[{"data":1,"prerenderedAt":115},["ShallowReactive",2],{"subject-ta-2377":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},2377,"ta-2377","榻","榻画高清赏析","精选中国历代榻题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc448fc60aa5b853cdf9557a787f69dc.jpg",0,4,[14,40,60,88],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":33,"material":34,"size":35,"collection":36,"collections":37,"showCount":38,"zanCount":12,"manualWeight":11,"mainColor":39},216964,"ying-xi-tu-su-han-chen-216964","婴戏图","宋","苏汉臣","台北故宫博物院","婴戏图即描绘儿童游戏时的画作，又称“戏婴图”，是中国人物画的一种。因为以小孩为主要绘画对象，以表现童真为主要目的，所以画面丰富，形态有趣。中国很早已有绘画婴孩的传统，到了唐宋时期技巧渐趋成熟，宋代更是婴戏图的黄金时期，使之成为中国绘画中极受欢迎的画类。\n\n宋代是婴戏图发展的全盛时期，不但取材多样化，而且描绘技巧高超。有的采用鲜艳颜色以衬托婴孩游玩时的愉快心情，营造热闹快乐的气氛；有的利用简洁的线描，刻划平民的市井风情。市井之民虽生于低下阶层，物质生活不甚丰富，但小孩的天真、贪吃贪玩的性情仍溢于纸上。在婴孩的形体构图方面，孩子面貌及身形比例准确，不再是“身小而貌壮”或“妇人之貌”。而且画家每每绘画小孩穿上轻纱薄衣，使观者能通过薄衣透视小孩丰满圆润的身段。婴孩面部表情亦十分丰富，喜怒哀乐活灵活现。宋代婴戏图的兴盛和成功，奠定了婴戏图的基础，亦创新了不少题材，使后世仿效之作甚多。",[23,24,25,26,27,28,29,7,30,31,32],"宋代","工笔","设色","人物","婴孩","庭院","建筑","假山","花木","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F683c03575faeba1accf39da01c82a0c5.jpg","纸本,设色","","人物画精选",[36],271,"795548",{"id":41,"slug":42,"title":43,"dynasty":44,"author":45,"museum":46,"description":47,"tags":48,"thumbUrl":55,"material":56,"size":35,"collection":36,"collections":57,"showCount":58,"zanCount":59,"manualWeight":11,"mainColor":39},219497,"juan-xiu-tu-yi-ming-219497","倦绣图","明","佚名","美国弗利尔美术馆","朱红绣案上绿绸随意铺陈，仕女凭案敛臂休憩，绣活未竟便沉沉暂歇。淡墨轻施勾勒出松弛倦态，素绢古旧的底色晕开沉静氛围，没有繁复华饰，只以极简笔意定格闺阁日常里的慵懒闲逸。将绣女劳顿后的松弛心绪藏在素雅笔墨间，未完成的针线暗合着闺中往复的日常细碎，静穆画面里漫出平淡悠长的闺中况味，把细碎倦怠揉进古雅色调里，尽显内敛温柔的东方意趣。",[49,50,25,24,26,51,52,7,53,54],"国画","书画","美人","服饰","织物","室内场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa4a4c0ec9f990f6ad692fcb7681f4b5.jpg","绢本,设色",[36],39,1,{"id":61,"slug":62,"title":63,"dynasty":64,"author":45,"museum":65,"description":66,"tags":67,"thumbUrl":84,"material":35,"size":35,"collection":35,"collections":85,"showCount":86,"zanCount":11,"manualWeight":11,"mainColor":87},234390,"hong-li-shi-yi-shi-er-tu-zhou-yi-ming-234390","弘历是一是二图轴","清","藏地不详","工笔淡彩晕染出雅致书斋，主人凭榻安坐，仆从侍侧奉茶。博古架上瓷瓶书卷错落，案头盆景清供雅致静立，将文人闲居意趣铺陈开来。\n线条秀逸细腻，设色柔和平静，画面写实入微，又暗藏是一是二的禅意哲思。主人凝睇画像，物我交融的意境悄然流露，将古时文人士大夫观照自我的精神世界定格绢素，让人身临其境触摸旧日清贵的闲雅日常。",[49,25,24,26,68,69,70,71,72,7,73,74,75,54,76,77,78,79,80,81,82,83],"山水","文房四宝","家具","器物","桌案","盆景","松树","梅枝","笔","墨","纸","砚","香炉","几案","盆栽","屏风","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5a85e7afac4f195c0df770e25d47790.jpg",[],15,"BDBDBD",{"id":89,"slug":90,"title":91,"dynasty":92,"author":93,"museum":65,"description":94,"tags":95,"thumbUrl":111,"material":112,"size":113,"collection":35,"collections":114,"showCount":59,"zanCount":11,"manualWeight":11,"mainColor":39},232328,"a-er-ma-55-lao-lun-si-a-er-ma-ta-de-ma-232328","阿尔玛55","不详","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[96,25,97,98,70,99,100,101,102,103,104,7,105,106,107,108,109,110],"油画","写实","室内","书架","书籍","窗户","挂画","壁炉","地毯","桌子","椅子","吊灯","装饰摆件","木地板","靠垫","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff781042946b9af276a03700843d56b7d.jpg","未知","Xcm*Xcm",[],1777535757413]