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x 236.9","花鸟画精选",[40],308,3,"BDBDBD",{"id":46,"slug":47,"title":48,"dynasty":49,"author":50,"museum":51,"description":52,"tags":53,"thumbUrl":65,"material":66,"size":67,"collection":68,"collections":69,"showCount":70,"zanCount":71,"manualWeight":11,"mainColor":44},225953,"impression-sunrise-1873-mo-nai-225953","Impression, Sunrise, 1873","不详","莫奈","藏地不详","奥斯卡-克劳德·莫奈（法文：Oscar-Claude Monet，1840年11月14日-1926年12月5日），法国画家，被誉为“印象派领导者”，是印象派代表人物和创始人之一。\n莫奈是法国最重要的画家之一，印象派的理论和实践大部分都有他的推广。莫奈擅长光与影的实验与表现技法。他最重要的风格是改变了阴影和轮廓线的画法，在莫奈的画作中看不到非常明确的阴影，也看不到突显或平涂式的轮廓线。光和影的色彩描绘是莫奈绘画的最大特色。\n2019年5月14日，法国印象派画家克劳德·莫奈的作品《干草堆》在纽约苏富比拍卖行以破纪录的1.107亿美元（当时1美元约合人民币6.87元）高价拍出。这是莫奈作品拍卖价格的最高纪录，也是印象派画作拍卖最高纪录。",[54,55,56,57,7,58,59,60,61,62,63,64],"印象派","油画","光影","色彩","水面","船只","烟雾","倒影","天空","朝霞","水波","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd481e5b761e58fd89d4b98a747931279.jpg","未知","Xcm*Xcm","油画精选",[68],123,2,{"id":73,"slug":74,"title":75,"dynasty":49,"author":50,"museum":51,"description":52,"tags":76,"thumbUrl":83,"material":66,"size":67,"collection":68,"collections":84,"showCount":85,"zanCount":11,"manualWeight":11,"mainColor":44},225946,"houses-of-parliament-effect-of-sunlight-in-the-fog-1899-1901-mo-nai-225946","Houses of Parliament, Effect of Sunlight in the Fog, 1899-1901",[54,55,77,78,79,7,58,80,81,64,82,62,59],"光影捕捉","雾景描绘","色彩晕染","雾气","建筑轮廓","光影反射","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F32b3f64be7220b9ad94b018f879d6c37.jpg",[68],63,{"id":87,"slug":88,"title":89,"dynasty":90,"author":91,"museum":51,"description":92,"tags":93,"thumbUrl":103,"material":66,"size":67,"collection":104,"collections":105,"showCount":106,"zanCount":43,"manualWeight":11,"mainColor":107},267603,"lan-se-duan-jin-xian-xiu-qi-lin-tu-gua-ping-yi-ming-267603","蓝色缎金线绣麒麟图挂屏","清","佚名","靛蓝地子沉静雅致，将瑞麒麟衬得愈发神武夺目。以盘金绣出片片鳞甲，光华流转间尽显麒麟悍勇雄姿，鬃鬣如焰飞扬，目眦欲裂，昂首奔腾于云间。\n\n周遭点缀折枝花萼与祥云朵朵，打籽绣攒出花蕊，细腻精巧，红日悬于天际，流云缠枝将画面晕染出吉庆雍容之气。整幅绣作针脚细密灵动，将瑞兽的威严灵韵尽数勾勒，把古人对太平祥瑞的祈愿藏进每一缕绣线之中，是颇具代表性的祥瑞刺绣佳作。",[94,95,96,97,98,99,100,101,7,102],"织绣","挂屏","布料","金线绣","麒麟","瑞兽","梅花","祥云","水纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F795cc3eada0bcfbee07db8526baeb014.jpg","",[],45,"37474F",{"id":109,"slug":110,"title":111,"dynasty":90,"author":112,"museum":51,"description":113,"tags":114,"thumbUrl":126,"material":66,"size":67,"collection":104,"collections":127,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":44},224150,"wan-nian-zhi-shang-ri-chu-chang-shi-yi-zhou-yu-shi-224150","万年枝上日初长诗意轴","于氏","孔宪培之妻,孔宪培(1756-1793)：原名允宪，字养元，号笃斋，清朝曲阜(今属山东省)人。乾隆年间，袭封衍圣公；夫人于氏，被册封为一品夫人。",[23,25,115,116,28,27,117,118,119,120,121,33,35,36,122,123,7,124,125],"书画","立轴","青绿","界画","山水","楼阁","亭","竹子","云纹","庭院","石桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0f460da26208a42a6f0f8d44c32e407a.jpg",[],31,{"id":130,"slug":131,"title":132,"dynasty":49,"author":133,"museum":51,"description":134,"tags":135,"thumbUrl":142,"material":66,"size":67,"collection":68,"collections":143,"showCount":144,"zanCount":11,"manualWeight":11,"mainColor":107},225853,"the-sower1888-fan-gao-225853","The sower1888","梵高","文森特·威廉·梵高（Vincent Willem van Gogh，1853年3月30日—1890年7月29日），荷兰后印象派画家。代表作有《星月夜》、自画像系列、向日葵系列等。\n梵高出生于1853年3月30日荷兰乡村津德尔特的一个新教牧师家庭，早年的他做过职员和商行经纪人，还当过矿区的传教士最后他投身于绘画。他早期画风写实，受到荷兰传统绘画及法国写实主义画派的影响。1886年，他来到巴黎，结识印象派和新印象派画家，并接触到日本浮世绘的作品，视野的扩展使其画风巨变。1888年，来到法国南部小镇阿尔，创作《阿尔的吊桥》；同年与画家保罗·高更交往，但由于二人性格的冲突和观念的分歧，合作很快便告失败。此后，梵高的疯病（有人记载是“癫痫病”）时常发作，但神志清醒时他仍然坚持作画。1889年创作《星月夜》。1890年7月，梵高在精神错乱中开枪自杀，年仅37岁。",[55,136,137,138,33,7,62,139,140,141],"厚涂","播种者","田野","地平线","色彩浓烈","笔触粗犷","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6020c0c5b49acf823fce26c80e43f1ee.jpg",[68],24,{"id":146,"slug":147,"title":148,"dynasty":49,"author":133,"museum":51,"description":134,"tags":149,"thumbUrl":157,"material":66,"size":67,"collection":68,"collections":158,"showCount":159,"zanCount":11,"manualWeight":11,"mainColor":160},225737,"der-rote-weinberg-fan-gao-225737","Der rote Weinberg",[24,55,150,136,140,151,152,153,154,7,155,138,156],"后印象派","葡萄园","人物","劳作","水道","房屋","植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff190e33e17e48b675a530ece8a60d706.jpg",[68],23,"795548",{"id":162,"slug":163,"title":164,"dynasty":165,"author":166,"museum":167,"description":168,"tags":169,"thumbUrl":173,"material":174,"size":175,"collection":104,"collections":176,"showCount":177,"zanCount":11,"manualWeight":11,"mainColor":160},221719,"bo-tu-yan-hui-221719","波图","元","颜辉","日本京都国立博物馆","颜辉，字秋月，生卒年不详，庐陵（今江西吉安）人，一作浙江江山人。宋末元初时人物画家，擅人物、佛道，亦工鬼怪，兼能画猿。其造型奇特，用笔虽见刻露，却笔法怪异，有生动传神之趣，在画法上喜作水墨粗笔，用笔劲健豪放，笔法粗犷，有梁楷遗法。元代由于山水画、文人画兴起，作为人物画家的颜辉在中国画史埋没无闻，由于其作品流传日本较多，颜辉在日本受评甚高，对日本室町时代的绘画有较大影响。传世代表作有《钟馗雨夜出游图》，《蛤蟆仙人像》，《李仙像》，《猿图》。",[23,25,24,170,28,171,64,7,172],"水墨","皴法","山","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F19116ef77f0b81a05d3b56d3f1454408.jpg","绢本，水墨","24.7×23.9cm",[],21,{"id":179,"slug":180,"title":181,"dynasty":90,"author":91,"museum":182,"description":183,"tags":184,"thumbUrl":194,"material":195,"size":196,"collection":104,"collections":197,"showCount":198,"zanCount":199,"manualWeight":11,"mainColor":44},223366,"guang-xu-nian-jian-bai-duan-di-guang-xiu-san-yang-kai-tai-gua-ping-xin-yi-ming-223366","光绪年间白缎地广绣三阳开泰挂屏心","北京故宫博物院","此挂屏心是在白色缎地上施五彩绣。画面中一轮红日高挂，草木葱郁，山石玲珑，3只羊嬉戏于湖边草地上，9只瑞鸟飞鸣栖息于花间树梢，展现出一派春光明媚、万物滋生的美好景象。作品采用了洒插针、辫子股针、扭针、刻鳞针、打籽针和风车针等针法，针工细密，有较强的立体感。三只羊形态各异，刻画逼真，羊身上用辫子股针绣成一圈圈凸起的圈线，颇具毛绒感。画面施以浅驼、驼、古铜、沉香、灰、驼黄、黄、绿、蓝、石青和大红等色，色彩艳而不俗，富于装饰性，充分体现了广绣独特的风格。\n此挂屏心的主题以“羊”与“阳”的谐音寓意“三阳开泰”，作为新年伊始的祝福。此为广绣的杰作。",[23,185,186,187,28,188,189,30,190,191,7,192,193,34,95],"清代","广绣","刺绣","羊","兽","树","云","石头","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7ff1a6d481f46a46864196ab03a7f3b.jpg","屏心","高67厘米，宽52厘米",[],20,1,{"id":201,"slug":202,"title":203,"dynasty":49,"author":133,"museum":51,"description":134,"tags":204,"thumbUrl":210,"material":66,"size":67,"collection":68,"collections":211,"showCount":212,"zanCount":199,"manualWeight":11,"mainColor":44},225878,"wheatfield-with-a-reaper-september-fan-gao-225878","Wheatfield with a reaper (September - )",[24,55,150,136,205,206,207,208,7,209,62,33,138],"笔触奔放","色彩饱和","麦田","收割者","山脉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1bb009d44d7b3f205302c1e28ebf1979.jpg",[68],14,{"id":214,"slug":215,"title":216,"dynasty":49,"author":133,"museum":51,"description":134,"tags":217,"thumbUrl":221,"material":66,"size":67,"collection":68,"collections":222,"showCount":223,"zanCount":11,"manualWeight":11,"mainColor":160},225838,"the-sower-fan-gao-225838","The Sower",[55,136,7,138,152,30,155,218,219,205,220],"土地","道路","色彩对比","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38d66a86c8a21a8eb5849c25e6ff1665.jpg",[68],12,{"id":225,"slug":226,"title":227,"dynasty":49,"author":133,"museum":51,"description":134,"tags":228,"thumbUrl":231,"material":66,"size":67,"collection":68,"collections":232,"showCount":233,"zanCount":11,"manualWeight":11,"mainColor":107},225852,"the-sower-june-fan-gao-225852","The sower (June - )",[55,150,136,229,230,7,152,190,138,218,62,139],"强烈色彩","动态笔触","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F203009fcb1ebef46c0528617d947ec3d.jpg",[68],9,{"id":235,"slug":236,"title":237,"dynasty":49,"author":133,"museum":51,"description":134,"tags":238,"thumbUrl":241,"material":66,"size":67,"collection":68,"collections":242,"showCount":243,"zanCount":11,"manualWeight":11,"mainColor":44},225849,"the-raising-of-lazarus-after-rembrandt-may-fan-gao-225849","The raising of Lazarus (after Rembrandt) (May - )",[55,239,240,152,28,7,33],"临摹","宗教","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff7515efc8d962339eba3e61f4d476f0a.jpg",[68],8,{"id":245,"slug":246,"title":247,"dynasty":90,"author":91,"museum":182,"description":248,"tags":249,"thumbUrl":10,"material":28,"size":104,"collection":104,"collections":255,"showCount":256,"zanCount":11,"manualWeight":11,"mainColor":44},217312,"gu-xiu-wu-shi-san-can-tu-ce-5-yi-ming-217312","顾绣·五十三参图册-5","画面分左右两帧，左帧神将着青绿袍服，踏异兽指物而言，童子拱手躬身，神态恭谨；右帧仕女坐蒲团于松下，衣袂素雅，小兽携彩绦趋前，似有呈献。松枝苍劲，红日悬天，山石点缀其间，笔墨细腻，设色古雅，尽显传统绣画的温婉与叙事张力。每一帧皆藏生动情节，恬淡间传递悠远故事感，仿佛时光在此慢淌，观者可沉浸于古典情境的静谧意趣里，感受那份穿越岁月的雅致与灵动。",[250,28,27,187,96,152,251,189,252,7,35,253,254],"册","猴","松树","器","衣帽",[],7,{"id":258,"slug":259,"title":260,"dynasty":49,"author":91,"museum":51,"description":261,"tags":262,"thumbUrl":270,"material":66,"size":67,"collection":104,"collections":271,"showCount":43,"zanCount":11,"manualWeight":11,"mainColor":44},288852,"giovanni-battista-tiepolo-time-and-truth-yi-ming-288852","Giovanni Battista Tiepolo--Time and Truth","乔凡尼·巴蒂斯塔·提埃坡罗，常被称为詹巴蒂斯塔（Giambattista），巴洛克及洛可可时期意大利著名画家，威尼斯画派最后的代表人物。\n提埃坡罗是著名的壁画家，属于早期的洛可可风格，他继承了巴洛克艺术的传统，开创了天顶画的开阔视野，他的天顶画透明，和边框有机的结合在一起，产生了水彩画的效果，他也是威尼斯共和国最后一位希腊神话画家。\n他的两个儿子继承他的风格，但没有他那么优秀和有创造性。",[263,264,265,266,267,7,268,269],"素描","人物画","神话","裸女","老者","云朵","翅膀","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ba57e9a64c5e352cb08df87bfd62186.jpg",[],{"id":273,"slug":274,"title":275,"dynasty":49,"author":276,"museum":51,"description":277,"tags":278,"thumbUrl":287,"material":66,"size":67,"collection":104,"collections":288,"showCount":71,"zanCount":11,"manualWeight":11,"mainColor":160},232498,"he-er-bai-yin-157-he-er-bai-yin-232498","荷尔拜因157","荷尔拜因","小汉斯·荷尔拜因（约1497年-1543年11月29日以前）是德国画家，最擅长油画和版画，是欧洲北方文艺复兴时代的艺术家。其代表作有：木版画《死神之舞》。\n荷尔拜因在创作一幅肖像画以前，经常用铅笔描绘衣物、装饰品等细节，有时也用钢笔或垩笔，然后在纸上沿轮廓扎上小孔，铺在画布上，用炭粉将其转移到画布上。在晚年也使用复写纸。他的画作对细节描绘非常详细、真实，甚至于仪器上的刻度、信笺上的文字、桌布上的花纹都描绘的一丝不苟，但整体风格仍然非常统一，人文主义风格非常明显，俄罗斯作家陀斯妥耶夫斯基曾经评价他的作品《墓中的基督》：“可以把许多人的信仰夺去。” 他曾经从同为英国王室画家的弗拉芒画家卢卡斯·霍亨布特那里学习画微型画，卢卡斯曾为他画了一幅微型画像，他自己从没有画过自画像。",[279,263,280,281,240,116,152,282,283,284,285,286,192,62,7],"写实","明暗","线条","男性","长袍","赤脚","刀","树枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa44cac277b1505a734fc7e467db41d44.jpg",[],{"id":290,"slug":291,"title":292,"dynasty":90,"author":91,"museum":51,"description":293,"tags":294,"thumbUrl":299,"material":66,"size":67,"collection":104,"collections":300,"showCount":199,"zanCount":11,"manualWeight":11,"mainColor":44},230055,"qing-qian-zhong-qi-diao-xiang-ya-xu-sheng-tu-hua-juan-shi-bi-ge-yi-ming-230055","清前—中期 雕象牙旭升图画卷式臂搁","以书卷为型，取象牙温润之质，浅浮雕铺展旭升图景。云海翻涌托朝日，光华隐现意境清和。虬松枝桠苍劲灵动，松下高士携童子凭石远眺，将文人观日寄怀的雅趣藏于刀工之间。右上角题字添就文人气韵，山石错落舒展，雕刻层次分明，明暗间尽显构图章法。整体工艺精妙，把朝晖初绽的静穆雅致尽数勾勒，将文房器物的实用属性，融于审美意趣之中，尽显牙雕工艺的精细考究与文人逸致。",[295,296,297,152,119,33,7,298,253],"雕刻","象牙","画卷式","题字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74f3f7bde410d6e605e69cc5c5db1db6.jpg",[],{"id":302,"slug":303,"title":304,"dynasty":90,"author":91,"museum":51,"description":305,"tags":306,"thumbUrl":311,"material":66,"size":67,"collection":104,"collections":312,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":44},258503,"qian-long-kuan-qing-hua-you-li-hong-yun-long-wen-ping-yi-ming-258503","乾隆款青花釉里红云龙纹瓶","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[307,308,185,309,191,7,310,253],"陶瓷","青花釉里红","龙","海浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F176a1ade5c1b49630375be28003c4f95.jpg",[],1777535721818]