[{"data":1,"prerenderedAt":2398},["ShallowReactive",2],{"subject-tao":3},{"subject":4,"artworks":13},{"id":5,"slug":6,"name":7,"title":8,"description":9,"coverUrl":10,"showCount":11,"artworkCount":12},183,"tao","桃","桃画高清赏析","精选中国历代桃题材作品，欣赏传统绘画中的笔墨与意境。","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8ec2571195791a1430a590791bfecf3c.jpg",0,276,[14,37,55,74,91,110,129,147,166,179,190,205,222,232,244,253,262,273,286,297,308,323,332,344,356,364,388,399,413,426,439,451,462,472,483,497,511,523,536,545,555,568,576,586,594,606,614,622,633,640,650,659,667,676,687,694,702,709,716,723,733,740,750,759,768,780,789,798,807,820,830,840,849,858,867,876,884,894,901,910,917,925,933,940,949,959,966,974,982,989,996,1009,1020,1028,1039,1050,1058,1067,1076,1084,1091,1099,1107,1115,1123,1132,1141,1149,1158,1164,1173,1181,1189,1198,1209,1218,1227,1236,1246,1254,1261,1270,1277,1286,1294,1302,1310,1318,1326,1333,1340,1346,1352,1359,1366,1373,1380,1389,1397,1404,1411,1419,1426,1433,1440,1448,1455,1462,1469,1475,1481,1488,1496,1506,1512,1519,1525,1532,1539,1546,1553,1559,1566,1572,1578,1586,1592,1599,1606,1613,1619,1625,1632,1638,1644,1650,1657,1663,1670,1676,1683,1689,1696,1703,1710,1716,1723,1730,1737,1743,1751,1762,1770,1779,1787,1794,1803,1809,1817,1826,1834,1841,1849,1858,1868,1877,1884,1891,1898,1906,1913,1920,1929,1935,1943,1952,1961,1969,1977,1984,1993,2002,2011,2018,2025,2032,2041,2050,2058,2068,2075,2082,2089,2096,2103,2110,2117,2125,2132,2141,2148,2154,2160,2166,2172,2178,2184,2190,2196,2202,2208,2216,2222,2229,2238,2245,2252,2258,2264,2270,2276,2282,2288,2296,2305,2312,2319,2326,2334,2342,2349,2356,2363,2373,2381,2389],{"id":15,"slug":16,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":22,"thumbUrl":29,"material":30,"size":31,"collection":32,"collections":33,"showCount":34,"zanCount":35,"manualWeight":11,"mainColor":36},218608,"xian-tao-tu-yi-ming-218608","仙桃图","宋","佚名","藏地不详","绢本之上，三枚仙桃饱满圆润，似凝脂般温润的底色晕开淡粉霞彩，如晨露轻染的娇羞。枝干以苍劲线条勾勒，转折间藏着自然生机，叶片墨色层次分明，脉络清晰如触手可及。背景素净无华，更衬出果实的鲜嫩与枝干的挺括。整幅画取境简约却意韵悠长，写实技法中透着宋人对自然的细腻观察与雅致情怀。每一处晕染、每一笔线条，都藏着古画独有的温润静美，仿佛能让观者在静谧里嗅到果实的清甜，沉浸于宋代花鸟画的空灵之境，感受那份跨越千年的自然诗意与艺术匠心。",[23,24,25,26,27,7,28],"国画","书画","花鸟","工笔","设色","枝叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7de9cd90dd79570e54237657db38ac34.jpg","绢本,设色","","宋画精选",[32],588,4,"795548",{"id":38,"slug":39,"title":40,"dynasty":41,"author":42,"museum":43,"description":44,"tags":45,"thumbUrl":49,"material":30,"size":50,"collection":51,"collections":52,"showCount":53,"zanCount":54,"manualWeight":11,"mainColor":36},219095,"shou-tao-tu-ding-qian-219095","寿桃图","五代十国","丁谦","费城艺术博物馆","桃实饱满，粉白肌理间晕开胭脂般的红晕，似刚从枝头摘下，还带着晨露的润意。环绕的叶片深浅交织，墨绿老叶与黄绿新叶相映，蜷曲叶缘藏着自然生机，叶脉走向如细密思绪，勾勒出叶片柔软质感。绢本古旧色调裹着画中鲜活，笔墨轻缓却藏饱满情致，仿佛把一段丰收与吉祥的时光定格，每一笔都透着中式美学的雅致，让人在静谧中感受生命的温润与美好。",[23,26,27,7,46,47,48],"叶子","枝干","印章","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f630b561defc6ba2065e820e3396041.jpg","纵24.1横48.6厘米","花鸟画精选",[51],399,5,{"id":56,"slug":57,"title":58,"dynasty":59,"author":60,"museum":61,"description":62,"tags":63,"thumbUrl":70,"material":30,"size":71,"collection":51,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":36},219260,"tao-zhu-jin-ji-tu-wang-yuan-219260","桃竹锦鸡图","元","王渊","山西省博物馆","画面以水墨晕染出清雅意境，锦鸡昂首伫立石间，墨笔勾勒的羽翼间，浓淡层次晕染出如锦似绣的质感，尾羽拖曳如墨色流苏。桃枝蜿蜒斜逸，嫩芽初绽；竹叶疏朗挺劲，与奇崛山石构成疏密有致的布局。几只小鸟或栖于枝头，或振翅欲飞，为静谧添上灵动一笔。\n\n笔墨融工致与写意于一体：山石以斧劈皴显苍劲厚重，花鸟以细劲线条勾形见精致。无艳丽设色，却以墨之五色绘尽自然生机——浓墨点染的枝干、淡墨晕开的花叶、干笔皴擦的岩石，干湿浓淡间尽显文人画的雅致韵致。静穆中藏着蓬勃生气，清雅里透着逸趣，似在诉说元代文人对自然的细腻观照与笔墨风骨。",[23,64,24,25,65,26,27,7,66,67,68,69],"名画","水墨","竹","鸟","孤石","禽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fade754c62acc1771f2885153f324fff0.jpg","纵162.5横133厘米",[51],169,{"id":75,"slug":76,"title":77,"dynasty":78,"author":79,"museum":80,"description":81,"tags":82,"thumbUrl":85,"material":86,"size":31,"collection":51,"collections":87,"showCount":88,"zanCount":89,"manualWeight":11,"mainColor":90},216333,"jin-nong-ba-kai-hua-niao-tu-jin-nong-216333","金农八开花鸟图","清","金农","私人收藏","八开花鸟图是清朝时期金农所绘的著名图画作品之一。金农是清朝时期著名的画家，他的八开花鸟图是他最著名的作品之一。\n\n这幅画中，金农绘制了许多花和鸟的形象，这些花和鸟形象都非常生动，充满了生机和活力。画中的花和鸟共同组成了一个浓郁的自然风景，让人们感受到花园中的清新与自然。\n\n金农的八开花鸟图被认为是中国画史上的杰作，在当时也广受欢迎，被认为是一幅非常优秀的作品。",[23,65,24,83,25,84,7,64],"册","柳","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5f6b3e80250eba394b60f585bca7d31f.jpg","纸本,水墨",[51],168,2,"BDBDBD",{"id":92,"slug":93,"title":94,"dynasty":78,"author":95,"museum":96,"description":97,"tags":98,"thumbUrl":106,"material":30,"size":107,"collection":51,"collections":108,"showCount":109,"zanCount":89,"manualWeight":11,"mainColor":36},219539,"pan-tao-tu-zou-yi-gui-219539","蟠桃图","邹一桂","承德避暑山庄博物馆","画面两只丹顶鹤立于青石之上姿态悠闲，石隙间画桃树一株硕果累累富有质感，峰峦之间瀑布鞋飞流而下。",[99,23,24,100,26,27,101,7,102,103,104,105],"高清","立轴","鹤","山石","流水","灵芝","树木","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb6b446064c15c3f90edacbf7bbc946c.jpg","166cm×87cm",[51],152,{"id":111,"slug":112,"title":113,"dynasty":59,"author":60,"museum":114,"description":115,"tags":116,"thumbUrl":122,"material":123,"size":124,"collection":51,"collections":125,"showCount":127,"zanCount":128,"manualWeight":11,"mainColor":90},221838,"tao-zhu-jin-ji-tu-zhou-wang-yuan-221838","桃竹锦鸡图轴","台北故宫博物院","该图上有王渊款：“至正已醜(1349年)王若水爲惠明作桃竹錦雞圖。”钤私印两方。是图将工整双勾的线条和细腻的水墨渲染合为一体，形成兼工带写的绘画技巧，以墨代色，脱胎于五代黄筌“黄家富贵”的工笔设色画风，反映了文人画重墨轻色的审美观。画家以水墨皴擦、晕染、粗细笔并用，行笔稳健而不乏洒脱，水墨层次变化丰富，颇有透明感，全图不着一色已俱见典雅端丽，画意蕴藉清润、幽静深秀。",[99,23,117,26,25,100,7,66,118,119,120,121],"水墨画","锦鸡","岩石","水墨设色","花鸟题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe14268d3dd72321107b543bb80edf552.jpg","白纸本","纵102.3cm，横55.4cm",[51,126],"水墨画精选",143,1,{"id":130,"slug":131,"title":132,"dynasty":18,"author":19,"museum":114,"description":133,"tags":134,"thumbUrl":143,"material":30,"size":144,"collection":32,"collections":145,"showCount":146,"zanCount":128,"manualWeight":11,"mainColor":36},218801,"tao-li-yuan-tu-yi-ming-218801","桃李园图","这幅画描绘了一座山，上面有一条高高的、遥远的溪流。山的四角有水榭亭台，有渔人在溪边垂钓，无所谓岁月。这幅画是南宋时期的作品，但当你仔细观察其笔触时，它看起来更像是吴镇或其流派的画家的作品。",[99,23,64,27,135,26,136,137,138,139,140,141,7,142,102,105],"界画","皴法","山水","楼阁","亭","人物","松树","李","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa2a3b07bae6cc5546e3f59ca75ecae6e.jpg","19.7x24.3",[32],128,{"id":148,"slug":149,"title":150,"dynasty":78,"author":151,"museum":20,"description":152,"tags":153,"thumbUrl":161,"material":162,"size":163,"collection":31,"collections":164,"showCount":165,"zanCount":128,"manualWeight":11,"mainColor":90},289921,"sui-chao-ji-xiang-ru-yi-tu-chen-shu-289921","岁朝吉祥如意图","陈书","陈书（1660～1736）字南楼，号上元弟子，晚号南楼老人，秀水（今浙江嘉兴）人，适海监钱纶光，善画花鸟虫草，家贫，卖画自给，教子甚严。以长子钱陈群诰封太淑人。\n陈书擅长人物、山水、花卉，书法也秀丽遒劲，诗文颇为精通。她成年后嫁于钱纶光为妻，钱氏为嘉兴望族，惜乎她的丈夫很早就离开了人间。她只能勤俭持家，夜来纺纱织布，苦度岁月，对于子女的教育从不放松，教子读经吟诗至深夜。其子钱陈群在她的精心培育下，在清康熙六十年中了进士，进入朝廷担任侍读学士等官职。陈书教子成名，自己画了一幅“夜纺授经图”，此图描绘夜深人静一边纺纱，一边教子读经，神态毕俱。这幅面得皇帝的赞赏，并题诗二首在画上，当时乾隆皇帝带头题诗称道这幅画，那些高官名人也纷纷题诗歌颂之。这幅令人瞩目的“夜纺授经图”，后来刻在石上，嵌在嘉兴中山路钱氏故居壁间，笔者曾见其拓本，原作是否存在，已不得而知。但其刻石仍保存在钱氏后裔手中。因在扩展中山路时有人看到其石刻完好地嵌在墙间，现钱氏故居已拆除，其旧址即现在中国银行嘉兴支行这块地基上。\n陈书在书画方面的造诣很高，笔墨娴雅，结构严谨。当时书画家评论她画的人物称得上逸品，画的山水、花卉称为神品，可见对她的评价相当高。陈书的子孙受她的影响也能书画，在笔墨技法上很像她，可以说一门数代继承家风。她的作品曾为清代皇室珍藏，流传民间也不少。嘉兴博物馆藏有她的花卉真迹，笔者在杭州、苏州、扬州等地也看到过她的作品。她的诗为人们所重视，《复庵吟稿》收集了她诗作的精华，流传至今。",[23,24,100,27,26,25,154,155,156,157,7,158,159,48,160],"梅","牡丹","兰","柿子","瓷瓶","书法","吉祥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F38029323e05c021e6acdaff4db1b6ef7.jpg","未知","Xcm*Xcm",[],102,{"id":167,"slug":168,"title":169,"dynasty":59,"author":19,"museum":114,"description":170,"tags":171,"thumbUrl":175,"material":30,"size":176,"collection":51,"collections":177,"showCount":178,"zanCount":11,"manualWeight":11,"mainColor":90},215139,"bing-tao-han-xiao-tu-yi-ming-215139","饼桃含笑图","绢色温润如陈年素笺，托出一枝含笑与饼桃。墨笔勾枝，线条老劲却藏柔意，枝桠间，含笑花瓣轻展，白瓣晕浅粉，似含未语的羞涩；饼桃圆润饱满，裹着淡润光泽，透着朴拙生机。叶片以淡墨晕染，脉络细腻，与枝干苍劲相映成趣。几方朱印点缀，红韵与素色交织，更显古雅。画中无喧嚣，唯有花木静美：含笑的含蓄、饼桃的憨态，在简淡笔触里凝成清雅意境，仿佛能闻见那缕若有若无的暗香，尽得宋元文人画的幽淡之味，让观者心沉于这份素净的生机里。",[99,23,24,172,26,27,25,7,155,173,174,48],"扇面","枝","叶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbb03408a7f7684830af45e313ff9f410.jpg","22.9x23.6cm",[51],91,{"id":180,"slug":181,"title":113,"dynasty":59,"author":60,"museum":182,"description":115,"tags":183,"thumbUrl":186,"material":187,"size":124,"collection":31,"collections":188,"showCount":189,"zanCount":128,"manualWeight":11,"mainColor":36},233824,"tao-zhu-jin-ji-tu-zhou-wang-yuan-233824","北京故宫博物院",[23,24,100,65,26,25,7,66,118,68,184,185,48],"树枝","花草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04fe80188608afae39245cc2e1cd29b2.jpg","纸本，墨笔",[],60,{"id":191,"slug":192,"title":193,"dynasty":78,"author":194,"museum":182,"description":195,"tags":196,"thumbUrl":200,"material":201,"size":202,"collection":31,"collections":203,"showCount":204,"zanCount":11,"manualWeight":11,"mainColor":90},234683,"chen-shi-ceng-tao-liu-pi-pa-tu-zhou-chen-heng-ke-234683","陈师曾桃榴枇杷图轴","陈衡恪","图绘桃、石榴、枇杷各一枝，参差有序，果实累累。画中以花青色配以浓淡不同的墨色画桃叶，再以重墨勾勒筋脉。桃实红绿相间，色泽自然。石榴的枝条硬朗秀挺，小叶片片看似随意，然点画得轻灵活泼，与较浓重的桃叶、枇杷叶相映衬，使画面轻重有别，富有韵律感。",[64,23,24,100,25,27,65,7,197,198,28,199],"石榴","枇杷","果实","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3f93683f8661e46f36da1e89a8b0199c.jpg","纸本，设色","纵87.5厘米， 横44.8厘米",[],56,{"id":206,"slug":207,"title":208,"dynasty":209,"author":210,"museum":20,"description":211,"tags":212,"thumbUrl":219,"material":31,"size":31,"collection":31,"collections":220,"showCount":221,"zanCount":11,"manualWeight":11,"mainColor":90},228402,"liu-shi-shuang-ji-zhou-zhi-mian-228402","榴实双鸡","明","周之冕","此作以兼工带写之法绘就，垂落桃枝悬着饱满桃实，石畔榴花烂漫盛放。两只雄鸡意态悠然，一只昂首翘尾似正引吭，一只垂首理羽尽显松弛自在。\n\n禽鸟翎毛晕染细腻写实，将肌理纤毫毕现，坡石花草则写意随性，设色雅致柔和，明淡中带着融融暖意。画面定格庭院一隅的鲜活生趣，兼具院体花鸟的精工雅致，又不失文人水墨的隽逸生机，将日常闲晕染成灵动雅致的画卷，尽显悠然野趣。",[23,213,27,214,7,215,216,217,185,218],"花鸟画","兼工带写","榴花","雄鸡","坡石","悠然野趣","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4af223222167eb01e3e7d533bf97c5b2.jpg",[],54,{"id":223,"slug":224,"title":225,"dynasty":59,"author":60,"museum":114,"description":226,"tags":227,"thumbUrl":229,"material":86,"size":230,"collection":51,"collections":231,"showCount":221,"zanCount":11,"manualWeight":11,"mainColor":36},219241,"tao-zhu-chun-qin-tu-wang-yuan-219241","桃竹春禽图","此幅画坡石桃竹，两双锦鸡楼于坡石之间。桃枝上的一双小鸟作欲飞状。枝上桃花或盛开，或含苞欲放。图中花和叶都用水墨点画而成，不用线勾。作者以深浅不同的色调，表现出阴阳向背和不同的颜色。鸟身的羽毛举涂染皴划粗细笔兼用，不作精雕细琢。全画笔墨稳练、文雅，气韵苍古，是花鸟画在元代由设色向墨笔过渡的代表性作品。",[99,23,64,100,65,26,25,7,66,67,228,68,48],"飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7c252bcf6ed4c5540285f24044384b10.jpg","117.6x55公分；全幅72.5公分",[51],{"id":233,"slug":234,"title":235,"dynasty":78,"author":236,"museum":20,"description":237,"tags":238,"thumbUrl":241,"material":162,"size":163,"collection":31,"collections":242,"showCount":243,"zanCount":128,"manualWeight":11,"mainColor":90},235406,"tao-hou-tu-zhou-ren-yi-235406","桃猴图轴","任颐","任颐（1840年－1895年），即任伯年，初名润，字次远，号小楼，后改名颐，字伯年，别号山阴道上行者、寿道士等，以字行，浙江山阴航坞山（今杭州市萧山区瓜沥镇）人，清末著名画家。\n自幼随父卖画，后从任熊、任薰学画，后居上海卖画为生。在“四任”之中，成就最为突出，是“海上画派”中的佼佼者，“海派四杰”之一。任伯年的绘画发轫于民间艺术，技法全面，山水、花鸟、人物等无一不能。重视写生，又融汇诸家法，并吸取水彩色调之长，勾皴点染，格调清新。\n其人物画，早年从陈洪绶法出，形象夸张，富装饰效果。如故宫博物院藏《干莫炼剑图》轴。后练习铅笔速写后，变得较为奔逸，如故宫博物院藏《风尘三侠图》轴等。其写照技艺，高妙绝伦，曾为虚谷、胡公寿、赵之谦、任薰等多人画像，无不逼肖。浙江省博物馆藏有其《酸寒尉像》轴，写吴昌硕着官衣立像，极其传神；其花鸟画，早年以工笔见长，仿北宋人法，近于陈洪绶。后取法恽派及陈淳、徐渭、朱耷的写意法，笔墨趋于简逸放纵，设色明净淡雅，形成兼工带写、明快温馨的格调。代表作有藏于徐悲鸿纪念馆的《紫藤翠鸟图》轴等。对近现代花鸟画产生了巨大影响。\n海派中的佼佼者，其绘画发源于民间，重视继承传统，吸收西画技法，形成风姿多采的独特画风，在“四任”中成就最为突出。 　擅人物、花鸟、山水，其人物画取材广泛，作品能反映现实生活，针砭社会，寄托个人情怀，具有一定思想性。造型简练、准确，生动传神，手法多变。他的花鸟画师法陈淳、徐渭、石涛、恽寿平、华喦及北宋诸家。博采众长，转益多师，成为集工笔、写意、勾勒、没骨于一身的画家。他于传统的笔墨之中掺以水彩画法，淡墨与色彩相交溶，风格明快、温馨、清新、活泼，极富创造性。山水画虽不多作，但也构图布局变化多端，笔墨技巧能跳出传统窠臼，别具一格。任颐的绘画在当时及现当代具有极大影响。有《苏武牧羊》《女娲炼石》《关河一望萧索》《树荫观刀》《群仙祝寿》及大量的花鸟、山水等作品传世，后人出版有多种画册、画集。\n任颐是我国近代杰出画家，在“四任”之中成就最为突出，是海上画派中的佼佼者。他的杰出艺术成就受到世人瞩目。\n任颐初名润，字小楼，后字伯年，浙江山阴（今杭州市萧山区瓜沥镇）人。生于鸦片战争的清道光十九年（1840年），卒于光绪二十二年（1896年）。父亲任声鹤是民间画像师，大伯任熊，二伯任熏，已是名声显赫的画家。少时受家庭的熏染，已能绘画。十来岁时，一次家中来客，坐了片刻就告辞了，父亲回来问是谁来，伯年答不上姓名，便拿起纸来，把来访者画出，父亲看了，便知是谁了。这说明任伯年幼年就掌握了写真画技巧。\n任伯年曾在十几岁青年时期，在太平天国的军中“掌大旗”，当时军旗较大，“战时麾之，以为前驱”。直到天京沦陷，任伯年才回家乡，后至上海随任熊、任熏学画。以后长期在上海以卖画为生。任伯年为人率真，不修边幅，学画时近30岁，画多而名声渐大，但其身心深受鸦片之害，损伤元气，这也是他年仅56岁就过早去世的原因。 任伯年的绘画发轫于民间艺术，他重视继承传统，融汇诸家之长，吸收了西画的速写、设色诸法，形成自己丰姿多采、新颖生动的独特画风。\n工细的仕女画近费晓楼，夸张奇伟的人物画法陈洪绶，装饰性强的街头描则学自任熏，后练习铅笔速写，变得较为奔逸，晚年吸收华岩笔意。\n就任伯年的个人艺术造诣来看，花鸟画的本领比较高，若以当时画坛的情况而言，他的人物影响比较大，原因是当时画人物画家少，成就高者更少，象任伯年这样造诣，自然推至旁首。\n作者早期的仕女画多较工细。此图中仕女以手支颐，眼望春柳，惆怅若失。构图虽简单，用笔却十分细致。以细笔描绘青丝盘头，淡墨写面部、手指；衣纹线条流畅，起笔多顿点，用富有装饰性的钉头鼠尾描形成有节奏的白描效果。",[23,24,100,27,239,240,7,184,46],"兽","猴","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc91447d55f5265c58f0b6e0a06c907bb.jpg",[],51,{"id":245,"slug":246,"title":58,"dynasty":18,"author":247,"museum":80,"description":248,"tags":249,"thumbUrl":250,"material":30,"size":251,"collection":51,"collections":252,"showCount":243,"zanCount":128,"manualWeight":11,"mainColor":36},218882,"tao-zhu-jin-ji-tu-ma-ben-218882","马贲","马氏家族绘画代代相传，必然有一些绘画技法是代代相传的。从这个角度，我们可以看到，《桃竹锦鸡图》右边的桃树枝干部分，与马远《西园雅集图》等作品中的树干画法，非常接近，都是直来直去的描绘方式；《桃竹锦鸡图》中非常显眼的燕子，与收藏在日本大和文华馆的马远《竹燕图》，存在非常明确的一致性。竹子的画法与传世马远多件绘画中的竹子，更是接近。通过这些细节的全面比较，可以判断：《桃竹锦鸡图》是马氏家族的作品。\n《桃竹锦鸡图》从时间坐标上看，是宣和时代；从绘画特征来看，是马氏家族；那么，按照逻辑，《桃竹锦鸡图》的作者就是马贲。马贲的生活时代跨北宋神宗、哲宗、徽宗，比崔白、吴元瑜等画家的活动时间略晚10-20年。他是南宋大画家马远的曾祖父，马氏五代绘画家族的第一代人物。他的晚期作品，受宣和时代影响，应该具有典型的宣和画家绘画意识。",[23,64,24,26,27,25,7,66,118,68,228],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffc1576814ae297b450aa13cc8ea4cb67.jpg","21x22cm",[51],{"id":254,"slug":255,"title":94,"dynasty":78,"author":95,"museum":20,"description":256,"tags":257,"thumbUrl":259,"material":31,"size":31,"collection":31,"collections":260,"showCount":261,"zanCount":11,"manualWeight":11,"mainColor":90},224592,"pan-tao-tu-zou-yi-gui-224592","此作取瑞祥之意，笔墨清妍雅致。丹顶鹤仙骨清奇，翎毛皴染细致，墨线勾出纤毫肌理，雪衣朱顶立于苍岩，石畔灵芝添幽趣。古桃枝夭矫横斜，硕实饱满，胭脂晕染果皮，将桃实鲜活温润之态尽显，枝叶敷色鲜亮，满目生机。飞瀑轻垂，晕开空山幽寂之境，左上题诗补白，让文思画意相融。画面疏密相宜，工致兼具文雅，将吉庆绵长的寓意藏于笔底，满卷悠然仙气，尽抒福寿安康的美好祈愿。",[99,23,26,27,48,101,7,102,258,104,105],"瀑布","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7350a1afd655bc04aa623e85fabbe12d.jpg",[],40,{"id":263,"slug":264,"title":265,"dynasty":78,"author":266,"museum":20,"description":267,"tags":268,"thumbUrl":270,"material":31,"size":31,"collection":31,"collections":271,"showCount":272,"zanCount":11,"manualWeight":11,"mainColor":90},234544,"yuan-ji-san-tao-tu-zhou-shi-tao-234544","原济三桃图轴","石涛","石涛（1642年－1708年）清代著名画家，原姓朱，名若极，广西桂林人，小字阿长，别号很多，如大涤子、清湘老人、苦瓜和尚、瞎尊者，法号有元济、原济等。明靖江王朱亨嘉之子。与弘仁、髡残、朱耷合称“清初四僧”。\n石涛是中国绘画史上一位十分重要的人物，他既是绘画实践的探索者、革新者，又是艺术理论家。\n他幼年遭变后出家为僧，驻锡于安徽宣城敬亭山广教寺，后半世云游，以卖画为业。早年山水师法宋元诸家，画风疏秀明洁，晚年用笔纵肆，墨法淋漓，格法多变，尤精册页小品；花卉潇洒隽朗，天真烂漫，清气袭人；人物生拙古朴，别具一格。工书法，能诗文。存世作品有《石涛罗汉百开册页》《搜尽奇峰打草稿图》《山水清音图》《竹石图》等。著有《苦瓜和尚画语录》。名言有“一画论”、“搜尽奇峰打草稿”、“笔墨当随时代”等。",[23,24,100,65,27,25,7,184,46,48,159,269],"行书","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F734589d4fb2c5b2b166fe490b533beaa.jpg",[],31,{"id":274,"slug":275,"title":276,"dynasty":277,"author":278,"museum":279,"description":280,"tags":281,"thumbUrl":282,"material":31,"size":31,"collection":51,"collections":283,"showCount":284,"zanCount":11,"manualWeight":11,"mainColor":285},202970,"tao-shi-tu-zhou-pu-ru-202970","桃实图轴","近代","溥儒","上海博物馆","疏枝横斜，墨色浓淡交织间尽显虬劲之姿。三枚桃实饱满圆润，淡粉晕染细腻，粉嫩肌理呼之欲出，与苍劲墨枝相映成趣。叶片以简笔勾勒，墨线灵动似携清风，笔墨清润雅致，意境空灵悠远。于简约中藏生机，传递文人画的逸韵与温婉情致，观之令人心生暖意。",[23,65,27,25,7,100,48,269,99],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F599d6e779c8d6f6c7bf8c89d01b21917.jpg",[51],21,"e5ddce",{"id":287,"slug":288,"title":289,"dynasty":78,"author":290,"museum":20,"description":291,"tags":292,"thumbUrl":294,"material":31,"size":31,"collection":31,"collections":295,"showCount":296,"zanCount":11,"manualWeight":11,"mainColor":90},234373,"lin-jiang-ting-xi-hua-hui-ce-jiang-shu-234373","临蒋廷锡花卉册","蒋淑","蒋淑，蒋廷锡之女。蒋淑不仅得其父亲蒋廷锡的指点，而且经常以其父的作品为学习范本。《临蒋廷锡花卉图册》便是她临摹蒋廷锡花卉的代表作，用笔设色均有其父的画风神韵。每开也均有蒋廷锡题诗，赞美之辞溢于言表。 一股“我闺女棒棒哒”的自豪溢出来了～\n蒋淑（生卒年不详），清代杰出女性画家，从其画作上判断她大致生活于清康熙至雍正年间，字又文，江苏常熟人。蒋廷锡女，华亭王敬妻。其父蒋廷锡官至大学士，闲暇之余以逸笔作写生花卉，机趣天然。蒋淑自幼秉承家教，亦以擅绘花鸟著称。",[23,24,83,27,26,293,25,7,28],"临摹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffe5554c1b610aedeb858cd8dad4dee7e.jpg",[],19,{"id":298,"slug":299,"title":300,"dynasty":18,"author":19,"museum":20,"description":301,"tags":302,"thumbUrl":305,"material":162,"size":163,"collection":31,"collections":306,"showCount":307,"zanCount":11,"manualWeight":11,"mainColor":36},290751,"ke-si-pan-tao-xian-shou-tu-zhou-yi-ming-290751","缂丝蟠桃献寿图轴","此幅缂丝作品以本色丝为地，用多彩色丝缂织一位仙翁持桃献寿的图案。全幅钤“乾隆御览之宝”、“乾隆鉴赏”、“三希堂精鉴玺”、“宜子孙”、“嘉庆御览之宝”、“嘉庆鉴赏”、“石渠宝笈”和“宝笈三编”，共八玺。附原题签“宋缂丝蟠桃献寿图”。\n画幅上天空中祥云缭绕，红日高照，一只仙鹤凌空飞翔。下方的蟠桃树枝干遒劲，果实累累，树下一位容光焕发，神采奕奕的仙翁手捧刚摘获的一枚硕大蟠桃，欣然回首，健步而行。地面上、寿石旁，灵芝、水仙和翠竹生机盎然。在古代，鹤被视为“鹤寿千岁，以极其游”的瑞禽，蟠桃则传为西王母的瑶池中所种植，系三千年一开花、三千年一生实，食一枚可增寿六百年的仙物。二者结合，再配以仙翁寿星合为图案，寓意吉祥长寿，常作寿辰庆贺之用。宋元以来，蟠桃献寿一直是人们非常喜爱的祝寿图案和题材。\n此幅蟠桃献寿图熟练运用平缂、勾缂、掼缂、结、长短戗和包心戗等多种技法，特别是合色线的使用，更增添了作品的表现力。采用藏青、浅蓝、粉红、月白、淡黄、瓦灰、驼色和墨绿等色丝缂织而成。",[23,24,100,303,27,25,7,304,159,269,160],"缂丝","寿桃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F278d236ad10d4f07d486306ae226a87b.jpg",[],18,{"id":309,"slug":310,"title":311,"dynasty":78,"author":19,"museum":20,"description":312,"tags":313,"thumbUrl":321,"material":162,"size":163,"collection":31,"collections":322,"showCount":307,"zanCount":11,"manualWeight":11,"mainColor":36},273273,"lan-se-ke-si-san-duo-wen-he-bao-shi-huo-lian-yi-ming-273273","蓝色缂丝三多纹荷包式火燫","缂（kè，同：刻）丝（英文：K’o-ssu 、Kesi 或 Chinese silk tapestry），又称“刻丝”，是中国传统丝绸艺术品中的精华。是中国丝织业中最传统的一种挑经显纬，极具欣赏装饰性丝织品。\n宋元以来一直是皇家御用织物之一，常用以织造帝后服饰、御真（御容像）和摹缂名人书画。因织造过程极其细致，摹缂常胜于原作，而存世精品又极为稀少，是当今织绣收藏、拍卖的亮点。常有“一寸缂丝一寸金”和“织中之圣”的盛名。\n苏州缂丝画也与杭州丝织画、永春纸织画、四川竹帘画并称为中国的“四大家织”。",[303,314,315,316,317,318,319,197,7,320],"日用具","器","布料","金器","铁器","三多纹","佛手","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e5594f57f9dee8e777789c36706d798.jpg",[],{"id":324,"slug":325,"title":326,"dynasty":78,"author":19,"museum":20,"description":312,"tags":327,"thumbUrl":329,"material":162,"size":163,"collection":31,"collections":330,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":36},263681,"ke-si-qiu-tao-shou-dai-tu-zhou-yi-ming-263681","缂丝秋桃绶带图轴",[23,24,100,303,25,27,26,228,7,328,68,103],"菊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0b6711d2ba142659702743237925acf7.jpg",[],15,{"id":333,"slug":334,"title":335,"dynasty":78,"author":19,"museum":20,"description":336,"tags":337,"thumbUrl":342,"material":162,"size":163,"collection":31,"collections":343,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":90},256672,"qian-long-kuan-fen-cai-jiu-tao-tu-tian-qiu-ping-yi-ming-256672","乾隆款粉彩九桃图天球瓶","陶瓷是陶器与瓷器的统称，同时也是我国的一种工艺美术品，远在新石器时代，我国已有风格粗犷、朴实的彩陶和黑陶。陶与瓷的质地不同，性质各异。陶，是以粘性较高、可塑性较强的粘土为主要原料制成的，不透明、有细微气孔和微弱的吸水性，击之声浊。瓷是以粘土、长石和石英制成，半透明，不吸水、抗腐蚀，胎质坚硬紧密，叩之声脆。我国传统的陶瓷工艺美术品，质高形美，具有高度的艺术价值，闻名于世界。",[338,339,340,27,7,341,28,315,25],"清代","陶瓷","粉彩","桃花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5de172f5ae5d7faef6211fc8a760e2ce.jpg",[],{"id":345,"slug":346,"title":347,"dynasty":78,"author":348,"museum":20,"description":349,"tags":350,"thumbUrl":352,"material":31,"size":31,"collection":353,"collections":354,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":90},237140,"tao-li-yuan-tu-zhou-wu-chao-237140","桃李园图轴","吴焯","吴焯（1676年--1733年），男，字尺凫，号绣谷，晚号绣谷老人，清钱塘（今杭州）人（一说安徽歙县人）。以家有古藤，花开时垂如璎珞，遂构亭名“绣谷”。\n仿晁公武、陈振孙书目体例，所辑《薰习录》（一作《绣谷亭薰习录》），是其专记所藏秘册、叙述原委、购书、读书记，与《读书敏求记》颇为相似，但篇幅较小，仅经部1卷，集部2卷。又有《瓶花斋书目》今已不传。精校勘，手自丹黄，每购一书，必兼数本，相互参比，如有考证心得，辄书诸卷首。小山堂赵昱回忆与吴焯的交往时曾说“绣谷藏书颇矜惜，不轻借人，独许予抄，予所藏多绣谷亭本。予偶得善册，先生见之亦必取以勘定。”乾隆三十八年（1773），诏开四库馆，采访天下遗书，次子吴玉墀以古书百余种进呈朝廷，与鲍廷博“知不足斋”、汪宪“振绮堂”、孙宗濂“寿松斋”、汪启淑“飞鸿堂”，各整比所藏，踊跃呈献，获赐《佩文韵府》1部及书数种。藏书印有“绣谷手典”、“疏雨薰习”、“流传勿污损”、“性命以之”等多枚。刻书甚富，达50余种，数千卷。与厉鹗、赵昱等往来极密，每得一秘本，彼此互相抄录，抄书用纸印墨格或绿格，版心刻有“绣谷亭”三字，有的左栏外刻有“西泠吴氏绣谷亭抄书”或“绣谷亭抄书”等字样。所藏书身后大多归于汪宪“振绮堂”、许宗彦“鉴止水斋”及马氏兄弟等家。藏书印有“绣谷所藏”、“绣谷薰习”、“尺凫”、“愿流传勿损污”等。著有《绣谷杂抄》、《药园诗稿》、《陆渚飞鸿集》、《玲珑帘词》、《经山游草》等。与厉鹗、赵昱合撰《南宋杂事诗》。",[23,24,100,27,26,136,137,140,138,351,139,7,142,105,103],"小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F632fa63692d7afa3a89ed69ddf696e28.jpg","山水画精选",[353,355],"书法精选",{"id":357,"slug":358,"title":359,"dynasty":78,"author":79,"museum":20,"description":360,"tags":361,"thumbUrl":362,"material":31,"size":31,"collection":31,"collections":363,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":90},230233,"ce-ye-ba-kai-jin-nong-230233","册页八开","本幅以极简构图层叠春景意境，垂柳叶丝以淡墨晕染，袅袅拂动，柔媚尽现春日缱绻；下方桃枝枯淡勾勒，浅墨晕开花瓣，初绽芳华娇柔含露。\n\n书画相映成趣，题诗借春景抒怀，将暮春春愁融于淡墨景致。笔意简淡疏朗，脱却繁饰，留白空灵雅致，于浅淡笔墨晕染出江南春深的幽寂怅惘，尽显文人画诗韵墨香的隽永格调，以极简构图传递悠长闲愁，尽得雅致冲淡之美。",[23,24,83,65,25,84,7,48],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc76b0d11efcdac5bfcb9c16040224db3.jpg",[],{"id":365,"slug":366,"title":367,"dynasty":78,"author":368,"museum":20,"description":369,"tags":370,"thumbUrl":383,"material":384,"size":385,"collection":355,"collections":386,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":387},224438,"yong-luo-hua-qi-lv-shi-wu-zhang-he-shao-ji-224438","咏落花七律十五章","何绍基","同治四年（乙丑，1865年）春书于苏州。\n何绍基的行草书融篆、隶于一炉，骏发雄强，独具面貌。\n他的篆书，中锋用笔，并能掺入隶笔，而带行草笔势，自成一格。",[99,159,269,371,372,373,374,375,376,377,378,379,380,381,139,382,84,7],"长卷","落花","春","江","酒","雨","月","风","山","云","水","舟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6a99b11b1e1294d79f91b13adc0f6273.jpg","行草","横30厘米，纵181厘米",[355],"F48FB1",{"id":389,"slug":390,"title":391,"dynasty":209,"author":392,"museum":114,"description":393,"tags":394,"thumbUrl":395,"material":396,"size":397,"collection":31,"collections":398,"showCount":331,"zanCount":11,"manualWeight":11,"mainColor":90},222228,"hua-tou-tao-tu-ce-ye-wen-bo-ren-222228","画偷桃图册页","文伯仁","文伯仁（1502---1575）明代画家，字德承，号五峰、摄山长、葆生、摄山老农、五峰山人、五峰樵客，汉族，湖广衡山人，系籍长州（今江苏苏州）。文徵明侄子。\n性暴躁，好使气骂座，少年时曾与叔文徵明相讼，一度系狱。工画山水，效王蒙，学“三赵”（令穰、伯驹、孟頫），笔力清劲，岩峦郁茂，布景奇兀，时以巧思发之，名在文徵明之下。横披大幅颇负出蓝之誉，唯构图时有塞实之感。\n善画人物，亦能诗。其山水画有简、繁两种面貌。简者效文徵明细笔山水，景色疏朗，笔墨细秀，多抒情意趣；繁者出自王蒙，山林层叠，构图饱满，皴点繁密，境界郁茂。\n嘉靖三十年（1551）作《万山飞雪图》轴，现藏日本东京国立博物馆；四十一年（1562）作《都门柳色图》轴、四十五年（1566）作《秋山游览图》卷藏上海博物馆；嘉靖四十三年（1564）作《溪山仙馆图》轴藏广州美术馆；《天目山图》轴、隆庆四年（1570）作《松风高士图》轴藏辽宁省博物馆；《石湖草堂图》卷藏苏州市博物馆；《春山白云图》轴、嘉靖三十九年（1560）作《樵谷图》轴、《雪景山水图》轴藏故宫博物院；《松径石矶图》轴藏南京博物院；《园林十五景图》卷藏得港虚白斋。",[172,83,27,140,137,7,136],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F15aadde44aa532d93cb51d48b1bcb53d.jpg","纸本","68x68",[],{"id":400,"slug":401,"title":402,"dynasty":78,"author":19,"museum":20,"description":403,"tags":404,"thumbUrl":410,"material":162,"size":163,"collection":31,"collections":411,"showCount":412,"zanCount":128,"manualWeight":11,"mainColor":36},272977,"ti-hong-bian-qian-yu-hua-guo-tu-gua-ping-yi-ming-272977","剔红边嵌玉花果图挂屏","此挂屏边框剔红纹饰古雅规整，屏心以百宝嵌工艺造景。虬曲苍劲的桃枝舒展于上，莹润玉桃悬于枝头，翠叶随枝点缀，旁侧修竹清瘦挺拔，下方配奇石小花，层次分明。将玉石的温润肌理、材质天然色泽巧妙结合，写实还原花果生机，文人雅致的意趣尽显其中。匠师以精妙手法把天然材质之美与造景巧思相融，整体气韵沉静古雅，将百宝镶嵌工艺的精湛造诣诠释得淋漓尽致，雅致静美，尽显古典造物的隽秀意韵。",[405,406,407,25,228,66,7,408,409],"挂屏","漆器","玉石镶嵌","花果","剔红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F69c381749d7aa76383dfa701b93bdf08.jpg",[],12,{"id":414,"slug":415,"title":416,"dynasty":78,"author":19,"museum":20,"description":417,"tags":418,"thumbUrl":424,"material":162,"size":163,"collection":31,"collections":425,"showCount":412,"zanCount":11,"manualWeight":11,"mainColor":36},245392,"jin-xiang-shan-hu-tao-fu-shuang-xi-zan-yi-ming-245392","金镶珊瑚桃蝠双喜簪","发簪，中国古代汉族人民用来固定和装饰头发的一种首饰。对于现代人来说已经是一个很古老的名词了，但是当在看古装剧时，却总是能被它们点缀出的精致效果所折服。\n将长发松松挽起，插上一枚别致的发簪，再配上典雅的长裙，即便性格再外放的女性，也可以成为让人眼前一亮的古典美人。发簪金属的光泽闪耀在发间，加上小而巧的坠饰，长发的风情便又是一种不一样的感受了。",[338,317,419,420,421,422,7,423],"珊瑚","镶嵌","饰品","蝙蝠","双喜","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa8bdfda4a280fe1e7b146754d341537.jpg",[],{"id":427,"slug":428,"title":429,"dynasty":78,"author":19,"museum":20,"description":430,"tags":431,"thumbUrl":435,"material":162,"size":163,"collection":31,"collections":436,"showCount":437,"zanCount":11,"manualWeight":11,"mainColor":438},265149,"yuan-qing-se-duan-di-dan-cai-shi-liu-tao-he-hua-mei-zhu-wen-tao-yi-ming-265149","元青色缎地淡彩石榴桃荷花梅竹纹绦","经线提花锦的组织结构和纹样都十分复杂，舞人动物纹锦的纹样横贯全幅，充分反映了当时已有了先进的提花织造技术。精美的刺绣品共有17种纹样，构图大，讲究对称、平衡，色彩配合恰当，给人以端庄典雅、富丽堂皇的美感。纹样内容充满神话色彩，鲜明地反映了楚文化的浪漫主义特色。墓中出土的衣袍为直据，是当时贵族中最流行的一种服式。这批先秦织物的出土，为深入研究我国古代纺织史提供了珍贵的实物资料。",[316,421,432,433,154,66,197,7,434],"刺绣","荷花","花卉纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2979d3eda292fd455d5b550cdd345bb.jpg",[],11,"37474F",{"id":440,"slug":441,"title":442,"dynasty":209,"author":443,"museum":114,"description":444,"tags":445,"thumbUrl":448,"material":162,"size":163,"collection":31,"collections":449,"showCount":450,"zanCount":11,"manualWeight":11,"mainColor":36},290550,"chu-ri-pan-tao-zhou-xu-lin-290550","初日蟠桃轴","徐霖","徐霖（1462年-1538年），字子仁，号九峰、髯仙，又称徐山人。先世长洲（今江苏苏州）人，出生于华亭（今上海松江），后移居金陵。明代戏曲作家。\n徐霖性格倜傥、豪爽，工于书法，又兼善绘画。填曲富有才情，且颇精于格律，他与散曲作家陈铎在当时并有“曲坛祭酒”的称号，并与谢承举一起被称为“江东三才子”。",[23,24,100,25,27,26,7,446,159,269,447,304],"初日","神话","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F390dc1bbd462d2844c04bc14af67d766.jpg",[],10,{"id":452,"slug":453,"title":454,"dynasty":78,"author":455,"museum":279,"description":456,"tags":457,"thumbUrl":459,"material":31,"size":31,"collection":51,"collections":460,"showCount":450,"zanCount":11,"manualWeight":11,"mainColor":461},202158,"shuang-lu-xuan-tao-tu-zhou-hu-mei-202158","双鹿萱桃图轴","胡湄","画面中双鹿相偕，一鹿昂首欲嗅桃枝，一鹿低首轻衔草叶，姿态悠然灵动。老桃枝干遒劲，硕果垂挂，萱草与白花点缀其间，枝上禽鸟静栖，动静相宜。工笔技法细腻入微，鹿身斑纹匀净，皮毛质感蓬松柔软；花叶脉络清晰，设色温润雅致，古雅底色更衬物象鲜活。整幅画作融自然生趣与吉祥寓意于一体，福禄长寿之愿隐于笔墨间，尽显传统绘画面向生活的温情与意趣。",[23,26,27,25,239,7,458,100,99],"萱草","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F273e78f04658be0bc8304275b6bf191e.jpg",[51],"6c5336",{"id":463,"slug":464,"title":465,"dynasty":78,"author":79,"museum":20,"description":466,"tags":467,"thumbUrl":469,"material":31,"size":31,"collection":31,"collections":470,"showCount":471,"zanCount":11,"manualWeight":11,"mainColor":90},230244,"ba-kai-jin-nong-230244","八开","《兰石八开（之一）》是罗聘创作的一幅纸本水墨设色画。\n兰石八开，构思布局、笔墨意趣各有特色。\n一幅“春兰如美人，不采羞自献”，画根植于崖壁上三丛兰花，用墨浓淡相宜，长叶以撇法出之，轻盈摇曳，偃仰有姿。\n一幅“寄君青兰花，惠好庶不绝”，画带根兰花两枝，淡墨点花，薄而润，所谓授人兰花，手有余香。\n一幅“山无一春草，谷有千年兰”，画幽谷兰花，长叶循势纷披，格调清雅秀逸。\n另一幅白描兰花与墨石，“用瞿睿夫勾勒法”所画，别有韵味。\n本册为邓拓捐赠给中国美术馆作品，各图均钤有邓拓收藏印。\n罗聘（17—1799），字遯夫，号两峰，又号花之寺僧、衣云道人等，祖籍安徽歙县，寓居扬州，为金农入室弟子，曾游历越、楚、齐、豫、燕、赵，并三次到北京。\n受金农赞赏，多为其代笔。\n好学无倦，才艺出众，所画题材广泛，兼擅人物、鬼神、佛像、山水、花叶、梅竹，既继承师法，又不拘泥师法，笔调奇特，构思新颖。\n曾因能画鬼而轰动当时，吸引了袁枚、姚鼐、钱大昕、翁方纲等人为之题咏。\n秦祖永推崇其作品为“神品”，评价说：“笔情古逸，思致渊雅，深得冬心神髓。\n墨梅兰竹，均极高妙，古趣盎然；人物佛像，尤奇而不诡于正，真高流逸墨，非寻常画史所能窥其涯者也。\n”他和妻子方婉贞、儿子允绍、允瓒都善画梅，时人称为“罗家梅派”，画法影响了近代的吴昌硕、齐白石。\n著有《香叶草堂集》。",[23,24,83,65,84,7,468,25],"花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F636c7e7ebbabcadea44ca8496db485fe.jpg",[],9,{"id":473,"slug":474,"title":475,"dynasty":78,"author":19,"museum":20,"description":476,"tags":477,"thumbUrl":480,"material":162,"size":163,"collection":31,"collections":481,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":387},259503,"chang-chun-gong-kuan-fen-cai-tao-fu-wen-bi-tong-yi-ming-259503","长春宫款粉彩桃蝠纹笔筒","笔筒： 用陶瓷、竹木、等制成的筒形插笔器具。笔筒是搁放毛笔的专用器物，据文献记载，它的材质有镏金、翡翠、紫檀和乌木，现在我们能够见到的传世器物，大多是用瓷或者是竹木制作的。具有收藏价值。",[339,340,478,7,422,66,102,103,479,27],"笔筒","文房用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4cb2761a33b868b65f78b8c69049f1ef.jpg",[],8,{"id":484,"slug":485,"title":486,"dynasty":487,"author":19,"museum":20,"description":488,"tags":489,"thumbUrl":495,"material":162,"size":163,"collection":31,"collections":496,"showCount":482,"zanCount":11,"manualWeight":11,"mainColor":90},227102,"shuang-qin-xian-wen-jing-1-yi-ming-227102","双禽衔纹镜-1","唐","中国铜镜的制作和使用具有悠久的历史，根据考古发掘，年代最早的铜镜为4000多年前的齐家文化。从齐家文化至西周末春秋早期制作的铜镜，多以纹饰简单、形体小、种类少。此一时期为中国铜镜制作早期阶段。\n春秋中晚期开始，我国铜镜制作和使用就发展起来了，特别是战国时期，铜镜的种类复杂，题材广泛，制作工艺精细，包括此时期铜镜的合金成分，其锡含量是最适合铜镜的使用，这些充分反应了铜镜在此时期制作技术已达到成熟阶段。汉代开始铜镜得到了进一步的发展，这时期的铜镜出现了新的类型，铭纹也正逐渐成为铜镜的纹饰组成部分，反映了汉代铸镜业的发达及铜镜商品化的发展。\n隋唐时期是中国铜镜高度发展时期，此时的铜镜突破了以往圆形与方形的传统形式，出现了菱花形、葵花形铜镜。特别是盛唐时期铜镜工艺精湛，著名的瑞兽葡萄镜更是闻名于世，这一时期铜镜发展达到了顶峰。\n从唐末，五代起中国的铜镜艺术日趋衰落，宋、金、元时期的铜镜，从造型、纹饰和合金成分上都有不同于传统铜镜的特点。明，清时期虽然铜镜还在人们日常生活当中使用，但到清代中后期随着玻璃的使用，铜镜逐渐退出了历史舞台。当今虽然不再有人使用铜镜整装容，但古代铜镜给予我们的除了收藏价值，还有对古代形制、纹饰、铭文、艺术、制作工艺、成分等等的研究价值。中历收藏品鉴定中心，为我国合法第三方专业鉴定平台，证书得到了专业人士及社会各界的高度认可，藏品鉴定可咨询。",[490,65,491,492,493,7,28,494],"唐代","纹饰","镜","铜制","花卉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F24025c0bc1a329afc98cb076a2b505cf.jpg",[],{"id":498,"slug":499,"title":500,"dynasty":59,"author":19,"museum":114,"description":501,"tags":502,"thumbUrl":506,"material":30,"size":507,"collection":508,"collections":509,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":36},290728,"tong-bao-yi-qi-tu-zhou-yi-ming-290728","同胞一气图轴","元代绘画中，文人画占据画坛主流。因元代未设画院，除少数专业画家直接服务于宫廷外，大都是身居高位的士大夫画家和在野的文人画家。他们的创作比较自由，多表现自身的生活环境、情趣和理想。山水、枯木、竹石、梅兰等题材大量出现，直接反映社会生活的人物画减少。作品强调文学性和笔墨韵味，重视以书法用笔入画和诗、书、画的三结合。",[23,100,27,26,140,503,504,7,505],"孩童","猫","婴戏","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa3622f98382a39392a72e1eb782b383.jpg","158.9x103.3","人物画精选",[508],7,{"id":512,"slug":513,"title":514,"dynasty":78,"author":19,"museum":20,"description":515,"tags":516,"thumbUrl":521,"material":162,"size":163,"collection":31,"collections":522,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":36},250950,"qing-yu-fu-diao-fu-shou-san-duo-ru-yi-yi-ming-250950","青玉浮雕福寿三多如意","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。 这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[338,517,518,519,7,320,197,315,520],"玉石","浮雕","雕刻","福寿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F843d54a56077d92bd8db69f24f17bf62.jpg",[],{"id":524,"slug":525,"title":526,"dynasty":527,"author":528,"museum":20,"description":529,"tags":530,"thumbUrl":534,"material":162,"size":163,"collection":31,"collections":535,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":36},231752,"mu-ma-tu-ping-feng-di-er-ping-zhang-gu-chuan-deng-bo-231752","牧马图屏风第二屏","不详","长谷川等伯","长谷川东白（长谷川等伯，1539年－1610年3月19日）是日本 画家，长谷川画派的创始人。\n他被认为是安土桃山时代（1573-1603 年）的伟大画家之一，最著名的是他的屏风",[99,23,24,531,27,26,140,532,239,105,533,381,7],"屏风","马","草地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb4eaf33f4fb0d88855c935dc14bf6b14.jpg",[],{"id":537,"slug":538,"title":539,"dynasty":78,"author":19,"museum":20,"description":417,"tags":540,"thumbUrl":543,"material":162,"size":163,"collection":31,"collections":544,"showCount":510,"zanCount":128,"manualWeight":11,"mainColor":90},229931,"jin-lei-si-qian-bao-shi-mi-hou-xian-tao-zan-yi-ming-229931","金累丝嵌宝石猕猴献桃簪",[338,317,541,542,240,7,421],"累丝","嵌宝石","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb0f773e7a98d29eb00f8bed79f7c13a5.jpg",[],{"id":546,"slug":547,"title":548,"dynasty":78,"author":549,"museum":279,"description":550,"tags":551,"thumbUrl":552,"material":31,"size":31,"collection":51,"collections":553,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":554},202066,"shuang-tao-tu-zhou-zhu-shu-202066","双桃图轴","朱书","双桃依偎枝间，淡粉晕染的果皮缀以浅红，似凝晨露般鲜活。蓝绿叶片笔触疏朗，墨枝简练挺劲，构图疏宕却含生机。不着浓艳，以清雅设色勾勒桃之夭夭，叶之清逸，尽显文人写意之趣。画面于极简中藏雅致，传递自然鲜活与含蓄情致，是传统花鸟中兼具意趣与美感的佳作。",[23,25,27,100,7,48,99],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9eccc5f061dd97971bfddf4b9ef7b36.jpg",[51],"d0b496",{"id":556,"slug":557,"title":558,"dynasty":78,"author":559,"museum":279,"description":560,"tags":561,"thumbUrl":565,"material":31,"size":31,"collection":508,"collections":566,"showCount":510,"zanCount":11,"manualWeight":11,"mainColor":567},202061,"san-xing-tu-zhou-sun-dai-202061","三星图轴","孙岱","画面以工笔设色绘就，格调清雅柔和。松枝苍劲如盖，桃枝缀满艳红寿桃，山间景致悠然。三星神态亲和，衣袂翩然；童子活泼灵动，嬉闹于灵鹿之侧；灵鹿温顺可人，尽显祥瑞之气。线条婉转流畅，人物造型生动传神，景物铺陈层次分明，将福禄寿齐聚的吉祥氛围渲染得淋漓尽致，尽显传统绘画对吉祥主题的精妙诠释。",[26,27,140,562,7,563,564,239,99],"松","鹿","童子","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb18980a52609e178ca58e4b0d1c82d2d.jpg",[508],"9c7e56",{"id":569,"slug":570,"title":571,"dynasty":78,"author":19,"museum":20,"description":336,"tags":572,"thumbUrl":574,"material":162,"size":163,"collection":31,"collections":575,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":438},258294,"fen-cai-liu-tao-tu-tian-qiu-ping-yi-ming-258294","粉彩六桃图天球瓶",[338,339,340,27,7,573,341,46,315],"桃枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffec0b719fbaf3f5e97ef0082b3a93293.jpg",[],{"id":577,"slug":578,"title":579,"dynasty":78,"author":19,"museum":20,"description":580,"tags":581,"thumbUrl":584,"material":162,"size":163,"collection":31,"collections":585,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":438},249188,"qian-long-kuan-hua-fa-lang-zhu-tao-wen-bei-yi-ming-249188","乾隆款画珐琅竹桃纹杯","唐孙位《高逸图》中，酒樽旁托盘内放置杯，侍者手中亦持有杯。可见，唐代杯亦为常见的饮酒器具。因其用于饮酒较之碗更加含蓄、优雅，故文人雅士较为推崇。杜甫诗云“潦倒新停浊酒杯”，杜甫饮用“浊酒”亦用酒杯。\n除普通筒形杯外，唐代较为流行的一种杯式为高足杯，其执拿姿势为用拇指与食指捏住高足杯的杯把。瓷质高足杯唐代以前较少使用，唐代应用明显广泛。唐代的许多中小型墓葬中亦出土瓷质高足杯。说明此杯类已逐渐演变为一种较为常见的日用器具。此种杯式的使用，可能与此时葡萄酒的饮用有关。\n宋代酒质较低时饮酒器具较大，酒质提高，其形制自然缩小。宋代饮酒器具以杯为主。主要的酒杯类型有：圆口杯、花口杯、带把杯、高足杯。\n高足杯为元代典型饮酒器具。其与游牧民族马上饮酒生活习俗相适应。元代高足杯形制多样，有喇叭形、竹节形等。很多资料记载高足杯为蒙古人饮用马奶酒的器具。\n高足杯为直口、深腹。其杯形制与唐宋时候盏类的承载量基本一致，故其用于饮马奶酒是合理的。但元代尚酒，饮酒需求量大，除用于饮用马奶酒之外，高足杯亦可用于蒸馏酒的饮用。\n明朝由于喝茶方式的改变，出现了小茶壶，导致喝茶的盏变得精致小巧，如今天我们所使用的杯子。饮茶的杯子与饮酒的杯子就变得傻傻分不清楚。\n虽然出现了饮茶的杯子，但杯子还是饮酒器的主流。明代杯类形制多样，造型装饰精巧，功能明确。如制作专门用于皇室贵族使用的鸡缸杯、压手杯。\n亦有符合士人情趣的高士杯、菊花杯等。此外，明代高足杯形制多样，此时高足杯形制较小，适合蒸馏酒的饮用。较于元代高足杯，明代高足杯足部外撇，足成长喇叭形，器具稳定性加强。\n明朝以前杯壁较浅，到了清朝，杯壁开始加深，容量增加，有的被已经茶酒共用。18世纪受国外文化影响，杯子已经发展成为今天我们所见到的样子。\n虽然我国饮酒时有温酒的习惯，但酒温不高，而且宋以后开始饮用蒸馏酒，常温就可饮用。杯作为主要的饮酒器，自然不用考虑温度的问题，均是手握酒杯饮用，所以大多没有把。",[582,583,27,66,7,315],"画珐琅","珐琅器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2c3fb865c9f89dc91e9a0f3eeb5e8109.jpg",[],{"id":587,"slug":588,"title":416,"dynasty":78,"author":19,"museum":20,"description":417,"tags":589,"thumbUrl":592,"material":162,"size":163,"collection":31,"collections":593,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":36},245703,"jin-xiang-shan-hu-tao-fu-shuang-xi-zan-yi-ming-245703",[338,317,421,419,590,7,591,423,420],"珐琅","蝠","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F21c65913781188b6ff4262926e69cf31.jpg",[],{"id":595,"slug":596,"title":597,"dynasty":277,"author":598,"museum":279,"description":599,"tags":600,"thumbUrl":603,"material":31,"size":31,"collection":31,"collections":604,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":605},203239,"shou-tao-tu-zhou-qi-bai-shi-203239","寿桃图轴","齐白石","这幅寿桃图笔墨简劲却韵味醇厚。硕大的寿桃以胭脂红泼染，浓淡晕化间尽显饱满多汁，黄彩点蒂更添鲜活；枝叶以焦墨线条勾勒，兼施淡绿花青，笔触如篆籀般老辣洒脱，富有书法意趣。右下角蟋蟀虽小巧，却刻画精细，翅脉分明，与硕大寿桃形成动静对比，暗藏生机。构图疏朗有致，虚实相生，寿桃寄寓长寿吉祥，蟋蟀点缀生活意趣，尽显白石老人融文人笔墨与民间情味于一体的独特风格，雅俗共赏，鲜活动人。",[23,100,27,25,48,159,7,601,602],"笔墨","寓意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0931306253cf8d6858f976fab4b9521.jpg",[],"cdc7be",{"id":607,"slug":608,"title":276,"dynasty":277,"author":609,"museum":279,"description":610,"tags":611,"thumbUrl":10,"material":31,"size":31,"collection":51,"collections":612,"showCount":54,"zanCount":11,"manualWeight":11,"mainColor":613},202930,"tao-shi-tu-zhou-xu-bei-hong-202930","徐悲鸿","墨枝遒劲蜿蜒，垂落数枚鲜桃。叶片泼墨挥洒，浓淡交错间显层次；桃实圆润饱满，淡粉晕染透着嫩泽，与苍劲墨叶形成鲜明对比，生机勃发。笔势洒脱兼具刚健与柔润，将桃的丰腴与枝叶的清劲完美融合，写意之趣盎然。墨色厚重与设色清雅相映，于简约构图中传递鲜活意韵。",[23,24,100,27,25,7,65,99],[51],"c2bca8",{"id":615,"slug":616,"title":617,"dynasty":78,"author":19,"museum":20,"description":618,"tags":619,"thumbUrl":620,"material":162,"size":163,"collection":31,"collections":621,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":90},270220,"gu-gu-qi-bian-mou-jia-hui-hua-fu-tao-tu-mian-zhe-shan-yi-ming-270220","骨股漆边缪嘉惠画蝠桃图面折扇","此扇一面行书笔墨苍劲舒朗，字迹随扇骨错落排布，行气连贯自如，墨色浓淡层次尽显书写意趣，寥寥笔墨间浸润着晚清文人的风雅气度。另一面蝠桃设色清润雅致，桃枝虬结苍劲，蟠桃饱满莹润，蝙蝠翩然灵动，暗合福寿双全的美好寄寓。漆骨包浆温润雅致，形制精巧秀逸，将书画意趣与吉祥意蕴融于一器，藏纳着传统工艺与古典审美的交融之美，兼具赏玩与收藏价值。",[172,23,159,422,7,269],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffadd867d18f4d593c575e81c4edc6e51.jpg",[],{"id":623,"slug":624,"title":625,"dynasty":78,"author":19,"museum":20,"description":430,"tags":626,"thumbUrl":631,"material":162,"size":163,"collection":31,"collections":632,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},265543,"xue-hui-se-duan-di-hua-die-yun-tou-shi-liu-tao-mu-dan-wen-tao-yi-ming-265543","雪灰色缎地花蝶云头石榴桃牡丹纹绦",[421,316,627,628,155,629,197,7,630],"服饰","织绣","蝴蝶","云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a868107c00fa0f6f087c556a4b00cf5.jpg",[],{"id":634,"slug":635,"title":636,"dynasty":78,"author":19,"museum":20,"description":430,"tags":637,"thumbUrl":638,"material":162,"size":163,"collection":31,"collections":639,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},265060,"hu-se-duan-di-tao-mei-zhu-shi-liu-he-hua-wen-tao-yi-ming-265060","湖色缎地桃梅竹石榴荷花纹绦",[316,421,432,7,154,66,197,433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F44af1d12a9c617ca0a99dfede0de4c04.jpg",[],{"id":641,"slug":642,"title":643,"dynasty":78,"author":19,"museum":20,"description":644,"tags":645,"thumbUrl":648,"material":162,"size":163,"collection":31,"collections":649,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":36},249282,"qia-si-fa-lang-wan-fu-san-duo-wen-ru-yi-yi-ming-249282","掐丝珐琅万福三多纹如意","如意为木胎，其上采用八成金质累丝工艺。如意头的正面为累丝古钱纹，中心嵌绿松石“乙酉”二字，背面为镂空的古钱纹并露出木胎。柄的正面亦为累丝古钱纹，镶嵌绿松石“万年如意”四字，背面为累丝六角锦纹。如意的侧边以卷草纹为饰。",[78,646,583,647,320,7,197],"掐丝珐琅","如意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F072e72464a6a202b8db0c1e780e718d9.jpg",[],{"id":651,"slug":652,"title":653,"dynasty":78,"author":19,"museum":20,"description":654,"tags":655,"thumbUrl":657,"material":162,"size":163,"collection":31,"collections":658,"showCount":35,"zanCount":128,"manualWeight":11,"mainColor":36},248483,"hong-qi-miao-jin-tao-fu-si-ji-hua-hui-wen-yuan-pan-yi-ming-248483","红漆描金桃蝠四季花卉纹圆盘","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。\n中国古代漆器的工艺，早在新石器时代就已经出现，夏代的木胎漆器不仅用于日常生活，也用于祭祀，并常用朱、黑二色来髹涂。殷商时代已有“石器雕琢，觞酌刻镂”的漆艺。1973年河南成蒿成台西村商代遗址中出土的漆器残片，在木胎上雕饰饕餮纹，并涂上朱、黑两色的漆。 [2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[406,656,7,591,494,154,156,66,328,315],"描金","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3303cabda72145422e13399597aa615b.jpg",[],{"id":660,"slug":661,"title":662,"dynasty":78,"author":19,"museum":20,"description":515,"tags":663,"thumbUrl":665,"material":162,"size":163,"collection":31,"collections":666,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":90},229112,"yu-fu-shou-tao-shi-xing-yan-he-yi-ming-229112","玉福寿桃实形烟盒",[517,519,7,422,315,338,664,518],"圆雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F14fbf1a4f13c8746a51283b490669a53.jpg",[],{"id":668,"slug":669,"title":670,"dynasty":78,"author":455,"museum":279,"description":671,"tags":672,"thumbUrl":673,"material":31,"size":31,"collection":31,"collections":674,"showCount":35,"zanCount":11,"manualWeight":11,"mainColor":675},202305,"tao-shi-shuang-lu-tu-zhou-hu-mei-202305","桃实双鹿图轴","画面中双鹿姿态鲜活，一昂首仰望枝头饱满桃实，一低首似嗅草间芳华，灵动自然。老桃树虬枝盘曲，硕果坠枝，枝叶间飞鸟栖息，生机盎然。山石花草勾勒入微，设色淡雅温润，工笔细描尽显物象肌理——鹿毛柔润，桃叶脉络分明，老干纹理苍劲。构图疏密相宜，福禄长寿的吉祥寓意融于清逸画面，尽显传统花鸟兽画的雅致意趣与生机活力。",[26,27,25,239,7,563,228,102,185,160,99],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff81e9f48d3fc3a7d9867e1e72d9de16b.jpg",[],"7b633e",{"id":677,"slug":678,"title":679,"dynasty":78,"author":19,"museum":20,"description":430,"tags":680,"thumbUrl":684,"material":162,"size":163,"collection":31,"collections":685,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},265169,"pin-lan-se-duan-di-zhi-yin-tao-mei-zhu-wen-tao-yi-ming-265169","品蓝色缎地织银桃梅竹纹绦",[316,681,154,66,7,682,683],"织银","绦带","缎地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb48bf843ed8810c6fffbe389666ef90f.jpg",[],3,{"id":688,"slug":689,"title":690,"dynasty":78,"author":19,"museum":20,"description":430,"tags":691,"thumbUrl":692,"material":162,"size":163,"collection":31,"collections":693,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},265164,"pin-yue-se-duan-di-mei-zhu-tao-shi-liu-he-hua-wen-tao-yi-ming-265164","品月色缎地梅竹桃石榴荷花纹绦",[316,421,154,66,7,197,433,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feaef4ef7a7ee01bc3c70b0c383ebfcb6.jpg",[],{"id":695,"slug":696,"title":697,"dynasty":78,"author":19,"museum":20,"description":430,"tags":698,"thumbUrl":699,"material":162,"size":163,"collection":31,"collections":700,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":701},265095,"pin-lan-se-duan-di-tao-mei-zhu-wen-tao-yi-ming-265095","品蓝色缎地桃梅竹纹绦",[682,316,421,7,154,66,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F687df053e1b189d95b0d2af0c76a142c.jpg",[],"0D904F",{"id":703,"slug":704,"title":705,"dynasty":78,"author":19,"museum":20,"description":430,"tags":706,"thumbUrl":707,"material":162,"size":163,"collection":31,"collections":708,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":36},265059,"hu-se-duan-di-tao-mei-zhu-shi-liu-lian-hua-wen-tao-yi-ming-265059","湖色缎地桃梅竹石榴莲花纹绦",[316,421,7,154,66,197,433,432],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2812206543d4d24eec7f13aedd24a6a7.jpg",[],{"id":710,"slug":711,"title":475,"dynasty":78,"author":19,"museum":20,"description":476,"tags":712,"thumbUrl":714,"material":162,"size":163,"collection":31,"collections":715,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},259504,"chang-chun-gong-kuan-fen-cai-tao-fu-wen-bi-tong-yi-ming-259504",[339,340,478,7,422,66,102,713,27,479,315],"海浪","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F623e661957fe90b9accb42e0c38b50fe.jpg",[],{"id":717,"slug":718,"title":719,"dynasty":78,"author":19,"museum":20,"description":336,"tags":720,"thumbUrl":721,"material":162,"size":163,"collection":31,"collections":722,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":36},258718,"qian-long-kuan-fen-cai-jiu-tao-wen-tian-qiu-ping-yi-ming-258718","乾隆款粉彩九桃纹天球瓶",[338,339,340,27,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F31afaed1bfcd7858b8c0e1b777ce48ec.jpg",[],{"id":724,"slug":725,"title":726,"dynasty":78,"author":19,"museum":20,"description":727,"tags":728,"thumbUrl":731,"material":162,"size":163,"collection":31,"collections":732,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":90},258499,"qian-long-kuan-you-li-hong-tao-wen-ping-yi-ming-258499","乾隆款釉里红桃纹瓶","宋代是传统制瓷工艺发展史上一个非常繁荣昌盛的时期。现时已发现的古代陶瓷遗址分布于全国170个县。其中有宋代窑址的就有130个县，占总数的75%。\n陶瓷史家通常将宋代陶瓷窑大致概括为6个瓷窑系，它们分别是：北方地区的定窑系、耀州窑系、钧窑系和磁州窑系；南方地区的龙泉青瓷系和景德镇的青白瓷系。这些窑系一方面具有因受其所在地区使用原材料的影响而具有的特殊性，另一方面又有受帝国时代的政治理念、文化习俗、工艺水平制约而具有的共同性。\n从造型的角度分析，宋瓷的器形较之前代更为丰富多彩，几乎包括了人民日常生活用器的大部分：碗、盘、壶、罐、盒、炉、枕、砚与水注等，其中最为多见的是玉壶春瓶。总的说来，民间用瓷的造型大部分是大方朴实、经济耐用；而宫廷用瓷则端庄典雅、雍容华贵。最能反映皇家气派的是哥、官、钧、汝与定窑口烧制的贡瓷，最能体现百姓喜乐的是磁州、耀州窑口烧制的民间瓷品。\n从纹饰上讲，宋瓷的纹饰题材表现手法都极为丰富独特。一般情况下，龙、凤、鹿、鹤、游鱼、花鸟、婴戏、山水景色等常作为主体纹饰而突现在各类器形的显著部位，而回纹、卷枝卷叶纹、云头纹、钱纹、莲瓣纹等多用作边饰间饰，用以辅助主题纹饰。工匠们用刻、划、剔、画和雕塑等不同技法，在器物上把纹样的神情意态与胎体的方圆长短巧妙结合起来，形成审美与实用的统一整体，令人爱不释手。如婴戏纹，或于碗心、或于瓶腹，将肌肤稚嫩，情态活泼的童子置于花丛之中，或一或二，或三五成群，攀树折花，追逐嬉戏，真切动人，生活气息甚为浓厚。",[339,729,7,730,315],"釉里红","瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F789e0a5e594ea205d00da546abc7a911.jpg",[],{"id":734,"slug":735,"title":736,"dynasty":78,"author":19,"museum":20,"description":336,"tags":737,"thumbUrl":738,"material":162,"size":163,"collection":31,"collections":739,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":90},256855,"fen-cai-jiu-tao-tu-tian-qiu-ping-yi-ming-256855","粉彩九桃图天球瓶",[339,340,27,26,7,341,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41ef1e6d263c5b02a5923a38ad7b445f.jpg",[],{"id":741,"slug":742,"title":743,"dynasty":78,"author":19,"museum":20,"description":744,"tags":745,"thumbUrl":748,"material":162,"size":163,"collection":31,"collections":749,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},249414,"qia-si-fa-lang-kai-guang-tu-hua-guo-wen-mei-hua-kou-ping-yi-ming-249414","掐丝珐琅开光凸花果纹梅花口瓶","景泰蓝（Cloisonne），中国的著名特种金属工艺品类之一，到明代景泰年间这种工艺技术制作达到了最巅峰，制作出的工艺品最为精美而著名，故后人称这种金属器为“景泰蓝”。景泰蓝正名“铜胎掐丝珐琅”，俗名“珐蓝”，又称“嵌珐琅”，是一种在铜质的胎型上，用柔软的扁铜丝，掐成各种花纹焊上，然后把珐琅质的色釉填充在花纹内烧制而成的器物 。因其在明朝景泰年间盛行，制作技艺比较成熟，使用的珐琅釉多以蓝色为主，故而得名“景泰蓝”。",[646,583,493,27,746,747,408,7,315,730],"开光","凸雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F03f0b5cb677b760cd7b7fccf02680e0b.jpg",[],{"id":751,"slug":752,"title":753,"dynasty":78,"author":19,"museum":20,"description":515,"tags":754,"thumbUrl":757,"material":162,"size":163,"collection":31,"collections":758,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},248543,"zi-qi-miao-jin-yin-san-duo-wen-hai-tang-shi-yu-ti-cuan-he-yi-ming-248543","紫漆描金银三多纹海棠式玉屉攒盒",[406,755,27,7,320,197,315,756],"描金银","海棠式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2dd92cfc2f00caeebf8c85eef7229fd6.jpg",[],{"id":760,"slug":761,"title":762,"dynasty":78,"author":19,"museum":20,"description":763,"tags":764,"thumbUrl":766,"material":162,"size":163,"collection":31,"collections":767,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":36},248540,"jin-qi-hua-hui-tao-he-wen-mei-hua-shi-he-yi-ming-248540","金漆花卉桃鹤纹梅花式盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[338,406,765,27,315,494,7,101,154],"金漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fef9e46603a5ee8f795ff595d6061d20f.jpg",[],{"id":769,"slug":770,"title":771,"dynasty":78,"author":19,"museum":20,"description":772,"tags":773,"thumbUrl":778,"material":162,"size":163,"collection":31,"collections":779,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":36},245647,"jin-chang-fang-pen-mu-shi-tao-lu-pen-jing-yi-ming-245647","金长方盆木石桃鹿盆景","此盆景金盆錾刻蝠纹拱寿，流光溢彩华贵端庄。木枝桃树遒劲苍古，翠叶舒展间，玛瑙与碧玉寿桃垂缀枝头，饱满莹润，鲜活如生。配景以玉石雕就灵鹿，憨态可掬静立一隅，衬以玛瑙花与翠色仙草，错落生趣。\n它集雕琢、錾镶工艺于一身，将长寿、福禄的吉庆寓意藏于细节，把匠心巧思融于雅致陈设中，尽显工艺卓绝精巧，是东方吉祥意涵与造物美学融为一体的绝佳摆件。",[774,519,317,775,776,7,563,28,777],"工艺","木质","石","盆景","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcaa865d3e9a3f4ce455932e57c344cd7.jpg",[],{"id":781,"slug":782,"title":783,"dynasty":78,"author":19,"museum":20,"description":488,"tags":784,"thumbUrl":787,"material":162,"size":163,"collection":31,"collections":788,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":438},242600,"fu-shou-wen-mu-bing-jing-yi-ming-242600","福寿纹木柄镜",[78,406,656,519,775,785,786,7,422,492],"象牙","福寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10fd020502ca394ced2da338392d907c.jpg",[],{"id":790,"slug":791,"title":792,"dynasty":209,"author":793,"museum":20,"description":794,"tags":795,"thumbUrl":796,"material":31,"size":31,"collection":31,"collections":797,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":90},233325,"shi-zhu-zhai-pu-ce-hu-ri-cong-233325","十竹斋谱册","胡日从","《十竹斋书画谱》，融诗、书、画、印艺术为一体，是木版水印史上的巨制鸿构，有“画苑之白眉，绘林之赤帜”之誉。凡书画、竹、墨华、石、翎毛、梅、兰、果八谱，每谱两册，全帙共十六册，蝴蝶装。\n一为书画册。花卉竹石、翎毛蔬果二十幅，均有对题。谱前有醒天居士《题十竹斋画册小引》和芒砀山人王三德《胡曰从书画谱引》。\n二为竹谱。卷首有《梨云馆竹谱》，分“写竹要语”，“写竹括”和“写竹法”。前半为一画一题，凡竹图二十幅，分作“廻风”、“喜霁”、“带雨”、“凝露”、“贮云”、“笼烟”、“快雪”、“印月”、“怡老”、“启新”、“飞白”、“聚翠”、“紫蓧”、“朱帔”、“崖影”、“石床”、“飨松”、“访菊”、“友梅”、“佩兰”等。后半则为画竹“起手式”。\n三为墨华册。谱中图呈圆光型，对题有绿色“十竹斋琅干笺”竹纹边框。画、题各有二十幅，画面着色细润，气韵生动。谱前有语水乘槎子《十竹斋墨花题辞》。\n四为石谱。画、题各二十幅，谱前有序两篇，一为王三德《阅石谱题言》，一为米芾后人米万钟《石谱题辞》。谱中二十幅画皆为高阳所作。高阳，字秋甫，善花鸟，为万历间写生名手。高阳画奇石尤精，石谱中作品是临摹上版，王三德观后评价极高，以为“天划神缕之巧，嵌空玲珑之致，半幅冰茧，宛具层岩叠嶂、峰峦洞穴，真可以对杨次公矣。”图有墨石、彩石，但均以套版为之，每画都有对应的题赞。\n五为翎毛谱。画、题各二十幅，有杨文骢于“天启丁卯立秋日”所题《翎毛谱小序》，非常精彩地评介了胡氏所施饾版之法：“胡曰从氏巧心妙手，超越前代，以铁笔作颖生，以梨枣代绢素，而其中皴法、染法、点法，及着色之轻重、浅深、远近、离合无不呈妍曲致，穷巧极工。即当行作手观之，定以为写生妙品，不敢作刻画观。”此翎毛谱二十图，画上无名款，从印鉴来看，应全为凌云翰一人所作。凌云翰，字五云，万历、崇祯时人。《明画录》说他善画山水，其实上凌氏花鸟亦善，尤工画石，为胡正言所推许。\n六为梅谱。由玉山进士董继周作序。此册胡正言以“芳信先传”、“飘飘欲仙”、“冰壶掩映”、“暖谷回阳”、“君子之交”、“铁干支春”、“暗香浮动”、“拾翠为钿”、“黄惹蜂腰”、“额上玄功”、“东邻窥宋”、“盟坚寒素”、“香梦沉酣”、“水妃写照”、“玉骨同妍”、“疏影横斜”、“幽人赠佩”、“调脂梅粉”、“宫锦清班”、“寿阳点妆”等二十画题，分别写早梅、风梅、雪梅、枯梅、竹梅、老梅、月梅、松梅、蜡梅、墨梅、过墙梅、倚石梅、烟梅、临水梅、水仙梅、疏梅、兰花梅、茶花梅、杏花梅和落梅，或水墨，或设色，意境、造型与章法，则穷尽变化之能事。每幅画都有对应的题赞。\n七为兰谱。前有涂日昌“兰谱序”和画兰“起手执笔式”，此谱图解兰花，并附小注，颇为详尽，但无题赞。多为墨印，间有彩版，此谱可为之初学之范本。图二十幅，多是临摹赵孟頫等名家之作。\n八为果谱。画、题各二十幅，有西京韩文镜作序。其中“三元”、“朱橘”等图，雕版设计巧妙，可谓匠心独运。\n《十竹斋书画谱》自万历己未（1619年）第一谱《书画册》起，至崇祯癸酉（1633年）第八谱《果谱》止，梓印时间长达十五年之久。每谱有序言，除《竹谱》附写竹诀，《兰谱》附起手式，其余各谱均四十幅，一图一文，以书配画，交相辉映。\n胡正言辑印《十竹斋书画谱》，广交名人时贤，亦自作书画付梓。全谱序、画、诗作者或书法题写者，多达一百五十余人。谱中所辑作品大多是由当时名家如吴彬、倪瑛、魏之克、米万钟、吴士冠、文震亨、高阳、高友等创作的，也有二十多幅画稿是临摹自赵孟頫、唐寅、沈周、文征明、陆治、陈道复等著名书画家的；胡正言自己也曾为谱画稿、题诗，画有“白莲”、“墨梅”、“芝草”三图，诗有“题梅花”、“题兰竹”两首。画谱中所题诗句，笔调清新，咏物抒情，不同程度地反映了诗人们喜爱画谱的心情。题诗大部分都是书写者自己所作，也有借用前人诗句题咏的，如胡正言用唐释无可的咏兰诗题《兰竹图》，西湖仙郎何伟然用徐渭咏榴诗题《石榴图》，竹冠道人应麟用刘禹锡题开元寺枸杞诗书《枸杞诗图》等等。全谱书法篆、隶、行、楷诸体皆备，最多的还是晚明文人流行的行草。这些书迹，大都兼有晋、唐、宋书家的风韵，亦可为后人临池所借鉴。\n醒天居士的《题十竹斋画册小引》把胡正言的爱好、特长及画谱刊印的初衷和艺术水平都进行了叙述：\n“王宰十日一山，五日一石，岂肖形之难哉？山有情，石有态，磅礴得之为难耳。近代画手，千临百摹，如里媪捧心，不揜儿寝，而目食者争售之，大轴小图，祗为壁疥。新安胡曰从氏，清姿博学，既精六书，尤擅众巧。所制隃糜硾茧与所镌法语名言，皆出新裁，赏鉴家多宝爱之。乃竹斋多暇，复创画册。所选皆花果竹石，有关于幽人韵士之癖好者。而写形既妙，设色尤工，至于翠瓣丹柎，葩分蕊折，花之情，竹之姿，与禽虫飞懦之态，奇石云烟之气，展册淋漓，宛然在目。盖淡淡浓浓，篇篇神采；疏疏密密，幅幅乱真，诚画苑之白眉，绘林之赤帜也。然王宰之画妙出毫锥，胡君之画妙出梨枣，是磅礴之心，较王宰更难；而成功之捷，较王宰更简更易，岂不尤奇哉！余故喜而叙之，愿与好事者同赏，仍俟具眼者定价焉。时癸酉年中秋前二日，醒天居士书于十竹斋。”\n《十竹斋书画谱》“绘刻精而奇，谱则巧而该”，在画谱刊行后不久就引起广泛的注意，开始有人仿刻了，以至胡氏声明道“原板珍藏，素遐真赏，近有效颦，恐混鱼目，善价沽者，勿虚藻鉴。”历代重印、翻刻者达二十余种。清代李渔等人辑印的《芥子园画传》也是在它的启发下产生的。",[23,24,83,27,26,25,7,28],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4aeca192548bd004ec1bdfb145745aef.jpg",[],{"id":799,"slug":800,"title":276,"dynasty":277,"author":801,"museum":279,"description":802,"tags":803,"thumbUrl":804,"material":31,"size":31,"collection":51,"collections":805,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":806},203241,"tao-shi-tu-zhou-wang-zhen-203241","王震","篮中桃实饱满丰腴，色泽由粉至红晕染自然，似凝露含香，鲜活诱人。墨笔勾勒篮筐，线条简练却见纹理之趣，枝叶以浓淡墨色点染，与桃果的明艳设色相映成趣。题字笔墨洒脱，与画面浑然一体，尽显书画同源之妙。整幅作画笔触灵动，兼工带写，既保留了物象的生机，又蕴含吉祥长寿的美好寓意，尽显海派绘画的鲜活意趣与祝福情怀。",[23,27,25,269,48,7,99],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6f0ac44f7f4b8506c7005421ecd9d7b.jpg",[51],"d2c7b7",{"id":808,"slug":809,"title":810,"dynasty":78,"author":811,"museum":279,"description":812,"tags":813,"thumbUrl":817,"material":31,"size":31,"collection":31,"collections":818,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":819},202569,"xiao-xia-tu-zhou-zhang-xiong-202569","消夏图轴","张熊","画面铺展清寂夏日意趣：粗陶瓶插荷数枝，荷叶以淡蓝绿晕染，叶脉疏朗，花瓣留白显清润；瓶侧瓜实饱满，墨绿与浅青交织，藤蔓缠绕自然；几点桃实点缀，添鲜活生机。陶罐用淡墨皴擦出朴拙质感，花叶线条灵动，设色清雅脱俗。画风兼工带写，融文人意趣与生活气息，海派花鸟的温婉雅致尽显，消夏之悠然闲适扑面而来。",[23,25,27,814,315,7,815,26,816],"荷","青绿","立","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0447b4cda797ff4200cbf07e89c1a1f2.jpg",[],"cbc1b1",{"id":821,"slug":822,"title":823,"dynasty":78,"author":236,"museum":279,"description":824,"tags":825,"thumbUrl":827,"material":31,"size":31,"collection":51,"collections":828,"showCount":686,"zanCount":11,"manualWeight":11,"mainColor":829},201758,"tao-shi-tu-zhou-ren-yi-201758","桃石图轴","篮中桃实圆润，青绿晕染间泛着嫩黄，似盈清甜。旁侧顽石以水墨泼写，浓淡交错显嶙峋之姿；枝叶用蓝绿与焦墨挥就，苍劲中含鲜活。篮筐线条质朴，竹编纹理寥寥数笔便具质感。整体笔墨洒脱，设色清新，蔬果生机与石之古拙相融，尽显写意花鸟的灵动意趣，雅俗共赏间传递自然鲜活气息。",[826,65,27,7,776,25,315,99],"写意","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5526bd40c16d4028f39541f187a86308.jpg",[51],"c9bdb0",{"id":831,"slug":832,"title":833,"dynasty":78,"author":19,"museum":20,"description":834,"tags":835,"thumbUrl":838,"material":162,"size":163,"collection":31,"collections":839,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":36},273278,"lan-se-duan-xiu-san-duo-he-bao-shi-huo-lian-yi-ming-273278","蓝色缎绣三多荷包式火燫","荷包是中国汉族传统服饰中，人们所随身佩带的一种装零星物品的小包，后发展为爱情信物，荷包的图案有繁有简，花卉、鸟、兽、草虫、山水、人物以及吉祥语、诗词文字都有，装饰意味很浓。\n在民间荷包中，占相当比重的是香包，香包里装有香草之类的药品，包面上绣制着“五毒”，即蝎子、蛇、蜈蚣、壁虎和蟾蜍，它原是五月端午的节令物品，为了防止各种毒虫猖獗，侵害人体，人们相互馈赠，挂在衣襟或帐勾上，以避除“五毒”。就形状来看，有虎形的、鸡形的、如意形的、寿桃形的、蝙蝠形的，以取意于福、禄、寿、喜、吉祥、如意等。富有深厚民族心理基础的绣荷包，在民间文化中，显示着旺盛的生命力。",[315,314,421,836,26,316,317,318,7,197,320,25,837],"缎绣","三多题材","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3445f761382f2ddd82e5dbffa6aa793b.jpg",[],{"id":841,"slug":842,"title":843,"dynasty":78,"author":19,"museum":20,"description":844,"tags":845,"thumbUrl":847,"material":162,"size":163,"collection":31,"collections":848,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":36},272976,"zi-tan-mu-bian-qian-fa-lang-gua-ping-yi-ming-272976","紫檀木边嵌珐琅挂屏","以立体嵌饰铺陈吉庆图景，鹿身错银为斑，背负掐丝珐琅宝瓶，瓶插通灵仙草，旁侧供盘盛两枚寿桃。掐丝珐琅填色饱满明丽，饰缠枝宝相花，紫檀边框透雕缠枝古纹，勾勒雅致轮廓。\n\n鹿谐“禄”音，宝瓶寓平安，寿桃仙草祈愿福寿绵长。多工艺共融一体，将祥瑞意趣凝于方寸之间，尽显清代百宝嵌工艺的华贵精巧，是匠心独运的装饰佳器。",[405,775,846,519,563,7,315],"琺瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b8cb4a9f728cbf2583bfe967304fbeb.jpg",[],{"id":850,"slug":851,"title":852,"dynasty":78,"author":19,"museum":20,"description":853,"tags":854,"thumbUrl":856,"material":162,"size":163,"collection":31,"collections":857,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},270090,"zi-se-bo-li-tao-shi-zhui-yi-ming-270090","紫色玻璃桃式坠","此件坠饰以深紫玻璃为材，澄澈莹润如凝炼的暗夜紫霞，仿寿桃造型饱满丰润，带着成熟鲜果的鲜活生机。枝叶蜷曲裹于桃身，刀工细腻灵动，将叶片舒展脉络摹刻入微，写实中带着雅致意韵。\n\n朱红圆珠配米珠串饰点缀其上，冷暖色调相映，更衬紫料的莹润华贵。将佩饰与吉祥意趣相融，暗含福寿绵长的美好祈愿，小巧雅致可赏可玩，尽显旧时审美中内敛精巧的雅致意趣，是料器工艺中的不俗之作。",[421,855,519,7],"玻璃器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F202493ac636437afb114f2b23dd05109.jpg",[],{"id":859,"slug":860,"title":861,"dynasty":78,"author":19,"museum":20,"description":862,"tags":863,"thumbUrl":864,"material":162,"size":163,"collection":31,"collections":865,"showCount":89,"zanCount":128,"manualWeight":11,"mainColor":866},268760,"xiang-se-chou-xiu-hua-shou-pa-yi-ming-268760","香色绸绣花手帕","绸缎，泛指丝织物。古时多是有钱人家作为衣物，其颜色光滑亮丽，五彩缤纷。《儿女英雄传》第二回：“大凡到工的官儿们送礼，谁不是缂绣、呢羽、绸缎、皮张，还有玉玩、金器、朝珠、洋表的？” 老舍《四世同堂》四九：“他看不起绸缎的衣服，与文雅的态度，可又有点自惭形秽。”",[432,316,314,25,7,66,629],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F737c52b7dd54400355d9f2b5be9e13ee.jpg",[],"FF9800",{"id":868,"slug":869,"title":870,"dynasty":78,"author":19,"museum":20,"description":430,"tags":871,"thumbUrl":873,"material":162,"size":163,"collection":31,"collections":874,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":875},265539,"bao-lan-se-duan-di-mu-dan-shi-liu-tao-yun-tou-wen-tao-yi-ming-265539","宝蓝色缎地牡丹石榴桃云头纹绦",[316,872,155,197,7,630,629,421],"织锦","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8789609e3c41e80139864f42fe5f5b3f.jpg",[],"2A56C6",{"id":877,"slug":878,"title":879,"dynasty":78,"author":19,"museum":20,"description":430,"tags":880,"thumbUrl":882,"material":162,"size":163,"collection":31,"collections":883,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":438},265171,"hu-se-duan-di-zhi-yin-tao-mei-zhu-wen-tao-yi-ming-265171","湖色缎地织银桃梅竹纹绦",[316,421,7,154,66,881],"织银纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc447c26aa75d925ad4852f6cb7620631.jpg",[],{"id":885,"slug":886,"title":887,"dynasty":78,"author":19,"museum":20,"description":888,"tags":889,"thumbUrl":892,"material":162,"size":163,"collection":31,"collections":893,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":36},261651,"cheng-hua-kuan-qing-hua-he-tao-tu-zhe-yan-wan-yi-ming-261651","成化款青花鹤桃图折沿碗","青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。明宣德时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。",[339,890,101,7,891,25],"青花","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4872b8e61039c90abdf04ac7b549cdef.jpg",[],{"id":895,"slug":896,"title":897,"dynasty":78,"author":19,"museum":20,"description":336,"tags":898,"thumbUrl":899,"material":162,"size":163,"collection":31,"collections":900,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},258744,"jia-qing-kuan-fen-cai-tao-fu-ling-zhi-wen-pie-kou-ping-yi-ming-258744","嘉庆款粉彩桃蝠灵芝纹撇口瓶",[339,340,7,591,104,338,27,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1acde88425d48660e893db6c2fe35f33.jpg",[],{"id":902,"slug":903,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":905,"thumbUrl":908,"material":162,"size":163,"collection":31,"collections":909,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},248162,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248162","剔红八仙图桃式盒",[338,406,409,519,906,7,140,137,105,907],"八仙","传统纹饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2562c859fb4167432ea160a87e342979.jpg",[],{"id":911,"slug":912,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":913,"thumbUrl":915,"material":162,"size":163,"collection":31,"collections":916,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":90},248085,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248085",[406,914,519,140,7,315],"雕漆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3702498d1a6a53408cd2340ae4205570.jpg",[],{"id":918,"slug":919,"title":920,"dynasty":78,"author":19,"museum":20,"description":763,"tags":921,"thumbUrl":923,"material":162,"size":163,"collection":31,"collections":924,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":36},248073,"ti-hong-tao-shi-wen-tao-shi-he-yi-ming-248073","剔红桃实纹桃式盒",[338,406,519,409,7,573,46,922,315],"花朵","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e111812162456b972e88d1376796998.jpg",[],{"id":926,"slug":927,"title":928,"dynasty":78,"author":19,"museum":20,"description":763,"tags":929,"thumbUrl":931,"material":162,"size":163,"collection":31,"collections":932,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":36},247862,"dui-cai-ba-xian-zhu-shou-tu-tao-shi-he-yi-ming-247862","堆彩八仙祝寿图桃式盒",[338,930,519,406,7,906,140,174,27,315],"堆彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3a666499eaa7a4c3b03a8600d3da54c0.jpg",[],{"id":934,"slug":935,"title":936,"dynasty":78,"author":19,"museum":20,"description":515,"tags":937,"thumbUrl":938,"material":162,"size":163,"collection":31,"collections":939,"showCount":89,"zanCount":11,"manualWeight":11,"mainColor":387},229785,"yu-tao-fu-pei-1-yi-ming-229785","玉桃蝠珮-1",[517,519,7,422,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F73abb384304943291f72fd63904825b5.jpg",[],{"id":941,"slug":942,"title":943,"dynasty":78,"author":19,"museum":20,"description":744,"tags":944,"thumbUrl":947,"material":162,"size":163,"collection":31,"collections":948,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},270141,"qia-si-fa-lang-tao-fu-shan-zi-pen-hong-shan-hu-pen-jing-yi-ming-270141","掐丝珐琅桃蝠山子盆红珊瑚盆景",[846,646,777,945,7,422,946,315],"红珊瑚","寿纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09acd1a0b990a1923c40d23a98203c39.jpg",[],{"id":950,"slug":951,"title":952,"dynasty":78,"author":19,"museum":20,"description":430,"tags":953,"thumbUrl":957,"material":162,"size":163,"collection":31,"collections":958,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},265607,"hu-se-duan-di-hua-lan-ju-fu-tao-pan-chang-wen-tao-yi-ming-265607","湖色缎地花篮菊蝠桃盘肠纹绦",[432,316,421,954,328,422,7,955,155,494,956],"花篮","盘肠纹","吉祥纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbffbb91bb51dee92ced306f6ecea3628.jpg",[],{"id":960,"slug":961,"title":870,"dynasty":78,"author":19,"museum":20,"description":430,"tags":962,"thumbUrl":964,"material":162,"size":163,"collection":31,"collections":965,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":875},265538,"bao-lan-se-duan-di-mu-dan-shi-liu-tao-yun-tou-wen-tao-yi-ming-265538",[316,421,155,197,7,963,628],"云头纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F04a849619c41fba37adb73fafab5ee4b.jpg",[],{"id":967,"slug":968,"title":969,"dynasty":78,"author":19,"museum":20,"description":430,"tags":970,"thumbUrl":972,"material":162,"size":163,"collection":31,"collections":973,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":701},265191,"jin-di-dan-cai-wan-zi-san-duo-mu-dan-wen-tao-yi-ming-265191","金地淡彩万字三多牡丹纹绦",[421,316,432,27,26,155,320,7,971],"万字纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F10b68a2dfc094abcf71cd4c2c881a910.jpg",[],{"id":975,"slug":976,"title":977,"dynasty":78,"author":19,"museum":20,"description":430,"tags":978,"thumbUrl":980,"material":162,"size":163,"collection":31,"collections":981,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":875},265176,"pin-yue-se-duan-di-dan-cai-san-duo-mu-dan-lian-wen-tao-yi-ming-265176","品月色缎地淡彩三多牡丹莲纹绦",[316,27,155,814,7,628,979],"衣帽","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb255d6ade2cc8be0ec9aa55e37b60c68.jpg",[],{"id":983,"slug":984,"title":985,"dynasty":78,"author":19,"museum":20,"description":430,"tags":986,"thumbUrl":987,"material":162,"size":163,"collection":31,"collections":988,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":875},265141,"xue-hui-se-duan-di-shui-mo-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265141","雪灰色缎地水墨石榴桃梅竹纹绦",[316,421,65,197,154,66,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe8192ff05e2e1c098e0c800cd11d6c8a.jpg",[],{"id":990,"slug":991,"title":992,"dynasty":78,"author":19,"museum":20,"description":430,"tags":993,"thumbUrl":994,"material":162,"size":163,"collection":31,"collections":995,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":701},265139,"xue-hui-se-duan-di-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265139","雪灰色缎地石榴桃梅竹纹绦",[316,432,197,7,154,66,494,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe24ff7df2cb090e61c755b8ed1e3d4e4.jpg",[],{"id":997,"slug":998,"title":999,"dynasty":78,"author":19,"museum":20,"description":1000,"tags":1001,"thumbUrl":1006,"material":162,"size":163,"collection":31,"collections":1007,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":1008},263900,"huang-se-di-yin-chuan-zhi-mu-dan-lian-tao-shi-liu-hua-guo-wen-zhi-jin-duan-yi-ming-263900","黄色地银串枝牡丹莲桃石榴花果纹织金缎","明黄底色自带端严华贵，银线织就的花果枝蔓婉转舒展，牡丹盛放喻富贵，莲朵清雅显静和，蟠桃垂枝祈延寿，石榴绽露寓多子，吉意暗藏其间。\n织纹虚实相衬，暗花晕出柔和层次，银线随光影轻泛柔光，将精湛工巧藏于寸寸锦缎。纹样排布疏密得宜，既有宫廷器物的富丽规整，又揉进东方吉祥文化的温润意趣，尽显旧时织造美学的极致底蕴。",[316,1002,628,1003,155,1004,7,197,1005],"织金缎","黄色地","莲","花果纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffac5f247ae15c87c3d7ae69fd6199c3b.jpg",[],"FDD835",{"id":1010,"slug":1011,"title":1012,"dynasty":78,"author":19,"museum":20,"description":1013,"tags":1014,"thumbUrl":1017,"material":162,"size":163,"collection":1018,"collections":1019,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},261439,"de-hua-yao-bai-you-chi-tao-tong-zi-yi-ming-261439","德化窑白釉持桃童子","德化窑位于今福建德化，故名。作为著名的瓷窑，是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n德化瓷器是中华陶瓷烧造中的艺术珍品，始于宋代，明代后得到巨大发展。以白瓷塑佛像闻名。其制作细腻，雕刻精美，造型生动，体现了古代劳动人民的卓越才能和艺术创造力。\n在今福建德化，故名。是福建沿海地区古外销瓷重要产地之一。发现由宋到清历代窑址达一百八十处，重点发掘了屈斗宫、碗坪仑两处窑址。\n碗坪仑烧瓷较屈斗宫古窑址早，烧青白瓷，有的接近白釉，刻花蓖划纹装饰较多，盒子遗留甚丰，盖面所印阳纹装饰达一百余种，题材之丰富在南方地区首屈一指，南宋时有专门制作盒子的作坊，盒盖上阳文印花装饰题材丰富，有动物、花卉等近百种图案。划花间篦划纹亦较多，饰在碗、盘、瓶等器物上。\n屈斗宫元代办烧青白瓷，从南宋至元代。明代盛烧白瓷观音、达摩等塑像，胎釉浑然一体，如同白玉，被赞为"象牙白"、"奶白"或 "天鹅绒白。清代除烧白瓷外，盛烧青花与彩绘瓷器。元代以来，德化窑瓷器输出海外，菲律宾、马来西亚出土有元代德化窑青白瓷，泰国及东非坦桑尼亚等国家也出土有清代德化窑青花瓷器。\n这种瓷器的制作工艺程序如下：他们从地下挖取一种泥土，将它垒成一个大堆，任凭风吹、雨打、日晒，从不翻动，历时三、四十年。泥土经过这种处理，质地变得更加纯化精炼，适合制造上述各种器皿，然后抹上认为颜色合宜的釉，再将瓷器放入窑内或炉里烧制而成。因此，人们挖泥堆土，目的是替自已的儿孙贮备制造瓷器的材料而已，大量的瓷器是在城中出售， 一个威尼斯银币能买到八个瓷杯“。马可波罗的介绍，引起了西方人的强烈兴趣。",[339,1015,564,7,140,1016],"白釉","雕塑","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2235c48d0ad2834440e46c9d24617656.jpg","瓷器精选",[1018],{"id":1021,"slug":1022,"title":1023,"dynasty":78,"author":19,"museum":20,"description":654,"tags":1024,"thumbUrl":1026,"material":162,"size":163,"collection":31,"collections":1027,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},259901,"dou-cai-tao-fu-wen-pan-yi-ming-259901","斗彩桃蝠纹盘",[339,1025,7,422,315,314],"斗彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa94b88477a3639dedc4e09091cc63a7.jpg",[],{"id":1029,"slug":1030,"title":1031,"dynasty":78,"author":19,"museum":20,"description":1032,"tags":1033,"thumbUrl":1037,"material":162,"size":163,"collection":1018,"collections":1038,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},259011,"yi-xing-yao-zi-sha-tao-shi-shui-cheng-yi-ming-259011","宜兴窑紫砂桃式水丞","宜兴窑，在今江苏宜兴丁蜀镇，故名。烧瓷历史悠久，秦汉时宜兴地区陶窑密布；两晋时在均山烧青瓷，唐初在归径等地大量烧制，至晚唐、五代成为南方民间著名青瓷窑；宋、元时期，丁蜀与西渚一带大规模烧造日用陶和早期紫砂。明清时成为当时的烧陶中心。涧众村发现有唐代青瓷窑址。明代以紫砂器闻名于世，出现不少制紫砂壶名家，如供春；时大彬、李仲芳、陈仲美等，并仿烧宋代钧窑器物，因有"宜钧"之称。\n在今江苏宜兴市南部的丁蜀镇一带，故称为宜兴窑。宜兴窑从汉代始烧红陶、灰陶、和原始青瓷等等，其烧制陶瓷的历史一直延续到今天，有2000多年，故可称是最古老的窑口。宋代已开始烧造紫砂器，明代的紫砂器闻名于世，清代是其高峰。建国后，宜兴除传统的紫砂陶、均陶有很大发展外，还恢复了青瓷生产，新创了花釉陶和精陶等产品，是我国重点陶瓷产区之一。",[339,1034,519,7,1035,1036,315],"紫砂","桃式","水丞","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F875eb5b6242aa92390a9c7686309b4fe.jpg",[1018],{"id":1040,"slug":1041,"title":1042,"dynasty":78,"author":19,"museum":20,"description":1043,"tags":1044,"thumbUrl":1048,"material":162,"size":163,"collection":31,"collections":1049,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},258853,"dan-huang-di-fen-cai-hai-shui-jiang-ya-tao-fu-wen-hua-kou-hua-pen-yi-ming-258853","淡黄地粉彩海水江崖桃蝠纹花口花盆","此器花口敞沿，舒展雅致，淡黄釉色柔和温润，如春日初阳般暖而不艳。蓝彩与粉彩相映成趣，口沿回纹如意勾连，古意悠然。器身桃枝虬曲苍劲，饱满桃实缀于枝头，蝙蝠振翅翩跹环绕，暗合福寿双全的美好祈愿。下方湖石错落，海水江崖翻涌，将庭园雅趣与山海祥瑞融为一体。\n笔触细腻入微，枝叶脉络清晰可见，海水波纹流转灵动，色彩搭配明丽沉稳，将吉祥寓意与雅致审美完美融合，尽显精湛匠艺。",[339,315,340,27,1045,1046,7,422,1047,338],"海水","江崖","花口","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F67ca6f7e6c2be730e62fb93937e1cb67.jpg",[],{"id":1051,"slug":1052,"title":1053,"dynasty":78,"author":19,"museum":20,"description":888,"tags":1054,"thumbUrl":1056,"material":162,"size":163,"collection":31,"collections":1057,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},258257,"qing-hua-you-li-hong-tao-fu-wen-yu-hu-chun-ping-yi-ming-258257","青花釉里红桃蝠纹玉壶春瓶",[338,339,1055,27,7,591,315],"青花釉里红","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F20ebd34b0895c43ad82c6580b6b44dd5.jpg",[],{"id":1059,"slug":1060,"title":1061,"dynasty":209,"author":19,"museum":20,"description":727,"tags":1062,"thumbUrl":1065,"material":162,"size":163,"collection":31,"collections":1066,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},257064,"you-li-hong-zhe-zhi-tao-ju-hua-wen-pan-yi-ming-257064","釉里红折枝桃菊花纹盘",[1063,729,1064,7,328,339,491],"明代","折枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F219f59b19be30f1ede4cdb062bb14454.jpg",[],{"id":1068,"slug":1069,"title":1070,"dynasty":78,"author":19,"museum":20,"description":1071,"tags":1072,"thumbUrl":1074,"material":162,"size":163,"collection":31,"collections":1075,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},254149,"zhu-diao-dong-fang-shuo-tou-tao-xiang-yi-ming-254149","竹雕东方朔偷桃像","这件竹刻作品将东方朔偷桃的传说具象化，老者额颅高阔，虬髯垂胸，眉梢眼角暗藏狡黠笑意，把得桃后的窃喜与故作沉稳的反差勾勒得鲜活传神。\n\n刀工婉转写意，衣纹以深浅阴刻随形流转，宽袍广袖的飘逸质感呼之欲出，肩头仙桃饱满莹润，细节生动。依托竹材天然肌理，粗朴底色间尽显雕琢精细，诙谐仙翁的形象跃然而出，将神话意趣融于刀下，尽显传统竹雕工艺的精妙匠心。",[338,1073,519,140,7,66],"竹雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89dfe9f1295b9e883c9939ef11ce5376.jpg",[],{"id":1077,"slug":1078,"title":1079,"dynasty":78,"author":19,"museum":20,"description":1080,"tags":1081,"thumbUrl":1082,"material":162,"size":163,"collection":31,"collections":1083,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},253495,"zhu-diao-chi-tao-dong-fang-shuo-xiang-yi-ming-253495","竹雕持桃东方朔像","老者宽袍博袖踞坐岩上，朗笑开怀，长髯垂胸，神态诙谐灵动。右手轻托仙桃枝，饱满桃实莹润鲜活，似正为得此仙品怡然自得。衣褶流转自然，刀工圆浑朴拙，将织物垂坠质感刻画入微，岩石与座下瑞兽随竹材肌理顺势雕琢，浑然天成。\n\n整器把东方朔偷桃得手后的快意不羁诠释得淋漓尽致，竹材自带的肌理色泽更添古朴雅致，尽显竹雕工艺的写意传神与匠人巧思，是意趣盎然的传统工艺佳作。",[519,1073,664,775,140,7,239],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff23d007417d9ed50483d9cf5725161a1.jpg",[],{"id":1085,"slug":1086,"title":1087,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1088,"thumbUrl":1089,"material":162,"size":163,"collection":31,"collections":1090,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},252660,"qing-yu-qian-bi-shi-fu-tao-jiu-jiu-ru-yi-yi-ming-252660","青玉嵌碧石蝠桃九九如意",[338,517,420,519,422,7,315,647,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9fdedb56ebf64873500a363dd5c1fa76.jpg",[],{"id":1092,"slug":1093,"title":1087,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1094,"thumbUrl":1096,"material":162,"size":163,"collection":31,"collections":1097,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":1098},252659,"qing-yu-qian-bi-shi-fu-tao-jiu-jiu-ru-yi-yi-ming-252659",[517,519,1095,422,7,647,315],"嵌饰","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F037d60a3879af64824d3e228e79b9581.jpg",[],"FFFFFF",{"id":1100,"slug":1101,"title":1102,"dynasty":209,"author":19,"museum":20,"description":515,"tags":1103,"thumbUrl":1105,"material":162,"size":163,"collection":31,"collections":1106,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},252139,"qing-yu-tou-diao-san-tao-xing-pei-yi-ming-252139","青玉透雕三桃形佩",[517,421,1104,519,7],"透雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F13e685f1caba2808310a5b973d0be02e.jpg",[],{"id":1108,"slug":1109,"title":1110,"dynasty":209,"author":19,"museum":20,"description":515,"tags":1111,"thumbUrl":1113,"material":162,"size":163,"collection":31,"collections":1114,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},252045,"qing-yu-shuang-que-tao-shi-wen-qian-jian-yi-ming-252045","青玉双鹊桃实纹嵌件",[1063,517,519,25,1112,7,421],"鹊","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2a0da5f8070ebc5019c4c60a83f2c2d2.jpg",[],{"id":1116,"slug":1117,"title":1118,"dynasty":78,"author":19,"museum":20,"description":1119,"tags":1120,"thumbUrl":1121,"material":162,"size":163,"collection":31,"collections":1122,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},251933,"hong-bai-ma-nao-ke-shi-tao-zhuang-shi-hua-cha-yi-ming-251933","红白玛瑙刻诗桃桩式花插","此件取天然俏色玛瑙施艺，将石材质感与造物巧思相融。以白玛瑙摹写老桩苍朴肌理，褶皱婉转间尽显古木拙态；鲜亮红玛瑙俏雕桃实、芝草与花枝，丹色莹润鲜活，与素白素净底色相映成趣。\n匠师随形就势，将文房清玩的雅致寄寓于方寸之间，桃实暗含吉祥意趣，芝草更添清隽雅韵，整体工致不失朴拙，静置于案头，既有天然石材的灵秀质感，又携文房雅玩的闲逸意趣，尽显清隽雅致的中式美学意涵。",[338,517,519,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbf6ce7f533255fdaae08f4f77fc7c500.jpg",[],{"id":1124,"slug":1125,"title":1126,"dynasty":78,"author":19,"museum":20,"description":1127,"tags":1128,"thumbUrl":1130,"material":162,"size":163,"collection":31,"collections":1131,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},251898,"jia-qing-kuan-fei-cui-tao-xing-yan-yi-ming-251898","嘉庆款翡翠桃形砚","砚台历经秦汉、魏晋，至唐代起，各地相继发现适合制砚的石料，开始以石为主的砚台制作。其中采用甘肃岷县的洮河石、广东端州的端石、安徽歙州的歙石制作的砚台，被分别称作洮砚、端砚、歙砚。史书将洮、端、歙称作三大名砚。清末，又将河南洛阳的澄泥砚与洮、端、歙，并列为中国四大名砚。也有人主张，以天然砚石雕制的鲁砚中的红丝石砚代替澄泥砚，合称四大名砚。\n谈起砚的种类有许多种，从砚的材质可分为：玉砚、银砚、铜砚、铁砚、陶砚、瓷砚、石砚、漆砚等，其中石砚是最为普遍，也最实用的一种砚。砚台起源于新石器时代。最早的砚是半坡村遗址出土的研磨颜料的研磨器，在1980年，大陆考古学家曾在陕西省临潼县姜寨一处原始社会的遗址中，发现了一套原始人用以陶器彩绘的工具，其中有一方石砚，砚有盖，砚面微凹，凹处并有一根石质磨杵，砚旁留存数块黑色颜料。很显然，这是先民们借助磨杵研磨颜料的早期砚的形制。由于这处遗址归属于母系氏族时期的仰韶文化，故这方砚台的实际寿龄已超过了五千年了。\n清代端石砚要求因材施艺，因石构图，在题材、立意、构图、造型、利用何种雕法都要精心推敲，刻划得当。保持了端砚的古雅、朴实，古色古香、形态自然的特点。如北京故宫收藏的「端石双龙砚」、「猫蝶砚」是端砚中的佳品。",[517,1129,519,7,315],"砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd68a7f2f7907a0a0e031df307b06dba.jpg",[],{"id":1133,"slug":1134,"title":1135,"dynasty":78,"author":19,"museum":20,"description":1136,"tags":1137,"thumbUrl":1139,"material":162,"size":163,"collection":31,"collections":1140,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},251012,"yu-ti-shi-qing-yu-lou-diao-song-tao-jiu-lao-tu-xiang-tong-yi-ming-251012","御题诗青玉镂雕松桃九老图香筒","此香筒取温润青玉为料，以镂雕技法层层铺展松桃九老雅集盛景。苍松虬枝盘错，灵桃垂缀枝头，九位老者或围坐清谈，或凭栏赏景，将山林隐逸的悠然雅趣尽致展现。\n器身镌刻御题诗文，金彩填饰，玉质莹润与笔墨意趣相融，将玉雕工艺与文人雅韵合而为一。它既是案头香事雅器，亦承载祝寿祥瑞之意，尽显清代工艺的精致考究，是玉雕匠心与宫廷雅致审美交融的绝佳典范。",[517,519,1138,562,7,140,66,315,269],"镂雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3b88b3077513b8a8678bc4f5942ef1c.jpg",[],{"id":1142,"slug":1143,"title":1144,"dynasty":78,"author":19,"museum":20,"description":744,"tags":1145,"thumbUrl":1147,"material":162,"size":163,"collection":31,"collections":1148,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},249382,"qia-si-fa-lang-tao-shi-bian-fu-wen-tian-qiu-ping-yi-ming-249382","掐丝珐琅桃实蝙蝠纹天球瓶",[646,583,27,1146,7,422,494,315],"清代风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5d595ae681a711127917d3172266f854.jpg",[],{"id":1150,"slug":1151,"title":1152,"dynasty":78,"author":19,"museum":20,"description":1153,"tags":1154,"thumbUrl":1156,"material":162,"size":163,"collection":31,"collections":1157,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":438},249229,"hua-fa-lang-cai-long-tao-fu-wen-pen-yi-ming-249229","画珐琅彩龙桃蝠纹盆","敞口鎏金折沿提亮整器气质，米黄底色铺陈出雅致基调。外壁以回纹婉转连绵作地，矫健黄龙穿梭其间，金彩龙身熠熠夺目，利爪劲挺，暗藏威仪。粉桃盛放、彩蝠翩跹，与祥龙呼应，暗合福寿双全的吉庆意涵。\n\n釉色莹润亮泽，掐丝走线匀净利落，各色珐琅料饱满明丽，纹饰疏密排布得当。内壁缠枝花卉交叠延展，将重工彩饰的华贵格调尽致展现，是兼具装饰性与吉祥寓意的精巧珐琅佳作。",[338,583,582,27,1155,7,591,315],"龙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb8d91e6b9087227e08deb8981cb2e642.jpg",[],{"id":1159,"slug":1160,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1161,"thumbUrl":1162,"material":162,"size":163,"collection":31,"collections":1163,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":387},248090,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248090",[406,409,519,140,906,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9378471419aad2aec260579f200036ff.jpg",[],{"id":1165,"slug":1166,"title":1167,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1168,"thumbUrl":1171,"material":162,"size":163,"collection":31,"collections":1172,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},247425,"ti-hong-ba-xian-zhu-shou-tu-kai-guang-tao-fu-wen-yuan-he-yi-ming-247425","剔红八仙祝寿图开光桃蝠纹圆盒",[338,409,519,406,906,7,422,1169,746,1170],"祝寿","圆盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6785ddc83c125f2f3507ff2e6c845985.jpg",[],{"id":1174,"slug":1175,"title":1176,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1177,"thumbUrl":1179,"material":162,"size":163,"collection":31,"collections":1180,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},245985,"jin-tai-shan-hu-tao-shi-he-yi-ming-245985","金胎珊瑚桃式盒",[78,1178,419,7,519,315,317,517],"金胎","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F632ddeff216fac4614ca4e843e47b0f1.jpg",[],{"id":1182,"slug":1183,"title":1184,"dynasty":78,"author":19,"museum":20,"description":417,"tags":1185,"thumbUrl":1187,"material":162,"size":163,"collection":31,"collections":1188,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":36},229989,"diao-gu-tao-zhu-ling-zhi-zan-yi-ming-229989","雕骨桃竹灵芝簪",[338,519,1186,7,66,104,421],"骨","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6b7391f126e8cc2cdbe4914f42504810.jpg",[],{"id":1190,"slug":1191,"title":1192,"dynasty":78,"author":19,"museum":114,"description":1193,"tags":1194,"thumbUrl":1195,"material":1196,"size":31,"collection":31,"collections":1197,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":90},217023,"li-dai-ming-ren-tu-xiang-ce-9-yi-ming-217023","历代名人图像册-9","《历代名人图像册》是清朝时期的一部著名图书。它记录了中国历史上许多著名人物的生平事迹和照片。这本书是由佚名编著的，出版于清朝末年。\n\n《历代名人图像册》共分为五卷，每卷都以一个主题为线索，按时间顺序记录了许多著名人物的生平事迹和照片。其中，第一卷记录了中国古代的著名人物，第二卷记录了中国近代的著名人物，第三卷记录了中国现代的著名人物，第四卷记录了世界各国的著名人物，第五卷记录了清朝时期的著名人物。\n\n《历代名人图像册》是一部非常有价值的参考书，对于了解中国历史和文化有着重要的意义。这本书在当时是非常受欢迎的，并且至今仍被广泛使用。",[23,27,140,83,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F26ceb934aeb82e7edf7df623e85a341a.jpg","纸本,设色",[],{"id":1199,"slug":1200,"title":1201,"dynasty":78,"author":1202,"museum":279,"description":1203,"tags":1204,"thumbUrl":1206,"material":31,"size":31,"collection":31,"collections":1207,"showCount":128,"zanCount":11,"manualWeight":11,"mainColor":1208},201269,"tao-shi-mu-dan-tu-zhou-zhao-zhi-qian-201269","桃实牡丹图轴","赵之谦","虬干盘曲的桃树生机勃发，硕大桃实粉白相间，晕染得宜，尽显饱满圆润之态。树下牡丹开得热烈，姹紫嫣红与翠叶交叠，石体嶙峋笔墨苍劲。以篆隶笔意入画，线条刚健含金石气，设色浓艳却清雅，花卉雍容与树木古拙相融，满幅皆是富贵长寿的吉庆意蕴，尽显海派绘画的鲜活生机。",[23,24,100,25,155,7,27,1205],"工","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feba6d095d111a7ddc05d2d0b9edeeffa.jpg",[],"a19484",{"id":1210,"slug":1211,"title":1212,"dynasty":78,"author":19,"museum":20,"description":1213,"tags":1214,"thumbUrl":1216,"material":162,"size":163,"collection":31,"collections":1217,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},281438,"yang-ci-jiu-zi-shi-cheng-tao-shi-he-yi-ming-281438","洋瓷九子十成桃式盒","瓷器是由瓷石、高岭土、石英石、莫来石等烧制而成，外表施有玻璃质釉或彩绘的物器。瓷器的成形要通过在窑内经过高温（约1280℃～1400℃）烧制，瓷器表面的釉色会因为温度的不同从而发生各种化学变化，是中华文明展示的瑰宝。\n中国是瓷器的故乡，瓷器是古代劳动人民的一个重要的创造。谢肇淛在《五杂俎》记载：“今俗语窑器谓之磁器者，盖磁州窑最多，故相延名之，如银称米提，墨称腴糜之类也。”当时出现的以“磁器”代窑器是由磁州窑产量最多所致。这是迄今发现最早使用瓷器称谓的史料。",[339,846,314,7,1215],"盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5e3d69b3b699fb8073c83d3e12b70fa9.jpg",[],{"id":1219,"slug":1220,"title":1221,"dynasty":78,"author":19,"museum":20,"description":1222,"tags":1223,"thumbUrl":1225,"material":162,"size":163,"collection":31,"collections":1226,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},276372,"pan-tao-niu-jing-yi-huang-gui-fei-zhi-bao-yi-ming-276372","盘桃纽“敬懿皇贵妃之宝”","印章，用作印于文件上表示鉴定或签署的文具，一般印章都会先沾上颜料再印上，不沾颜料、印上平面后会呈现凹凸的称为钢印，有些是印于蜡或火漆上、信封上的蜡印。制作材质有 玉石、金属、木头、石头等。印章是中国传统文化的代表之一。",[48,1224,517,519,7],"篆刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6677781532066f6976a50c7bdb8d789.jpg",[],{"id":1228,"slug":1229,"title":1230,"dynasty":78,"author":19,"museum":20,"description":1231,"tags":1232,"thumbUrl":1234,"material":162,"size":163,"collection":31,"collections":1235,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},273296,"yin-du-jin-ke-tao-he-tuo-yuan-he-shi-huo-lian-yi-ming-273296","银镀金刻桃鹤椭圆盒式火燫","此作椭圆造型温婉雅致，盒面以阴刻技法晕开图景：虬曲桃枝缀满芳实，仙鹤翩跹于枝桠之间，灵禽瑞枝相映成趣，古意悠然。沉敛的银镀金底上，嵌饰白书错落点缀，为古雅添了几分灵动层次。合页处錾刻的卷草纹饰，虽经岁月磨洗，依旧可见细腻工致。\n它既是暖手伴读的实用器具，亦是可赏可玩的案头清玩，将工艺审美与日常实用相融，尽显旧时金属细作的雅致工巧，藏着文人案头的闲雅意趣，晕开往昔日常的诗意余韵。",[1233,317,519,101,7,314],"银器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9cf75e69d1fe721a46e0a098aed47ee0.jpg",[],{"id":1237,"slug":1238,"title":1239,"dynasty":78,"author":19,"museum":20,"description":1127,"tags":1240,"thumbUrl":1244,"material":162,"size":163,"collection":31,"collections":1245,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},272217,"duan-shi-diao-tao-qin-sui-xing-yan-yi-ming-272217","端石雕桃禽随形砚",[1129,1241,519,7,1242,1243],"端石","禽鸟","文房器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa4e57594eebe610bafab4bb6bb505181.jpg",[],{"id":1247,"slug":1248,"title":1249,"dynasty":78,"author":19,"museum":20,"description":1127,"tags":1250,"thumbUrl":1252,"material":162,"size":163,"collection":31,"collections":1253,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},271937,"song-hua-jiang-shi-lian-mei-tao-wen-chi-sui-xing-yan-yi-ming-271937","松花江石莲梅桃纹池随形砚",[1129,1251,519,1004,154,7,479],"随形砚","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F102180876f0e770eec986a070011910c.jpg",[],{"id":1255,"slug":1256,"title":1257,"dynasty":78,"author":19,"museum":20,"description":1127,"tags":1258,"thumbUrl":1259,"material":162,"size":163,"collection":31,"collections":1260,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},271379,"duan-shi-diao-tao-yan-yi-ming-271379","端石雕桃砚",[1129,1241,519,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe7512460ebf65cb349b148f0c8390308.jpg",[],{"id":1262,"slug":1263,"title":1264,"dynasty":78,"author":19,"museum":20,"description":1265,"tags":1266,"thumbUrl":1268,"material":162,"size":163,"collection":31,"collections":1269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},270479,"qian-long-kuan-bai-se-di-tao-hong-se-bo-li-tao-fu-wen-shui-cheng-yi-ming-270479","乾隆款白色地套红色玻璃桃蝠纹水丞","水丞又称水中丞，一般多称就是水盂。是一种古老的中国传统工艺品。它是置于书案上的贮水器，用于贮砚水，多属扁圆形，有嘴的叫“水注”，无嘴的叫“水丞”。制作古朴雅致，为文房一重要器具。水丞有玉制的，如清代青玉雕葫芦水丞，两水盂相连构成葫芦形状，周边随形雕刻枝叶缠绕，显得清朗自然。玉水丞中以明代玉工陆子冈所制作品最为著名。也有铜制的、陶瓷制的，如官哥窑肚圆式、钵盂小口式等。",[855,519,155,422,7,479,1267],"套色玻璃","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffd83cf9d8c3b243e34c18fd200a43434.jpg",[],{"id":1271,"slug":1272,"title":1273,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1274,"thumbUrl":1275,"material":162,"size":163,"collection":31,"collections":1276,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},270045,"xiang-ya-diao-dai-lian-suo-hou-tao-shi-he-yi-ming-270045","象牙雕带链索猴桃式盒",[785,519,315,240,7,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa51f329cc64691d29f8a89b6e3d0862c.jpg",[],{"id":1278,"slug":1279,"title":1280,"dynasty":78,"author":19,"museum":20,"description":1281,"tags":1282,"thumbUrl":1284,"material":162,"size":163,"collection":31,"collections":1285,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},269944,"huang-yang-mu-diao-tao-shi-he-yi-ming-269944","黄杨木雕桃式盒","木雕是雕塑的一种，在我们国家常常被称为“民间工艺”。木雕可以分为立体圆雕、根雕、浮雕三大类。木雕是从木工中分离出来的一个工种，在我们国家的工种分类中为“精细木工”。\n以雕刻材料分类的民间美术品种。一般选用质地细密坚韧，不易变形的树种如楠木、紫檀、樟木、柏木、银杏、沉香、红木、龙眼等。\n木雕是以各种木材及树根为材料进行雕刻，是以传统雕刻工艺中的重要门类。木雕的历史非常悠久，在浙江余姚河姆渡文化遗址就有木雕鱼出土，这是我国木雕史上最早的实物。河南信阳战国大墓出土的木雕镇木兽，湖北云梦汉墓出土的彩雕木佣均为我国早期木雕作品。由于保存的困难，现今很难看到超过千年的木雕作品。\n两宋时期木雕作品较为多见，这时的木雕已采用组织细密的木材为载体进行制作，这就有利于木雕作品的传世。我国的一些庙宇里还保存有宋代的木雕作品。\n元明时由于海外贸易的急速发展，木材种类有所增加，许多由海外进口的硬质木材，是木雕工艺得到长足发展。\n明清期间是木雕艺术的一个辉煌时期，涌现出大量有史可考的名家、艺人及其作品，是古代木雕艺术的一个高峰。\n清末至民国年间由于政府的腐败，国力的衰退，外强的侵略，民不潦生，木雕艺术从此衰落，艺人名家也只能沦为匠人糊口度日。新中国成立后在党和国家的关怀下，民间工艺得到了保护及挖掘，木雕也重新涣发出生命，涌现出一批国家级大师。他们的作品，工艺精湛，秉承传统，立意深远，讴歌时代，体现了大师们立足传统，锐意创新，直抒重获新生的胸怀和报效国家，知遇之恩的深情。\n国家改革开放，经济腾飞，国富民强，党和国家对民间工艺的大力扶持，唤起了民众对传统工艺美术的热爱与追求。逢此盛世，民间工艺美术有了新的飞跃，木雕艺术也不例外。面对实际情况，在全国工艺品展出中，优秀作品的作者年龄偏大，年轻作者寥寥无几。",[519,1283,775,315,314,240,7],"木刻","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faf097b12f4e2be9f225493408c1db9fa.jpg",[],{"id":1287,"slug":1288,"title":1289,"dynasty":78,"author":19,"museum":20,"description":1265,"tags":1290,"thumbUrl":1292,"material":162,"size":163,"collection":31,"collections":1293,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},269876,"zhu-gen-diao-tao-shi-shui-cheng-yi-ming-269876","竹根雕桃式水丞",[1291,519,7,479,315],"竹质","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc455a8b0798a431d529e0e5994e3833.jpg",[],{"id":1295,"slug":1296,"title":1297,"dynasty":78,"author":19,"museum":20,"description":580,"tags":1298,"thumbUrl":1300,"material":162,"size":163,"collection":31,"collections":1301,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},269873,"ya-diao-tao-shi-bei-yi-ming-269873","牙雕桃式杯",[519,785,1299,7,315],"饮酒器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd11e30b3657ff588ab58fe52cbadc2b8.jpg",[],{"id":1303,"slug":1304,"title":1305,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1306,"thumbUrl":1308,"material":162,"size":163,"collection":31,"collections":1309,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269862,"zhu-gen-diao-shuang-tao-shi-he-yi-ming-269862","竹根雕双桃式盒",[1291,519,1307,7,1215,314],"根雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F43acb23d9fca96879aef69c82556d81e.jpg",[],{"id":1311,"slug":1312,"title":1313,"dynasty":209,"author":19,"museum":20,"description":580,"tags":1314,"thumbUrl":1316,"material":162,"size":163,"collection":31,"collections":1317,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},269846,"xi-jiao-diao-tao-shi-bei-yi-ming-269846","犀角雕桃式杯",[519,1315,1299,314,7],"犀角","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd830fd2a5c563d6677ed8700ac1e0676.jpg",[],{"id":1319,"slug":1320,"title":1321,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1322,"thumbUrl":1324,"material":162,"size":163,"collection":31,"collections":1325,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269606,"xiang-ya-ran-diao-tao-shi-he-yi-ming-269606","象牙染雕桃式盒",[785,519,1323,1215,7,422,341,314,315],"染雕","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F780158700fc78a6bbf6f93cb02b7cc0d.jpg",[],{"id":1327,"slug":1328,"title":1329,"dynasty":78,"author":19,"museum":20,"description":476,"tags":1330,"thumbUrl":1331,"material":162,"size":163,"collection":31,"collections":1332,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},269598,"xiang-ya-diao-ling-zhi-tao-tu-bi-tong-yi-ming-269598","象牙雕灵芝桃图笔筒",[519,785,478,104,422,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F414bb9bd00bae46d36a64ce9b83ff0ab.jpg",[],{"id":1334,"slug":1335,"title":1336,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1337,"thumbUrl":1338,"material":162,"size":163,"collection":31,"collections":1339,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269562,"xiang-ya-diao-shuang-ren-peng-tao-tu-he-yi-ming-269562","象牙雕双人捧桃图盒",[315,519,785,314,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F399fd6f27915fcc43833987900e3760f.jpg",[],{"id":1341,"slug":1342,"title":1336,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1343,"thumbUrl":1344,"material":162,"size":163,"collection":31,"collections":1345,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},269561,"xiang-ya-diao-shuang-ren-peng-tao-tu-he-yi-ming-269561",[519,785,315,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff62e7f6784da35072592765fb3d43da4.jpg",[],{"id":1347,"slug":1348,"title":1336,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1349,"thumbUrl":1350,"material":162,"size":163,"collection":31,"collections":1351,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269557,"xiang-ya-diao-shuang-ren-peng-tao-tu-he-yi-ming-269557",[785,519,315,314,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc5133cfaab212f8fe1ecbed060e6c964.jpg",[],{"id":1353,"slug":1354,"title":1355,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1356,"thumbUrl":1357,"material":162,"size":163,"collection":31,"collections":1358,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269508,"zi-tan-qian-yu-shi-tao-ju-wen-wei-jiao-fang-he-yi-ming-269508","紫檀嵌玉石桃菊纹委角方盒",[775,517,7,328,314,420,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F412bafa1f14ff6d3880e248cf4fdd03a.jpg",[],{"id":1360,"slug":1361,"title":1362,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1363,"thumbUrl":1364,"material":162,"size":163,"collection":31,"collections":1365,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},269348,"zi-tan-fang-zhu-gen-qian-yu-tao-fu-wen-tao-shi-he-yi-ming-269348","紫檀仿竹根嵌玉桃蝠纹桃式盒",[775,519,420,517,66,7,422,494,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F81686abdb28adc37e8284b0f83810978.jpg",[],{"id":1367,"slug":1368,"title":1369,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1370,"thumbUrl":1371,"material":162,"size":163,"collection":31,"collections":1372,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},269332,"zi-tan-qian-yu-dai-ti-tao-shi-shuang-lian-he-yi-ming-269332","紫檀嵌玉带屉桃式双连盒",[315,775,517,519,314,7,420],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1ab828a1874edd1a9f223de57616a6e9.jpg",[],{"id":1374,"slug":1375,"title":1376,"dynasty":78,"author":19,"museum":20,"description":763,"tags":1377,"thumbUrl":1378,"material":162,"size":163,"collection":31,"collections":1379,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},269317,"zi-tan-diao-tao-shi-he-yi-ming-269317","紫檀雕桃式盒",[775,519,1283,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb929b97c553c833b5c1e0732beb1dc1a.jpg",[],{"id":1381,"slug":1382,"title":1383,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":1385,"thumbUrl":1387,"material":162,"size":163,"collection":31,"collections":1388,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},268675,"bai-yu-jie-zhi-yi-ming-268675","白玉戒指","古文云:“石之美，谓之玉”，中国古代玉器多用于祭祀、佩戴、陪葬等场景。玉石因其细腻的质地和优雅的外观而在历史上享有盛誉。同时，玉器被赋予了“玉树临风”、“温润如玉”等多种品质，成为道德的体现。自古以来，它就有着厚重的文化含蕴。\n玉器在中国文化中起着无法替代的作用，可以说，纵观中国文明史，玉从石器时代一直到现在都发挥着不可忽视的重要的作用。让我们走进历史上玉器的更迭。\n在中国历史长河中，玉原本是以一种装饰品为主要作用。新石器时代中后期后，小玉器地位逐渐被大玉器所取代，大玉器是政治意义的体现。当时古人受中封建等级观念和原始宗教观念的影响，人们将其观念逐渐渗透到玉器中，这时中国玉文化的玉器主流时期正式到来。\n据考古学发现，新石器时代晚期，出土了大量玉琮。在这一时期的玉器，被赋予通灵天地之间神器的作用。它是与天地之神沟通的一种工具，在重大祭祀活动中，玉是作为交流的媒介。这个时代也是玉器神器时代。\n从春秋战国到汉代，玉被视为统治者身份的象征，其中最著名的是和氏璧，秦王愿意用十五座城市进行交换，秦始皇用这块和氏璧铸了御玺。那个时候谁有传国之令，就被视为一国之君的前兆，如同金庸小说中倚天剑屠龙刀的地位一样，可以率统天下。\n根据考古发现，汉代时期的墓葬中出土了金缕玉衣，这是汉代玉器的一个特殊时期，也可以称之为明玉时代，在此期间墓葬中使用了各种玉衣和蝉。汉朝玉器的黄金时代。\n以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n玉器经历7000多年的发展，从简单的装饰品发展到古代宗教祭拜、礼仪用品，再到象征高尚道德品质的装饰品，最后上升为丰富的艺术鉴赏作品，深入反映了不同历史时期的社会发展演变过程。",[517,421,519,1386,422,7],"戒指","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8876ce4609a43985b95395da162c644f.jpg",[],{"id":1390,"slug":1391,"title":1392,"dynasty":78,"author":19,"museum":20,"description":1393,"tags":1394,"thumbUrl":1395,"material":162,"size":163,"collection":31,"collections":1396,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},268316,"bao-lan-se-duan-xiu-hua-hui-wen-mao-piao-dai-yi-ming-268316","宝蓝色缎绣花卉纹帽飘带","绣法是以绣线横排，故名。如，特点是整齐、均匀，圆润；在绣叶瓣时，在中间分开，运用斜针成倒人字形；也有绣成中间针迹相交叠的形式；也可绣成中间作一钉线的绣法。排绣针法富有变化，刺绣出的花瓣、叶瓣得体逼真，用途较广。",[316,432,494,66,156,7,979],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8564c11498b80762c104d365aca99900.jpg",[],{"id":1398,"slug":1399,"title":1400,"dynasty":78,"author":19,"museum":20,"description":1393,"tags":1401,"thumbUrl":1402,"material":162,"size":163,"collection":31,"collections":1403,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},268315,"jiang-zi-se-duan-xiu-hua-hui-wen-mao-piao-dai-yi-ming-268315","绛紫色缎绣花卉纹帽飘带",[979,316,26,432,66,7,494,422],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9199c35704d0a6271bfaab0d4063f8b5.jpg",[],{"id":1405,"slug":1406,"title":1407,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1408,"thumbUrl":1409,"material":162,"size":163,"collection":31,"collections":1410,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},267938,"hu-se-duan-di-san-duo-ju-mu-dan-wen-tao-yi-ming-267938","湖色缎地三多菊牡丹纹绦",[316,421,155,328,320,7,197,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa56cd3dc1182c1f0b0ac5c6f580c4594.jpg",[],{"id":1412,"slug":1413,"title":1414,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1415,"thumbUrl":1417,"material":162,"size":163,"collection":31,"collections":1418,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},267933,"pin-lan-se-duan-di-san-duo-mu-dan-wen-tao-yi-ming-267933","品蓝色缎地三多牡丹纹绦",[316,421,155,7,628,1416],"花卉纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fce051f9353782c4f227e6d287b9f0ad1.jpg",[],{"id":1420,"slug":1421,"title":1414,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1422,"thumbUrl":1424,"material":162,"size":163,"collection":31,"collections":1425,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},267932,"pin-lan-se-duan-di-san-duo-mu-dan-wen-tao-yi-ming-267932",[316,682,155,197,7,1423,1416],"吉祥纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8c0961f8db457444b0b5fc9262de4ca3.jpg",[],{"id":1427,"slug":1428,"title":1429,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1430,"thumbUrl":1431,"material":162,"size":163,"collection":31,"collections":1432,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265692,"yuan-qing-se-duan-di-dan-cai-tao-zhu-ju-wen-tao-yi-ming-265692","元青色缎地淡彩桃竹菊纹绦",[421,316,432,27,7,66,328,494,979],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f1b5c4f8852bf935e2be7b5d32c400a.jpg",[],{"id":1434,"slug":1435,"title":1436,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1437,"thumbUrl":1438,"material":162,"size":163,"collection":31,"collections":1439,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265640,"yuan-qing-se-duan-di-mei-he-tao-lan-wen-tao-yi-ming-265640","元青色缎地梅荷桃兰纹绦",[432,316,421,154,814,7,156,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe67142f2f205fcf0b6bb1f53e4d1bc6f.jpg",[],{"id":1441,"slug":1442,"title":1443,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1444,"thumbUrl":1446,"material":162,"size":163,"collection":31,"collections":1447,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},265570,"hu-se-duan-di-tao-shi-liu-mu-dan-wen-tao-yi-ming-265570","湖色缎地桃石榴牡丹纹绦",[421,316,432,155,7,197,1445,682],"中国结","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3eec0a92d23cddfb7a0d72c0fc0c6dc.jpg",[],{"id":1449,"slug":1450,"title":1451,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1452,"thumbUrl":1453,"material":162,"size":163,"collection":31,"collections":1454,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},265569,"ou-he-se-duan-di-tao-shi-liu-mu-dan-wen-tao-yi-ming-265569","藕荷色缎地桃石榴牡丹纹绦",[316,421,155,7,197,682],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fec4674cd58c32dd14955dea27e2ca938.jpg",[],{"id":1456,"slug":1457,"title":1458,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1459,"thumbUrl":1460,"material":162,"size":163,"collection":31,"collections":1461,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265568,"pin-lan-se-duan-di-tao-shi-liu-mu-dan-wen-tao-yi-ming-265568","品蓝色缎地桃石榴牡丹纹绦",[316,683,7,197,155,494,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F879257265de306e2cc2bab004f2f8434.jpg",[],{"id":1463,"slug":1464,"title":1465,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1466,"thumbUrl":1467,"material":162,"size":163,"collection":31,"collections":1468,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265567,"pin-yue-se-duan-di-tao-shi-liu-mu-dan-wen-tao-yi-ming-265567","品月色缎地桃石榴牡丹纹绦",[316,421,155,7,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa66bcc26d123542bddb27961b995a9b3.jpg",[],{"id":1470,"slug":1471,"title":1465,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1472,"thumbUrl":1473,"material":162,"size":163,"collection":31,"collections":1474,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265566,"pin-yue-se-duan-di-tao-shi-liu-mu-dan-wen-tao-yi-ming-265566",[316,421,27,155,7,197,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3249a8227676b81f22f9d1a9a5c3280e.jpg",[],{"id":1476,"slug":1477,"title":625,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1478,"thumbUrl":1479,"material":162,"size":163,"collection":31,"collections":1480,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265542,"xue-hui-se-duan-di-hua-die-yun-tou-shi-liu-tao-mu-dan-wen-tao-yi-ming-265542",[316,421,155,197,7,629,630,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0590597d571a1a2e6731bc2e2a4dcdcc.jpg",[],{"id":1482,"slug":1483,"title":1484,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1485,"thumbUrl":1486,"material":162,"size":163,"collection":31,"collections":1487,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265188,"yuan-qing-se-duan-di-dan-cai-mu-dan-san-duo-wen-tao-yi-ming-265188","元青色缎地淡彩牡丹三多纹绦",[316,421,27,26,155,629,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F986e8a1bef1a5817ad8cfacb547a1718.jpg",[],{"id":1489,"slug":1490,"title":1491,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1492,"thumbUrl":1494,"material":162,"size":163,"collection":31,"collections":1495,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},265183,"yue-bai-se-duan-di-san-duo-ju-hua-wen-tao-yi-ming-265183","月白色缎地三多菊花纹绦",[316,421,432,25,155,1493,7,629,319],"菊花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F032a6bf9d49870c4a2dd118fa108072a.jpg",[],{"id":1497,"slug":1498,"title":1499,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1500,"thumbUrl":1504,"material":162,"size":163,"collection":31,"collections":1505,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265177,"pin-yue-se-duan-di-dan-cai-san-duo-lian-mei-wen-tao-yi-ming-265177","品月色缎地淡彩三多莲梅纹绦",[316,432,421,1501,197,1502,1503,320,7,25],"淡彩","梅花","莲花","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F593ca889d0f7c4bd47c0206305acf343.jpg",[],{"id":1507,"slug":1508,"title":879,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1509,"thumbUrl":1510,"material":162,"size":163,"collection":31,"collections":1511,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265170,"hu-se-duan-di-zhi-yin-tao-mei-zhu-wen-tao-yi-ming-265170",[316,421,7,154,66,681],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4e476e39900120ce8a19db0dcbdd9432.jpg",[],{"id":1513,"slug":1514,"title":1515,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1516,"thumbUrl":1517,"material":162,"size":163,"collection":31,"collections":1518,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265166,"yang-hong-se-duan-di-ju-zhu-tao-shi-liu-lian-wen-tao-yi-ming-265166","洋红色缎地菊竹桃石榴莲纹绦",[316,421,432,27,25,328,66,7,197,1004,155],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F850756eee3264a9a87bfbd72a2191678.jpg",[],{"id":1520,"slug":1521,"title":1515,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1522,"thumbUrl":1523,"material":162,"size":163,"collection":31,"collections":1524,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265165,"yang-hong-se-duan-di-ju-zhu-tao-shi-liu-lian-wen-tao-yi-ming-265165",[316,421,432,27,66,328,7,197,433,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc35adabe76a598ca2d55e4e248420774.jpg",[],{"id":1526,"slug":1527,"title":1528,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1529,"thumbUrl":1530,"material":162,"size":163,"collection":31,"collections":1531,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265159,"pin-lan-se-duan-di-mei-zhu-tao-shi-liu-he-hua-wen-tao-yi-ming-265159","品蓝色缎地梅竹桃石榴荷花纹绦",[316,421,432,27,154,66,7,197,433],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F51d7633f18a66edfed9466f09ff69663.jpg",[],{"id":1533,"slug":1534,"title":1528,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1535,"thumbUrl":1537,"material":162,"size":163,"collection":31,"collections":1538,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265158,"pin-lan-se-duan-di-mei-zhu-tao-shi-liu-he-hua-wen-tao-yi-ming-265158",[316,421,154,66,7,433,197,494,1536],"织绣纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8254ce25e93b56e82818ff4ae1ddd47e.jpg",[],{"id":1540,"slug":1541,"title":1542,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1543,"thumbUrl":1544,"material":162,"size":163,"collection":31,"collections":1545,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265156,"pin-lan-se-duan-di-mei-zhu-tao-shi-liu-wen-tao-yi-ming-265156","品蓝色缎地梅竹桃石榴纹绦",[432,316,421,25,154,66,7,197,814],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a4b127136ec50fe24f9c37863f3c021.jpg",[],{"id":1547,"slug":1548,"title":1549,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1550,"thumbUrl":1551,"material":162,"size":163,"collection":31,"collections":1552,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265154,"yuan-qing-se-duan-di-mei-zhu-tao-shi-liu-he-hua-wen-tao-yi-ming-265154","元青色缎地梅竹桃石榴荷花纹绦",[316,421,154,66,7,197,433,1536],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9e1f2fbdcc9fe7ea171334b609df73aa.jpg",[],{"id":1554,"slug":1555,"title":1549,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1556,"thumbUrl":1557,"material":162,"size":163,"collection":31,"collections":1558,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265153,"yuan-qing-se-duan-di-mei-zhu-tao-shi-liu-he-hua-wen-tao-yi-ming-265153",[316,421,432,154,66,7,197,433,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F874fd4df048e5a08a7bd4e379bbe214d.jpg",[],{"id":1560,"slug":1561,"title":1562,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1563,"thumbUrl":1564,"material":162,"size":163,"collection":31,"collections":1565,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265151,"yuan-qing-se-duan-di-dan-cai-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265151","元青色缎地淡彩石榴桃梅竹纹绦",[432,316,1501,197,7,154,66,494,421,682],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3230d8e239cb22e572c64a71a28b2d06.jpg",[],{"id":1567,"slug":1568,"title":1562,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1569,"thumbUrl":1570,"material":162,"size":163,"collection":31,"collections":1571,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265150,"yuan-qing-se-duan-di-dan-cai-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265150",[316,421,154,66,7,197,25,1501,432],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F76f25855f16c8d0fbef9df9774daaa8b.jpg",[],{"id":1573,"slug":1574,"title":1562,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1575,"thumbUrl":1576,"material":162,"size":163,"collection":31,"collections":1577,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265148,"yuan-qing-se-duan-di-dan-cai-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265148",[316,682,628,1501,66,154,7,197,433,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fba418dfca8f2c0abf78cc7d894ff9893.jpg",[],{"id":1579,"slug":1580,"title":1581,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1582,"thumbUrl":1584,"material":162,"size":163,"collection":31,"collections":1585,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265147,"bao-lan-se-duan-di-dan-cai-shi-liu-tao-lian-mei-zhu-wen-tao-yi-ming-265147","宝蓝色缎地淡彩石榴桃莲梅竹纹绦",[316,421,432,1501,197,7,1004,154,66,1583],"花卉纹样","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc97fc36dc8fc562691d20b2369ae821.jpg",[],{"id":1587,"slug":1588,"title":1581,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1589,"thumbUrl":1590,"material":162,"size":163,"collection":31,"collections":1591,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265146,"bao-lan-se-duan-di-dan-cai-shi-liu-tao-lian-mei-zhu-wen-tao-yi-ming-265146",[316,628,1501,66,433,197,7,154,1416,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4a832a6728505651ab20e6e3da36fc7.jpg",[],{"id":1593,"slug":1594,"title":1595,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1596,"thumbUrl":1597,"material":162,"size":163,"collection":31,"collections":1598,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265145,"xue-hui-se-duan-di-dan-cai-ju-tao-mei-zhu-wen-tao-yi-ming-265145","雪灰色缎地淡彩菊桃梅竹纹绦",[316,432,27,25,154,66,328,7,1242,682],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0643b23cb3fe0f343b37c482e3c86078.jpg",[],{"id":1600,"slug":1601,"title":1602,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1603,"thumbUrl":1604,"material":162,"size":163,"collection":31,"collections":1605,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265143,"xue-hui-se-duan-di-dan-cai-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265143","雪灰色缎地淡彩石榴桃梅竹纹绦",[316,421,1501,197,7,154,66,341],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0e98883ab6d7c0617c8f5017f7c3aee3.jpg",[],{"id":1607,"slug":1608,"title":1609,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1610,"thumbUrl":1611,"material":162,"size":163,"collection":31,"collections":1612,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265142,"xue-hui-se-duan-di-dan-cai-tao-mei-zhu-wen-tao-yi-ming-265142","雪灰色缎地淡彩桃梅竹纹绦",[628,316,421,7,154,66,494,1501],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc0290c8770db0c6fd67b0db46ff531da.jpg",[],{"id":1614,"slug":1615,"title":985,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1616,"thumbUrl":1617,"material":162,"size":163,"collection":31,"collections":1618,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265140,"xue-hui-se-duan-di-shui-mo-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265140",[316,421,432,197,154,66,7,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1294454c0518a10eed4a6110a3aac2aa.jpg",[],{"id":1620,"slug":1621,"title":992,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1622,"thumbUrl":1623,"material":162,"size":163,"collection":31,"collections":1624,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},265138,"xue-hui-se-duan-di-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265138",[316,682,197,7,154,66,494,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F82068d72f76fe81d50ee643ca4fcc537.jpg",[],{"id":1626,"slug":1627,"title":1628,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1629,"thumbUrl":1630,"material":162,"size":163,"collection":31,"collections":1631,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265137,"xue-hui-se-duan-di-tao-mei-zhu-wen-tao-yi-ming-265137","雪灰色缎地桃梅竹纹绦",[316,421,432,7,154,66,1416],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F044905774768408a393ec365eeec643a.jpg",[],{"id":1633,"slug":1634,"title":992,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1635,"thumbUrl":1636,"material":162,"size":163,"collection":31,"collections":1637,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},265135,"xue-hui-se-duan-di-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265135",[432,316,421,197,7,154,66,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54c3ed1c1e81abf06c6965eca04a988b.jpg",[],{"id":1639,"slug":1640,"title":992,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1641,"thumbUrl":1642,"material":162,"size":163,"collection":31,"collections":1643,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265134,"xue-hui-se-duan-di-shi-liu-tao-mei-zhu-wen-tao-yi-ming-265134",[432,316,421,197,7,154,66,341,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4d10913f8d45ea8c970d5a1dfc8ad3ad.jpg",[],{"id":1645,"slug":1646,"title":697,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1647,"thumbUrl":1648,"material":162,"size":163,"collection":31,"collections":1649,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265094,"pin-lan-se-duan-di-tao-mei-zhu-wen-tao-yi-ming-265094",[316,421,7,154,66,341,872],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F096cb27b7f959adabd7d346b5cdd202b.jpg",[],{"id":1651,"slug":1652,"title":1653,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1654,"thumbUrl":1655,"material":162,"size":163,"collection":31,"collections":1656,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265092,"hu-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265092","湖色缎地梅桃竹石榴纹绦",[432,316,154,7,66,197,25,682],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8a396f216968decbdf35ae5f514f81ee.jpg",[],{"id":1658,"slug":1659,"title":1653,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1660,"thumbUrl":1661,"material":162,"size":163,"collection":31,"collections":1662,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265091,"hu-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265091",[316,421,432,154,7,66,197,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F83e627720a6029f15d95605f83a58209.jpg",[],{"id":1664,"slug":1665,"title":1666,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1667,"thumbUrl":1668,"material":162,"size":163,"collection":31,"collections":1669,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265090,"pin-yue-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265090","品月色缎地梅桃竹石榴纹绦",[316,421,154,7,66,197,872,1416],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8f11ffc4077cf6eba9e465cb2bc12fc4.jpg",[],{"id":1671,"slug":1672,"title":1666,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1673,"thumbUrl":1674,"material":162,"size":163,"collection":31,"collections":1675,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265089,"pin-yue-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265089",[432,316,154,7,66,197,341,682],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F68c46cb03916b1247ab193d2133592cf.jpg",[],{"id":1677,"slug":1678,"title":1679,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1680,"thumbUrl":1681,"material":162,"size":163,"collection":31,"collections":1682,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265086,"bao-lan-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265086","宝蓝色缎地梅桃竹石榴纹绦",[316,421,154,7,66,197,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5cb3c360ed958061384183559774a9b3.jpg",[],{"id":1684,"slug":1685,"title":1679,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1686,"thumbUrl":1687,"material":162,"size":163,"collection":31,"collections":1688,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265085,"bao-lan-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265085",[316,421,154,7,66,197,341,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbd7e8398b9b76d7c4376c8ec2034fd3.jpg",[],{"id":1690,"slug":1691,"title":1692,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1693,"thumbUrl":1694,"material":162,"size":163,"collection":31,"collections":1695,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265084,"pin-yue-se-duan-di-tao-shi-liu-mei-zhu-wen-tao-yi-ming-265084","品月色缎地桃石榴梅竹纹绦",[316,421,7,197,154,66,341,628],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff1bcd08a85ce487bddec80fd8d6be39c.jpg",[],{"id":1697,"slug":1698,"title":1699,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1700,"thumbUrl":1701,"material":162,"size":163,"collection":31,"collections":1702,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265083,"yuan-qing-se-duan-di-mei-tao-zhu-shi-liu-wen-tao-yi-ming-265083","元青色缎地梅桃竹石榴纹绦",[316,682,628,154,7,66,197],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8250e3036411eb4ed474aa4399269e2c.jpg",[],{"id":1704,"slug":1705,"title":1706,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1707,"thumbUrl":1708,"material":162,"size":163,"collection":31,"collections":1709,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265082,"xue-hui-se-duan-di-mei-tao-zhu-wen-tao-yi-ming-265082","雪灰色缎地梅桃竹纹绦",[316,421,154,7,66,494,628,341],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5ffd72b1eb1a86569765b8a0b783b5f1.jpg",[],{"id":1711,"slug":1712,"title":1706,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1713,"thumbUrl":1714,"material":162,"size":163,"collection":31,"collections":1715,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265081,"xue-hui-se-duan-di-mei-tao-zhu-wen-tao-yi-ming-265081",[316,421,432,154,7,66,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4bec400f9538292a3625cad14406c134.jpg",[],{"id":1717,"slug":1718,"title":1719,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1720,"thumbUrl":1721,"material":162,"size":163,"collection":31,"collections":1722,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265067,"pin-lan-se-duan-di-mo-cai-tao-mei-zhu-wen-tao-yi-ming-265067","品蓝色缎地墨彩桃梅竹纹绦",[316,682,7,154,66,494,432],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F97a1a212a57cd381a92e94417e8c7d39.jpg",[],{"id":1724,"slug":1725,"title":1726,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1727,"thumbUrl":1728,"material":162,"size":163,"collection":31,"collections":1729,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},265065,"pin-lan-se-duan-di-dan-cai-tao-mei-zhu-wen-tao-yi-ming-265065","品蓝色缎地淡彩桃梅竹纹绦",[682,316,432,1501,7,154,66,341,1502,25],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F98afb5dde4355731cb1e44c94421b10b.jpg",[],{"id":1731,"slug":1732,"title":1733,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1734,"thumbUrl":1735,"material":162,"size":163,"collection":31,"collections":1736,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":875},265062,"pin-yue-se-duan-di-dan-cai-tao-mei-zhu-wen-tao-yi-ming-265062","品月色缎地淡彩桃梅竹纹绦",[316,421,7,154,66,494,628,1501],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffa6e693f0e7875c077ab02b021ecde6e.jpg",[],{"id":1738,"slug":1739,"title":705,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1740,"thumbUrl":1741,"material":162,"size":163,"collection":31,"collections":1742,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},265058,"hu-se-duan-di-tao-mei-zhu-shi-liu-lian-hua-wen-tao-yi-ming-265058",[316,421,432,7,154,66,197,433,494],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F89a3c17bb813b426a452997072a0fff4.jpg",[],{"id":1744,"slug":1745,"title":1746,"dynasty":78,"author":19,"museum":20,"description":430,"tags":1747,"thumbUrl":1749,"material":162,"size":163,"collection":31,"collections":1750,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},265057,"hu-se-duan-di-dan-cai-tao-mei-zhu-wen-tao-yi-ming-265057","湖色缎地淡彩桃梅竹纹绦",[316,421,432,7,154,66,1501,1748],"花鸟纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6aa4adade8a32f18a58432ebc48fab7f.jpg",[],{"id":1752,"slug":1753,"title":1754,"dynasty":209,"author":19,"museum":20,"description":1755,"tags":1756,"thumbUrl":1760,"material":162,"size":163,"collection":31,"collections":1761,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},260433,"wan-li-kuan-wu-cai-zhe-zhi-hua-guo-wen-chang-fang-die-yi-ming-260433","万历款五彩折枝花果纹长方碟","这只长方小碟器型秀巧挺拔，敛口方足，线条利落爽利。外壁以五彩绘制折枝寿桃，矾红晕染果实，饱满圆润，色泽鲜妍厚实，绿彩勾勒枝叶，舒展灵动，青花点饰辅助纹样，沉静的蓝与暖艳的红撞色相宜，明快雅致。内壁亦饰折枝花果，构图疏朗清逸，笔意带着朴拙天真的民间意趣。整体设色浓淡得宜，尽显晚明五彩瓷明艳鲜活的装饰风韵，带着民窑瓷绘特有的质朴生机，是明代彩瓷中颇具代表性的精巧小品。",[339,314,1757,1758,7,1759],"五彩","折枝花果","碟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F05c8a8294d2968ae699563c2de1f8d01.jpg",[],{"id":1763,"slug":1764,"title":1765,"dynasty":78,"author":19,"museum":20,"description":336,"tags":1766,"thumbUrl":1768,"material":162,"size":163,"collection":31,"collections":1769,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259863,"wu-cai-san-duo-wen-mei-ping-yi-ming-259863","五彩三多纹梅瓶",[339,1767,1757,319,320,7,197],"梅瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F41f2fff418399ff34d2df388c6566193.jpg",[],{"id":1771,"slug":1772,"title":1773,"dynasty":78,"author":19,"museum":20,"description":1774,"tags":1775,"thumbUrl":1777,"material":162,"size":163,"collection":31,"collections":1778,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},259615,"yong-zheng-kuan-qing-hua-fu-shou-wen-gai-guan-yi-ming-259615","雍正款青花福寿纹盖罐","雍正一朝虽然只有13年，但他的制瓷业成就却达到了清代官窑的历史高峰，其品种之多，制作工艺之精良，都是其他朝代无法比拟的。",[339,890,1776,786,422,7],"盖罐","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F198d3823ce48c4d584959f02882502ca.jpg",[],{"id":1780,"slug":1781,"title":1782,"dynasty":78,"author":19,"museum":20,"description":888,"tags":1783,"thumbUrl":1785,"material":162,"size":163,"collection":31,"collections":1786,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},259553,"qing-hua-shuang-xi-zi-tao-fu-da-wan-yi-ming-259553","青花双“喜”字桃蝠大碗",[339,890,1784,7,422,314,891],"囍字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fbd8a765488d67d0854902982ff38114f.jpg",[],{"id":1788,"slug":1789,"title":1790,"dynasty":78,"author":19,"museum":20,"description":888,"tags":1791,"thumbUrl":1792,"material":162,"size":163,"collection":31,"collections":1793,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259432,"qing-hua-fei-fu-wen-bi-tong-yi-ming-259432","青花飞蝠纹笔筒",[339,890,478,422,7,66,137,713,102,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2629b3659b992a54b32ab8552a51f406.jpg",[],{"id":1795,"slug":1796,"title":1797,"dynasty":78,"author":19,"museum":20,"description":1774,"tags":1798,"thumbUrl":1801,"material":162,"size":163,"collection":31,"collections":1802,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259157,"yong-zheng-kuan-qing-hua-li-jiu-tao-wai-yun-he-wen-pan-yi-ming-259157","雍正款青花里九桃外云鹤纹盘",[339,890,1799,7,1800,314],"云鹤","盘","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F6e74c4daaa1f638159acd40175dd74cd.jpg",[],{"id":1804,"slug":1805,"title":1031,"dynasty":78,"author":19,"museum":20,"description":1032,"tags":1806,"thumbUrl":1807,"material":162,"size":163,"collection":1018,"collections":1808,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},259012,"yi-xing-yao-zi-sha-tao-shi-shui-cheng-yi-ming-259012",[338,339,1034,519,7,46,479],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbb4662d69f83ed2877ae2ffed4968aa.jpg",[1018],{"id":1810,"slug":1811,"title":1812,"dynasty":78,"author":19,"museum":20,"description":1813,"tags":1814,"thumbUrl":1815,"material":162,"size":163,"collection":31,"collections":1816,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258888,"ou-he-di-fen-cai-hua-niao-wen-si-zu-pen-lian-yi-ming-258888","藕荷地粉彩花鸟纹四足盆、奁","藕荷色地釉匀净柔润，晕染出雅致底色，衬得粉彩花鸟愈发生动鲜活。蓝羽灵禽静立桃枝，翎毛纤毫毕现，晕染出自然细腻的肌理层次，悠然情态宛然眼前。粉桃柔苞缀满虬枝，桃果饱满莹润，枝叶舒展有迎风之姿，设色柔丽雅致，工笔精细入微，将春日花鸟的清趣融于瓷面。套奁纹饰一体呼应，四足添增稳重之态，整器将彩瓷之精与花鸟意趣相融，陈设实用兼具，尽显雅致精巧。",[339,340,27,25,67,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd23bf210fcce0bb807504b5e1a579a5a.jpg",[],{"id":1818,"slug":1819,"title":897,"dynasty":78,"author":19,"museum":20,"description":336,"tags":1820,"thumbUrl":1824,"material":162,"size":163,"collection":31,"collections":1825,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258743,"jia-qing-kuan-fen-cai-tao-fu-ling-zhi-wen-pie-kou-ping-yi-ming-258743",[78,339,340,27,26,7,422,104,573,1821,1822,1823],"花叶","缠枝纹","撇口瓶","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2d1d422b52ae4ac7af4d4e0a9d46470.jpg",[],{"id":1827,"slug":1828,"title":1829,"dynasty":78,"author":19,"museum":20,"description":336,"tags":1830,"thumbUrl":1832,"material":162,"size":163,"collection":31,"collections":1833,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},258738,"jia-qing-kuan-fen-cai-tao-lu-wen-shuang-er-ping-yi-ming-258738","嘉庆款粉彩桃鹿纹双耳瓶",[339,340,27,7,563,1831,102],"树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F717539cad7d2e839a679228e2e0b4211.jpg",[],{"id":1835,"slug":1836,"title":1837,"dynasty":78,"author":19,"museum":20,"description":727,"tags":1838,"thumbUrl":1839,"material":162,"size":163,"collection":31,"collections":1840,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},258710,"you-li-hong-tao-shi-xi-yi-ming-258710","釉里红桃式洗",[339,729,338,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1109b0102c0c47af05b0799c0cac955c.jpg",[],{"id":1842,"slug":1843,"title":1844,"dynasty":78,"author":19,"museum":20,"description":654,"tags":1845,"thumbUrl":1847,"material":162,"size":163,"collection":31,"collections":1848,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},258514,"fen-cai-guo-zhi-ba-tao-wen-pan-yi-ming-258514","粉彩过枝八桃纹盘",[339,340,1846,27,25,7,422,468,28],"过枝","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F167aa7027966768822930507c580c2a2.jpg",[],{"id":1850,"slug":1851,"title":1852,"dynasty":78,"author":19,"museum":20,"description":1853,"tags":1854,"thumbUrl":1856,"material":162,"size":163,"collection":31,"collections":1857,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},258355,"huang-di-lv-cai-tao-zhu-wen-wan-yi-ming-258355","黄地绿彩桃竹纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[339,1855,26,7,66,491],"黄地绿彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fac3f417985ef6515a236d40748a8561a.jpg",[],{"id":1859,"slug":1860,"title":1861,"dynasty":78,"author":19,"museum":20,"description":654,"tags":1862,"thumbUrl":1866,"material":162,"size":163,"collection":31,"collections":1867,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},258290,"dou-cai-chan-zhi-hua-hui-tao-shou-zi-wen-pan-yi-ming-258290","斗彩缠枝花卉桃寿字纹盘",[338,1025,339,27,26,1863,7,1864,1865],"缠枝花卉","寿字纹","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F474adf1d29731208884cb4ce9b398060.jpg",[],{"id":1869,"slug":1870,"title":1871,"dynasty":209,"author":19,"museum":20,"description":888,"tags":1872,"thumbUrl":1875,"material":162,"size":163,"collection":31,"collections":1876,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},257680,"qing-hua-tao-shi-wen-wan-yi-ming-257680","青花桃实纹碗",[339,890,7,314,1063,1873,491,1874],"釉下彩","碗形器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3fcdf54b5a84bb2bad5403b5b8bf149.jpg",[],{"id":1878,"slug":1879,"title":1880,"dynasty":78,"author":19,"museum":20,"description":1774,"tags":1881,"thumbUrl":1882,"material":162,"size":163,"collection":31,"collections":1883,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256913,"yong-zheng-kuan-qing-hua-ling-zhu-tao-fu-wen-ping-yi-ming-256913","雍正款青花灵竹桃蝠纹瓶",[339,890,66,7,422,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F79af68a3272cac0bb2bb78cefa623bc7.jpg",[],{"id":1885,"slug":1886,"title":1887,"dynasty":78,"author":19,"museum":20,"description":336,"tags":1888,"thumbUrl":1889,"material":162,"size":163,"collection":31,"collections":1890,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},256677,"fen-cai-jiu-tao-ping-yi-ming-256677","粉彩九桃瓶",[339,78,340,27,26,7,341,573,174,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F35a0472494155cee815d0b4a48a62051.jpg",[],{"id":1892,"slug":1893,"title":1894,"dynasty":78,"author":19,"museum":20,"description":336,"tags":1895,"thumbUrl":1896,"material":162,"size":163,"collection":31,"collections":1897,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256673,"jiang-di-miao-jin-tu-diao-ling-tao-ping-yi-ming-256673","酱地描金凸雕灵桃瓶",[339,656,747,7,315,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2f9d32fb1b04ef72d8d1e2186420d8b6.jpg",[],{"id":1899,"slug":1900,"title":1901,"dynasty":78,"author":19,"museum":20,"description":727,"tags":1902,"thumbUrl":1904,"material":162,"size":163,"collection":31,"collections":1905,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256612,"fang-guan-you-tao-shi-xi-yi-ming-256612","仿官釉桃式洗",[1903,339,315,7],"仿官釉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cf722ac90702c17cf8279e4e100cfb6.jpg",[],{"id":1907,"slug":1908,"title":1909,"dynasty":209,"author":19,"museum":20,"description":888,"tags":1910,"thumbUrl":1911,"material":162,"size":163,"collection":31,"collections":1912,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256339,"qing-hua-tao-zhu-wen-mei-ping-yi-ming-256339","青花桃竹纹梅瓶",[339,890,7,66,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb29c2300854b831bd6e86efb8208745c.jpg",[],{"id":1914,"slug":1915,"title":1916,"dynasty":209,"author":19,"museum":20,"description":1281,"tags":1917,"thumbUrl":1918,"material":162,"size":163,"collection":31,"collections":1919,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256128,"mu-diao-tuo-tao-shou-xing-xiang-yi-ming-256128","木雕托桃寿星像",[775,519,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F027af11b160d5e8ae660e2e7e3a9cc66.jpg",[],{"id":1921,"slug":1922,"title":1923,"dynasty":78,"author":19,"museum":20,"description":1924,"tags":1925,"thumbUrl":1927,"material":162,"size":163,"collection":31,"collections":1928,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},256127,"zhu-diao-bai-yuan-tou-tao-yi-ming-256127","竹雕白猿偷桃","这件竹雕以圆雕透镂之技，将群猿偷桃的场面刻画得灵动鲜活。硕桃饱满丰硕，肌理褶皱逼真，枝头坠着一枚小桃，自带沉甸甸的成熟意趣。\n\n数只猿猴或攀援桃身，或蹲伏枝桠，彼此呼应拉扯，猿猴毛发纤微可见，爪握桃身的力道仿佛透过竹材传递出来，神态机敏灵动，将偷桃时的小心翼翼又难掩欣喜描摹尽致。\n\n整作巧用竹材天然肌理，随形施刻，镂空处藏露相宜，既留存竹料朴拙质感，又将谐趣林间生境定格，把福寿吉意揉入野趣，尽显工艺精妙意匠。",[338,66,519,1926,7,315,239],"猿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd85a71bec7e8a4327a1fc8d5043d39ea.jpg",[],{"id":1930,"slug":1931,"title":1087,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1932,"thumbUrl":1933,"material":162,"size":163,"collection":31,"collections":1934,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":1098},252658,"qing-yu-qian-bi-shi-fu-tao-jiu-jiu-ru-yi-yi-ming-252658",[338,517,519,420,27,422,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F28e6b0d74384f81e5e81169a4238075f.jpg",[],{"id":1936,"slug":1937,"title":1938,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1939,"thumbUrl":1941,"material":162,"size":163,"collection":31,"collections":1942,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},252205,"qing-yu-tao-shi-hua-cha-yi-ming-252205","青玉桃式花插",[517,519,1940,7,315],"青玉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe2e973a2ee793b1b8d117730ec6e3c1a.jpg",[],{"id":1944,"slug":1945,"title":1946,"dynasty":78,"author":19,"museum":20,"description":1947,"tags":1948,"thumbUrl":1950,"material":162,"size":163,"collection":31,"collections":1951,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},251905,"hong-ma-nao-diao-tao-chun-hua-cha-yi-ming-251905","红玛瑙雕桃椿花插","这件花插巧用玛瑙天然俏色，以莹白如脂的部分为器身，肌理摹仿天然木痕，素净温润。艳红部分则镂雕蟠桃树，枝桠虬曲苍劲，桃实饱满圆融，丹色莹亮，盎然生机扑面而来。器侧随形雕出执柄，线条柔婉贴合器身，兼顾握持与装饰意趣。整体就料赋形，将材质天然美感与吉祥寓意相融，椿桃暗含福寿延绵的美好祈愿，朴拙灵秀兼具，尽显匠人对玉料的精妙理解与雕琢匠心。",[517,519,7,1949,315],"椿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff79390a6b4ce122f696f837e17768ed0.jpg",[],{"id":1953,"slug":1954,"title":1955,"dynasty":78,"author":19,"museum":20,"description":1956,"tags":1957,"thumbUrl":1959,"material":162,"size":163,"collection":31,"collections":1960,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251881,"ma-nao-tao-zhi-yi-ming-251881","玛瑙桃枝","这件摆件依料造型，主桃饱满丰硕，玛瑙天然的黄褐沁色晕染出成熟桃实的温润质感，仿佛凝着将熟未透的清甜意趣。旁侧小桃依偎，枝蔓蜷曲缠绕，叶片舒展如生，细枝柔韧仿若还带着春日生机。刀工藏于圆融轮廓之中，不见生硬棱角，将寿桃的祥瑞意涵揉进温润石质里。触手温凉间，能把玩出岁时沉淀的静雅禅意，是兼具赏玩性与吉庆寓意的精巧文玩，尽显清代玉雕的雅致格调。",[338,1958,519,664,573,7],"玛瑙","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F61ab1ecb9ef4d197d6464304c5f0ee31.jpg",[],{"id":1962,"slug":1963,"title":1964,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1965,"thumbUrl":1967,"material":162,"size":163,"collection":31,"collections":1968,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251850,"hen-dou-si-tan-qing-yu-tou-diao-tao-shi-jing-yi-ming-251850","痕都斯坦青玉透雕桃式镜",[338,517,1940,1966,1104,519,7,315],"痕都斯坦风格","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcdf1e2eed092d1407967e3386515bc7e.jpg",[],{"id":1970,"slug":1971,"title":1972,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":1973,"thumbUrl":1975,"material":162,"size":163,"collection":31,"collections":1976,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251794,"bai-yu-xian-tao-ying-wu-yi-ming-251794","白玉衔桃鹦鹉",[517,519,1974,7,338,664],"鹦鹉","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2f641f0a807c9e3eef88197ff53388e.jpg",[],{"id":1978,"slug":1979,"title":1980,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":1981,"thumbUrl":1982,"material":162,"size":163,"collection":31,"collections":1983,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},251773,"bai-yu-tou-diao-tao-shi-xi-yi-ming-251773","白玉透雕桃式洗",[338,517,1104,7,315,519],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ef33e569bdb3ea116975d6d94853c70.jpg",[],{"id":1985,"slug":1986,"title":1987,"dynasty":78,"author":19,"museum":20,"description":515,"tags":1988,"thumbUrl":1991,"material":162,"size":163,"collection":31,"collections":1992,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251686,"dai-pi-qing-yu-tao-yi-ming-251686","带皮青玉桃",[517,519,7,1989,1990,338],"带皮","玉器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa0e1565f3d9520bff4873a1ca3e4f73.jpg",[],{"id":1994,"slug":1995,"title":1996,"dynasty":78,"author":19,"museum":20,"description":1997,"tags":1998,"thumbUrl":2000,"material":162,"size":163,"collection":31,"collections":2001,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},251557,"qian-long-kuan-shui-jing-tao-shi-xi-yi-ming-251557","乾隆款水晶桃式洗","莹透水色似凝冻的月光，这方文房浅洗以水晶为骨，澄澈清透如春日初融的溪冰。器形椭圆柔婉，口沿轻起棱线，圈足敛藏利落，尽显雅致含蓄。\n\n内底浮起数枚蟠桃，枝芽轻绕桃身，果实饱满憨态可掬，在水晶的朦胧通透里，仿佛携着朝露生机，虚实之间恍若将春日桃园凝缩在方寸洗中。匠师巧借水晶天然清透肌理，让浮雕若隐若现，把日常文房雅器晕染出灵动意境，将福寿祈愿藏进浅淡清润的造物里，是材质之美与匠心巧思相融的文房雅物。",[517,519,315,7,1999],"文房","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F680d7c1326ae1000a7645aa2b74a8f20.jpg",[],{"id":2003,"slug":2004,"title":2005,"dynasty":78,"author":19,"museum":20,"description":515,"tags":2006,"thumbUrl":2009,"material":162,"size":163,"collection":31,"collections":2010,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},251490,"bi-yu-fu-shou-wen-tao-shi-xi-yi-ming-251490","碧玉福寿纹桃式洗",[338,517,1990,519,7,2007,2008,160,479,815],"福","寿","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1cbd9148d92e831f913ad8c17566d5e0.jpg",[],{"id":2012,"slug":2013,"title":2014,"dynasty":78,"author":19,"museum":20,"description":515,"tags":2015,"thumbUrl":2016,"material":162,"size":163,"collection":31,"collections":2017,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},251434,"qing-yu-tao-yi-ming-251434","青玉桃",[338,517,519,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa8de0baa1400bf0fd9b7f04a197ad26b.jpg",[],{"id":2019,"slug":2020,"title":2021,"dynasty":78,"author":19,"museum":20,"description":515,"tags":2022,"thumbUrl":2023,"material":162,"size":163,"collection":31,"collections":2024,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},251433,"huang-yu-bian-fu-tao-yi-ming-251433","黄玉蝙蝠桃",[338,517,519,422,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F756237256f8c9778e52a2732f6753f0a.jpg",[],{"id":2026,"slug":2027,"title":2028,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":2029,"thumbUrl":2030,"material":162,"size":163,"collection":31,"collections":2031,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251422,"bai-yu-san-duo-wen-ru-yi-yi-ming-251422","白玉三多纹如意",[338,517,519,315,7,320,197,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa3056b385dcca46daeb83c8c68dc6356.jpg",[],{"id":2033,"slug":2034,"title":2035,"dynasty":78,"author":19,"museum":20,"description":2036,"tags":2037,"thumbUrl":2039,"material":162,"size":163,"collection":31,"collections":2040,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},251224,"qian-long-kuan-mo-ban-qing-yu-tou-diao-feng-niao-song-tao-mei-tu-shan-zi-yi-ming-251224","乾隆款墨斑青玉透雕凤鸟松桃梅图山子","此作玉质莹润清透，墨色斑痕晕染自然，似造物天然点染。以透镂之技雕就岁寒三友与瑞鸟，松枝盘曲苍古，梅苞凝露待放，桃实饱满圆润，凤鸟藏身枝桠间，羽翼纹理宛然。\n\n整体排布疏密得宜，刀工柔婉细腻，将苍劲与灵秀相融，既寄寓文人崇仰的高洁意趣，又暗含福寿绵长的吉庆愿景，尽现工致精巧的审美意韵，玉料温润之质与物象生机完美揉合，静赏可见匠心独运。",[78,517,1104,519,2038,562,7,154],"凤鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8e1316385f6796ef0c9743a803e312bb.jpg",[],{"id":2042,"slug":2043,"title":2044,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":2045,"thumbUrl":2048,"material":162,"size":163,"collection":31,"collections":2049,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251209,"bai-yu-dai-pi-qiao-zuo-lv-tang-lang-fu-tao-yi-ming-251209","白玉带皮巧作绿螳螂蝠桃",[338,517,519,2046,2047,422,7,1989],"巧作","螳螂","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0482e2998b2463d18c94a262398aac07.jpg",[],{"id":2051,"slug":2052,"title":2053,"dynasty":78,"author":19,"museum":20,"description":2054,"tags":2055,"thumbUrl":2056,"material":162,"size":163,"collection":31,"collections":2057,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251167,"bi-yu-tou-diao-song-tao-ren-wu-tu-xiang-tong-yi-ming-251167","碧玉透雕松桃人物图香筒","玉色浓绿莹润，通体透雕满饰景致。虬松蟠绕筒身，松针细密如织，苍劲古意尽显。寿桃垂挂枝桠，饱满鲜活，暗含祥瑞吉意。林泉之间，隐者闲坐对谈，野趣悠然。\n\n刀法灵动婉转，层层透雕拉开空间层次，繁而不杂，将山林隐逸之趣融于方寸。既是文房置香的清供雅器，亦是可赏可藏的玉雕佳构，尽显精湛造诣，藏着中式文人心底的林泉雅韵。",[517,1104,519,338,562,7,140,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff383d38ede42d543448e38bfff7f5fe5.jpg",[],{"id":2059,"slug":2060,"title":2061,"dynasty":78,"author":19,"museum":20,"description":2062,"tags":2063,"thumbUrl":2066,"material":162,"size":163,"collection":31,"collections":2067,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},251166,"bi-yu-tou-diao-song-tao-sang-shu-ren-wu-tu-xiang-tong-yi-ming-251166","碧玉透雕松桃桑树人物图香筒","此作取沉凝苍翠之碧玉，以通透镂雕尽展匠心。口沿回纹周正雅致，筒身铺开山居雅景：古松虬枝盘绕，桑桃枝叶俯仰生姿，亭台藏于繁叶之间，林间人物或对坐清谈，或信步徐行，情态悠然自洽。\n\n刀工细腻爽利，将枝叶舒展之态、人物闲散之姿皆刻画入微，层次错落有致。镂空肌理既适配香筒散香之实用，又令画面虚实相映，光影游走于玉色之间，将山林幽趣与文人情致融于一方筒身，尽显清雅娴静的中式意韵。",[2064,1104,562,7,2065,140,315],"碧玉","桑树","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3830a3696bbc89ce7d8af133ca1358a6.jpg",[],{"id":2069,"slug":2070,"title":2071,"dynasty":209,"author":19,"museum":20,"description":515,"tags":2072,"thumbUrl":2073,"material":162,"size":163,"collection":31,"collections":2074,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},250907,"qing-yu-lou-diao-hua-er-tao-shi-bei-yi-ming-250907","青玉镂雕花耳桃式杯",[517,519,1138,7,494,1299,1063,1990],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe75ab3a19d6e17a90e0ca62f841959bd.jpg",[],{"id":2076,"slug":2077,"title":2078,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":2079,"thumbUrl":2080,"material":162,"size":163,"collection":31,"collections":2081,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},250440,"bai-yu-tong-er-tao-shi-xi-yi-ming-250440","白玉童耳桃式洗",[517,519,140,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F1e62439315a0ad6a6b13ba3b2a574025.jpg",[],{"id":2083,"slug":2084,"title":2085,"dynasty":78,"author":19,"museum":20,"description":1384,"tags":2086,"thumbUrl":2087,"material":162,"size":163,"collection":31,"collections":2088,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},250384,"qian-long-yu-ti-bai-yu-tao-shi-xi-yi-ming-250384","乾隆御题白玉桃式洗",[517,519,159,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe6de9486fa4c1bb17d9ac6a4a0293418.jpg",[],{"id":2090,"slug":2091,"title":2092,"dynasty":78,"author":19,"museum":20,"description":744,"tags":2093,"thumbUrl":2094,"material":162,"size":163,"collection":31,"collections":2095,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},249933,"qia-si-fa-lang-san-duo-tu-mei-ping-yi-ming-249933","掐丝珐琅三多图梅瓶",[646,846,27,7,197,320,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F42028f7b76b374b61eae60706b851413.jpg",[],{"id":2097,"slug":2098,"title":2099,"dynasty":78,"author":19,"museum":20,"description":744,"tags":2100,"thumbUrl":2101,"material":162,"size":163,"collection":31,"collections":2102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},249836,"qia-si-fa-lang-jiu-tao-tu-pan-yi-ming-249836","掐丝珐琅九桃图盘",[338,646,583,27,7,28,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff3b5e85691deb41a640d4d70f5fe7b86.jpg",[],{"id":2104,"slug":2105,"title":2106,"dynasty":78,"author":19,"museum":20,"description":744,"tags":2107,"thumbUrl":2108,"material":162,"size":163,"collection":31,"collections":2109,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},249381,"qia-si-fa-lang-kai-guang-si-ji-hua-niao-tu-tao-er-ping-yi-ming-249381","掐丝珐琅开光四季花鸟图桃耳瓶",[646,583,27,746,25,7,155,341,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fb2540a05135f9980a967f1efc41062e2.jpg",[],{"id":2111,"slug":2112,"title":2113,"dynasty":78,"author":19,"museum":20,"description":744,"tags":2114,"thumbUrl":2115,"material":162,"size":163,"collection":31,"collections":2116,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},249353,"qia-si-fa-lang-yun-fu-wen-tao-shi-xun-lu-yi-ming-249353","掐丝珐琅云蝠纹桃式熏炉",[338,646,583,315,380,591,7,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F52e2818812d7001fc2571a00b155ef2b.jpg",[],{"id":2118,"slug":2119,"title":2120,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2121,"thumbUrl":2123,"material":162,"size":163,"collection":31,"collections":2124,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248900,"ti-hong-tao-fu-wen-yuan-he-yi-ming-248900","剔红桃蝠纹圆盒",[78,406,519,7,2122,409,914],"蝠纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F976f11cb9b7543d1869ed113ef494b9b.jpg",[],{"id":2126,"slug":2127,"title":2128,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2129,"thumbUrl":2130,"material":162,"size":163,"collection":31,"collections":2131,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},248726,"ti-hong-tao-fu-wen-kai-guang-shan-shui-ren-wu-tu-tao-shi-he-yi-ming-248726","剔红桃蝠纹开光山水人物图桃式盒",[338,406,409,519,7,422,137,140,746],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F65f72f1f67ac0085a88a792028faa5f1.jpg",[],{"id":2133,"slug":2134,"title":2135,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2136,"thumbUrl":2139,"material":162,"size":163,"collection":31,"collections":2140,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},248538,"jin-qi-shan-shui-lou-ge-tu-tao-shi-tao-he-yi-ming-248538","金漆山水楼阁图桃式套盒",[338,765,27,137,138,7,406,48,2137,493,519,2138],"篆书","绘画","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7cd9bd547ef0574a387536f9c115ed6a.jpg",[],{"id":2142,"slug":2143,"title":2144,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2145,"thumbUrl":2146,"material":162,"size":163,"collection":31,"collections":2147,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},248473,"hong-qi-miao-jin-fu-shou-wen-tao-shi-cuan-he-yi-ming-248473","红漆描金福寿纹桃式攒盒",[338,406,656,27,7,786,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F166adf68abcb6f41eb3a7ebb481b727f.jpg",[],{"id":2149,"slug":2150,"title":2144,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2151,"thumbUrl":2152,"material":162,"size":163,"collection":31,"collections":2153,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},248469,"hong-qi-miao-jin-fu-shou-wen-tao-shi-cuan-he-yi-ming-248469",[406,656,27,7,786,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F74c3875d471c854ee64d455e986af4ca.jpg",[],{"id":2155,"slug":2156,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2157,"thumbUrl":2158,"material":162,"size":163,"collection":31,"collections":2159,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248155,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248155",[406,409,519,906,140,7,137],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdac4935ca3eaa3ee648f96988315710c.jpg",[],{"id":2161,"slug":2162,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2163,"thumbUrl":2164,"material":162,"size":163,"collection":31,"collections":2165,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248135,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248135",[78,406,409,519,906,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4719cdc2daecb302b2e45c301ec9b6d8.jpg",[],{"id":2167,"slug":2168,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2169,"thumbUrl":2170,"material":162,"size":163,"collection":31,"collections":2171,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248134,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248134",[338,406,409,519,140,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F473f94c26b06f25c712d9fb76f7ea674.jpg",[],{"id":2173,"slug":2174,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2175,"thumbUrl":2176,"material":162,"size":163,"collection":31,"collections":2177,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248125,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248125",[406,409,519,140,906,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F3648a20841323089440a4902d07e0d9f.jpg",[],{"id":2179,"slug":2180,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2181,"thumbUrl":2182,"material":162,"size":163,"collection":31,"collections":2183,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248124,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248124",[78,406,409,519,140,906,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcbc93e583ae14ef32ea6b731421bbb2c.jpg",[],{"id":2185,"slug":2186,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2187,"thumbUrl":2188,"material":162,"size":163,"collection":31,"collections":2189,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248117,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248117",[338,406,409,519,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ffb8d96346c3f5532a8ca617ab5781472.jpg",[],{"id":2191,"slug":2192,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2193,"thumbUrl":2194,"material":162,"size":163,"collection":31,"collections":2195,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},248115,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248115",[406,409,519,906,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9a2e49492b953bf6bcba4c1780727301.jpg",[],{"id":2197,"slug":2198,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2199,"thumbUrl":2200,"material":162,"size":163,"collection":31,"collections":2201,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248113,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248113",[338,406,409,519,140,906,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9265e869141bb86b825fe8e0ce856118.jpg",[],{"id":2203,"slug":2204,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2205,"thumbUrl":2206,"material":162,"size":163,"collection":31,"collections":2207,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248103,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248103",[78,406,409,519,140,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F59477e1928840fc6616515a19fb7c35d.jpg",[],{"id":2209,"slug":2210,"title":2211,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2212,"thumbUrl":2214,"material":162,"size":163,"collection":31,"collections":2215,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248079,"ti-hong-shou-chun-tu-tao-shi-he-yi-ming-248079","剔红寿春图桃式盒",[78,406,409,519,7,2213],"寿字","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faba92f1ff4a3f8870406657378a4edb3.jpg",[],{"id":2217,"slug":2218,"title":2211,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2219,"thumbUrl":2220,"material":162,"size":163,"collection":31,"collections":2221,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},248078,"ti-hong-shou-chun-tu-tao-shi-he-yi-ming-248078",[338,406,409,519,7,1155,2008],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F53babc851e1758864fce591197e935e8.jpg",[],{"id":2223,"slug":2224,"title":904,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2225,"thumbUrl":2227,"material":162,"size":163,"collection":31,"collections":2228,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},248077,"ti-hong-ba-xian-tu-tao-shi-he-yi-ming-248077",[338,406,409,519,906,7,137,2226,140],"植物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F0dc1980f3d3b43bff27ee25b340ca641.jpg",[],{"id":2230,"slug":2231,"title":2232,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2233,"thumbUrl":2236,"material":162,"size":163,"collection":31,"collections":2237,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},247907,"ti-hong-tao-fu-wen-che-shi-tao-he-yi-ming-247907","剔红桃蝠纹车式套盒",[338,406,409,519,27,7,422,2234,2235,315],"车形","套盒","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Faa515b831cba5e4430b96db016229abf.jpg",[],{"id":2239,"slug":2240,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2242,"thumbUrl":2243,"material":162,"size":163,"collection":31,"collections":2244,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247848,"dui-cai-tao-wen-he-yi-ming-247848","堆彩桃纹盒",[338,930,27,7,174,468,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fae50934103257a1b34de1caa14b2f6f0.jpg",[],{"id":2246,"slug":2247,"title":2248,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2249,"thumbUrl":2250,"material":162,"size":163,"collection":31,"collections":2251,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},247829,"dui-cai-tao-fu-wen-he-yi-ming-247829","堆彩桃蝠纹盒",[338,930,519,7,591,315,406,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa142143b4ae515663d975c3391b91f09.jpg",[],{"id":2253,"slug":2254,"title":2248,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2255,"thumbUrl":2256,"material":162,"size":163,"collection":31,"collections":2257,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},247828,"dui-cai-tao-fu-wen-he-yi-ming-247828",[78,406,930,519,7,591,315,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9c759ddd0eb86bdd91487e2e2e6a045e.jpg",[],{"id":2259,"slug":2260,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2261,"thumbUrl":2262,"material":162,"size":163,"collection":31,"collections":2263,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247798,"dui-cai-tao-wen-he-yi-ming-247798",[78,930,519,7,315,27],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fa92265e1d4708fb9d8c9824e75fa8e53.jpg",[],{"id":2265,"slug":2266,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2267,"thumbUrl":2268,"material":162,"size":163,"collection":31,"collections":2269,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},247777,"dui-cai-tao-wen-he-yi-ming-247777",[406,930,519,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Febf78bff1139f680b30d5896ba5c251c.jpg",[],{"id":2271,"slug":2272,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2273,"thumbUrl":2274,"material":162,"size":163,"collection":31,"collections":2275,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},247756,"dui-cai-tao-wen-he-yi-ming-247756",[78,930,406,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5b72e125568f3fde0deb793874af4e65.jpg",[],{"id":2277,"slug":2278,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2279,"thumbUrl":2280,"material":162,"size":163,"collection":31,"collections":2281,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},247724,"dui-cai-tao-wen-he-yi-ming-247724",[78,406,930,519,7,1215],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff397a1eea2c7de235fd03356f393c49f.jpg",[],{"id":2283,"slug":2284,"title":2241,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2285,"thumbUrl":2286,"material":162,"size":163,"collection":31,"collections":2287,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":387},247701,"dui-cai-tao-wen-he-yi-ming-247701",[406,930,519,27,7,174,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe04f2f78efaf7c049f2bc1001f06c05e.jpg",[],{"id":2289,"slug":2290,"title":2291,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2292,"thumbUrl":2294,"material":162,"size":163,"collection":31,"collections":2295,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},247358,"ti-hong-hua-guo-wen-bian-yuan-he-yi-ming-247358","剔红花果纹扁圆盒",[338,406,409,519,7,468,2293,315],"果","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F655ada52557ea514801b6ddd0a244632.jpg",[],{"id":2297,"slug":2298,"title":2299,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2300,"thumbUrl":2303,"material":162,"size":163,"collection":31,"collections":2304,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247335,"ti-hong-tao-fu-chan-zhi-lian-wen-kui-ban-shi-he-yi-ming-247335","剔红桃蝠缠枝莲纹葵瓣式盒",[338,406,519,409,7,422,2301,2302,315],"缠枝莲纹","葵瓣式","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F66cad476e97db966fff92182104de29b.jpg",[],{"id":2306,"slug":2307,"title":2299,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2308,"thumbUrl":2310,"material":162,"size":163,"collection":31,"collections":2311,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247328,"ti-hong-tao-fu-chan-zhi-lian-wen-kui-ban-shi-he-yi-ming-247328",[406,519,409,7,591,2309,315,2302],"缠枝莲","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F7259ca83d227fe7a8bb45cdeef3961e8.jpg",[],{"id":2313,"slug":2314,"title":2315,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2316,"thumbUrl":2317,"material":162,"size":163,"collection":31,"collections":2318,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},247215,"ti-hong-bai-shou-zi-tao-he-wen-yuan-he-yi-ming-247215","剔红百寿字桃鹤纹圆盒",[338,406,409,519,7,101,2213,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fdc49e21bf73fe258cb49155a69073ad6.jpg",[],{"id":2320,"slug":2321,"title":2322,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2323,"thumbUrl":2324,"material":162,"size":163,"collection":31,"collections":2325,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},246478,"ti-hong-kai-guang-ren-wu-tu-tao-shi-he-yi-ming-246478","剔红开光人物图桃式盒",[338,406,519,409,746,140,7,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff9498b33b003e75b74cc191e18730bae.jpg",[],{"id":2327,"slug":2328,"title":2329,"dynasty":78,"author":19,"museum":20,"description":763,"tags":2330,"thumbUrl":2332,"material":162,"size":163,"collection":31,"collections":2333,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},246415,"ti-hong-jin-wen-dai-pan-tao-shi-he-yi-ming-246415","剔红锦纹带盘桃式盒",[338,914,409,519,406,775,7,1215,2331],"锦纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fd71407f26b4c7b9f6751515f151a1739.jpg",[],{"id":2335,"slug":2336,"title":2337,"dynasty":78,"author":19,"museum":20,"description":2338,"tags":2339,"thumbUrl":2340,"material":162,"size":163,"collection":31,"collections":2341,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},241960,"cui-tao-fu-pei-yi-ming-241960","翠桃蝠佩","古人的很多生活器具都是由玉雕成的，能常戴在身上的惟有玉佩。繁钦诗中“美玉”是指玉做的佩，或写作“佩”。古人对玉佩的热爱不是因为玉的贵重，而是源于玉的品格，所以古语有“君子无故，玉不去身”。",[338,517,519,7,591,421,815],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F85193a1765de5048525da4715b9cbc85.jpg",[],{"id":2343,"slug":2344,"title":2345,"dynasty":78,"author":19,"museum":20,"description":417,"tags":2346,"thumbUrl":2347,"material":162,"size":163,"collection":31,"collections":2348,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},241916,"cui-diao-tao-fu-wen-zan-yi-ming-241916","翠雕桃蝠纹簪",[338,517,519,7,591,421],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff6bca73246fd53c2a33bdb7b04d429fd.jpg",[],{"id":2350,"slug":2351,"title":2352,"dynasty":527,"author":19,"museum":20,"description":515,"tags":2353,"thumbUrl":2354,"material":162,"size":163,"collection":31,"collections":2355,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},230734,"yu-tao-shi-yi-ming-230734","玉桃饰",[517,519,421,7],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc4c1eaf6d2ccc1e31a85ff38f0bd2df6.jpg",[],{"id":2357,"slug":2358,"title":2359,"dynasty":78,"author":19,"museum":20,"description":515,"tags":2360,"thumbUrl":2361,"material":162,"size":163,"collection":31,"collections":2362,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":90},229784,"yu-tao-fu-pei-yi-ming-229784","玉桃蝠珮",[338,517,519,7,422,421,315],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F09dd24aedbba40ca1e53a16ccdcbd166.jpg",[],{"id":2364,"slug":2365,"title":2366,"dynasty":78,"author":19,"museum":20,"description":2367,"tags":2368,"thumbUrl":2371,"material":162,"size":163,"collection":31,"collections":2372,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":438},229600,"tong-tai-hua-fa-lang-fen-ju-di-fu-shou-bei-yi-ming-229600","铜胎画珐瑯粉橘地福寿杯","珐琅又称“佛郎”、“法蓝”，是由中国隋唐时古西域地名拂菻音译而来。珐琅器是以珐琅为材料装饰而制成的器物，其基本成分为石英、长石、硼砂和氟化物，与陶瓷釉、琉璃、玻璃同属硅酸盐类物质。依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。\n珐琅就是将经过粉碎研磨的珐琅釉料，涂施于经过金属加工工艺制作后的金属制品的表面，经干燥、烧成等制作步骤后，所得到的复合性工艺品。珐琅工艺的制作分类很多，一般根据制作方法和胎地种类将其分类。 [2] 珐琅依据具体加工工艺的不同，又可分为掐丝珐琅器、錾胎珐琅器、画珐琅器和透明珐琅器等几个品种。其中掐丝珐琅器就是俗称的“景泰蓝”，15世纪中期明代景泰年间的制品尤为著称，故有景泰蓝之称。\n清代，西洋珐琅从广州传入中国，广州生产的珐琅俗称“广珐琅”，是朝廷的贡品，其中最著名的是画珐琅 ，錾胎珐琅的制作中心也在广州，透明珐琅器也以广州出产的最为著名。",[2369,2370,27,2007,2008,7,315],"铜胎画珐琅","粉橘地","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F4c9a1b32d6a19781bbd26ebdd78683d5.jpg",[],{"id":2374,"slug":2375,"title":2376,"dynasty":78,"author":19,"museum":20,"description":2367,"tags":2377,"thumbUrl":2379,"material":162,"size":163,"collection":31,"collections":2380,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},229599,"tong-tai-hua-fa-lang-fen-ju-di-fu-shou-tuo-yi-ming-229599","铜胎画珐瑯粉橘地福寿托",[78,2369,27,315,493,2378,520,7],"珐瑯器","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff2457739f1af2c3feba720a555fa342f.jpg",[],{"id":2382,"slug":2383,"title":2384,"dynasty":78,"author":19,"museum":20,"description":1774,"tags":2385,"thumbUrl":2387,"material":162,"size":163,"collection":31,"collections":2388,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},229415,"yong-zheng-fa-lang-cai-ci-lv-di-tao-zhu-die-yi-ming-229415","雍正 珐瑯彩瓷绿地桃竹碟",[339,2386,7,66,315],"珐琅彩","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F8fab755f0c24c105ce36ad57aa0b8933.jpg",[],{"id":2390,"slug":2391,"title":2392,"dynasty":209,"author":19,"museum":20,"description":515,"tags":2393,"thumbUrl":2396,"material":162,"size":163,"collection":31,"collections":2397,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":36},228682,"yu-hua-niao-wen-tao-xing-shui-sheng-yi-ming-228682","玉花鸟纹桃形水盛",[1063,517,519,2394,7,468,67,2395,315],"俏色","文具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F337caa464b9c7bc0014feb3bac864e3c.jpg",[],1777535700150]