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这一时期，以唐朝为典型，玉带是唐朝三品及以上的身份象征。这一时期也称为官玉时代，玉带的使用通常为达官贵人。在此期间，玉带越来越追求它的精致。在中国玉文化史上，唐朝是玉器发展一个重要阶段，唐朝国力鼎盛，玉器豪华尊贵是身份的象征，此时的玉器散发雍华大度的浪漫气息。\n唐宋时期，各种玉器出现，明清时期开始流行。这一时期，玉的生态美和工艺美开始结合。在这个时期，玉与人的距离亲近。玉不仅被欣赏和使用，而且人们开始佩戴它。这时，中国玉文化达到了一个顶峰时期，即赏玉玩玉的时期。\n清朝乾隆年间，乾隆皇帝非常喜爱玉，在他执政时期，乾隆命人制作了大禹治水玉山，这座大玉山清宫中最大的玉雕。这一时期，达官贵人都热衷于收藏玉器，全民掀起了藏玉热潮，被称为藏玉时期。\n从20世纪80年代初开始，玉石开始走向经济市场，走向人们的生活任何人都可以参与玉石的加工和收藏。越来越多的人佩戴玉石，各种玉石饰品在市场上流通，经过几千年的发展，玉器终于进入了开放期。\n中国古代玉器历史悠久，绚烂夺目底蕴深厚，在世界文明史和艺术史上首屈一指，辉煌灿烂，熠熠生辉，以上简单梳理了中国玉器的发展历史和演变过程，目的在让我们更加热爱我们的传统玉器文化，增强我们的民族自信心，让我们伟大的中华文化和伟大的工匠精神永远屹立于世界之巅。",[23,24,7,25,26,27,28,29,30,31],"清代","漆器","镶嵌","雕刻","玉石","花卉","牡丹","木质","日用具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9de7fa674b3b1e2205ebad82ab82dbfc.jpg","未知","Xcm*Xcm","",[],2,"37474F",{"id":40,"slug":41,"title":42,"dynasty":43,"author":19,"museum":20,"description":44,"tags":45,"thumbUrl":51,"material":33,"size":34,"collection":35,"collections":52,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":53},246429,"ti-hei-ren-wu-song-wu-tu-yuan-he-yi-ming-246429","剔黑人物松屋图圆盒","明","雕漆,是漆工艺中的一个品种,是中国漆器特有的装饰技法,是在油光漆兑入入漆颜料,数十层乃至上百层地髹涂在用漆封闭处理过的胎骨上,每天只能髹涂二至三道,髹涂下道漆不可等上道漆干透,否则漆层容易缺脱,这样逐层累积到需要的厚度,用刀剔刻出浮雕花纹,表现层次与质地的美感.",[24,7,46,47,48,49,50],"人物","松","屋","器","明代","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5a6d962469c1f874d9f23545f1994c50.jpg",[],"BDBDBD",{"id":55,"slug":56,"title":57,"dynasty":18,"author":19,"museum":20,"description":58,"tags":59,"thumbUrl":60,"material":33,"size":34,"collection":35,"collections":61,"showCount":37,"zanCount":11,"manualWeight":11,"mainColor":38},246423,"ti-hei-mu-dan-wen-yuan-he-yi-ming-246423","剔黑牡丹纹圆盒","清代文物。旧时用于存放食物或饰品之用,根据材质价值不同。清宫旧藏",[24,7,29,49,23],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcc9b18eb3f7f1b8d0c6fd1b3b0486b42.jpg",[],{"id":63,"slug":64,"title":17,"dynasty":18,"author":19,"museum":20,"description":21,"tags":65,"thumbUrl":71,"material":33,"size":34,"collection":35,"collections":72,"showCount":73,"zanCount":11,"manualWeight":11,"mainColor":38},248055,"ti-hei-jin-wen-qian-yu-shi-hua-hui-wen-dai-ti-chang-fang-ti-xia-yi-ming-248055",[23,24,7,66,67,68,26,69,27,28,70],"嵌玉石","锦纹","花卉纹","长方提匣","器物","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F2ca52e072d3f30ed25c09861bfc9b957.jpg",[],1,{"id":75,"slug":76,"title":77,"dynasty":18,"author":19,"museum":20,"description":78,"tags":79,"thumbUrl":83,"material":33,"size":34,"collection":35,"collections":84,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},248628,"ti-hei-shou-zi-yun-he-wen-wan-yi-ming-248628","剔黑寿字云鹤纹碗","用漆涂在各种器物的表面上所制成的日常器具及工艺品、美术品等，一般称为“漆器”。生漆是从漆树割取的天然液汁，主要由漆酚、漆酶、树胶质及水分构成。用它作涂料，有耐潮、耐高温、耐腐蚀等特殊功能，又可以配制出不同色漆，光彩照人。在中国，从新石器时代起就认识了漆的性能并用以制器。历经商周直至明清，中国的漆器工艺不断发展，达到了相当高的水平。中国的炝金、描金等工艺品，对日本等地都有深远影响。漆器是中国古代在化学工艺及工艺美术方面的重要发明。",[23,7,24,26,80,81,82,49],"寿字","云纹","鹤纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F5092b99b8572a385a706f7298025db62.jpg",[],{"id":86,"slug":87,"title":88,"dynasty":18,"author":19,"museum":20,"description":21,"tags":89,"thumbUrl":92,"material":33,"size":34,"collection":35,"collections":93,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":38},248054,"ti-hei-jin-wen-qian-yu-yun-shou-wen-chang-fang-xia-yi-ming-248054","剔黑锦纹嵌玉云兽纹长方匣",[23,24,27,7,25,26,90,91,49],"兽","云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F843db28ae491e750dac3344889302db5.jpg",[],{"id":95,"slug":96,"title":88,"dynasty":18,"author":19,"museum":20,"description":21,"tags":97,"thumbUrl":101,"material":33,"size":34,"collection":35,"collections":102,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},248053,"ti-hei-jin-wen-qian-yu-yun-shou-wen-chang-fang-xia-yi-ming-248053",[23,24,7,98,99,81,67,26,100,27,90,49],"嵌玉","兽纹","长方形","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F558a28c85a18d8c5528058fa9a738cdc.jpg",[],"795548",{"id":105,"slug":106,"title":107,"dynasty":18,"author":19,"museum":20,"description":108,"tags":109,"thumbUrl":114,"material":33,"size":34,"collection":35,"collections":115,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},246610,"ti-hei-bian-ti-hong-xin-hai-shui-long-wen-gui-yi-ming-246610","剔黑边剔红心海水龙纹柜","这件立柜以色构境，乌漆为骨，朱雕为魂。柜门上下分设，上方小柜内祥龙盘踞方隅，身姿遒劲婉转，气宇轩昂；下方柜门里神龙遨游沧溟，浪涛翻涌间尽显威仪。\n\n边框剔黑錾刻缠枝纹样，细密繁丽，将朱红龙纹衬得愈发醒目浓烈，上下顾盼间章法井然。柜体侧边镂雕纹饰与柜面呼应，通体纹饰饱满却不显拥塞，刀工爽利圆润，起线流畅劲挺。\n\n红黑撞色对比强烈，既带着华贵大气，又将髹雕精湛技艺尽显无余，配色鲜明、雕工精绝，是漆作家具中的上乘之作。",[23,24,26,7,110,111,112,113],"剔红","龙","海水纹","家具","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Ff4baae6a06ecea545b9fc4aa294c4cca.jpg",[],{"id":117,"slug":118,"title":119,"dynasty":43,"author":19,"museum":20,"description":44,"tags":120,"thumbUrl":123,"material":33,"size":34,"collection":35,"collections":124,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":53},246499,"ti-hei-xing-lv-tu-wei-jiao-fang-he-yi-ming-246499","剔黑行旅图委角方盒",[50,24,7,26,121,122,46,49],"行旅","山水","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F176518adecc20b168797b36b28452c9e.jpg",[],{"id":126,"slug":127,"title":128,"dynasty":43,"author":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[2]\n西晋以后到南北朝，由于佛教的盛行，出现利用夹纻工艺所造的大型佛像，此时的漆工艺被用来为宗教信仰服务，夹纻胎漆器也因而发展。所谓的夹纻是以漆灰和麻布造型作为漆胎，胎骨轻巧而坚牢。\n唐代经济发达文化繁荣，种种因素使工艺美术也随之发达，在艺术、技术以及生产上，皆远超过前期。唐朝漆器大放异彩，呈现出华丽的风格，漆器制作技术也往富丽方向发展，金银平脱、螺钿、雕漆等制作费时、价格昂贵的技法在当时极为盛行。\n宋代漆器的制胎和髹饰技艺已经十分成熟，当时不仅官方设有专门生产机构，民间制作漆器也很普遍。漆器所制作的器皿，样式多且富变化，造型简朴，表现出器物结构比例之美。一般而言，宋代漆器以素色静谧为主。\n明代时期的工艺美术跨入新的阶段，官方设厂专制御用的各种漆器，并由著名的漆艺家管理。除了官设的漆器厂外，民间漆器生产也遍及大江南北。明代江南漆器名家辈出﹐明初有张德刚﹐包亮﹐明代中期有方信川，明末有江千里等，并出现集漆器工艺之大成的著作：黄成著，杨明注《髹饰录》。\n髹饰工艺在这时有很大的革新，结合多种传统技法，两种以上的技法作结合，不同的文饰在不同的素地上更换，开创出千文万华的繁荣局面。\n今日中国大陆和台湾，漆器仍是民间工艺的重要组成部份，著名的漆器工艺，包括福州的脱胎漆器，厦门的髹金漆丝漆器，广东晕金漆器，扬州螺钿漆器，稷山螺钿漆器，山西平遥推光漆器，成都银片罩花漆器，安徽屯溪犀皮漆器，北京剔红漆器，台湾南投县黑髹漆器等。",[24,7,146,49,43],"勾云纹","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F9f4c60b27a601b5d774ac36fca61e060.jpg",[],{"id":150,"slug":151,"title":152,"dynasty":18,"author":19,"museum":20,"description":78,"tags":153,"thumbUrl":156,"material":33,"size":34,"collection":35,"collections":157,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},246129,"qian-long-kuan-ti-hei-chan-zhi-lian-wen-wan-yi-ming-246129","乾隆款剔黑缠枝莲纹碗",[23,24,7,26,154,155,49],"缠枝莲纹","碗","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F347a130d0f19ba5d3bf78c19d5446e4d.jpg",[],{"id":159,"slug":160,"title":161,"dynasty":43,"author":19,"museum":20,"description":44,"tags":162,"thumbUrl":10,"material":33,"size":34,"collection":35,"collections":163,"showCount":11,"zanCount":11,"manualWeight":11,"mainColor":103},246034,"ti-hei-hua-hui-wen-yuan-he-yi-ming-246034","剔黑花卉纹圆盒",[50,24,7,26,28,49],[],1777535727180]