[{"data":1,"prerenderedAt":59},["ShallowReactive",2],{"subject-shuang-ya":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3733,"shuang-ya","双鸦","双鸦画高清赏析","精选中国历代双鸦题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fda57ad02295ec97fd893b3cb36990a90.jpg",0,2,[14,41],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":39,"manualWeight":11,"mainColor":40},221611,"qiu-liu-shuang-ya-tu-ye-liang-kai-221611","秋柳双鸦图页","宋","梁楷","北京故宫博物院","纨扇页，行书署款“梁楷”二字。\n此图前人定名《秋柳双鸦》，实则写唐代诗人王维五言绝句《鸟鸣涧》诗意。王维的诗“人闲桂花落，夜静春山空。月出惊山鸟，时鸣春涧中。”描绘鸟鸣涧春山月出的夜景，既幽静，又有生气。梁楷的画，以渴笔焦墨绘一节断裂的枯柳，三两根枝条昂扬向上又飘拂而下，突兀地将整幅扇页中分为二，构图大胆，以奇致胜。大片空白处淡墨晕染出的薄云满月，给空谷春山平添了几分神秘。初升的月亮惊起的两只山鸟奋飞呼鸣，打破了夜空的静寂，老柳虽然细弱，枝条却仍坚韧，使观者感受到自然生命的搏动。\n梁楷作画，以“减笔”闻名，此幅亦不例外，寥寥几笔就生动地勾画出所表现物象的主要特征，描绘出花鸟的内在神韵。大片的空白使画面显得空濛含蓄，给人以笔墨有尽而意无穷的想象空间，达到了“于无画处皆成妙境”的艺术效果。",[23,24,25,26,27,28,29,30,7,31,32,33],"高清","国画","水墨画","写意画","简笔","册页","书画","秋柳","柳树","乌鸦","暮色","绢本，墨笔","纵24.7厘米，横25.7厘米","",[],18,1,"BDBDBD",{"id":42,"slug":43,"title":44,"dynasty":45,"author":46,"museum":47,"description":48,"tags":49,"thumbUrl":55,"material":36,"size":36,"collection":56,"collections":57,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":58},201406,"xue-shu-shuang-ya-tu-zhou-shen-zhou-201406","雪树双鸦图轴","明","沈周","上海博物馆","冬日寒枝覆雪，墨色浓淡交织间，双鸦情态鲜活。一鸦敛羽栖枝，静穆凝思；一鸦昂首欲飞，爪踏枯枝，动感暗藏。枝干以枯笔勾勒，苍劲中见柔韧，积雪用淡墨晕染，留白衬出清寒之韵。鸦羽浓墨点染，黑白对比鲜明，翎毛质感毕现。笔墨简括却意境悠远，清冷中透着生机，尽显文人画雅致意趣，于萧瑟冬日藏自然生灵鲜活之态。",[24,50,51,52,7,53,54,23],"水墨","花鸟","寒枝","枯笔","晕染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa80ccdd41ae1ad2ac36f1daebae8e7b1.jpg","花鸟画精选",[56],"a69d92",1777535788587]