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此作款署“大痴道人”，然其平台坡石，显受沈周（1427-1509）影响，可能原为16世纪后期蘇州画家的作品。根据印记，此作可能曾为朱之赤（活跃于17世纪）收藏。入清后，为毕泷收藏，嘉庆年间籍没入宫。",[51,86,52,53,88,90,91,7,32,26,93],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F54b69f05927997c87308aaa1a3a0b15f.jpg",[],22,{"id":172,"slug":173,"title":174,"dynasty":175,"author":176,"museum":20,"description":177,"tags":178,"thumbUrl":184,"material":35,"size":36,"collection":37,"collections":185,"showCount":170,"zanCount":11,"manualWeight":11,"mainColor":41},287635,"shi-ba-xue-shi-tu-zhi-si-yi-ming-287635","十八学士图之四","明","佚名","松荫庭院间，雅集正酣。文士围案品评法帖，或蹙眉凝思，或倾身低语，神态各异却皆沉浸翰墨意趣之中。侍童垂手待命，后方书童打理卷轴器物，尽显雅聚的悠然闲适。\n\n画作工致写实，衣纹线条劲挺流畅，将文士的温雅气度勾勒入微。屏上淡绘江楼烟景呼应室外虬松古木，案几陈设精巧写实，古雅色调晕染出沉静氛围。整幅画以细腻笔触铺陈出文人雅集的林下之境，将崇文尚雅的意涵融于绢素，尽显静穆雅致的传统美学意韵。",[51,50,71,179,180,181,182,183,70,7],"人物画","文人雅集","松","桌案","侍从","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fc6d3a725df4efb86a48a7c87130040fe.jpg",[],{"id":187,"slug":188,"title":189,"dynasty":66,"author":67,"museum":146,"description":147,"tags":190,"thumbUrl":191,"material":157,"size":158,"collection":37,"collections":192,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":41},223056,"hong-lou-meng-181-sun-wen-223056","红楼梦181",[23,51,24,70,71,28,150,54,7,151,149],"https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fcef394a9ae673d392e30b9491745cd60.jpg",[],20,{"id":195,"slug":196,"title":197,"dynasty":175,"author":198,"museum":199,"description":200,"tags":201,"thumbUrl":206,"material":207,"size":208,"collection":37,"collections":209,"showCount":193,"zanCount":11,"manualWeight":11,"mainColor":98},222319,"xi-yuan-shi-juan-wang-chong-222319","西苑诗卷","王宠","天津博物馆","《西苑诗》为明代书法家王宠所书，是王宠的行书力作。该作书于1530年，正值王宠盛年。王宠一生极其短暂，写完此书后的第三年就去世了。",[23,27,26,24,202,73,87,203,7,93,204,205],"墨书","池沼","疏朗秀雅","明代书法","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F350669abdb79a0b55660e6422bb97d35.jpg","纸本","25×235cm",[],{"id":211,"slug":212,"title":213,"dynasty":175,"author":214,"museum":20,"description":215,"tags":216,"thumbUrl":223,"material":35,"size":36,"collection":37,"collections":224,"showCount":225,"zanCount":11,"manualWeight":11,"mainColor":98},287358,"lin-wang-meng-tai-bai-shan-tu-du-qiong-287358","临王蒙太白山图","杜琼","杜琼（1396~1474年），字用嘉，号东原，五坞山人,延绿亭主人,私谥渊孝先生.人称东原先生，南直隶苏州府吴县（今江苏苏州市）人。明朝文学家，书画家、藏书家，史学家。\n杜琼出身于富贵之家，自幼勤学聪颖，以孝闻名乡里，后师从陈继，并承其业，教书授徒。之后被举荐参与过《太宗（朱棣）实录》《宣宗实录》《舆地志》的修撰，并参与《苏郡志》的校定，备受朝廷礼遇和乡里尊宠，享誉遐迩。1474年，杜琼逝世，享年79岁。\n杜琼虽受朝廷礼遇和乡宠，但是他淡泊功名而醉于谈诗论画的隐居生活。其精于翰墨书画，尤以画山水为著，集众家之长而直追董巨，画风秀逸，是吴门派早期代表画家。\n其传世画作有《南村别墅图》《为吴宽作山水图》《友松图卷》等，此外还著有《东原集》《耕馀杂录》《纪善录》等诗文作品。",[23,51,24,53,217,52,71,88,55,218,219,220,7,221,222,27,26,93],"临摹","林木","村落","房屋","溪流","飞鸟","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe0297dd5ace6aed29811f36a49e164bc.jpg",[],17,{"id":227,"slug":228,"title":229,"dynasty":175,"author":230,"museum":20,"description":231,"tags":232,"thumbUrl":236,"material":37,"size":37,"collection":37,"collections":237,"showCount":238,"zanCount":40,"manualWeight":11,"mainColor":41},235996,"qiao-yue-dan-xia-zhou-xiang-de-xin-235996","乔岳丹霞轴","项德新","此作以奇崛岳峰起势，方硬岩壁勾勒间兼施水墨晕染，云雾萦回山腰，将厚重山石衬得空灵缥缈，隐于云间的瀑流暗生机趣。下方江岸虬松盘曲苍劲，水岸汀渚之上，孤舟渔翁独钓，林麓茅舍幽藏，糅合雄奇与清逸。\n\n笔墨取元人简淡意趣又自出机杼，干笔皴擦写山石肌理，湿墨晕染烟岚云水，虚实相生。把高旷山岳的雄浑与林下幽居的闲淡相融，绘就文人心底丘壑，尽显静穆淡远的隐逸意趣，引观者沉潜林泉高致之间。",[233,51,53,86,88,90,91,139,234,235,7,32],"明代","云雾","小桥","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Feff13466302312933c3bd5dea309f2a8.jpg",[],14,{"id":240,"slug":241,"title":242,"dynasty":66,"author":67,"museum":146,"description":147,"tags":243,"thumbUrl":250,"material":157,"size":158,"collection":37,"collections":251,"showCount":252,"zanCount":11,"manualWeight":11,"mainColor":98},222980,"hong-lou-meng-105-sun-wen-222980","红楼梦105",[23,51,70,71,28,154,244,7,245,246,247,107,248,249],"古建筑","宅院","马车","马","红楼梦题材","轿舆","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002F173d1e044780feb5c210a6379f8cecd8.jpg",[],13,{"id":254,"slug":255,"title":256,"dynasty":66,"author":176,"museum":20,"description":257,"tags":258,"thumbUrl":264,"material":35,"size":36,"collection":37,"collections":265,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":41},290195,"xi-fang-san-sheng-tu-yi-ming-290195","西方三圣图","西方三圣又称阿弥陀三尊，中间是阿弥陀佛，右边观世音菩萨，左边为大势至菩萨组成。西方三圣乃是净土宗专修对象。阿弥陀佛是表无量光明，无量的寿命，无量的功德。观音菩萨是表大慈悲，宇宙的大慈悲。大势至菩萨是代表喜舍。",[23,51,71,70,259,179,260,261,262,263,7],"宗教画","西方三圣","佛像","菩萨","祥云","https:\u002F\u002Foss.chuangqi.store\u002Fthumbweb\u002Fe9f5fdbc991be8a641533b89f691ecd7.jpg",[],10,{"id":268,"slug":269,"title":270,"dynasty":66,"author":176,"museum":20,"description":271,"tags":272,"thumbUrl":280,"material":37,"size":37,"collection":37,"collections":281,"showCount":266,"zanCount":11,"manualWeight":11,"mainColor":98},223528,"wu-yi-shan-shi-ba-jing-tu-3-yi-ming-223528","武夷山十八景图3","图题《武夷山十八景图》系依其内容拟定；武夷山在福建建宁府「崇安县南30 里，……周围凡120 里，东抵崇溪，北为黄龙溪，西至将村里，南至蓝原。四面皆壑，不与外山连」（乾隆辛未《武夷山志》，卷四，〈形势〉）；全境「溪九曲，大峰三十六」（《武夷山志》，卷二，〈总志（中）〉）。图中以山水画笔触将武夷山一带的形胜细腻描绘；其中包括山岩、岩壑、溪流、渡桥、村舍、书院、道观、茶园、渡头、客舟及建宁府城、府属崇安县及江西广信府的铅山县城等城池，均一一入画；图中各项动、静态的描绘，流畅生动，全幅宛如一幅山水行舟图。全图描述各处地貌事物均注记文字标示名称。全图笔触甚为工整，惟不落作画题署，难以确切断其绘制年代。但图中若干寺观、津渡的存废，或可推断绘图的相对时代。图中「一曲」的「问津亭：宋名趋真亭，明名入隹亭，……岁久倾圯，康熙戊戌（57年，1718）崇令陆廷灿（生卒不详，字扶照，又字幔亭）又重建，今废」（《武夷山志》，卷五，〈一曲上．溪北〉）；图中问津亭尚存全貌。另「五曲」的「武夷精舍又名文公祠，隐屏峰下。宋淳熙十年（1183）朱文公（1130-1200）卜筑于此。……顺治16 年（1659）邑令韩士望（生卒不详，顺治九年（1652）进士）又修饰之。次年春，大风拔木，祠尽圯，仅存二门。……康熙26 年（1687），御赐「学达性天」额，因复创修，未能宏敞。……康熙56 年（1717）闽浙总督满公保（1673-1725）捐俸倡修轮奂一新」（《武夷山志》卷十，〈五曲上．溪北〉）；图中文公书院院落至为完善。因此，大致可断全图绘制年代为康熙57 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