[{"data":1,"prerenderedAt":248},["ShallowReactive",2],{"subject-shuang-xi-guan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10559,"shuang-xi-guan","双系罐","双系罐画高清赏析","精选中国历代双系罐题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F976f31ec7535fb8c61330b4430f7088e.jpg",0,29,[14,34,48,55,63,70,78,84,95,104,113,120,130,137,145,151,157,163,169,175,183,189,196,203,212,219,225,233,239],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},260808,"qing-you-shuang-xi-guan-yi-ming-260808","青釉双系罐","隋","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,24,7,25,26],"陶瓷","青釉","器","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa29dfa83dea0b9960753e470a9b66a60.jpg","未知","Xcm*Xcm","",[],4,"795548",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":45,"material":28,"size":29,"collection":46,"collections":47,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},262229,"long-quan-yao-qing-you-an-hua-jia-cai-shuang-xi-guan-yi-ming-262229","龙泉窑青釉暗花加彩双系罐","元","龙泉窑是中国历史上的一个名窑，宋代六大窑系。汉族传统制瓷工艺的珍品。因其主要产区在浙江省龙泉市而得名。它开创于三国两晋，结束于清代，生产瓷器的历史长达1600多年，是中国制瓷历史上最长的一个瓷窑系，它的产品畅销于亚洲、非洲、欧洲的许多国家和地区，影响十分深远。龙泉窑以烧制青瓷而闻名，在北宋早期以前的产品风格受越窑、瓯窑、婺州窑的影响，特征与三窑的产品相似。胎质较粗，胎体较厚，釉色淡青，釉层稍簿。\n1998年3月，宋代的龙泉窑青釉莲瓣纹瓶从英国追回。\n龙泉窑因在今浙江龙泉县，故名，属我国南方青瓷系统。创造于北宋早期，南宋中晚期进入鼎盛时期，至明代中叶以后渐趋衰落，传世的龙泉青瓷下限至清康熙年间，烧造历史达七、八百年之久。北宋时期的龙泉青瓷，胎骨较厚，胎土淡灰，底足露胎处见赭褐色窑红，胎微出烧，釉的玻化程度好，釉层透明，釉表光泽很强。装饰花纹较简练，常见纹样有鱼纹、蕉叶、金枝、荷花等。装饰风格趋于奔放。处于南宋鼎盛时期的龙泉青瓷，形成了自已独有的艺术风格，显示了独特的魅力。\n南宋龙泉青瓷的造型亦形成自已的风格，稳重大方，浑厚淳朴而又不失秀媚，器型丰富多样，装饰普遍采用刻花和堆塑法，颇具艺术匠心。\n元代龙泉青瓷烧造量大，风格与南宋迥异：器型高大、胎体厚重；胎色为白中带灰或淡黄；釉色为粉青带黄绿，光泽较强，釉层半透明；装饰手法多种多样，有刻、划、印、贴、塑等，以划花为主，花纹粗略，线条奔放，纹饰以云龙、飞凰、双鱼、八仙、八卦、牡丹、荷叶等为多见。此外，还大量出现汉文和八思巴文字款铭。\n明代龙泉青瓷走向衰弱，器物胎体厚重，制作粗糙，胎色为灰黄，釉层厚，透明度高，釉表光泽强，釉色有青灰、茶叶末、灰黄等几种，装饰以釉下刻花为主，亦有模印人物故事的装饰方法。\n宋代龙泉青瓷是青瓷工艺的历史高峰。其青瓷的釉色与质地之美，亦如巧夺天工的人造美玉，全世人为之倾倒。\n那么，在漫长的历史长河中，龙泉窑又经历了怎样的发展轨迹呢?朱伯谦先生在《龙泉窑青瓷》一书中曾将龙泉窑的发展归纳为开创、发展、鼎盛和衰落四个阶段：魏晋和五代十国是开创时期，瓷窑少，生产时断时续，处于就地销售断断续续的生产阶段；北宋至南宋前期是发展期，瓷窑发展快，逐渐形成一个较大的瓷窑体系；南宋后期至元代是鼎盛期，瓷窑迅速发展，青瓷质量大大提高，产品畅销国内外广大市场；明清是衰落期，尤其是明代中期以后龙泉窑处境艰难，瓷窑不断地倒闭减少，至清代晚期结束。如果说这四个阶段勾勒出了龙泉窑发展历史的整个脉络，那么，龙泉窑发展史上的三次辉煌期则是连贯发展脉络的重点和要点。",[23,41,24,42,43,7,44,26],"龙泉窑","暗花","加彩","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02574e22b78d8939711a9c1f71c335e8.jpg","瓷器精选",[46],{"id":49,"slug":50,"title":17,"dynasty":51,"author":19,"museum":20,"description":21,"tags":52,"thumbUrl":53,"material":28,"size":29,"collection":30,"collections":54,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},262186,"qing-you-shuang-xi-guan-yi-ming-262186","宋",[23,26,25,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F918ba095d0fb25d414abfcc62498fb37.jpg",[],{"id":56,"slug":57,"title":17,"dynasty":58,"author":19,"museum":20,"description":21,"tags":59,"thumbUrl":60,"material":28,"size":29,"collection":30,"collections":61,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":62},262175,"qing-you-shuang-xi-guan-yi-ming-262175","晋",[23,25,24,26,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fffc22fff40e5e5fef003154855a03e3c.jpg",[],"37474F",{"id":64,"slug":65,"title":17,"dynasty":66,"author":19,"museum":20,"description":21,"tags":67,"thumbUrl":68,"material":28,"size":29,"collection":30,"collections":69,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},262166,"qing-you-shuang-xi-guan-yi-ming-262166","唐",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc96fc85884a413bb1bd0ec80209bdd75.jpg",[],{"id":71,"slug":72,"title":73,"dynasty":58,"author":19,"museum":20,"description":21,"tags":74,"thumbUrl":75,"material":28,"size":29,"collection":30,"collections":76,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":77},262133,"qing-you-shuang-xi-xiao-guan-yi-ming-262133","青釉双系小罐",[23,25,26,24,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5604b958eb3c5e7f5a2a9f232e3a5302.jpg",[],"BDBDBD",{"id":79,"slug":80,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":81,"thumbUrl":82,"material":28,"size":29,"collection":30,"collections":83,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},262132,"qing-you-shuang-xi-guan-yi-ming-262132",[23,24,7,26,25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