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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,24,25,26,7,27,28],"明代","玉石","雕刻","带皮","荷花","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0c0674d26e4ad55f2cb6a4bf86da999.jpg","未知","Xcm*Xcm","",[],4,"795548",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},247832,"dui-cai-shuang-yu-wen-qing-shi-he-yi-ming-247832","堆彩双鱼纹磬式盒","清","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[43,44,45,25,7,46,47],"清代","漆器","堆彩","磬式","盒",[],3,"BDBDBD",{"id":52,"slug":53,"title":54,"dynasty":40,"author":19,"museum":20,"description":55,"tags":56,"thumbUrl":60,"material":30,"size":31,"collection":32,"collections":61,"showCount":62,"zanCount":11,"manualWeight":11,"mainColor":35},263794,"hu-se-shuang-yu-hai-luo-wen-hua-chou-yi-ming-263794","湖色双鱼海螺纹花绸","湖色柔润如初夏新涨的湖水，将清浅天色揉入丝缕之间。双鱼衔螺的纹样匀净排布，缠枝柔蔓串联起江海意趣，提花暗纹在光影里晕开朦胧肌理，似将粼粼波光凝在绸面之上。\n丝料垂顺软糯，带着旧时光的温软质感，把吉庆有余的祈愿藏进往复的纹样中，织造匠人将俗世里的美好期许，织入细腻经纬。日常织物里藏着雅致匠心，将江海闲趣融入衣料，静诉旧时工艺的温婉巧思。",[57,7,58,59],"布料","海螺","花绸","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f21e7069c78900e0f0bb4c56774c60c.jpg",[],2,{"id":64,"slug":65,"title":66,"dynasty":67,"author":19,"museum":20,"description":68,"tags":69,"thumbUrl":76,"material":30,"size":31,"collection":77,"collections":78,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":80},257020,"ding-yao-bai-you-yin-hua-he-lian-shuang-yu-wen-pan-yi-ming-257020","定窑白釉印花荷莲双鱼纹盘","宋","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[67,70,71,72,73,74,7,75],"陶瓷","定窑","白釉","印花","荷莲","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac622a9c59770e9535608dcd83f9316d.jpg","瓷器精选",[77],1,"37474F",{"id":82,"slug":83,"title":84,"dynasty":40,"author":19,"museum":20,"description":21,"tags":85,"thumbUrl":88,"material":30,"size":31,"collection":32,"collections":89,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":50},252073,"qing-yu-hua-hui-shuang-yu-wen-xi-yi-ming-252073","青玉花卉双鱼纹洗",[43,24,25,86,7,87],"花卉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd9c31ea86c4dce82fa75679cc19441a9.jpg",[],{"id":91,"slug":92,"title":93,"dynasty":40,"author":19,"museum":20,"description":41,"tags":94,"thumbUrl":96,"material":30,"size":31,"collection":32,"collections":97,"showCount":79,"zanCount":11,"manualWeight":11,"mainColor":35},248229,"ti-hong-shuang-yu-wen-he-yi-ming-248229","剔红双鱼纹盒",[43,44,95,25,7,47],"剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7206e7fd70140d4bce394ae6888b98ae.jpg",[],{"id":99,"slug":100,"title":101,"dynasty":40,"author":19,"museum":20,"description":102,"tags":103,"thumbUrl":104,"material":30,"size":31,"collection":32,"collections":105,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},258404,"yong-zheng-kuan-bai-you-shuang-yu-ping-yi-ming-258404","雍正款白釉双鱼瓶","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[70,72,7,25,43,87],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F02811d742d0668a02c7560bf3e5a466f.jpg",[],{"id":107,"slug":108,"title":109,"dynasty":40,"author":19,"museum":20,"description":68,"tags":110,"thumbUrl":115,"material":30,"size":31,"collection":77,"collections":116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":80},257696,"fang-ding-yao-bai-you-ke-hua-hai-shui-shuang-yu-mu-dan-wen-li-shi-wan-yi-ming-257696","仿定窑白釉刻花海水双鱼牡丹纹笠式碗",[70,111,72,112,113,7,114,87],"临摹","刻花","海水","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2d653559556995f933aabe0482f5b9b3.jpg",[77],{"id":118,"slug":119,"title":120,"dynasty":40,"author":19,"museum":20,"description":68,"tags":121,"thumbUrl":125,"material":30,"size":31,"collection":77,"collections":126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