[{"data":1,"prerenderedAt":33},["ShallowReactive",2],{"subject-su-di-chun-xiao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12262,"su-di-chun-xiao","苏堤春晓","苏堤春晓画高清赏析","精选中国历代苏堤春晓题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fee07ff7de08d0038c82c5a9c213242a1.jpg",0,1,[14],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":10,"material":27,"size":28,"collection":29,"collections":30,"showCount":31,"zanCount":11,"manualWeight":11,"mainColor":32},270697,"yu-zhi-xi-hu-shi-jing-shi-se-mo-su-di-chun-xiao-qian-lan-mo-yi-ming-270697","御制西湖十景诗色墨-苏堤春晓浅蓝墨","清","佚名","藏地不详","墨，中国传统文房用具之一，文房四宝之一，是书写、绘画的黑色颜料，后亦包括朱墨和各种彩色墨。\n墨的主要原料是煤烟、松烟、胶等，是碳元素以非晶质型态的存在。通过砚用水研磨可以产生用于毛笔书写的墨汁，在水中以胶体的溶液存在。古墨主要派别分徽墨、川墨。\n墨的水分及胶的成分不同，会影响到墨的黏度。在不同场合使用的墨，其黏度有所不同。另外，初制成的墨的水分亦较多。另有存放时间较长的墨，其致密度较高，并经过长年累月的干燥，使墨色的立体感更高。这种墨在日本被称为“古墨”。",[23,24,25,26,7],"墨","文房四宝","色墨","西湖十景","未知","Xcm*Xcm","",[],2,"BDBDBD",1777535859683]