[{"data":1,"prerenderedAt":110},["ShallowReactive",2],{"subject-tao-se-gong-yi":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},12149,"tao-se-gong-yi","套色工艺","套色工艺画高清赏析","精选中国历代套色工艺题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fca890098396ce6621f59e35bcfc7cd10.jpg",0,8,[14,34,46,58,71,83,94,104],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":27,"material":28,"size":29,"collection":30,"collections":31,"showCount":32,"zanCount":11,"manualWeight":11,"mainColor":33},270115,"jiang-se-di-tao-bai-lv-se-bo-li-mei-hua-wen-bi-yan-hu-yi-ming-270115","酱色地套白绿色玻璃梅花纹鼻烟壶","清","佚名","藏地不详","鼻烟壶指的是盛鼻烟的容器，小可手握，便于携带。明末清初，鼻烟传入中国，鼻烟盒渐渐东方化，产生了鼻烟壶。\n人们嗜用鼻烟的习惯几近绝迹，但鼻烟壶却作为一种精美艺术品流传下来，而且长盛不衰，被誉为“集中各国多种工艺之大成的袖珍艺术品”。\n中国鼻烟壶，作为精美的工艺品，采用瓷、铜、象牙、玉石、玛瑙、琥珀等材质，运用青花、五彩、雕瓷、套料、巧作、内画等技法，汲取了域内外多种工艺的优点，被雅好者视为珍贵文玩，在海内外皆享有盛誉。\n在世界上，中国素有「烟壶之乡」的称誉，其中鼻烟壶以其精巧卓绝的制作技术，被称为「集多种工艺之大成于一身的袖珍艺术品」。鼻烟壶为盛装鼻烟之容器，鼻烟系一种烟草制品，原为西洋之物，明末清初自欧洲传入中国后，加工转化后成为粉末状药材，吸闻之后不但具有明目避疫的功效，吸闻鼻烟在各阶层更是蔚为风尚，且迅速地融入了中国的艺术风格，发展出匠心独运的各式鼻烟壶，在清代美学工艺上大放异彩，成为清代艺术的重要标志之一。",[23,24,25,7,26],"鼻烟壶","玻璃器","梅","工艺品","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5dfafb50a38bf44d7396eee9eea7bef6.jpg","未知","Xcm*Xcm","",[],5,"BDBDBD",{"id":35,"slug":36,"title":37,"dynasty":18,"author":19,"museum":20,"description":21,"tags":38,"thumbUrl":43,"material":28,"size":29,"collection":30,"collections":44,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":33},270387,"bai-tao-duo-se-bo-li-bo-gu-tu-bi-yan-hu-yi-ming-270387","白套多色玻璃博古图鼻烟壶",[23,24,39,7,40,25,41,42],"日用具","飞鸟","花卉","博古图","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F916db60ffa19cbd65b8ad39fef799ae0.jpg",[],1,{"id":47,"slug":48,"title":49,"dynasty":18,"author":19,"museum":20,"description":50,"tags":51,"thumbUrl":55,"material":28,"size":29,"collection":30,"collections":56,"showCount":45,"zanCount":11,"manualWeight":11,"mainColor":57},270139,"qian-long-kuan-bai-se-di-tao-lan-se-bo-li-kai-guang-hua-hui-wen-wan-yi-ming-270139","乾隆款白色地套蓝色玻璃开光花卉纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[24,52,39,53,54,7],"碗","花卉纹","荷花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43648bfcab5ab492299f150f121ebc86.jpg",[],"795548",{"id":59,"slug":60,"title":61,"dynasty":18,"author":19,"museum":20,"description":62,"tags":63,"thumbUrl":69,"material":28,"size":29,"collection":30,"collections":70,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},270335,"qian-long-kuan-bai-se-di-tao-hong-se-bo-li-bo-yi-ming-270335","乾隆款白色地套红色玻璃钵","此器造型饱满圆融，线条柔婉舒展，自带敦厚雅致的古韵。白地莹洁似凝脂，通透温润，套饰的朱红鲜亮饱满，口足以宝蓝点缀，三色搭配明快和谐，撞色间更显清新隽秀。\n腹部红料精雕缠枝卷草，线条婉转灵动如流云舒卷，底足浮雕莲瓣纹规整端庄，纹饰层次分明，将雕刻技法与套色工艺精妙结合，既添装饰意趣，更衬器物清雅气质。整体工艺娴熟精湛，尽显工艺的上乘水准，是集实用与赏玩一体的雅致佳器。",[24,7,64,65,66,67,68],"雕刻","钵","日用器具","莲纹","卷草纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa55bf1bf9012c4dc83168c1448c9fa32.jpg",[],{"id":72,"slug":73,"title":74,"dynasty":18,"author":19,"museum":20,"description":75,"tags":76,"thumbUrl":80,"material":28,"size":29,"collection":30,"collections":81,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":82},270126,"bai-se-di-tao-hong-se-bo-li-dai-gai-shuang-lian-ping-yi-ming-270126","白色地套红色玻璃带盖双连瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[77,24,64,78,7,79],"器","带盖双连瓶","纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1353b28a68b9bc95c4fc6aeb6ae88cdc.jpg",[],"37474F",{"id":84,"slug":85,"title":86,"dynasty":18,"author":19,"museum":20,"description":87,"tags":88,"thumbUrl":92,"material":28,"size":29,"collection":30,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},270114,"qian-long-kuan-bai-se-di-tao-cai-se-bo-li-shui-cheng-yi-ming-270114","乾隆款白色地套彩色玻璃水丞","水丞又称水中丞，一般多称就是水盂。是一种古老的中国传统工艺品。它是置于书案上的贮水器，用于贮砚水，多属扁圆形，有嘴的叫“水注”，无嘴的叫“水丞”。制作古朴雅致，为文房一重要器具。水丞有玉制的，如清代青玉雕葫芦水丞，两水盂相连构成葫芦形状，周边随形雕刻枝叶缠绕，显得清朗自然。玉水丞中以明代玉工陆子冈所制作品最为著名。也有铜制的、陶瓷制的，如官哥窑肚圆式、钵盂小口式等。",[24,89,7,90,64,91],"文房用具","龙","水丞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F88d81dfa8a8cdee9bd41e85b3dea2c8a.jpg",[],{"id":95,"slug":96,"title":97,"dynasty":18,"author":19,"museum":20,"description":98,"tags":99,"thumbUrl":102,"material":28,"size":29,"collection":30,"collections":103,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},270094,"qian-long-kuan-bai-se-di-tao-lan-se-bo-li-chan-zhi-lian-wen-ma-ti-zun-yi-ming-270094","乾隆款白色地套蓝色玻璃缠枝莲纹马蹄尊","尊，今作樽，是商周时代中国的一种大中型盛酒器。青铜器，尊的形制圈足，圆腹或方腹，长颈，敞口，口径较大。尊盛行于商代至西周时期，春秋后期已经少见。较著名的有四羊方尊。商周至战国时期，还有另外一类形制特殊的盛酒器—彝。彝通常呈鸟兽状，有羊、虎、象、豕、牛、马、鸟、雁、凤等形象。《周礼·春官·司尊彝》：“春祠夏禴，裸用鸡彝鸟彝......追享朝享，裸用虎彝蜼彝。”彝纹饰华丽，在背部或头部有尊盖。",[24,7,100,101],"缠枝莲纹","马蹄尊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb727f4d3c02989e84e86f9a01c42edd2.jpg",[],{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":87,"tags":108,"thumbUrl":10,"material":28,"size":29,"collection":30,"collections":109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":57},270088,"bai-se-di-tao-cai-se-bo-li-hua-hui-wen-shui-cheng-yi-ming-270088","白色地套彩色玻璃花卉纹水丞",[24,7,53,91,89,39],[],1777535740301]