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Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[23,24,25,26,27,28,29,30,7,31,32,33,34,35],"名画","印象派","色彩晕染","光影捕捉","笔触表现","黄昏","水面","建筑","倒影","天空","水域","霞光","色彩并置","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F30551a1562a1c380d8bba485399bb7b6.jpg","未知","Xcm*Xcm","油画精选",[39],30,"BDBDBD",{"id":44,"slug":45,"title":46,"dynasty":18,"author":19,"museum":20,"description":21,"tags":47,"thumbUrl":56,"material":37,"size":38,"collection":39,"collections":57,"showCount":58,"zanCount":11,"manualWeight":11,"mainColor":42},226017,"rouen-cathedral-the-portal-morning-effect-1894-mo-nai-226017","Rouen Cathedral, the Portal, Morning Effect, 1894",[24,48,49,50,7,30,51,52,32,53,54,55],"油画","光影","教堂","门廊","晨光","石质","碎笔触","光影变化","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F056d85d558caf211170d242061169f95.jpg",[39],18,{"id":60,"slug":61,"title":62,"dynasty":63,"author":64,"museum":20,"description":65,"tags":66,"thumbUrl":74,"material":37,"size":38,"collection":75,"collections":76,"showCount":77,"zanCount":11,"manualWeight":11,"mainColor":42},290475,"za-hua-ce-luo-pin-290475","杂画册","清","罗聘","罗聘（1733-1799），清代画家，“扬州八怪”之一。字遯夫，号两峰，又号衣云、花之寺僧、金牛山人、师莲老人等。祖籍安徽歙县，其先辈迁居扬州。为金农入室弟子，布衣，好游历。\n人物、佛像、山水、花果、梅、兰、竹等，无所不工，笔调奇创，超逸不群，别具一格。善画《鬼趣图》，画鬼态无不极尽其妙，借以讽世。亦善刻印。金农死后，他搜罗遗稿，出资刻版，使金农的著作得以传于后世。其妻方婉仪，字白莲，亦擅画梅兰竹石，并工于诗。子允绍、允缵，均善画梅，人称“罗家梅派”。\n《清史稿》称罗聘“画无不工”。",[67,68,69,70,71,72,7,73],"国画","册","水墨","山水","船只","岸堤","宁静","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ce5e3fdebc1112a48f4c4011f611388.jpg","",[],16,{"id":79,"slug":80,"title":81,"dynasty":18,"author":19,"museum":20,"description":21,"tags":82,"thumbUrl":92,"material":37,"size":38,"collection":39,"collections":93,"showCount":94,"zanCount":11,"manualWeight":11,"mainColor":95},226095,"the-portal-and-the-tour-dalbane-morning-effect-1893-1894-mo-nai-226095","The Portal and the Tour dAlbane, Morning Effect, 1893-1894",[48,24,83,25,84,85,7,51,86,87,88,89,90,91],"光影表现","笔触堆叠","教堂建筑","早晨光线","建筑结构","光线捕捉","色彩层次","建筑细节","早晨景象","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F374b303da4eedbae9c8a391a949c1dda.jpg",[39],15,"795548",{"id":97,"slug":98,"title":99,"dynasty":18,"author":100,"museum":20,"description":101,"tags":102,"thumbUrl":110,"material":37,"size":38,"collection":39,"collections":111,"showCount":112,"zanCount":11,"manualWeight":11,"mainColor":95},225752,"gartenlokal-la-guinguette-auf-dem-montmartre-fan-gao-225752","Gartenlokal 'La Guinguette' auf dem Montmartre","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[48,103,104,105,106,107,30,108,109,7],"后印象派","木桌","长凳","人物","树木","街灯","露天茶座","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F29eab7ce618b242b7fdf1d3035f5b5b2.jpg",[39],14,{"id":114,"slug":115,"title":116,"dynasty":18,"author":19,"museum":20,"description":21,"tags":117,"thumbUrl":129,"material":37,"size":38,"collection":39,"collections":130,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":95},226051,"the-bridge-at-argenteuil-1874-mo-nai-226051","The Bridge at Argenteuil, 1874",[24,49,118,119,120,121,71,122,123,7,124,32,125,30,126,127,128],"色彩","笔触","水面倒影","河流","桅杆","石拱桥","树林","云朵","1874","户外","自然景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F221d7867ff2d1bca89f685ab2d4e3019.jpg",[39],11,{"id":133,"slug":134,"title":135,"dynasty":18,"author":19,"museum":20,"description":21,"tags":136,"thumbUrl":143,"material":37,"size":38,"collection":39,"collections":144,"showCount":131,"zanCount":11,"manualWeight":11,"mainColor":95},225950,"houses-of-parliament-stormy-sky-1903-mo-nai-225950","Houses of Parliament, Stormy Sky, 1903",[23,24,48,137,25,138,30,7,29,32,125,139,140,88,141,142],"光影变幻","笔触灵动","水波","风云变幻","色彩交织","城市景观","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2488e5e1e821531604ec8f592b9b8ff.jpg",[39],{"id":146,"slug":147,"title":148,"dynasty":18,"author":19,"museum":20,"description":21,"tags":149,"thumbUrl":158,"material":37,"size":38,"collection":39,"collections":159,"showCount":160,"zanCount":11,"manualWeight":11,"mainColor":95},226098,"the-portal-harmony-in-brown-1892-1894-mo-nai-226098","The Portal, Harmony in Brown, 1892-1894",[24,48,83,150,151,89,152,153,154,7,155,156,157],"笔触松动","色彩融合","教堂门廊","哥特式建筑","拱门","石材质感","宗教建筑","户外场景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa5bf7ef1785cad16a85044a88dddab1f.jpg",[39],9,{"id":162,"slug":163,"title":164,"dynasty":18,"author":19,"museum":20,"description":21,"tags":165,"thumbUrl":168,"material":37,"size":38,"collection":39,"collections":169,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":42},226094,"the-portal-and-the-tour-dalbane-in-the-sunlight-1893-1894-mo-nai-226094","The Portal and the Tour dAlbane in the sunlight, 1893-1894",[24,48,85,154,7,166,25,167,90,84],"光影效果","阳光照射","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fde22ebbf8859dddddb690d626ad5ce34.jpg",[39],8,{"id":172,"slug":173,"title":174,"dynasty":18,"author":19,"museum":20,"description":21,"tags":175,"thumbUrl":184,"material":37,"size":38,"collection":39,"collections":185,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":95},226084,"the-moreno-garden-at-bordighera-1884-mo-nai-226084","The Moreno Garden at Bordighera, 1884",[24,48,83,176,177,30,178,179,107,180,181,7,182,183,138],"色彩丰富","花园","棕榈树","小径","蓝天","植物","热带植物","外光写生","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F731e5057ee7651a0d5fe115cbd3200c9.jpg",[39],{"id":187,"slug":188,"title":189,"dynasty":18,"author":100,"museum":20,"description":101,"tags":190,"thumbUrl":198,"material":37,"size":38,"collection":39,"collections":199,"showCount":200,"zanCount":11,"manualWeight":11,"mainColor":95},225789,"orchards-in-blossom-view-of-arles-april-fan-gao-225789","Orchards in blossom, view of Arles (April - )",[48,103,191,192,193,194,195,196,197,7,32],"笔触奔放","色彩鲜明","果园","开花树木","草地","黄色野花","房屋","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F55b8dc24448a79bd13da4318ce0d9df6.jpg",[39],7,{"id":202,"slug":203,"title":204,"dynasty":18,"author":205,"museum":20,"description":206,"tags":207,"thumbUrl":216,"material":75,"size":75,"collection":75,"collections":217,"showCount":218,"zanCount":11,"manualWeight":11,"mainColor":42},225432,"fu-shi-hui-190-yi-ming-225432","浮世绘190","佚名","画面以雄峻山城起笔，天守阁踞于丹红崖石之上，石砌城垣古朴厚重，苍松虬枝斜倚岩壁，黑瓦层叠尽显肃穆巍峨。左侧浩渺青湖之上，扁舟独行划破碧波，对岸田畴铺展，浅褐远山晕染天际，霞色将长空晕开绯色暖光。\n\n鲜亮明快的配色将靛蓝水色、朱砂岩彩与米黄纸底交织相融，远近层次分明，把武士城郭的庄重与乡野湖山的安然糅合为一体，带着和风绘卷独有的雅致意趣，将旅人眼中的山城盛景定格，尽显江户风景画静谧悠远的独特韵味。",[208,209,210,70,211,212,213,107,214,215,7],"浮世绘","木刻","设色","楼阁","小桥","孤舟","山峰","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa8f869ea786ff499894457de29c7b6.jpg",[],3,{"id":220,"slug":221,"title":222,"dynasty":18,"author":205,"museum":20,"description":223,"tags":224,"thumbUrl":234,"material":37,"size":38,"collection":75,"collections":235,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},289477,"canaletto-lagoon-capriccio-recto-architectural-scene-yi-ming-289477","Canaletto--Lagoon Capriccio (recto); Architectural Scene","这幅水彩以淡彩晕染铺就水泽氛围，右侧临水旧居爬满苍藤，斑驳钟楼孑然矗立，断壁残垣刻着岁月剥蚀的痕迹。左侧石桥横跨水面，坍塌古堡静立河畔，水面停泊木舟，船工、纤夫的身影点缀其间，将烟火气揉入荒颓景致。\n画家以精细线条勾勒建筑筋骨，淡墨晕开厚重云层，干湿水彩交织出水汽氤氲的朦胧质感。虚构的水泽秘境糅合水乡风貌，鲜活的日常剪影相伴废墟萧索，将逝去年华的寂寥藏进波光与残墙之间，在写实与幻梦里，铺陈开带着怅惘诗意的废墟美学。",[225,226,227,228,7,229,230,231,232,106,233],"风景画","淡彩","线描","石桥","残垣","水岸","舟船","民居","阴天","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73caa945399a303dbb04349290a8b6f4.jpg",[],1,{"id":238,"slug":239,"title":240,"dynasty":18,"author":205,"museum":20,"description":241,"tags":242,"thumbUrl":248,"material":37,"size":38,"collection":75,"collections":249,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},289096,"jean-honore-fragonard-riverside-village-dominated-yi-ming-289096","Jean Honoré Fragonard--Riverside Village Dominated","这幅素描以柔和的明暗层次晕开河畔村落的日常。前景水岸芦苇轻摇，小舟静泊，带着渔夫归家的松弛烟火气。中景的茅草村舍朴拙错落，排线勾勒出墙面与屋顶的岁月斑驳，葱郁林木以朦胧笔触掩映其间，柔化了屋舍硬朗的轮廓。\n\n远景塔楼隐在薄雾里，晕开朦胧的悠远氛围感。没有浓烈色彩，仅以深浅织就松弛韵致，将乡野河畔的恬淡安宁揉进朦胧天色，凝固住旧时光里沉静又温柔的乡野诗意。",[243,225,244,245,246,7,107,121,247,106],"素描","河畔","村落","茅草屋","小船","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4f07f7fa346032291ee2617b8ff0ba70.jpg",[],{"id":251,"slug":252,"title":253,"dynasty":18,"author":205,"museum":20,"description":254,"tags":255,"thumbUrl":260,"material":37,"size":38,"collection":75,"collections":261,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},289073,"joseph-vernet-the-castel-nuovo-in-naples-yi-ming-289073","Joseph Vernet--The Castel Nuovo in Naples","以浅淡棕调铺陈画面，速写式的笔触勾勒出古堡砖石楼宇与圆塔，肌理褶皱间晕开岁月的沉厚斑驳。远景山峦朦胧舒展，一缕轻烟缠上山尖，柔化了天地边界。\n\n画作没有繁复修饰，用克制精准的线条捕捉建筑的敦实轮廓，以晕染的淡彩晕开远山的朦胧诗意。冷硬石质古迹与柔缓山景相映，将城郭的沉静日常定格，仿佛能触摸到暖晒后的砖石温度，呼吸到裹挟着山风的慵懒气息，把刹那的风景凝固成带着烟火余温的视觉诗行。",[243,226,225,256,7,257,258,259],"城堡","火山","远山","建筑画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F87a2d28d726504243d8490cddbff5d12.jpg",[],{"id":263,"slug":264,"title":265,"dynasty":18,"author":205,"museum":20,"description":266,"tags":267,"thumbUrl":274,"material":37,"size":38,"collection":75,"collections":275,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},288896,"giovanni-battista-tiepolo-illustration-for-a-book-meeting-between-two-generals-yi-ming-288896","Giovanni Battista Tiepolo--Illustration for a Book Meeting Between Two Generals","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[243,106,268,269,270,271,7,272,273],"历史画","将领","士兵","城门","军队","营帐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c7d855c15212592a530dced1e7daba3.jpg",[],{"id":277,"slug":278,"title":279,"dynasty":18,"author":205,"museum":20,"description":280,"tags":281,"thumbUrl":284,"material":37,"size":38,"collection":75,"collections":285,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},288598,"attributed-to-francesco-allegrini-landscape-with-a-fortified-building-yi-ming-288598","attributed to Francesco Allegrini--Landscape with a Fortified Building","枯涩的墨线勾画出塔楼粗粝的轮廓，冷峻的防御感跃然纸面。白墙建筑依偎着塔楼，在晕染的墨色植被中半隐半现。作者以酣畅的晕染铺陈阴影，随性的笔触扫过郊野植被，明暗错落间，郊野的荒疏静谧扑面而来。\n\n没有精雕细琢的描摹，只以写意的笔调定格旅途偶遇的片刻，浓淡变幻的墨色在纸面晕开松弛的氛围感，将建筑的厚重质感与郊野的野趣柔和相融，仿佛能窥见古堡沉眠的慵懒午后，质朴的写生笔触里藏着鲜活的临场感。",[225,7,197,282,107,283,69],"围栏","速写","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fddba33016c30440a337b36e3b3e6f71e.jpg",[],{"id":287,"slug":288,"title":289,"dynasty":18,"author":290,"museum":20,"description":291,"tags":292,"thumbUrl":304,"material":37,"size":38,"collection":75,"collections":305,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},232425,"he-er-bai-yin-84-he-er-bai-yin-232425","荷尔拜因84","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[293,294,295,296,106,211,256,154,297,298,299,300,7,301,302,303],"宗教","界画","白描","写实","台阶","街道","动物","庭院","栏杆","墙壁","柱子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdcf593b43034d1ee032c98776d862784.jpg",[],{"id":307,"slug":308,"title":309,"dynasty":18,"author":310,"museum":20,"description":311,"tags":312,"thumbUrl":320,"material":37,"size":38,"collection":75,"collections":321,"showCount":236,"zanCount":11,"manualWeight":11,"mainColor":42},232323,"a-er-ma-50-lao-lun-si-a-er-ma-ta-de-ma-232323","阿尔玛50","劳伦斯·阿尔玛-塔德玛","劳伦斯·阿尔玛-塔德玛（Lawrence Alma-Tadema, 1836年1月8日—1912年6月25日）是英国维多利亚时代的知名画家，他的作品以豪华描绘古代世界（中世纪前）而闻名。\n生于荷兰的德龙赖普（Dronrijp），他的父亲彼得·塔德玛（Pieter Tadema）是一名公证人，在他4岁时便去世了。阿尔玛是他教父的名字，他的生母是他父亲的第二名妻子，家庭人口相当众多。家里原准备让他继承父业，但他表现出了对艺术的强烈偏好，因此将他送至安特卫普，在1852年进入了那里的艺术学院，并在亨德利克·利思（Hendrik Leys）的画室学习。",[48,296,210,313,314,7,315,316,317,106,318,319],"美人","石墙","长袍","披肩","远景","布料","头饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4818485520cf35640f0689e53e6405c.jpg",[],1777535721470]