[{"data":1,"prerenderedAt":72},["ShallowReactive",2],{"subject-sui-cong":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},3615,"sui-cong","随从","随从画高清赏析","精选中国历代随从题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd4d7369ef6326f5b81cab49e4cb54bbf.jpg",0,2,[14,49],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":40,"material":41,"size":42,"collection":43,"collections":44,"showCount":46,"zanCount":47,"manualWeight":11,"mainColor":48},221066,"zhi-gong-tu-yan-li-ben-221066","职贡图","唐","阎立本","台北故宫博物院","该画描绘的是唐太宗时，婆利国和罗刹国千里迢迢前来朝贡的情景。画中共有二十七人，其中白衣虬髯骑白马的人是罗刹国使者，身后有仆从打着伞执着扇，抬着礼物。左边穿长袍手里托着珊瑚打着伞盖的人是婆利国使者，他的随从也带着各式各样的礼物。整幅画设色淡雅，人物造型奇特，线条流畅自然。",[23,24,25,26,27,28,29,30,31,32,33,34,35,36,7,37,38,39],"高清","国画","书画","名画","长卷","工笔","设色","人物","异域人物","马","动物","器物","仪仗","推车","伞盖","服饰","行进场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F782e8b3405f3cc59b7a13648e7f06f67.jpg","绢","纵61.5cm，横191.5cm","人物画精选",[43,45],"设色画精选",174,4,"795548",{"id":50,"slug":51,"title":52,"dynasty":53,"author":54,"museum":55,"description":56,"tags":57,"thumbUrl":10,"material":67,"size":68,"collection":43,"collections":69,"showCount":70,"zanCount":71,"manualWeight":11,"mainColor":48},239478,"ming-ren-xiao-yi-zhuan-lan-ting-tu-zhou-yi-ming-239478","明人萧翼赚兰亭图轴","明","佚名","北京故宫博物院","在宋时即多摹本。据史所载，唐代著名画家阎立本绘有此图，此外，据《宣和画谱》，唐吴侁亦作此图一幅。其后，前蜀支仲元、南唐顾德谦、南宋僧梵隆、元赵子俊等画家均以此题材绘图，此卷为明代绘本。图绘六位人物，画左坐着的僧人即辩才，左手执《兰亭序》，右手举于胸前侃侃而谈，画面右侧的萧翼双手笼于袖间，沉着冷静，两人中间有一盆假山石。画面右下方为萧翼的两名随从，衣冠整洁，左下幅辩才的童子正在备茶。该图右上侧有树石为背景，山石呈方块状叠加，造型独特，全画工笔重彩设色，人物及树石等造型具有明代绘画的特点。",[26,24,58,28,29,59,60,61,7,62,63,64,65,66],"立轴","人物画","僧人","童子","树石","孤石","备茶","萧翼赚兰亭","《兰亭序》","绢本，设色","纵124厘米，横78厘米",[43],42,1,1777535781241]