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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,25,110,7,179,180,26,120],"青玉","铜制","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3696f4a8260fdcfbb8f01d288232e6f2.jpg",[],{"id":184,"slug":185,"title":186,"dynasty":18,"author":19,"museum":20,"description":187,"tags":188,"thumbUrl":189,"material":30,"size":31,"collection":32,"collections":190,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},251947,"shui-jing-wo-ma-zhen-zhi-yi-ming-251947","水晶卧马镇纸","此件卧马取天然水晶雕琢而成，质地澄澈莹润似化冻春冰。骏马蜷身静卧，颔首低垂，眉眼温婉柔和，尽显憩息时的松弛安然。匠人意蕴独到，以浅浮雕细细刻绘鬃尾，丝缕蓬松分明，将软毛质感描摹入微。随形施造，巧借水晶天然肌理，消弭斧凿痕迹，将石材清透特质与骏马娴静身姿相融，浑然天成。乌木底座沉实古雅，与莹亮水晶相映成趣，深浅配色更衬器物清隽出尘。作为案头镇纸，既有文房器物的沉静内敛，又暗潜骏马蓄势的隽逸神采，是兼具雅致与意趣的精巧之作。",[18,7,26,170,161,45],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8252492101f4a4fd536fb864bacf1fe.jpg",[],{"id":192,"slug":193,"title":194,"dynasty":18,"author":19,"museum":20,"description":195,"tags":196,"thumbUrl":199,"material":30,"size":31,"collection":32,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},251944,"shui-jing-song-yuan-tu-bi-tong-yi-ming-251944","水晶松猿图笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[18,7,26,197,198,45],"松","猿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7417bd9a9a069c22ccf5dc1d0d9ad878.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":18,"author":19,"museum":20,"description":205,"tags":206,"thumbUrl":208,"material":30,"size":31,"collection":32,"collections":209,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":49},251943,"shui-jing-shan-feng-shi-bi-jia-yi-ming-251943","水晶山峰式笔架","随形取意，以水晶雕琢层叠峰峦，错落如流云舒卷，又似烟岚起伏。澄澈晶体晕染浅淡茶黄天然絮色，宛若朝暮山霭覆于岫顶，将原石天趣与匠心巧思相融。\n\n下配虬根式木雕座，镂空盘曲，古拙苍劲，与清透晶峰明暗相映，愈衬出水晶清莹温润的质感。峰脊疏朗合宜，既可承托多支毛笔，兼具文房实用之能；又能凭案头咫尺山光，引动林泉雅思，是文房清玩里料工相宜、意韵悠然的精巧佳作。",[23,7,26,207,45,44],"山峰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1fa78b657e043e3cc0aa0895e614ef41.jpg",[],{"id":211,"slug":212,"title":213,"dynasty":18,"author":19,"museum":20,"description":214,"tags":215,"thumbUrl":219,"material":30,"size":31,"collection":32,"collections":220,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":221},251942,"shui-jing-tou-diao-gua-zhi-shuang-shu-wen-bi-jia-yi-ming-251942","水晶透雕瓜枝双鼠纹笔架","莹润水晶自带清透灵韵，局部黄沁如流霞凝脂，晕开暖柔光泽。工匠随形施艺，以透雕技法镂刻出瓜枝虬曲、双鼠穿梭的生趣景致。洞窍错落如层叠岩岫，兼具太湖石瘦透雅逸之姿，又暗藏田园意趣。\n双鼠隐于缠连的瓜叶枝蔓间，灵动俏皮，暗合瓜瓞绵绵的祥瑞寓意。搭配随形木雕底座，沉厚肌理衬得水晶愈显澄澈莹亮，虚实相映，将天然材质之美与匠人之巧思融为一体，尽显文房清玩的雅致意趣。",[23,216,7,217,218,44,26],"透雕","瓜枝","鼠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3ce3cc9378b5dd799243e95102ec506d.jpg",[],"F48FB1",{"id":223,"slug":224,"title":225,"dynasty":18,"author":19,"museum":20,"description":226,"tags":227,"thumbUrl":231,"material":30,"size":31,"collection":32,"collections":232,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},251937,"shui-jing-fu-diao-shuang-chi-wen-ling-zhi-shi-xi-yi-ming-251937","水晶浮雕双螭纹灵芝式洗","这件器物取天然水晶雕琢而成，莹润清透自带澄澈雅韵。随形作灵芝造型，器身浮雕双螭身形蜿蜒盘绕，流云灵芝纹饰错落游走，线条柔婉灵动，将水晶的通透质感与雕刻的柔劲意趣相融。天工与匠心相映，既保留材质本身的清灵雅致，又以纹饰寄寓吉祥意涵，灵趣盎然，是文房案头兼具实用与赏玩价值的精妙佳器，尽显手作工艺的细腻匠心。",[18,7,228,229,230,45],"浮雕","螭纹","灵芝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf2a08502660c6c710ebcf5d740ddc5d.jpg",[],{"id":234,"slug":235,"title":236,"dynasty":18,"author":19,"museum":20,"description":195,"tags":237,"thumbUrl":240,"material":30,"size":31,"collection":32,"collections":241,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},251919,"shui-jing-song-zhuang-shi-bi-tong-yi-ming-251919","水晶松桩式笔筒",[18,26,7,197,238,239],"笔","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0eda58f0d76f093a8bde6a83a9ef2e95.jpg",[],{"id":243,"slug":244,"title":245,"dynasty":18,"author":19,"museum":20,"description":246,"tags":247,"thumbUrl":250,"material":30,"size":31,"collection":32,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},251899,"shui-jing-dai-lian-hua-lan-yi-ming-251899","水晶带链花篮","整器取天然水晶雕琢而成，澄澈如冰似玉，莹润通透。花篮器型饱满周正，外壁浅刻柔婉纹饰，添了几分雅致韵味。最为绝妙的当属悬挂链饰，由整料掏挖环环相连而成，无丝毫拼接痕迹，链身灵动顺滑，尽显鬼斧神工的技艺巧思。木质提架柔润古朴，与清透水晶相映成趣，将水晶的清隽质感烘托得淋漓尽致，把天然材质之美与匠人极致工艺完美融合，自带出尘雅致的气韵，尽显工艺的精巧造诣。",[18,25,26,7,248,249,45],"带链","花篮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F75b9463c3013319d4bbe2ec894919531.jpg",[],{"id":253,"slug":254,"title":255,"dynasty":18,"author":19,"museum":20,"description":256,"tags":257,"thumbUrl":260,"material":30,"size":31,"collection":32,"collections":261,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":113},251878,"qian-long-kuan-shui-jing-gong-er-ba-jiao-bei-yi-ming-251878","乾隆款水晶弓耳八角杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[23,7,26,149,258,259],"八角","弓耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8e129606e28d9aa0dba843f8cf89e5b.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":19,"museum":20,"description":256,"tags":266,"thumbUrl":268,"material":30,"size":31,"collection":32,"collections":269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":83},251877,"qian-long-kuan-shui-jing-shuang-er-ba-jiao-bei-yi-ming-251877","乾隆款水晶双耳八角杯",[23,7,267,258,149,45,26],"双耳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe74a14d402462a2dcd2ceaf923b9a536.jpg",[],{"id":271,"slug":272,"title":273,"dynasty":18,"author":19,"museum":20,"description":256,"tags":274,"thumbUrl":276,"material":30,"size":31,"collection"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