[{"data":1,"prerenderedAt":79},["ShallowReactive",2],{"subject-si-xi-ping":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10584,"si-xi-ping","四系瓶","四系瓶画高清赏析","精选中国历代四系瓶题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5db5f86490ec130c5dbb6483b70248b6.jpg",0,5,[14,34,48,57,68],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},262104,"qing-you-si-xi-ping-yi-ming-262104","青釉四系瓶","隋","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,24,7,25,26],"陶瓷","青釉","日用器","瓷器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F936e434047993a1361822bc251d5b7c6.jpg","未知","Xcm*Xcm","",[],3,"37474F",{"id":35,"slug":36,"title":37,"dynasty":38,"author":19,"museum":20,"description":39,"tags":40,"thumbUrl":44,"material":28,"size":29,"collection":45,"collections":46,"showCount":47,"zanCount":11,"manualWeight":11,"mainColor":33},260075,"ci-zhou-yao-bai-di-hei-hua-si-xi-ping-yi-ming-260075","磁州窑白地黑花四系瓶","元","磁州窑是中国传统制瓷工艺的珍品，中国古代北方最大的民窑体系，也是著名的民间瓷窑，有“南有景德，北有彭城”之说。磁州窑创烧于北宋中期，并达到鼎盛，南宋、元明清仍有延续。窑址在今河北省邯郸市峰峰矿区的彭城镇和磁县的观台镇一带，磁县宋代叫磁州，故名。\n磁州窑的匠师们吸收了传统的水墨画和书法艺术的技法，创造了具有水墨画风的白底黑绘装饰艺术，开启了中国瓷器彩绘装饰的先河。\n磁州窑品种诸多，以白地黑花（铁锈花）、刻划花、窑变黑釉最为著名。它的装饰技法突破了当时流行的五大名（官）窑（汝、官、钧、哥、定）的单色釉局限，运用了数十种丰富多彩的装饰技法。1998年3月，元代的磁州窑黑釉剔花玉壶春瓶从英国追回。",[23,41,42,7,43],"磁州窑","白地黑花","器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7744420521d29c5e6d81ff4fe3d2d52c.jpg","瓷器精选",[45],2,{"id":49,"slug":50,"title":51,"dynasty":38,"author":19,"museum":20,"description":39,"tags":52,"thumbUrl":10,"material":28,"size":29,"collection":45,"collections":55,"showCount":56,"zanCount":11,"manualWeight":11,"mainColor":33},259702,"ci-zhou-yao-bai-you-si-xi-ping-yi-ming-259702","磁州窑白釉四系瓶",[23,41,7,53,54],"白釉","彩绘纹饰",[45],1,{"id":58,"slug":59,"title":60,"dynasty":61,"author":19,"museum":20,"description":21,"tags":62,"thumbUrl":65,"material":28,"size":29,"collection":30,"collections":66,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":67},261569,"qing-you-jia-cai-si-xi-ping-yi-ming-261569","青釉加彩四系瓶","晋",[23,24,63,7,64,43],"加彩","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F094c62c8e6156a28574b4448c389b935.jpg",[],"795548",{"id":69,"slug":70,"title":71,"dynasty":38,"author":19,"museum":20,"description":72,"tags":73,"thumbUrl":77,"material":28,"size":29,"collection":30,"collections":78,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":33},261567,"bai-di-hei-cai-shu-tian-xia-tai-ping-ming-si-xi-ping-yi-ming-261567","白地黑彩书“天下太平”铭四系瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[23,7,74,75,76,64,43],"白地黑彩","书法","铭文","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4ddfb7ebe9eecc5ba9f369933a5c3731.jpg",[],1777535755021]