[{"data":1,"prerenderedAt":54},["ShallowReactive",2],{"subject-si-wang":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},7405,"si-wang","死亡","死亡画高清赏析","精选中国历代死亡题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7debd953ab4fbcf722f8c8d4f9528a50.jpg",0,2,[14,40],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":11,"manualWeight":11,"mainColor":39},232401,"he-er-bai-yin-60-he-er-bai-yin-232401","荷尔拜因60","不详","荷尔拜因","藏地不详","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[23,24,25,26,27,28,29,30,31,32,7],"油画","宗教画","人物画","圣经故事","耶稣","亚当夏娃","骷髅","写实","人文主义","救赎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bf674dcc9a1383608aa8e5f2096f710.jpg","未知","Xcm*Xcm","",[],4,"37474F",{"id":41,"slug":42,"title":43,"dynasty":18,"author":44,"museum":20,"description":45,"tags":46,"thumbUrl":10,"material":34,"size":35,"collection":36,"collections":52,"showCount":12,"zanCount":11,"manualWeight":11,"mainColor":53},289264,"pietro-testa-allegory-of-penance-and-death-yi-ming-289264","Pietro Testa--Allegory of Penance and Death","佚名","画面以强烈左右分野铺陈情绪，左侧枯骨狞恶裹挟奔逃的亡魂，扭曲躯体满是濒死惊惧，死神持械驱赶，将死亡的肃杀倾泻而出。右侧烛影昏沉，信徒垂首跪拜，佝偻身形满是忏悔的沉郁，在祭坛前躬身叩求救赎。利落苍劲的排线勾勒明暗层次，以极简素描笔触拉扯出死亡威压与忏悔虔诚的剧烈张力，将末日惶然与苦修赎罪的沉重尽数渲染，道尽人类在死亡阴影前对救赎的本能求索。",[47,48,49,50,7,29,51],"素描","线描","人物","宗教题材","忏悔",[],"BDBDBD",1777535793791]