[{"data":1,"prerenderedAt":247},["ShallowReactive",2],{"subject-su-duan":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},11111,"su-duan","素缎","素缎画高清赏析","精选中国历代素缎题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F72022e08595f2b5caa0c027441b97ad2.jpg",0,23,[14,36,47,58,67,78,90,100,109,118,127,134,145,155,164,172,184,193,202,210,220,229,240],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":11,"manualWeight":11,"mainColor":35},268813,"yue-bai-se-su-duan-zhui-ping-jin-xiu-an-chun-wen-fang-bu-nan-guan-yi-yi-ming-268813","月白色素缎缀平金绣鹌鹑纹方补男官衣","清","佚名","藏地不详","清王朝时段推行剃发易服，顺治九年（1652），钦定《服色肩舆条例》颁行，从此废除了明朝的冠冕、礼服以及汉族的一切服饰，但满族服饰同时吸收了明朝服饰的纹理图案。明代男子一律蓄发挽髻，着宽松衣，穿长统袜、浅面鞋；清时则剃发留辫，辫垂脑后，穿瘦削的马蹄袖箭衣、紧袜、深统靴。但官民服饰一律泾渭分明。 清朝是以满族统治者为主的政权机构，满族八旗服饰随朝代的变更冲进关内。旗人的风俗习惯影响着广大的中原地区。从公服开始逐渐推向常服。",[23,24,7,25,26,27,28],"衣帽","布料","平金绣","鹌鹑","刺绣","官衣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F94e0b1e85cce491fedf838ead279acb5.jpg","未知","Xcm*Xcm","",[],4,"BDBDBD",{"id":37,"slug":38,"title":39,"dynasty":18,"author":19,"museum":20,"description":21,"tags":40,"thumbUrl":43,"material":30,"size":31,"collection":32,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":46},267384,"shui-lv-se-su-duan-zhui-ping-jin-yin-xiu-yun-he-wen-fang-bu-nan-guan-yi-yi-ming-267384","水绿色素缎缀平金银绣云鹤纹方补男官衣",[23,24,7,41,42,28],"平金银绣","云鹤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F101517249009cc8737a1daa2616ad658.jpg",[],3,"795548",{"id":48,"slug":49,"title":50,"dynasty":18,"author":19,"museum":20,"description":21,"tags":51,"thumbUrl":55,"material":30,"size":31,"collection":32,"collections":56,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},267401,"hong-se-su-duan-zhui-ping-jin-xiu-yun-bai-xian-wen-fang-bu-nan-guan-yi-yi-ming-267401","红色素缎缀平金绣云白鹇纹方补男官衣",[23,24,7,27,25,52,53,54],"白鹇","官服","方补","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F86e757275b2c937e0d1da83bf5d0f5e0.jpg",[],2,{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":21,"tags":62,"thumbUrl":65,"material":30,"size":31,"collection":32,"collections":66,"showCount":57,"zanCount":11,"manualWeight":11,"mainColor":35},267382,"lan-se-su-duan-zhui-ping-jin-di-cai-xiu-zhi-ji-wen-fang-bu-nan-guan-yi-yi-ming-267382","蓝色素缎缀平金地彩绣雉鸡纹方补男官衣",[23,24,7,63,25,64,28,54],"彩绣","雉鸡","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19f7be965e7c68fd3e1ecec88f208160.jpg",[],{"id":68,"slug":69,"title":70,"dynasty":18,"author":19,"museum":20,"description":71,"tags":72,"thumbUrl":74,"material":30,"size":31,"collection":32,"collections":75,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":77},268856,"qing-se-su-duan-gao-fang-jin-yi-ming-268856","青色素缎高方巾","以青色素缎裁制而成，配色沉敛克制，暗合传统服饰含蓄内敛的审美意趣。巾身走线匀净工整，中线妥帖分明，将方正形制勾勒得利落挺括，尽显端庄持重的旧时仪范。底部以朱红绳线束系，深浅撞色打破素色单调，于素雅底色中点染灵动亮色，细节处见巧思。整体无繁复纹样修饰，凭顺滑缎面的质感与极简工法，凸显中式配饰留白的美学风骨，静静承载着旧时光里的雅致格调。",[23,24,7,73],"方巾","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0454d7b4c57413b54e930ffd95045ea4.jpg",[],1,"F48FB1",{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":82,"tags":83,"thumbUrl":87,"material":30,"size":31,"collection":32,"collections":88,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":89},266420,"qing-se-su-duan-shang-yang-pi-xia-hui-shu-pi-nv-chang-fu-pao-yi-ming-266420","青色素缎上羊皮下灰鼠皮女常服袍","清代皇帝服饰有朝服、吉服、常服、行服等。皇帝的龙袍属于吉服范畴，比朝服、衮服等礼服略次一等，平时较多穿着。穿龙袍时，必须戴吉服冠，束吉服带及挂朝珠。龙袍以明黄色为主也可用金黄杏黄等色。古时称帝王之位，为九五之尊。九、五两数，通常象征着高贵，在皇室建筑、生活器具等方面都有所反映。清朝皇帝的龙袍，据文献记载，也绣有九条龙。从实物来看，前后只有八条龙，与文字记载不符，缺一条龙。有人认为还有一条龙是皇帝本身。其实这条龙客观存在着，只是被绣在衣襟里面，一般不易看到。这样一来，每件龙袍实际即为九龙，而从正面或背面单独看时，所看见的都是五龙，与九五之数正好相吻合。另外，龙袍的下摆，斜向排列着许多弯曲的线条，名谓水脚。水脚之上，还有许多波浪翻滚的水浪，水浪之上，又立有山石宝物，俗称“海水江涯”，它除了表示绵延不断的吉祥含意之外，还有“一统山河”和“万世升平”的寓意。\n皇后常服样式，与满族贵妇服饰基本相似，圆领、大襟，衣领、衣袖及衣襟边缘，都饰有宽花边，只是图案有\n所不同。本图展示的服装纹样为凤穿牡丹。整件服装在鲜艳的蓝色缎地上，绣八只彩凤，彩凤中间，穿插数朵牡丹。牡丹的颜色处理得净穆而素雅，色彩变化惟妙，具有传统的山水画特点。与此相反，凤的颜色比较浓重，红绿对比度极为强烈，具有典型民族风格和时代特色。\n清代官服主要品种为长袍马褂。官帽与前朝截然不同，凡军士、差役以上军政人员都戴似斗笠而小的纬帽，按冬夏季节有暖帽、凉帽之分，还视品级高低安上不同颜色、质料的“顶子”，帽后拖一束孔雀翎。翎称花翎，高级的翎上有“眼”（羽毛上的圆斑），并有单眼、双眼、三眼之别，眼多者为贵，只有亲王或功勋卓著的大臣才被赏戴。皇帝有时还赏穿黄马褂，以示特别恩宠。影响所及，其他颜色的马褂遂在官员士绅中逐渐流行，成为一般的礼服。四、五品以上官员还项挂朝珠，用各种贵重珠宝、香木制成，构成清代官服的又一特点。丝纺绣染及各种手工专业的进步，为清代服饰品种的丰富创造了条件。\n清代男装主要是长袍和马褂，袖端呈马蹄形是历代不曾见过的。长袍造型简练，立领直身，偏大襟，前后衣身有接缝，下摆有两开衩（古时称“缺裤”），四开衩和无开衩几种类型。皇室贵族为便于骑射，着四面开衩长袍，即衣前后中缝和左右两侧均有开衩的式样，平民则着左右两侧开衩或称“一裹圆”的不开衩长袍。在我国文学名著《红楼梦》第九十四回“宴海棠贾母赏花妖”一节中，记述了一段内容“那日宝玉本来穿着”一裹圆的皮袄在家休息，忽听贾母要来，便去换了一件狐腋箭袖，罩了一件玄狐腿外褂。这里说明“一裹圆”，是休闲衣服，不可登大雅之堂，所以贾母的到来，必须换掉便装，改着正式穿戴。满清时期长袍外面的马褂身长不过膝，袖宽且短。衣服上的佩饰比较琐繁，一个金银牌上垂挂着数十件小东西，如耳挖子、镊子、牙签，还有一些古代兵器的小模型，如戟、枪之类，佩挂饰物在清代已经形成风尚。",[23,24,7,84,85,86],"羊皮","灰鼠皮","女常服袍","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa50920119687508324eeb92a988c6c78.jpg",[],"37474F",{"id":91,"slug":92,"title":93,"dynasty":18,"author":19,"museum":20,"description":94,"tags":95,"thumbUrl":98,"material":30,"size":31,"collection":32,"collections":99,"showCount":76,"zanCount":11,"manualWeight":11,"mainColor":35},265953,"shi-qing-se-su-duan-bai-hu-pi-chang-fu-gua-yi-ming-265953","石青色素缎白狐皮常服褂","圆领对襟，平袖及肘，是日常外褂的经典形制。沉郁石青色素缎为底，不饰纹样，尽显内敛端方的气度。周身镶饰的白狐皮缘边莹白蓬松，与深沉底色撞出雅致反差，既为冬日添保暖之用，又凭柔润绒光衬出华贵质感。素缎自带细腻柔光，与狐毛的蓬松绒泽相映成趣，于极简形制里暗藏工艺考究，将旧时世家日常穿搭的内敛奢华诠释尽致，是兼顾礼制实用与审美意趣的精品。",[23,24,96,7,97],"狐皮","常服褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e4bbe0fd6b5ae65a956f7c427aa4a11.jpg",[],{"id":101,"slug":102,"title":103,"dynasty":18,"author":19,"museum":20,"description":104,"tags":105,"thumbUrl":107,"material":30,"size":31,"collection":32,"collections":108,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},269032,"qing-se-su-duan-gao-di-xue-yi-ming-269032","青色素缎高底靴","素缎凝着哑光，乌色如砚池沉墨，挺括靴身顺着垂坠的褶皱晕开经年沉淀的柔和肌理。厚底似方正玉台，素白底色与墨缎利落撞色，把端雅风骨凝在方寸鞋履之上。\n\n无繁复饰纹，全凭面料温润光泽与修长剪裁，撑起从容端方的气度。暗合旧时礼制下的含蓄审美，将低调华贵藏在针脚里，是往昔匠造巧思与服饰规制的缩影，静静诉说着旧日着装里的沉敛意趣。",[23,24,106,7],"高底靴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa341740fb4bae4515013278d2adb9f5a.jpg",[],{"id":110,"slug":111,"title":112,"dynasty":18,"author":19,"museum":20,"description":113,"tags":114,"thumbUrl":116,"material":30,"size":31,"collection":32,"collections":117,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268876,"hei-se-su-duan-luo-mao-yi-ming-268876","黑色素缎罗帽","清代男子的官帽，有礼帽、便帽之别。礼帽俗称“大帽子”，其制有二式：一为冬天所戴，名为暖帽；一为夏天所戴，名为凉帽。便帽，也称“小帽子”以六瓣合缝，缀檐如筒；俗称瓜皮帽。创自明太祖洪武年间，取其六合一统之意。这种小帽形式很多，有平顶、尖顶、硬胎软胎之别。平顶大多为硬胎，内衬棉花；尖顶大多为软胎，取其便利。等级不同，帽子不同。",[23,24,7,115],"罗帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a9036b1e31edafbcc0f07eff4f46fa5.jpg",[],{"id":119,"slug":120,"title":121,"dynasty":18,"author":19,"museum":20,"description":21,"tags":122,"thumbUrl":125,"material":30,"size":31,"collection":32,"collections":126,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},268817,"lan-se-su-duan-zhui-ping-jin-xiu-jin-ji-wen-fang-bu-nv-guan-yi-yi-ming-268817","蓝色素缎缀平金绣锦鸡纹方补女官衣",[23,24,27,123,25,124,7,54],"锦鸡","女官服","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0636fb5f8c8006c59b0af10bd91aa33f.jpg",[],{"id":128,"slug":129,"title":130,"dynasty":18,"author":19,"museum":20,"description":21,"tags":131,"thumbUrl":132,"material":30,"size":31,"collection":32,"collections":133,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268815,"tao-hong-se-su-duan-zhui-ping-jin-xiu-bai-xian-wen-fang-bu-nv-guan-yi-yi-ming-268815","桃红色素缎缀平金绣白鹇纹方补女官衣",[23,24,25,52,7,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03237dcd0cd950711e5807a2491568ae.jpg",[],{"id":135,"slug":136,"title":137,"dynasty":18,"author":19,"museum":20,"description":138,"tags":139,"thumbUrl":143,"material":30,"size":31,"collection":32,"collections":144,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},268771,"ming-huang-se-su-duan-jia-fu-zhuo-wei-yi-ming-268771","明黄色素缎夹佛桌围","整体取明黄素缎为材，配色贵气庄雅，暗合礼制中明黄的尊崇地位。无繁复纹饰缀饰，尽显素雅端方之态，利落剪裁勾勒出方正形制，腰头打褶工整有序，垂下的直袢挺括利落，衬出器物规整大气的质感。\n\n作为佛前供具，简素面料自带沉静祥和之感，将礼佛的肃穆融于质朴无华中，暗合佛家清净无染的意涵。针脚细密匀净，尽显匠人精工细作，虽无华饰，却凭借上乘缎料与考究做工，彰显出庄重内敛的庙堂气韵，静静诉说着旧时佛堂的静谧禅意。",[140,24,7,141,142],"宗教","桌围","明黄色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb3046c042bc22141c14f3690be08c634.jpg",[],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":149,"tags":150,"thumbUrl":153,"material":30,"size":31,"collection":32,"collections":154,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},268186,"yue-bai-se-su-duan-xiang-diao-pi-bian-dui-jin-jia-ma-gua-yi-ming-268186","月白色素缎镶貂皮边对襟夹马褂","马褂是一种穿于袍服外的短衣，衣长至脐，袖仅遮肘，满语叫“鄂多赫”，因着之便于骑马而得名，亦称 “短褂” 或 “马墩子”，流行于清代及民国时期\n清代初期，马褂为一般士兵穿着，至康熙时期富贵之家也有穿者。雍正后，马褂已甚为流行 。并发展成单、夹、纱、皮、棉等服装，成为男式便衣，士庶都可穿着。之后更逐渐演变为一种礼仪性的服装，不论身份，都以马褂套在长袍之外，显得文雅大方 。民国年间曾被列为礼服之一。新中国成立后，马褂逐步被摈弃，后经改良又以“唐装”的名称重新回到人们的视野中 。",[23,151,7,152,24],"对襟马褂","貂皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F542c63648ecedee2eb2b37189da75732.jpg",[],{"id":156,"slug":157,"title":148,"dynasty":18,"author":19,"museum":20,"description":149,"tags":158,"thumbUrl":162,"material":30,"size":31,"collection":32,"collections":163,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},268185,"yue-bai-se-su-duan-xiang-diao-pi-bian-dui-jin-jia-ma-gua-yi-ming-268185",[23,159,160,7,161,24],"马褂","对襟","貂皮边","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0d33bc1da6edcc970b060a7cb7bab205.jpg",[],{"id":165,"slug":166,"title":167,"dynasty":18,"author":19,"museum":20,"description":21,"tags":168,"thumbUrl":170,"material":30,"size":31,"collection":32,"collections":171,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},267461,"hong-se-su-duan-zhui-ping-jin-xiu-lu-si-wen-fang-bu-nan-guan-yi-yi-ming-267461","红色素缎缀平金绣鹭鸶纹方补男官衣",[23,24,7,25,169,28],"鹭鸶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7eedcd18ebc2aa82bd9ca12b12857530.jpg",[],{"id":173,"slug":174,"title":175,"dynasty":18,"author":19,"museum":20,"description":21,"tags":176,"thumbUrl":182,"material":30,"size":31,"collection":32,"collections":183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},267387,"hu-lv-se-su-duan-zhui-ping-jin-xiu-wu-fu-peng-shou-wen-yuan-bu-pan-yi-yi-ming-267387","湖绿色素缎缀平金绣五蝠捧寿纹圆补判衣",[23,24,7,25,177,178,179,180,181],"五蝠捧寿","蝠纹","寿纹","圆补","服饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc7c790d5c33dacd598f919b5390be9b.jpg",[],{"id":185,"slug":186,"title":187,"dynasty":18,"author":19,"museum":20,"description":188,"tags":189,"thumbUrl":191,"material":30,"size":31,"collection":32,"collections":192,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},266556,"qing-se-su-duan-xiang-bai-hu-pi-bian-jia-gua-yi-ming-266556","青色素缎镶白狐皮边夹褂","整体沉稳素雅，纯黑缎面自带肃穆质感，利落衣形尽显端正章法。莹润蓬松的白狐毛滚边，柔化了缎面的挺括冷硬，明暗冷暖交织间，让素朴衣身生出华贵暖意。领口的宝蓝色衬里尤为点睛，在深黑底色撞出一抹鲜亮亮色，于克制的素净里暗露巧思细节。将冬日保暖的实用性与东方着装美学相融，内敛又不失考究，藏着旧时服饰里含蓄的精致匠心，是实用与雅韵兼具的传统服饰典范。",[23,24,96,7,190],"夹褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ea6626fb5e4a66b80c88ec1c1c67ffc.jpg",[],{"id":194,"slug":195,"title":196,"dynasty":18,"author":19,"museum":20,"description":197,"tags":198,"thumbUrl":200,"material":30,"size":31,"collection":32,"collections":201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},266550,"qing-se-su-duan-zhen-zhu-mao-pi-gua-yi-ming-266550","青色素缎珍珠毛皮褂","整体形制简洁大气，纯色素缎沉静如墨，自带肃穆内敛的气度。米白滚边利落勾勒轮廓，似留白的笔锋，为沉郁色调晕开一丝清隽雅致。内里暗藏珍珠毛皮，将奢华隐于低调形制中，暗合传统审美里的克制矜贵。无繁复纹饰缀饰，凭素缎肌理自带的柔光，与利落剪裁撑起风骨，将世家大族的雅致品味融于日常服饰里，尽显中式美学里大道至简的意蕴。",[23,24,7,199],"毛皮褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F209f40467da98974b78210c4677589b7.jpg",[],{"id":203,"slug":204,"title":205,"dynasty":18,"author":19,"museum":20,"description":82,"tags":206,"thumbUrl":208,"material":30,"size":31,"collection":32,"collections":209,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},266441,"qing-se-su-duan-shang-yang-pi-xia-yin-shu-pi-nv-chang-fu-pao-yi-ming-266441","青色素缎上羊皮下银鼠皮女常服袍",[23,24,86,7,84,207],"银鼠皮","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff8f3c3a6eae2429b5209f37cabb6fa35.jpg",[],{"id":211,"slug":212,"title":213,"dynasty":18,"author":19,"museum":20,"description":214,"tags":215,"thumbUrl":218,"material":30,"size":31,"collection":32,"collections":219,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},265950,"shi-qing-se-su-duan-yin-shu-pi-xing-fu-gua-yi-ming-265950","石青色素缎银鼠皮行服褂","此褂以石青素缎为面，色调沉敛肃穆，米白软缘勾勒轮廓，提亮观感，消解了深色的厚重沉闷。暗藏的银鼠皮内里，于质朴外观下暗藏奢华暖意，兼顾出行御寒的实用需求与礼制气度。\n\n对襟排布素净暗扣，线条利落规整，宽袖短摆的形制适配骑乘出行，尽显制式巧思。整体无繁复纹饰，以极简形制传递中式服饰的含蓄美学，于素净间流露低调贵气，将实用功能与古典雅韵相融，尽显传统服饰的克制之美。",[23,24,7,216,217],"皮草","行服褂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9d23a4b5978219a4ab81efc4f0a294e5.jpg",[],{"id":221,"slug":222,"title":223,"dynasty":18,"author":19,"museum":20,"description":224,"tags":225,"thumbUrl":227,"material":30,"size":31,"collection":32,"collections":228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":46},265791,"shi-qing-se-su-duan-jia-chang-fu-gua-yi-ming-265791","石青色素缎夹常服褂","此褂以石青色素缎裁就，无多余纹饰，凭缎面柔润光泽凸显沉静质感。形制规整舒展，圆领对襟配平直宽袖，线条利落大气，尽显内敛端庄。一字素色盘扣顺襟垂落，简约雅致，既契合日常穿搭的实用性，又暗合传统服饰的制式美学。\n\n夹里设计适配春秋时节，兼顾美观与保暖，将实用与审美精妙融合。整体摒弃繁饰，以极简诠释庄重内敛的东方审美意趣，把日常穿戴的得体感与服饰形制的仪式感相融，尽显中式传统服饰的素雅之美，是日常服饰美学的典型缩影。",[23,24,7,97,226],"石青色","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feda25ec979d8aad2cd246dec1a6327aa.jpg",[],{"id":230,"slug":231,"title":232,"dynasty":18,"author":19,"museum":20,"description":233,"tags":234,"thumbUrl":238,"material":30,"size":31,"collection":32,"collections":239,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":35},265763,"da-hong-se-su-duan-jie-shi-qing-se-cun-mang-zhuang-hua-duan-jia-chao-qun-yi-ming-265763","大红色素缎接石青色寸蟒妆花缎夹朝裙","整体以明丽正红搭配沉稳石青，色调碰撞鲜明大气。上身无袖立领版型端正肃穆，契合朝服仪制，下接妆花缎裙摆，寸蟒纹样细密排布，织绣工艺精巧，暗合礼制威严。裙摆缀饰蕾丝镶边，柔化朝服庄重感，增添温婉意韵。整体承袭清代服饰规制，配色沉稳鲜亮，纹样暗藏吉瑞礼制，将等级仪制与匠心工艺相融，尽显清代宫廷服饰的考究质感与礼制内涵。",[23,24,235,236,237,7],"朝裙","蟒纹","妆花缎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa1c31bd1a13eeba6c7fd118e903b0807.jpg",[],{"id":241,"slug":242,"title":243,"dynasty":18,"author":19,"museum":20,"description":244,"tags":245,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":246,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":89},263872,"shi-qing-se-su-duan-yi-ming-263872","石青色素缎","这匹素缎以纯粹之姿尽显东方意韵，整体匀净无饰，将丝缎本真之美娓娓铺陈。细密紧实的缎面肌理自带内敛柔光，深邃沉郁的石青色烘托出端庄雅致的气质，不见繁复纹样，却把中式大道至简的美学表达尽致。\n\n手作织物独有的温润触感藏在每一丝经纬之间，晕开旧时光里的沉静风华，褪去多余修饰，只留面料本身的莹润质感与沉稳底色，静静舒展间，便带着经年沉淀的温婉古韵，将传统织物含蓄克制的美感尽数彰显。",[24,7,226],[],1777535718847]