[{"data":1,"prerenderedAt":480},["ShallowReactive",2],{"subject-si-ji-hua-hui":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},4326,"si-ji-hua-hui","四季花卉","四季花卉画高清赏析","精选中国历代四季花卉题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab47b7ee4b047d296fc2019c19b6d482.jpg",0,52,[14,36,51,67,78,88,97,110,119,129,142,149,161,167,179,193,201,209,218,226,239,246,252,260,267,275,285,295,303,309,315,322,328,334,340,346,352,358,364,371,381,389,397,411,420,429,436,443,450,457,467,474],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":28,"material":29,"size":30,"collection":31,"collections":32,"showCount":33,"zanCount":34,"manualWeight":11,"mainColor":35},228532,"guan-yao-qing-hua-si-ji-hua-hui-wan-yi-ming-228532","官窑 青花四季花卉碗","明","佚名","藏地不详","官窑，是南宋宋高宗时期一些窑口专为宫廷烧制的瓷器，供御捡退，在当时俗称"官窑“。官窑，毛公洞第一（今 江苏扬州一带）。南宋官窑瓷器沿袭北宋风格，规整对称，宫廷气势，高雅大气，一丝不苟。因为胎土含铁量极高，手感沉重，胎土呈深黑褐色，后称”紫口铁足“。釉面沉重幽亮，釉厚如堆脂，温润如玉。釉面多层反复细刮，釉光下沉而不刺眼，纹理布局规则有致，造型庄重大方。另外”肉腐留骨“（露胎处像死人骨头，俗称”骨董“）也是那时所造。我们今天所称官窑泛指历朝官府烧造瓷器，其实，历史上仅指南宋时期烧造的瓷器，后世再无此称呼。\n官窑起自唐，有两种涵义，一是指贡器，一是指官厂。自唐代至元代（公元八世纪~十四世纪），官窑多有贡器，少有官厂，采取的形式是“官监民烧”，烧出的瓷器，“千中选十，百中选一”，进贡给统治阶级。这种瓷器就叫做贡瓷和官窑。那时，唐代在产瓷区设有司务，如唐景隆初（公元707~709年）褚绥为新平(景德镇)司务，奉诏监烧献陵祭器。宋代设监，如太平兴国年间(公元976~983年)，派殿前承旨赵仁济监理越州窑务。到了元代则设局，以提领监陶，后改为本设总管。他们烧出的“景德年制”，“枢府’等款式的瓷器，分别称为“景德窑’，“枢府窑”等。\n官窑之谓，在中国古代陶瓷史上有不同的内涵。就广义而言，是有别民窑而专为官办的瓷窑，其产品为宫廷所垄断。在宋代瓷器中，官窑即是一种专称，指北宋和南宋时在京城汴京（汴梁，今开封）和临安（今杭州）由宫廷设窑烧造的青瓷，故又有“旧官”和“新官”之分，前者为北宋官窑，后者为南宋官窑。\n官窑是在宋大观及政和年间于汴梁所造，青瓷釉色晶莹惕透，有开裂或呈冰片状，粉青紫口铁定是其特色。\n宋室南移在凤凰山下设立官窑，又称修内司官窑或内窑，郊坛下设立的郊坛下官窑，器形较多，有直径大过一尺的大型产品。\n从1128年元世祖忽必烈设置“浮梁磁局”，到二十世纪清朝覆亡，景德镇是元、明、清三代皇家瓷厂所在地，中国的官窑制度在这里延续了632年，江西景德镇也由此拥有烧造时间最长、规模最大、工艺最精巧的官办瓷厂。景德镇地下也因此存有大量因禁绝流入民间而被就地掩埋的古碎瓷，成为中国品类最完整、年代最可靠、信息最丰富的官窑遗址和“地下瓷都”。北宋官窑也称汴京官窑。相传北宋大观、政和年间，在汴京附近设立窑场，专烧宫廷用瓷器，即北宋官窑。南宋顾文荐《负暄杂录》记载："宋宣政间（宣和、政和即公元1111－1125年）京师自置窑烧造，名曰官窑"，南宋叶在其《垣斋笔衡》中对北京官窑亦有记载："政和京师自置窑烧造，名曰官窑"。当时的京师即汴京（今开封），因宋代汴京遗址已沉入地底，到今为止，尚未发掘出北宋官窑遗址，对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，时到今，关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。\n南宋顾文荐《负睻杂录》记载：“宋宣政间（宣和、政和即公元1111~1125年）京师自置窑烧造，名曰‘官窑’”，南宋叶寘在其《垣斋笔衡》中对北京官窑亦有记载：“政和京师自置窑烧造，名曰‘官窑’”。明代《事物绀珠》、《留留青》因袭此说。当时的京师即汴京(今河南开封)，因宋代汴京遗址已沉入地下，到今为止，尚未发掘出北宋官窑遗址。对于北宋官窑遗址缺乏考古发掘地资料和充足的文献资料的支撑，因此，今关于北宋官窑遗址在何处，仍有不同说法，一般有三种说法：一说北宋官窑即为汝窑；二说否认北宋官窑的存在；三说为北宋官窑即为汴京官窑，它与南宋时的修内司官窑先后存在。支持第三种说法的人较多。\n北宋官窑传世品很少，形质与工艺与汝窑有共同处。器多仿古，主要有碗、瓶、洗等。胎体显厚，胎骨深灰、紫色或黑色，釉色有淡青、粉青、月白等，釉质莹润温雅，尤以釉面开大裂纹片著称，不同于南宋官窑和汝窑及龙泉窑瓷器。底有文钉烧痕，有“紫口铁足”的特征。",[18,23,24,25,7,26,27],"陶瓷","官窑","青花","花卉","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9752a691d3a1959b24b5e6ec7821168e.jpg","未知","Xcm*Xcm","瓷器精选",[31],39,1,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":40,"author":19,"museum":20,"description":41,"tags":42,"thumbUrl":47,"material":29,"size":30,"collection":31,"collections":48,"showCount":49,"zanCount":11,"manualWeight":11,"mainColor":50},227419,"jin-shi-er-shi-san-shi-ji-ding-yao-yin-hua-fen-ge-si-ji-hua-hui-wan-yi-ming-227419","金 十二~十三世纪 定窑 印花分格四季花卉碗","宋","定窑是中国传统制瓷工艺中的珍品，宋代六大窑系之一，它是继唐代的邢窑白瓷之后兴起的一大瓷窑体系。主要产地在今河北省保定市曲阳县（原属今定州市）的涧磁村、野北村及东燕川村、西燕川村一带，因该地区唐宋时期属定州管辖，故名定窑。\n定窑原为民窑，北宋中后期开始烧造宫廷用瓷。创烧于唐，极盛于北宋及金，终于元，以产白瓷著称，兼烧黑釉、酱釉和绿釉瓷，文献分别称其为黑定、紫定和绿定。\n定窑从邢窑而来，由于历史的变迁，定窑随着地域变化，新瓷土料的运用和制瓷工艺的进步。卞向和认为：定窑最大的贡献就是在中国陶瓷发展的历史上闪烁过光芒，在中国陶瓷史和世界的陶瓷发展史上留下辉煌的一页。\n定窑，是中国北方白瓷的中心，始于唐，为邢窑的后继者，在五代时期就已经发达。以往文献多记载窑址在河北正定，1938年在河北省曲阳县涧瓷村发现古窑址。近年又多次发掘调查，发现了最下层堆积着晚唐的破片；中层的是五代时就已大量生产；最上层为印花、画花的薄瓷片，是属于北宋中期以后，在政和、宣和年间。这些薄瓷片，胎质坚致，釉泽莹润，花纹优美，确是很精进的品种；且有些是官窑性质的，如”尚食局、禁苑、奉华、官”等胎上刻字破片的发现，便可证明。另在西燕山遗址发现粗瓷片的堆集，以及各地普遍发现的定窑瓷器及破片，又能证明定窑在北宋早期以后，也曾大量烧造民间使用的瓷器。定窑以烧造白瓷为主，也烧颜色釉，如红定、紫定和黑定等。根据《君友会-新民窑》记载，定窑，从北宋起，地位增高，各地仿制者颇多。在定窑本身概念中，就孳乳出各种名称，单就白定一种，就有土定、粉定之分。土定，有瓦胎和陶胎两种。瓦胎为淡赤色的土质，陶胎为白土而略黄，质皆松，体较厚；袖色白色中闪黄或闪赤，容易剥落，或有大开片，是原始的及民用的定器。粉定，是进步的及官用的定器，有陶胎和瓷胎，胎质致密而体薄，釉色纯白如牛乳者，或带淡赤色，釉中往往有刷纹，釉面凝聚，如有泪痕。",[23,43,44,45,7,46,27],"印花","白瓷","宋金时期","分格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88a80e945d5c9f4a8e735a552727075a.jpg",[31],14,"795548",{"id":52,"slug":53,"title":54,"dynasty":55,"author":19,"museum":20,"description":56,"tags":57,"thumbUrl":63,"material":29,"size":30,"collection":64,"collections":65,"showCount":66,"zanCount":11,"manualWeight":11,"mainColor":35},223977,"kang-xi-fa-lang-cai-ci-fen-hong-di-kai-guang-si-ji-hua-hui-wan-yi-ming-223977","康熙 珐瑯彩瓷粉红地开光四季花卉碗","清","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[23,58,59,60,61,26,62,7,27],"珐琅器","珐琅彩","开光","设色","牡丹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F334d53fa3d1660f8e68cbb4c1b820b28.jpg","",[],10,{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":75,"material":29,"size":30,"collection":64,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":35},256932,"you-li-hong-si-ji-hua-hui-wen-shi-liu-zun-yi-ming-256932","釉里红四季花卉纹石榴尊","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[73,23,74,26,7,27,61],"明代","釉里红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdfefc9897d5d8450811cae3ffa19e3f7.jpg",[],6,{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":85,"material":29,"size":30,"collection":64,"collections":86,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":87},249053,"qia-si-fa-lang-si-ji-hua-hui-wen-cong-shi-ping-yi-ming-249053","掐丝珐琅四季花卉纹琮式瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[18,84,58,26,7,27,61],"掐丝珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59636e5f99f575cbeef5546f2b56e7fc.jpg",[],"37474F",{"id":89,"slug":90,"title":91,"dynasty":55,"author":19,"museum":20,"description":56,"tags":92,"thumbUrl":95,"material":29,"size":30,"collection":64,"collections":96,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":87},224093,"yang-cai-ci-hong-di-si-ji-hua-hui-zhong-yi-ming-224093","洋彩瓷红地四季花卉钟",[23,93,94,7,61],"洋彩","红地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa035a5db849101164ff8ff23a9123ef5.jpg",[],{"id":98,"slug":99,"title":100,"dynasty":55,"author":19,"museum":20,"description":101,"tags":102,"thumbUrl":107,"material":29,"size":30,"collection":64,"collections":108,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":50},264354,"jiang-se-duan-xiu-si-ji-hua-hui-wen-pao-liao-yi-ming-264354","绛色缎绣四季花卉纹袍料","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[103,104,105,106,7],"布料","刺绣","花卉纹","袍料","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F50949674a020b46e521c6f4fa9d13f8e.jpg",[],2,{"id":111,"slug":112,"title":113,"dynasty":55,"author":19,"museum":20,"description":114,"tags":115,"thumbUrl":117,"material":29,"size":30,"collection":64,"collections":118,"showCount":109,"zanCount":11,"manualWeight":11,"mainColor":50},223976,"kang-xi-yi-xing-tai-hua-fa-lang-si-ji-hua-hui-gai-wan-yi-ming-223976","康熙 宜兴胎画珐瑯四季花卉盖碗","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[23,58,116,61,7,62,27],"画珐琅","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8036b6d491ba99d2501cd0d44f4dd067.jpg",[],{"id":120,"slug":121,"title":122,"dynasty":18,"author":19,"museum":20,"description":123,"tags":124,"thumbUrl":127,"material":29,"size":30,"collection":64,"collections":128,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":87},257061,"qing-hua-ju-hua-si-ji-hua-hui-wen-pan-yi-ming-257061","青花菊花四季花卉纹盘","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[18,23,25,125,7,105,126],"菊花","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03bd76185306327598ee3e24eace3491.jpg",[],{"id":130,"slug":131,"title":132,"dynasty":55,"author":19,"museum":20,"description":114,"tags":133,"thumbUrl":140,"material":29,"size":30,"collection":64,"collections":141,"showCount":34,"zanCount":34,"manualWeight":11,"mainColor":50},229267,"kang-xi-yi-xing-tai-hua-fa-lang-wu-cai-si-ji-hua-hui-fang-hu-yi-ming-229267","康熙 宜兴胎画珐瑯五彩四季花卉方壶",[134,23,135,116,136,137,7,26,138,139],"清代","宜兴胎","五彩","珐瑯器","方壶","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1c78f609554f2d6fee4faf77841aa0a5.jpg",[],{"id":143,"slug":144,"title":145,"dynasty":18,"author":19,"museum":20,"description":123,"tags":146,"thumbUrl":147,"material":29,"size":30,"collection":64,"collections":148,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":87},228600,"qing-hua-si-ji-hua-hui-wen-bian-hu-yi-ming-228600","青花四季花卉纹扁壶",[23,25,61,7,26,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20d022aac4b18e8d0de0d8ca36bb418a.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":55,"author":19,"museum":20,"description":153,"tags":154,"thumbUrl":159,"material":29,"size":30,"collection":64,"collections":160,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},272020,"qia-si-fa-lang-si-ji-hua-hui-wen-zhen-zhi-yi-ming-272020","掐丝珐琅四季花卉纹镇纸","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[155,84,156,7,105,157,62,158],"琺瑯器","镇纸","文房用具","水仙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3adfb2a02472df0f025072f6b3a418ea.jpg",[],{"id":162,"slug":163,"title":152,"dynasty":55,"author":19,"museum":20,"description":153,"tags":164,"thumbUrl":165,"material":29,"size":30,"collection":64,"collections":166,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},272019,"qia-si-fa-lang-si-ji-hua-hui-wen-zhen-zhi-yi-ming-272019",[58,84,156,157,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F549bab7a0adc31c308c3f9920b77ad1b.jpg",[],{"id":168,"slug":169,"title":170,"dynasty":55,"author":19,"museum":20,"description":171,"tags":172,"thumbUrl":177,"material":29,"size":30,"collection":64,"collections":178,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},264320,"tao-hong-se-ke-si-qian-cai-si-ji-hua-wen-chang-yi-liao-yi-ming-264320","桃红色缂丝浅彩四季花纹氅衣料","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[173,103,174,61,175,7,176],"缂丝","衣帽","花鸟","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffec0719be361f4e00d0db7c595afbf4f.jpg",[],{"id":180,"slug":181,"title":182,"dynasty":55,"author":19,"museum":20,"description":183,"tags":184,"thumbUrl":191,"material":29,"size":30,"collection":64,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},261155,"fen-cai-lou-kong-si-ji-hua-hui-wen-fang-bi-tong-yi-ming-261155","粉彩镂空四季花卉纹方笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[23,185,186,61,7,187,188,189,190],"粉彩","镂空","菊","荷","笔筒","文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F429cec4a8b1f25d424e4d3189703c66a.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":55,"author":19,"museum":20,"description":71,"tags":197,"thumbUrl":199,"material":29,"size":30,"collection":64,"collections":200,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},261004,"mu-wen-you-kai-guang-fen-cai-si-ji-hua-hui-wen-wei-jiao-fang-bi-tong-yi-ming-261004","木纹釉开光粉彩四季花卉纹委角方笔筒",[23,189,157,198,185,60,7,62,175,61],"木纹釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6f7ed39350880a9b6ec329728ebd0cb6.jpg",[],{"id":202,"slug":203,"title":204,"dynasty":18,"author":19,"museum":20,"description":71,"tags":205,"thumbUrl":207,"material":29,"size":30,"collection":64,"collections":208,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},257062,"you-li-hong-si-ji-hua-hui-wen-lian-ban-pan-yi-ming-257062","釉里红四季花卉纹莲瓣盘",[73,74,23,126,7,206],"莲瓣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19149cb99d2a0821149b4db8f81cb855.jpg",[],{"id":210,"slug":211,"title":212,"dynasty":55,"author":19,"museum":20,"description":153,"tags":213,"thumbUrl":216,"material":29,"size":30,"collection":64,"collections":217,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},249151,"qia-si-fa-lang-si-ji-hua-hui-wen-shuang-er-liu-fang-ping-yi-ming-249151","掐丝珐琅四季花卉纹双耳六方瓶",[84,58,27,7,214,215],"双耳","六方","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82b1066f1089471e18af61a51431e98c.jpg",[],{"id":219,"slug":220,"title":221,"dynasty":55,"author":19,"museum":20,"description":222,"tags":223,"thumbUrl":224,"material":29,"size":30,"collection":64,"collections":225,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},249128,"qia-si-fa-lang-si-ji-hua-hui-wen-hua-gu-yi-ming-249128","掐丝珐琅四季花卉纹花觚","花觚这一瓷器品种产生于清初，主要盛行于顺治、康熙、乾隆时期。随着瓷器从乾隆后期及嘉庆开始衰退，这一品种已渐消失。我们欣赏不同时期得花觚时，可领略到不同时期的艺术风格，造型的变化，在欣赏它的艺术美感的同时，从色彩、胎釉、造型、胎体去辨别不同时期的品种，增强鉴别真伪得能力。",[84,58,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc2329bbffe70e56101a4632a1f7f43ed.jpg",[],{"id":227,"slug":228,"title":229,"dynasty":55,"author":19,"museum":20,"description":230,"tags":231,"thumbUrl":237,"material":29,"size":30,"collection":64,"collections":238,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248769,"ti-hong-kai-guang-si-ji-hua-hui-wen-fang-xing-wei-jiao-san-ti-he-yi-ming-248769","剔红开光四季花卉纹方形委角三屉盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[232,233,234,60,7,235,236],"漆器","剔红","雕刻","方形委角","盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a494c1738e74a52d5426d85fba05109.jpg",[],{"id":240,"slug":241,"title":229,"dynasty":55,"author":19,"museum":20,"description":230,"tags":242,"thumbUrl":244,"material":29,"size":30,"collection":64,"collections":245,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248768,"ti-hong-kai-guang-si-ji-hua-hui-wen-fang-xing-wei-jiao-san-ti-he-yi-ming-248768",[134,232,233,234,60,7,235,243],"三屉盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf85d12c2a1033f563c06e07397b1188.jpg",[],{"id":247,"slug":248,"title":229,"dynasty":55,"author":19,"museum":20,"description":230,"tags":249,"thumbUrl":250,"material":29,"size":30,"collection":64,"collections":251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},248767,"ti-hong-kai-guang-si-ji-hua-hui-wen-fang-xing-wei-jiao-san-ti-he-yi-ming-248767",[134,232,233,234,60,7,235,243,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79e5a5bbd2005ee86532df1fcf538d74.jpg",[],{"id":253,"slug":254,"title":255,"dynasty":55,"author":19,"museum":20,"description":230,"tags":256,"thumbUrl":258,"material":29,"size":30,"collection":64,"collections":259,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},248352,"ti-hong-si-ji-hua-hui-wen-hai-tang-shi-he-yi-ming-248352","剔红四季花卉纹海棠式盒",[134,232,233,234,7,257,27],"海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1eac1ab389d40906bf8fafdc5b48b06.jpg",[],{"id":261,"slug":262,"title":255,"dynasty":55,"author":19,"museum":20,"description":230,"tags":263,"thumbUrl":265,"material":29,"size":30,"collection":64,"collections":266,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},248351,"ti-hong-si-ji-hua-hui-wen-hai-tang-shi-he-yi-ming-248351",[134,233,264,232,234,7,257],"雕漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc09ce1c622e02e79e1373408ff25aae.jpg",[],{"id":268,"slug":269,"title":270,"dynasty":55,"author":19,"museum":20,"description":230,"tags":271,"thumbUrl":273,"material":29,"size":30,"collection":64,"collections":274,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},248348,"ti-hong-si-ji-hua-hui-wen-mei-hua-shi-he-yi-ming-248348","剔红四季花卉纹梅花式盒",[134,232,233,234,7,272],"梅花式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F25cac668565e244d0b25565fdc07b9e5.jpg",[],{"id":276,"slug":277,"title":278,"dynasty":55,"author":19,"museum":20,"description":279,"tags":280,"thumbUrl":283,"material":29,"size":30,"collection":64,"collections":284,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},248034,"ti-hong-si-ji-tuan-hua-wen-fang-xia-yi-ming-248034","剔红四季团花纹方匣","方正沉稳，盖面以回纹蜿蜒为骨，流转之间嵌饰四季团花，刀工圆润细腻，柔婉饱满的花叶晕开古旧朱色柔光。箱体周身以编织纹为地，朴拙雅致，下方方足敛撑，更衬器物端庄古雅。硬朗几何纹路适配柔婉花型，刚柔并济，将工艺的精巧细致尽数展现，暗合中式器物含蓄雅致的隽永美感。",[134,232,264,233,234,281,7,27,282],"团花纹","木质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F992d95e4e620533225cc081645dcea3a.jpg",[],{"id":286,"slug":287,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":289,"thumbUrl":293,"material":29,"size":30,"collection":64,"collections":294,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247280,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247280","剔红山水人物图开光四季花卉纹圆盒",[232,233,234,290,291,26,62,60,7,292],"山水","人物","圆盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1268f8d8ef1465f15635d65ad2eb2f26.jpg",[],{"id":296,"slug":297,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":298,"thumbUrl":300,"material":29,"size":30,"collection":64,"collections":301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":302},247276,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247276",[232,233,234,290,291,7,299,27],"开光纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5e4c327a22fd3b31192cd1a4b7d30b9.jpg",[],"F48FB1",{"id":304,"slug":305,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":306,"thumbUrl":307,"material":29,"size":30,"collection":64,"collections":308,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247275,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247275",[134,232,233,234,60,290,291,7,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32c3f79883130695a522293efe457d50.jpg",[],{"id":310,"slug":311,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":312,"thumbUrl":313,"material":29,"size":30,"collection":64,"collections":314,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247270,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247270",[232,233,234,290,291,7,60,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa031e33a1227b2adae36c5769b40073b.jpg",[],{"id":316,"slug":317,"title":318,"dynasty":55,"author":19,"museum":20,"description":230,"tags":319,"thumbUrl":320,"material":29,"size":30,"collection":64,"collections":321,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247268,"ti-hong-shan-shui-ren-wu-tu-si-ji-hua-hui-wen-yuan-he-yi-ming-247268","剔红山水人物图四季花卉纹圆盒",[134,232,233,234,290,291,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32e4781ca5d6ff78c20f7ea440db18ea.jpg",[],{"id":323,"slug":324,"title":318,"dynasty":55,"author":19,"museum":20,"description":230,"tags":325,"thumbUrl":326,"material":29,"size":30,"collection":64,"collections":327,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247266,"ti-hong-shan-shui-ren-wu-tu-si-ji-hua-hui-wen-yuan-he-yi-ming-247266",[134,232,233,290,291,7,62,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76b85d532490aa0827deca0979d68626.jpg",[],{"id":329,"slug":330,"title":318,"dynasty":55,"author":19,"museum":20,"description":230,"tags":331,"thumbUrl":332,"material":29,"size":30,"collection":64,"collections":333,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},247264,"ti-hong-shan-shui-ren-wu-tu-si-ji-hua-hui-wen-yuan-he-yi-ming-247264",[232,233,290,291,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb283d71e1674ce23f753562f634f7573.jpg",[],{"id":335,"slug":336,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":337,"thumbUrl":338,"material":29,"size":30,"collection":64,"collections":339,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247261,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247261",[134,232,233,234,60,290,291,7,105,292,62],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2fba217618f1b7cc31a1df16fcd09d43.jpg",[],{"id":341,"slug":342,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":343,"thumbUrl":344,"material":29,"size":30,"collection":64,"collections":345,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},247255,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247255",[232,234,233,290,291,7,60,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F93b04dbe4b37b8f03b4e64bc655798bd.jpg",[],{"id":347,"slug":348,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":349,"thumbUrl":350,"material":29,"size":30,"collection":64,"collections":351,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":87},247252,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247252",[134,232,233,234,60,290,291,26,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fab712822d4ff6e307edacc0f9b53d4e3.jpg",[],{"id":353,"slug":354,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":355,"thumbUrl":356,"material":29,"size":30,"collection":64,"collections":357,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247249,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247249",[134,233,234,232,290,291,7,60,292],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e65933ecd196128dff04c89316231c.jpg",[],{"id":359,"slug":360,"title":288,"dynasty":55,"author":19,"museum":20,"description":230,"tags":361,"thumbUrl":362,"material":29,"size":30,"collection":64,"collections":363,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},247248,"ti-hong-shan-shui-ren-wu-tu-kai-guang-si-ji-hua-hui-wen-yuan-he-yi-ming-247248",[134,233,232,234,290,291,7,60,292,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F877d201fe6a74d72d6ce9e3977601ccb.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":18,"author":19,"museum":20,"description":82,"tags":368,"thumbUrl":369,"material":29,"size":30,"collection":64,"collections":370,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":302},246800,"ti-hong-si-ji-hua-hui-wen-wan-yi-ming-246800","剔红四季花卉纹碗",[232,233,234,7,18,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21f1122b502a3f9523009ea148a89017.jpg",[],{"id":372,"slug":373,"title":374,"dynasty":55,"author":19,"museum":20,"description":375,"tags":376,"thumbUrl":379,"material":29,"size":30,"collection":64,"collections":380,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},246733,"ti-hong-chan-zhi-lian-ba-bao-si-ji-hua-hui-wen-yuan-pan-yi-ming-246733","剔红缠枝莲八宝四季花卉纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[232,233,234,377,378,7,27],"缠枝莲","八宝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F011dee63d1c9c8132507d9158ee2d097.jpg",[],{"id":382,"slug":383,"title":384,"dynasty":18,"author":19,"museum":20,"description":385,"tags":386,"thumbUrl":387,"material":29,"size":30,"collection":64,"collections":388,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},246324,"ti-hong-si-ji-hua-hui-wen-zhan-tuo-yi-ming-246324","剔红四季花卉纹盏托","此件以朱漆雕就，花口盏托配敛口圆盏，漆色厚重匀净。通体满雕四季花卉，枝叶舒卷柔婉，花瓣层叠饱满，浮雕错落间刀工爽利凝练，将花叶鲜活娇妍之态尽数呈现，尽显分毫间的匠心。内壁髹饰黑漆，浓红与沉黑相映，更衬纹饰鲜活生动。构图繁而不紊，把春日盛放的烂漫定格于漆色之中，将文人雅致意趣融于日常器具，是明代雕漆工艺中陈设与实用兼具的佳器。",[232,234,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa010a3059d1028f4f3d17c1b5332a8bd.jpg",[],{"id":390,"slug":391,"title":392,"dynasty":55,"author":19,"museum":20,"description":230,"tags":393,"thumbUrl":395,"material":29,"size":30,"collection":64,"collections":396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},246193,"ti-hong-si-ji-hua-hui-wen-ba-leng-he-yi-ming-246193","剔红四季花卉纹八棱盒",[55,232,233,234,7,394],"八棱","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28e94c337ca821a73972bbe79a0a1479.jpg",[],{"id":398,"slug":399,"title":400,"dynasty":55,"author":19,"museum":20,"description":401,"tags":402,"thumbUrl":409,"material":29,"size":30,"collection":64,"collections":410,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},229987,"diao-xiang-ya-tie-jin-si-ji-hua-hui-zhuo-yi-ming-229987","雕象牙贴金四季花卉镯","传统腕饰，流行于全国各地。其多用金、银、玉等制圆环，束于臂腕间。汉代即有。套在手腕脚腕上的环形装饰品。",[234,403,404,7,405,406,407,187,408],"贴金","象牙","梅","兰","竹","饰品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21a32ef10f95ce88e47c3d54c7b8aa55.jpg",[],{"id":412,"slug":413,"title":414,"dynasty":18,"author":19,"museum":20,"description":123,"tags":415,"thumbUrl":418,"material":29,"size":30,"collection":64,"collections":419,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228608,"qing-hua-si-ji-hua-guo-wen-lian-hua-shi-pan-yi-ming-228608","青花四季花果纹莲花式盘",[23,25,416,7,417,73],"花果","莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1f184da2aee2289f2301112c6e029679.jpg",[],{"id":421,"slug":422,"title":423,"dynasty":18,"author":19,"museum":20,"description":123,"tags":424,"thumbUrl":427,"material":29,"size":30,"collection":64,"collections":428,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},228607,"qing-hua-si-ji-hua-hui-wen-lian-hua-shi-pan-yi-ming-228607","青花四季花卉纹莲花式盘",[73,23,25,105,7,425,426,27],"莲花式","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c4910bdc649bca4e97032af3e10e653.jpg",[],{"id":430,"slug":431,"title":432,"dynasty":18,"author":19,"museum":20,"description":123,"tags":433,"thumbUrl":434,"material":29,"size":30,"collection":64,"collections":435,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},228606,"qing-hua-si-ji-hua-hui-wen-lian-zi-wan-yi-ming-228606","青花四季花卉纹莲子碗",[23,25,26,7,18,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6005e7c8d8f59d1c7bd663750b8e8e25.jpg",[],{"id":437,"slug":438,"title":439,"dynasty":18,"author":19,"museum":20,"description":123,"tags":440,"thumbUrl":441,"material":29,"size":30,"collection":64,"collections":442,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228605,"qing-hua-si-ji-hua-hui-wen-wan-5-yi-ming-228605","青花四季花卉纹碗-5",[23,25,26,7,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b02bdd969bf2085248155fb1ec24683.jpg",[],{"id":444,"slug":445,"title":446,"dynasty":18,"author":19,"museum":20,"description":123,"tags":447,"thumbUrl":448,"material":29,"size":30,"collection":64,"collections":449,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228604,"qing-hua-si-ji-hua-hui-wen-wan-4-yi-ming-228604","青花四季花卉纹碗-4",[23,25,26,7,105,73],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce072afddc5a797868572658c46f1bc1.jpg",[],{"id":451,"slug":452,"title":453,"dynasty":18,"author":19,"museum":20,"description":123,"tags":454,"thumbUrl":455,"material":29,"size":30,"collection":64,"collections":456,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228603,"qing-hua-si-ji-hua-hui-wen-wan-2-yi-ming-228603","青花四季花卉纹碗-2",[73,25,23,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe08c3ee03410cf9b1f1c1dc352ac2ef8.jpg",[],{"id":458,"slug":459,"title":460,"dynasty":18,"author":19,"museum":20,"description":123,"tags":461,"thumbUrl":465,"material":29,"size":30,"collection":64,"collections":466,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},228602,"qing-hua-si-ji-hua-hui-wen-wan-1-yi-ming-228602","青花四季花卉纹碗-1",[23,25,26,7,462,18,463,139,426,464],"缠枝花卉","釉下彩","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3eefa3da5c6622c29a9ea9bc4aed470a.jpg",[],{"id":468,"slug":469,"title":470,"dynasty":18,"author":19,"museum":20,"description":123,"tags":471,"thumbUrl":472,"material":29,"size":30,"collection":64,"collections":473,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},223950,"qing-hua-si-ji-hua-hui-wen-gai-guan-yi-ming-223950","青花四季花卉纹盖罐",[23,25,7,405,406,407,187,27,175],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4dfc14a228effbe736ce0c1703b98418.jpg",[],{"id":475,"slug":476,"title":477,"dynasty":18,"author":19,"museum":20,"description":123,"tags":478,"thumbUrl":10,"material":29,"size":30,"collection":64,"collections":479,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":50},223928,"qing-hua-si-ji-hua-hui-wen-wan-3-yi-ming-223928","青花四季花卉纹碗-3",[23,25,27,26,7],[],1777535708944]