[{"data":1,"prerenderedAt":48},["ShallowReactive",2],{"subject-su-tie-gong-yi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},10597,"su-tie-gong-yi","塑贴工艺","塑贴工艺画高清赏析","精选中国历代塑贴工艺题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcd71140fdf7240de50ac93f9b43b802b.jpg",0,2,[14,35],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":34},260312,"qing-you-su-tie-shou-mian-yin-wang-ge-wen-si-xi-guan-yi-ming-260312","青釉塑贴兽面印网格纹四系罐","晋","佚名","藏地不详","中国瓷器著名传统颜色釉。亦称“青瓷釉”。古代南方青釉，是瓷器最早的颜色釉。\n所谓“青釉”，颜色并不是纯粹的青，有：月白、天青、粉青、梅子青、豆青、豆绿、翠青等，但多少总能泛出一点青绿色。同时，古人往往将青、绿、蓝三种颜色，一统称为“青色”，例如许之衡《饮流斋说瓷》称：“古瓷尚青，凡绿也、蓝也，皆以青括之。”刘子芬《竹园陶说》中也说：“青色一种，常与蓝色相混。雨过天晴，钧窑、元窑之青，皆近蓝色。”“惟千峰翠色、梅子青、豆青、乃为纯青耳。天色本蓝，有时为青。”\n青釉是我国使用最早，延用时间最久，分布最广的一个釉种，它的发明是与我国瓷土矿大都含有一定量的铁矿的现象相一致的。青色也符合我国人民的传统审美情趣。青色与碧玉相若，认为稳重而高雅。浙江、江西、河南等地已出土了不少早至商周时期的原始青釉瓷。六朝至唐宋以越窑为代表的南方青釉瓷；宋到元明的龙泉窑系青瓷；耀州窑、临汝窑、钧窑等宋代北方青瓷；以及明、清以来的景德镇青釉瓷，是青釉发展的几个重要阶段，所谓的宋代“汝、定、官、哥、钧”五大名窑，除定窑外均属青釉瓷。表釉的呈色主要决定于着色氧化物的含铁量与烧成气氛，青釉含铁量一般在1—3%左右，过高会变成黑釉，低了就能烧成白瓷。在还原气氛中烧成。釉色青绿；在氧化气氛中烧成，釉色泛黄。因而陶瓷界所谓的青釉是相对而言的，正如许之衡《饮流斋说瓷》中所说：“古瓷尚青，凡绿也，蓝也，皆以青括之。”",[23,24,25,26,27,7,28],"陶瓷","青釉","兽面纹","网格纹","四系罐","容器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cfd516a1eec195dd86ea4cfee73b3d9.jpg","未知","Xcm*Xcm","",[],"795548",{"id":36,"slug":37,"title":38,"dynasty":39,"author":19,"museum":20,"description":40,"tags":41,"thumbUrl":10,"material":30,"size":31,"collection":32,"collections":46,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":47},259758,"san-cai-su-tie-hua-ban-wen-deng-yi-ming-259758","三彩塑贴花瓣纹灯","宋","敞口高足，形制端庄沉稳。器身贴塑饱满花瓣，黄釉晕染出花瓣柔润肌理，瓣间衬以绿釉小瓣，与口沿、高足的莹润绿釉相映成趣。双色釉彩明快雅致，褪去盛唐三彩的浓艳张扬，尽显宋韵的沉静内敛。贴塑工艺让花饰错落环绕，立体生动，朴拙细节间藏着精细心思，将日常用器化作雅致赏品，尽显宋代温婉内敛的审美意趣。",[23,42,7,43,44,45],"三彩","花瓣纹","灯具","日用器",[],"37474F",1777535806036]