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此图是王翚晚年仿宋巨然《烟浮远岫图》的代表作之一。据王翚仿巨然的同名画扇（现藏北京故宫博物院）款题而知，王翚首次见到巨然的《烟浮远岫图》是在“毗陵庄太史家”，当时他42岁（癸丑，1673年），款题：“巨然《烟浮远岫图》今在毗陵庄太史家，真海内第一墨宝。余尝借观，背临大概。寄呈闻川尊先生。”又题长句，落款“癸丑上巳日，石谷重识。”王翚自此不断地仿巨然《烟浮远岫图》，或自娱，或送友人留念。他送笪重光的仿品目前藏于美国普林斯敦大学美术馆。根据图上所钤“王藻儒考藏图书”印可知本幅是他送友人王藻儒之作。",[24,53,101,25,55,56,7,243,80,103,81,244],"远山","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e1dfb8496f1998e09f08da9e48675e6.jpg","纸本 ，墨笔","纵187.5cm，横68cm",[],2,{"id":251,"slug":252,"title":253,"dynasty":96,"author":254,"museum":255,"description":256,"tags":257,"thumbUrl":258,"material":37,"size":37,"collection":38,"collections":259,"showCount":133,"zanCount":11,"manualWeight":11,"mainColor":260},201461,"jing-ting-ji-se-tu-zhou-mei-qing-201461","敬亭霁色图轴","梅清","上海博物馆","这幅画作以水墨为韵，绘就敬亭山雨后初霁之景。主峰峻峭挺拔，山石轮廓以灵动线条勾勒，皴擦间尽显肌理质感；山间云雾缭绕，淡墨晕染与留白交织，虚实相生间拓延空间层次。松林葱郁，小径蜿蜒穿林而过，亭台楼阁隐于峰峦或松荫下，瀑布潺潺落于谷底，动静相宜。墨色干湿浓淡变幻自然，既有山川的雄浑气势，又含文人画的雅致清幽，将自然之美与超脱心境融于笔端，尽显山水灵动与诗意。",[24,25,56,55,101,80,104,7,59,52],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcf71698d8cdbde14be441e162a2cb46d.jpg",[38],"aba59d",{"id":262,"slug":263,"title":264,"dynasty":96,"author":213,"museum":139,"description":265,"tags":266,"thumbUrl":269,"material":169,"size":170,"collection":37,"collections":270,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":42},270692,"wang-zhi-chun-jin-huang-shan-tu-mo-song-lin-feng-mo-yi-ming-270692","王之春进黄山图墨-松林峰墨","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[267,268,56,7],"墨","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fed1fb6842f3dcb2b4b8c922cee730c5a.jpg",[],1777535724783]