kuan-bai-you-lu-yi-ming-260649","德化窑宣德款白釉炉",[162,189,38,7],"白釉炉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d78da0008c74a8bb1fd200a295159bc.jpg",[167],"BDBDBD",{"id":194,"slug":195,"title":196,"dynasty":197,"author":19,"museum":20,"description":198,"tags":199,"thumbUrl":201,"material":27,"size":28,"collection":29,"collections":202,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":192},259736,"qing-you-shuang-er-lu-yi-ming-259736","青釉双耳炉","晋","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[162,38,200,7,105],"青釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa29185a746077a17742a2b9ec8c46bb4.jpg",[],{"id":204,"slug":205,"title":206,"dynasty":18,"author":19,"museum":20,"description":207,"tags":208,"thumbUrl":10,"material":27,"size":28,"collection":29,"collections":212,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":48},249664,"qian-long-kuan-qia-si-fa-lang-gou-lian-wen-shuang-er-lu-yi-ming-249664","乾隆款掐丝珐琅勾莲纹双耳炉","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[18,209,210,211,7,24],"掐丝珐琅","琺瑯器","勾莲纹",[],1777535719059]