[{"data":1,"prerenderedAt":213},["ShallowReactive",2],{"subject-shui-mo-shan-shui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},1062,"shui-mo-shan-shui","水墨山水","水墨山水画高清赏析","精选中国历代水墨山水题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32f3bab9a71b94bb1a5f56e038ea738e.jpg",0,10,[14,48,76,104,131,147,167,180,192,204],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":42,"material":43,"size":43,"collection":43,"collections":44,"showCount":45,"zanCount":46,"manualWeight":11,"mainColor":47},237592,"wang-hui-fang-gu-shan-shui-ce-wang-hui-237592","王翚仿古山水册","清","王翚","藏地不详","王翚（1632-1717），字石谷，臞樵，号乌目山人，耕烟散人，又号耕烟外史，剑门樵客，清晖老人，室名清晖阁，江苏常熟人。王翚祖上几代均染指丹青。四世祖王伯臣擅长花鸟，师崔白画风，祖父王载仕山水花鸟皆擅，父亲王云客专攻山水，画风秀雅。王翚幼喜丹青，十六岁时拜同乡张珂为师，后入王鉴、王时敏之门，遍临他们所藏宋、元名迹，在承袭传统的基础上，又外师造化，逐渐形成了华滋清逸的画风，当时的名公巨卿、文人学士争相交之。六十岁时以布衣征召供奉内廷，主持绘制康熙《南巡图》，被赐“山水清晖”，为清初“虞山派”领袖。著有《清晖画跋》，辑有《清晖赠言》、《清晖赠贻尺牍》，与恽寿平合著《画筌评》。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41,7],"国画","水墨","仿古","皴法","山水","山石","树木","亭台","流水","瀑布","房屋","册页","传统山水","水墨画","点染","山石皴擦","树木勾勒","山水意境","古典山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89f3e122c7aae29ed9eacddd5644f01b.jpg","",[],82,1,"BDBDBD",{"id":49,"slug":50,"title":51,"dynasty":52,"author":53,"museum":54,"description":55,"tags":56,"thumbUrl":69,"material":70,"size":71,"collection":72,"collections":73,"showCount":75,"zanCount":46,"manualWeight":11,"mainColor":47},222225,"si-wan-shan-shui-tu-wan-gan-yan-yu-wen-bo-ren-222225","四万山水图-万竿烟雨","明","文伯仁","京都国立博物馆","明代中期吴派风格自形成以来盛极一时，他们的画法，上探北宋董巨，近追元代四家，与以往明代绘画所不同的是，吴派山水属于文人画体系，被称为“利家”画并为发展文人画做出了重大贡献，同时他们的画风为后世文人所推重直至今日。文伯仁，字德承，号五峰，作为吴派山水画家和文氏家族中重要的一员，“笔力清劲，布景奇兀，时以巧思发之能传家学，颇负出蓝之誉”，并善于学习古人，画功精湛，在他存世并不众多的作品中不难发觉元代王蒙与叔父文徵明的影子，而与此二人作品相较，比王蒙的山水少了高不可攀的险峻，比文徵明的山水多了鲜明的个人情趣。徐沁在名画录赞叹文伯仁的山水“横披大幅，层峦郁茂不在衡山之下。”\n《四万山水图》指的是四幅分别以“万壑松风”、“万竿烟雨”、“万顷晴波”、“万山飞雪”为题的画作的总称，是明代画家文伯仁为友人顾从义而画，作于文伯仁50岁时。各图上有明末艺苑的代表文人董其昌所题的画赞。文伯仁是明代苏州（江苏省吴县）文人画即吴派的中心人物文征明的外甥，据说其在文氏一门之中画技最为出色。文征明及其一门的画家喜爱描绘山泉林间闲游的文人，但文伯仁的山水画以清静、浅显、清楚的白描风格或淡彩为基调，以充满色彩感的画风为特色，为文人画开辟了新的境界。本图是嘉靖年间（1522～66年）吴派的代表作品之一。《四万山水图》描绘了文人的闲适，作品中大量使用了清劲的白描笔法，表现密度极高。",[57,23,24,58,27,59,60,31,61,62,26,52,63,7,64,65,66,67,68],"高清","立轴","竹","烟雨","石块","草丛","传统","植物","自然景观","写意","笔墨","渲染","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2827fdbc7f7dd9a85fe05f339586423b.jpg","纸本墨笔","48X123cm","山水画精选",[72,74],"水墨画精选",54,{"id":77,"slug":78,"title":79,"dynasty":80,"author":81,"museum":82,"description":83,"tags":84,"thumbUrl":99,"material":100,"size":101,"collection":43,"collections":102,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":47},233705,"yun-shan-mo-xi-tu-juan-mi-you-ren-233705","云山墨戏图卷","宋","米友仁","北京故宫博物院","此图描绘沿江景色，近处岸边一条细径曲曲弯弯，间有板桥相连，远方峰峦起伏，云烟密布，溪流缓缓，林木森郁，屋舍隐现。此图采用“米家山水”的典型画法，山峦坡渚先用淡墨染就，继以大小各异的横向墨点反复在山头、山脊等部位再次图写，从而达到表现江南风光润泽华滋、雾气迷蒙的独特效果。明代董其昌曾携此图往游洞庭湖，惊叹米友仁的写生本领，云：“舟次斜阳，篷底一望空阔，长天云物，怪怪奇奇，一幅米家墨戏也。”\n《云山墨戏图》原题为米友仁所绘，但徐邦达先生根据其画法、题款的用笔及书写部位等因素认为并非米友仁原作。不过，此图画法全从“米家山水”而来，董其昌称其“元气淋漓，布境特妙”毫不夸张，对研究此派山水的重要价值显而易见。",[23,85,86,24,27,87,29,88,89,26,66,37,90,91,92,93,94,95,96,7,97,98],"书画","长卷","云","印章","书法","远山","近树","云雾","山峦","题字","墨笔","文人画","米家山水","米点皴法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fff8872f3f211ac9fd3d2589faf668ec1.jpg","纸本，墨笔","纵21.4厘米，横195.8厘米",[],36,{"id":105,"slug":106,"title":107,"dynasty":80,"author":108,"museum":109,"description":110,"tags":111,"thumbUrl":127,"material":128,"size":129,"collection":43,"collections":130,"showCount":103,"zanCount":11,"manualWeight":11,"mainColor":47},221386,"bao-shan-shi-jing-ce-fan-kuan-221386","包山十景册","范宽","台北故宫博物院","范宽（约950—约1032），又名中正，字中立，陕西华原（今陕西铜川耀州区）人，宋代绘画大师。因为性情宽厚豁达，时人称之为“宽”，遂以范宽自名。范宽、董源、李成，并称“北宋三大家”。艺术成就使得范宽与李成齐名，并称“李范”，又与同为华原人的柳公权合称“柳范”。\n初学李成，后感悟“与其师于人者，未若师诸造化”，遂隐居终南、太华，对景造意，写山真骨，自成一家。其画峰峦浑厚端庄，气势壮阔伟岸，令人有雄奇险峻之感。用笔强健有力，皴多雨点、豆瓣、钉头，山顶好作密林，常于水边置大石巨岩，屋宇笼染黑色。作雪景亦妙。\n存世作品有《谿山行旅图》《雪山萧寺图》《雪景寒林图》等。\n2004年，美国《生活》杂志将范宽评为“上一千年对人类最有影响的百大人物”第59位。",[57,23,85,112,113,24,26,27,114,28,115,116,93,117,118,119,120,7,121,122,123,124,125,126],"古画","册","老树","孤石","亭","枯树","岩石","自然景物","传统绘画","山间景物","山水景观","石质山体","树木景观","山石景观","皴笔","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed28aa2f9c150b73b313c757a0820177.jpg","绢本","30.2x31.8",[],{"id":132,"slug":133,"title":134,"dynasty":135,"author":136,"museum":20,"description":137,"tags":138,"thumbUrl":142,"material":143,"size":144,"collection":43,"collections":145,"showCount":146,"zanCount":11,"manualWeight":11,"mainColor":47},231748,"an-tu-tao-shan-shi-dai-song-lin-tu-ping-feng-di-er-ping-zhang-gu-chuan-231748","安土桃山时代 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年）的伟大画家之一，最著名的是他的屏风",[57,24,27,139,140,141,7],"松","林","屏风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7bc11c61caf8720caa141d314a0ddd57.jpg","未知","Xcm*Xcm",[],35,{"id":148,"slug":149,"title":150,"dynasty":80,"author":151,"museum":20,"description":152,"tags":153,"thumbUrl":163,"material":43,"size":43,"collection":43,"collections":164,"showCount":165,"zanCount":11,"manualWeight":11,"mainColor":166},227970,"shan-shui-yu-min-tu-zhou-li-an-zhong-227970","山水渔民图轴","李安忠","此作用水墨晕开冬日江乡的清寂荒寒。远山以淡墨轻扫轮廓，留白处尽作积雪，混茫一色，恰似天地裹素，将冬雪的冷冽淡远铺陈开来。近岸枯木虬枝盘曲，残叶寥寥，苍劲身姿暗合寒林萧索。江心扁舟一叶，渔翁独垂，渺小身影衬得天地愈发寥廓幽远，尽现江湖幽隐之趣。\n\n全图以虚代实，留白藏雪，笔墨简淡清润，将禅意隐逸融在冷寂山水间，把雅致心境晕染在空蒙淡远的意境中，尽显小景山水的诗意品格。",[57,154,23,85,58,24,27,26,155,117,90,28,156,29,157,158,159,160,91,161,7,162],"名画","孤舟","水面","渔舟","岸边","寒林","水域","山石皴染","宋代山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8929430587ae14a05c4c22f92b4e3c90.jpg",[],26,"795548",{"id":168,"slug":169,"title":170,"dynasty":18,"author":171,"museum":20,"description":172,"tags":173,"thumbUrl":177,"material":43,"size":43,"collection":72,"collections":178,"showCount":179,"zanCount":11,"manualWeight":11,"mainColor":166},237896,"shan-shui-ce-cheng-hui-hao-237896","山水册","程徽灏","此作以枯淡笔墨绘就秋山幽居，浅绛设色晕染出清秋山林萧疏之致。山峦以披麻皴写意铺展，笔意松脱苍劲，淡墨晕开云气，衬出山峦空濛悠远。溪岸林木错落，木叶疏朗，茅舍板桥隐逸其间，野趣悠然自生。\n\n题款与画面浑然相融，留白衬出山川空寂，将林泉高致的隐逸情怀寄于尺幅间。简笔勾勒却骨力暗藏，淡墨轻敷而意韵悠长，尽显文人山水小品的雅致风骨，于浅淡中尽显林下风流。",[23,24,26,113,27,116,114,28,29,117,174,175,7,176],"山体","小亭","皴染结合","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83e88565ddc648d685889817fc186807.jpg",[72,74],15,{"id":181,"slug":182,"title":183,"dynasty":18,"author":184,"museum":20,"description":185,"tags":186,"thumbUrl":189,"material":43,"size":43,"collection":43,"collections":190,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":47},235647,"shan-shui-tu-ce-wu-li-235647","山水图册","吴历","近岸枯木虬枝遒劲，疏朗错落，坡石茅舍隐于一隅，野趣盎然。淡墨晕染远山，浑茫温润，点点飞鸟掠过长天，衬出江天寥廓空寂。右上角题诗寄怀，笔意萧散，与画面意境相融无间。\n\n整幅笔墨秀雅苍润，干笔皴擦尽显山石质感，淡墨铺陈晕染出深秋清寒气韵。以极简布景勾勒荒寒山居之境，将萧瑟秋意与静穆禅意揉合尺幅，尽显文人写意风神，淡远悠长，余韵袅袅。",[23,85,113,24,27,116,187,114,115,7,188],"飞鸟","传统技法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6dbd83ad502c2b79feb48c37b8ae49fc.jpg",[],11,{"id":193,"slug":194,"title":195,"dynasty":196,"author":197,"museum":20,"description":198,"tags":199,"thumbUrl":201,"material":202,"size":43,"collection":43,"collections":203,"showCount":191,"zanCount":11,"manualWeight":11,"mainColor":47},218170,"da-qian-kuang-tu-ce-8-zhang-da-qian-218170","大千狂涂册-8","民国","张大千","张大千是中国著名的画家和书法家，他的作品被称为“大千狂涂册”。他出生于江苏省吴县，曾在上海、北京、香港和台湾等地工作和生活过。\n\n大千狂涂册是张大千的一组书法作品，其中包括了他的名字“大千”的书法，以及他的诗词和绘画作品。大千狂涂册的书法风格独特，带有浓厚的民国味道，反映了张大千对中国传统文化的热爱和尊重。\n\n张大千的书法作品不仅具有艺术价值，而且在学术界也有很高的价值。他的书法作品曾被收入多种学术出版物，并被世界各地的藏家和收藏家所收藏。\n\n此外，张大千还是一位著名的画家，他的画作曾被世界各地的美术馆和博物馆收藏。他的画作风格多样，涉及山水画、花鸟画、人物画等多个领域。他的画作不仅给人们带来视觉享受，而且还反映了他对中国传统文化的理解和探究。\n\n总的来说，张大千的书法作品和画作都是中国文化的瑰宝，值得人们去珍视和传承。",[23,85,24,27,89,200,88,113,7,93],"行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F871c9938f294c0e27f62667aba8cd9a1.jpg","纸本,水墨",[],{"id":205,"slug":206,"title":207,"dynasty":18,"author":208,"museum":20,"description":209,"tags":210,"thumbUrl":211,"material":43,"size":43,"collection":43,"collections":212,"showCount":46,"zanCount":11,"manualWeight":11,"mainColor":47},236938,"za-hua-ce-wang-liu-zhen-236938","杂画册","王六真","这幅水墨小品以淡墨晕染远景丘峦，烟霭朦胧，将萧瑟荒寒的郊野铺陈开来。近景枯荣交织的林木为画面主体，老干苍劲皴擦简练，枯木虬枝斜出，带叶的林木墨色稍浓，枝叶攒簇，与周遭枯木形成疏密对比。地面以简淡的墨点勾勒衰草，愈发衬出郊野寥落冷寂之意。\n\n整体笔墨简淡松灵，以少胜多，没有繁复刻画，却将深秋荒林的清寂萧索尽数烘托出来，尽显文人画简淡空灵的意趣，于极简的构图里，藏着静穆悠远的林下荒寒之境。",[23,24,113,27,29,114,117,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff23bf9f385fcabafe96505e198a7e13b.jpg",[],1777535733773]